Frank YangA little into Beach House’s show at the Kool Haus on Saturday night, Victoria Legrand mentioned that this was their twelfth time playing Toronto. And while I was glad she’d saved me the trouble of trying to assemble their 416 gigography, I was surprised that they’d been through so many times in the past six years, since I’m pretty sure the first was in November 2006 when they played to a dozen or so people in the front room of the Tranzac. I hadn’t personally caught any of the subsequent ten shows, but have followed them around the world – Austin, Chicago, and Reykjavik – so they’ve hardly been off my radar. Just not on the local scale.

In any case, checking back in with Beach House in Toronto with some 2000 others revealed a band that had somehow managed to grow and evolve without seemingly changing at all. Which is to say that if you were to compare their latest, the rather exquisite Bloom, with their self-titled debut, there’d be no arguing it’s the same band – the balance of Victoria Legrand’s smoky voice, whirring keyboards and Alex Scally’s slippery slide guitar remains as it ever was, as does their deliberately slow and hazy sonic aesthetic – but there’s also no denying that it’s an exponentially more creative and interesting Beach House that operates circa 2012, one that gleams through the mist. Truly, they’re an example of a band taking the few elements that define what they are and completely mastering them.

The same can also be said for their live show. Early on, there wasn’t much disputing that they were a… understated pair of performers, the best way to experience their shows being to close your eyes and drift away – that’s certainly what they did. Along the way, though, they’d made some tweaks – most notably trading in their rickety drum loops and machines for real-live sticksman Dan Franz – and learned how to become a compelling, if still unconventional, live act. This isn’t something I’d have expected to say a year prior (to the day, actually) when I saw them – or more accurately their silhouettes – as their entire Iceland Airwaves set was doused in smoke and terribly backlighting but for this tour, which they dubbed the “Frightened Eyes” tour, they had wisely prepared something for the eyes to focus on.

With Scally seated stage right, Legrand set back a bit in centre, and Franz stage left, they set up in almost a straight line in front of some horizontally-striped wall panels. These on occasion shone lights out onto the audience but more often gave something for the stage lights to project against for simple but striking visual effects. On paper it doesn’t sound like much – and even to see it it wasn’t much – but like Beach House’s aesthetic, the simplicity of it and the lighting design in general was perfectly matched to the music and it just worked. And though it would have been easy enough to leverage their visual presence for an air of mystery, Legrand was actually rather chatty, at various points giving a shout out to local music shop Paul’s Boutique as a great place to buy a keyboard, running down the band’s history of performances in the city, and while happy to be playing their largest headline show to date, declared prior to “Silver Soul” that they wanted it to feel nice and intimate – or more precisely, “tight and hot”.

For all of this, though, it would be the music and music alone that people left talking about. Almost the entire set drew from either Teen Dream or Bloom, with only a couple nods to Devotion, and as good as it was to hear them touring behind their breakout record last year, the difference of having two albums of superb, dynamic pop to work with can’t be overstated. From the opening beat of “Wild” breaking into Scally’s chiming guitar and then being given form and focus by Legrand’s breathy, wholly enveloping voice, they were able to lift off and not come close to touching the ground for the duration of the show. It’s funny – airborne metaphors would have been the last thing I’d expect to use to describe Beach House at that first show, but in their finest moments – of which there were many on this night – they simply soared.

The National Post also has a review and Metro and The Boston Globe have features on the band.

Photos: Beach House @ The Kool Haus – October 13, 2012
MP3: Beach House – “Lazuli”
MP3: Beach House – “Myth”
MP3: Beach House – “I Do Not Care For The Winter Sun”
MP3: Beach House – “Zebra”
MP3: Beach House – “Norway”
MP3: Beach House – “Gila”
MP3: Beach House – “Heart Of Chamber”
MP3: Beach House – “Master Of None”
Video: Beach House – “Lazuli”
Video: Beach House – “Zebra”
Video: Beach House – “Lover Of Mine”
Video: Beach House – “Walk In The Park”
Video: Beach House – “Silver Soul”
Video: Beach House – “Used To Be”
Video: Beach House – “You Came To Me”
Video: Beach House – “Heart Of Chambers”

Titus Andronicus have released one of those newfangled “lyric videos” for the second single from their new one Local Business. Which is great if you want to learn the words to sing along whilst moshing when they roll into Lee’s Palace on November 27, but if you just want to hear the new songs, you’re probably better off just hitting the NPR stream of the album. It’s out next week.

MP3: Titus Andronicus – “Upon Viewing Oregon’s Landscape with the Flood of Detritus”
Lyric Video: Titus Andronicus – “Still Life with Hot Deuce and Silver Platter”
Stream: Titus Andronicus / Local Business

Also now streaming over at Drowned In Sound is Banks, the new solo record from Interpol frontman Paul Banks. It’s out next week.

MP3: Paul Banks – “The Base”
Stream: Paul Banks / Banks

Members of Band Of Horses chat with Spinner, nooga.com, and The Miami New Times. They play Massey Hall on December 5.

Opening up that Band Of Horses show will be Jason Lytle; The Big Takeover and NPR have interviews with the once and future Grandaddy frontman.

The Boston Herald, Red Eye, and The Boston Globe have interviews and NPR a World Cafe session with Divine Fits. And over at Seattle Weekly, Dan Boeckner analyzes last week’s vice-presidential debate.

Filter talks to Of Montreal. Their new Daughter Of Cloud compilation is out next week.

Release day for Benjamin Gibbard’s solo debut Former Lives bring feature pieces at Consequence Of Sound, PopMatters, Toronto Star, Huffington Post, NOW, Rolling Stone, Interview, and CBC Music.

Clash and The Pittsburgh Post-Gazette talk to Calexico.

Filter asks Blouse about their impending journey to Iceland Airwaves.

Consequence Of Sound finds out what Peter Buck has been up to, post-R.E.M..

Amanda MarsalisCognizant, perhaps, of the fact that Other Worlds, her third album as Taken By Trees, comes out the exact same day that her North American tour supporting both it and Jens Lekman begins – that’d be next Tuesday, October 2 – Victoria Bergsman has thoughtfully made the album available to stream in its entirety; you can hear it over at Prefix.

It’s a record that keeps the wanderlust feel of its predecessor, East Of Eden, as filtered through Bergsman’s signature shy, sleepy vocals. But where that album immersed itself in the sounds and spirit of Pakistan, Worlds draws influences from a variety of places, from the Mediterranean to Caribbean to South Pacific, to create a gentle, yet danceable aural vacation.

Taken By Trees are at The Phoenix on October 4. Work has a brief Q&A with Bergsman.

Stream: Taken By Trees / Other Worlds

Room 205 has poste the third and final video from their session with I Break Horses. You can also just stream the audio of the session via Soundcloud if you don’t want to deal with the… interesting camera work.

Video: I Break Horses – “Load Your Eyes”
Stream: I Break Horses @ Room 205

Stereogum and The Toronto Star have interviews with First Aid Kit.

DIY gets to know Icona Pop.

Sigur Rós have released another instalment from their Valtari “Mystery Film Experiment” series.

Video: Sigur Rós – “Ekki múkk”

In conversation with Drowned In Sound, Andy Bell discusses what’s next for Beady Eye, what was for Ride and Oasis, and what probably should never have been with Hurricane #1.

DIY, Cool Hunting, and Drowned In Sound talk to Efterklang.

Still Corners have released a new single to precede a Fall European tour. It’s pretty.

MP3: Still Corners – “Fireflies”

CBC Music talks to Beth Orton, in town at the Mod Club on Sunday night in support of Sugaring Season, out Tuesday.

Paste is streaming Don’t Be A Stranger, the new album from Mark Eitzel, ahead of its official release date next Tuesday. He’s at The Rivoli on November 28 and another career advice video is up at SF Weekly.

MP3: Mark Eitzel – “I Love You But You’re Dead”
Stream: Mark Eitzel / Don’t Be A Stranger

Exclaim and The National Post have features on Grizzly Bear, who’ve released a new video and download from Shields.

MP3: Grizzly Bear – “Speak In Rounds”
Video: Grizzly Bear – “Yet Again”

Annie Clark of St. Vincent submits to an Exclaim questionnaire.

CBC Music and SF Weekly talk to Victoria Legrand and The Georgia Straight to Alex Scally of Beach House; they’re at The Kool Haus on October 13.

A couple of noteworthy support acts announced this week – Jason Lytle will be peddling his new solo record Dept. Of Disappearance at Massey Hall on December 5 before Band Of Horses take the stage. The album is out October 16, and a new song is available to stream.

Stream: Jason Lytle – “Get Up And Go”

And DIIV are back again, warming up for Japandroids at The Phoenix on December 11.

MP3: DIIV – “Sometime”

Barbara AnastacioFor a band that’s made their name on stately, carefully crafted chamber pop, Brooklyn’s Grizzly Bear are surprisingly polarizing. Their proponents find the intricacy of their harmonies, arrangements, and musicianship exquisite while their naysayers just find them dull. I actually lean more towards the latter than the former, but temper it with a healthy amount of respect for what they do and how they do it.

So with that frame of reference established, take it for what it’s worth when I say their new album Shields is surprisingly raw and raucous. They haven’t changed up what they do or how they do it significantly – okay, maybe the multi-part harmonies are dialed down some – but the songs themselves have more punch and presence than past efforts, and it’s a pleasant surprise. It’s unlikely to change anyone’s opinion on Grizzly Bear dramatically, but if you’re a fence-sitter it’s reasonable to think this effort will fall rather definitively on the “favoured” side.

But don’t take my word for it – hear for yourself. In a week leading up to some pretty major releases, and thus meaning a week of some pretty major pre-release streams, Shields is the main attraction of NPR’s First Listen feature right now. To go along with that, there’s features on the band – surely the first of many this Fall – at Clash and Stereogum, and they’re a central pillar in this Spin feature about the ongoing gentrification of indie rock.

Shields is out next Tuesday and the band are at at Massey Hall on September 26. Tickets for the show range from $29.50 to $42.50 plus fees, but courtesy of LiveNation, I’ve got a pair of tickets to the show to give away. To enter, email me at contests@chromewaves.net with “I want to see Grizzly Bear” in the subject line and your full name in the body, and have that in to me by midnight, September 19.

MP3: Grizzly Bear – “Sleeping Ute”
MP3: Grizzly Bear – “Yet Again”
Stream: Grizzly Bear / Shields

Also with a new record out next week and in town shortly thereafter is Dinosaur Jr, with I Bet On Sky – their third post-reunion album. It’s doing the stream thing at NPR right now, giving you enough time to learn all the songs so as to be able to sing along with the guitar solos when they hit Lee’s Palace for three nights from September 24 to 26. Don’t pretend you don’t.

MP3: Dinosaur Jr – “Watch The Corners”
Stream: Dinosaur Jr / I Bet On Sky

Not likely to be a whole lot of guitar solos on Charmer, the latest from Aimee Mann, but more superb songwriting is a given. NPR has also got that stream and she’s at the Danforth Music Hall November 6.

MP3: Aimee Mann – “Charmer”
Stream: Aimee Mann / Charmer

Out next week but not streaming at NPR – the band has posted it themselves on Soundcloud – is Band Of Horses’ latest Mirage Rock. Ben Bridwell details the recording of the song “Slow Cruel Hands of Time” to Billboard and also talks to Contactmusic about the new record.

Stream: Band Of Horses / Mirage Rock

New York’s Savoir Adore have already completed their second album Our Nature and given it an October 16 release date, but they’ve turned to Kickstarter to enlist fans’ help to give the record the promotional push they think it deserves. And to help demonstrate what you’re supporting, they’ve made another track from the album available to stream. They’ve also announced their Fall tour in support of the record, and as happy as I am that they’re coming back to Toronto – look for them October 13 at Rancho Relaxo – was it really necessary to schedule the show the same night as Beach House? Le sigh.

MP3: Savoir Adore – “Dreamers”
Stream: Savoir Adore – “Regalia”

Speaking of Beach House, Beatroute and Vice have interviews with the duo. As stated, they’re at The Kool Haus on October 13.

Interview talks to Anna-Lynne Williams about the end of Trespassers William and their final release, the double-disc rarities compilation Cast.

Of Montreal is releasing a rarities compilation covering the last five years in Daughter Of Cloud on October 23. Pitchfork has details, stream one of the rarities below.

Stream: Of Montreal – “Sails, Hermaphroditic”

Spinner talks to Oliver Ackermann of A Place To Bury Strangers.

The Pains Of Being Pure At Heart have made the a-side of a new 7″ due out in October available to stream; it’s a cover of The Magnetic Fields circa The Wayward Bus, if you were wondering.

Stream: The Pains Of Being Pure At Heart – “Jeremy”

eMusic talks to Jack Tatum of Wild Nothing. They’re at The Great Hall on September 18.

Daytrotter has a session with Widowspeak.

Howler have released a new video from their debut America Give Up

Video: Howler – “Told You Once”

Yo La Tengo is doing stuff. A new single entitled “Stupid Things” is coming September 25 and a new full-length will be out in late January, presumably January 28 since the last week of that month is when all the big releases come out. And a new Yo La Tengo album counts as a big release, methinks.

Consequence Of Sound, City Pages, and Blurt talk to Bob Mould about his ongoing career renaissance and Silver Age.

Consequence Of Sound chats with Joey Burns of Calexico and oh yeah, if you’ve always wanted to hear them cover Kenny Loggins, The AV Club is your best friend.

NPR, The Los Angeles Times, and Consequence Of Sound have interviews with Cat Power about her latest album Sun. She’s at The Kool Haus on October 20.

MP3: Cat Power – “Manhattan”

The Broward-Palm Beach New Times and Sun-Sentinel grab a minute with Doug Martsch of Built To Spill.

Greg Dulli tells Billboard he’s non-committal about The Afghan Whigs’ future beyond their Fall North American tour, which hits The Phoenix on October 3.

Beatroute, The Los Angeles Times, and Seattle Weekly profile Redd Kross.

Drowned In Sound talks to James Murphy about life post-LCD Soundsystem.

Jo McCaugheyTwo, actually.

Typically big albums come with big tours, but while Jack White’s solo debut Blunderbuss has been inarguably one of the biggest releases of the year for the adjectiveless rock set, his touring itinerary – at least in North America – has been relatively scattershot, favouring short stretches anchored by festival dates. And while no one would call the dates announced yesterday any kind of cross-country marathon, it does include the first three eastern Canadian dates since the end of The White Stripes, two of which are in Toronto.

White and his two backing bands will be at The Sony Centre for a two-night stand on October 3 and 4 – maybe one night for the all-she Birds backing band and one for the all-he Buzzards? The venue is a bit surprising of a choice since the room holds only 3200 or so; that’s hardly nothing, but remember that that this is a guy who headlines major festivals and who has a fanbase that will think nothing of shelling out to hit both nights. So even though the usually seated venue will have a standing, general admission area set up to increase capacity and rocking out real estate, that’s still not a lot of tickets up for grabs. So when the $45, $59.50, and $75 – plus service charges, natch – tickets go on sale Friday at 11AM… well good luck.

MP3: Jack White – “Blunderbuss”
Video: Jack White – “Sixteen Saltines”
Video: Jack White – “Freedom At 21”
Video: Jack White – “Love Interruption”

Chicagoan outsider folk artist/poet Willis Earl Beal is back in town at The Drake on October 1 for a show in support of his debut, Acousmatic Sorcery; tickets $15.50 in advance. Pitchfork has full Autumn tour dates and details on his plans for an animated short film.

MP3: Willis Earl Beal – “White Noise”

Ben Folds Five, reunited and ready to release their first album in 13 years in The Sound Of The Life Of The Mind on September 18, have put together a tour that brings them to the Kool Haus on October 15, tickets $37.50. On one hand, I loved their first two records. On the other, I don’t know how much of my college years I necessarily need to revisit. Hmm. Folds talks to Spin about why he decided to re-form his old band now, and the answer is a bit longer than, “cha-ching”.

Video: Ben Folds Five – “Song For The Dumped”

The impeccably punk-pedigreed OFF! are back in town for a show at Wrongbar on October 23. I guess this is why we won’t be seeing a proper Red Kross tour this Fall… The Village Voice has an interview with frontman Keith Morris.

Video: OFF! – “Wiped Out”

Matthew Dear and Light Asylum will team up for a show at The Hoxton on November 9. The Skinny talks to Dear about his new album Beams, out August 27.

MP3: Matthew Dear – “Earthforms”
MP3: Light Asylum – “A Certain Person”

Portland electro-rock duo The Helio Sequence will release their new record Negotiations on September 11, and have slated a full North American tour to support – look for them at The Horseshoe on November 12. One preview MP3 was released a little while ago and Rolling Stone has just debuted a second.

MP3: The Helio Sequence – “October”
MP3: The Helio Sequence – “Hall Of Mirrors”

Pitchfork has details on the long-awaited third album from Titus Andronicus: Local Business will be out September 23. And okay two years isn’t really such a long time since The Monitor but still. Woo?

Fang Island have released a first video from their latest effort Major. College Times has a quick interview.

Video: Fang Island – “Sisterly”

Rolling Stone talks to Band Of Horses’ Ben Bridwell about working with legendary producer Glynn Johns on their new record Mirage Rock. They play Echo Beach tomorrow night, August 15, and release said record on September 18.

Grizzly Bear have released another track from their forthcoming album Shields, out September 18. They play Massey Hall on September 26.

MP3: Grizzly Bear – “Yet Again”

Rolling Stone and Prague Post check in with Greg Dulli on the The Afghan Whigs reunion, rolling into The Phoenix on October 3.

Rolling Stone talks to Victoria Legrand of Beach House. They play The Kool Haus on October 13.

OVRLD checks in with Jonathan Meiburg of Shearwater.

Wayne Coyne of The Flaming Lips submits to an interview with QRO because goodness knows he hates being interviewed.

Jason Frank RothenbergIt’s a matter of public record – or at the very least Google index – that I was no fan of Dirty Projectors’ last record Bitte Orca, even though objectively speaking it was obviously one of the albums of 2009. However, one of the nice things about a band as obviously talented – no way am I arguing that point – and creatively restless as they is that each new album is akin to a blank slate.

So yeah, I’m giving their new one Swing Lo Magellan – which is out next Tuesday but now available to stream a week early – a fair shake, and happily it doesn’t sound nearly as fussy or overthought as Orca did. No, that’s not nearly an endorsement, but it’s a start. Give it a listen for yourself, and while you’re at it maybe read some of the feature interviews that bandleader Dave Longstreth has been giving out in advance of the record’s release. They’re on the cover of this month’s Exclaim with an additional feature, a Q&A to go with an album stream at The New York Times, back-and-forths at ArtInfo, NOW, The Irish Times, and MTV Hive, and a long piece at Pitchfork. He also talks to Interview about the Hi Custodian short film which will be released later this Summer and is meant to thematically accompany the new record. Odds of it being incomprehensible are good to great.

Dirty Projectors are in town this week for a show at the Danforth Music Hall on July 6.

MP3: Dirty Projectors – “Dance For You”
MP3: Dirty Projectors – “Gun Has No Trigger”
Video: Dirty Projectors – “Gun Has No Trigger”
Stream: Dirty Projectors / Swing Lo Magellan
Trailer: Hi Custodian

Eternal Summers were just here for NXNE, it’s true, but their new album Correct Behavior wasn’t nearly out then – July 24 is still a ways off – so it’s eminently logical that they’d schedule a return engagement after it was out, which is what they’ve done. They’re at The Garrison on August 7, tickets $11.

MP3: Eternal Summers – “Millions”

Phil Elverum isn’t a guy who seems to like to spend a lot of time on the road, at least not far from his Washington state home base. I could be mistaken but I don’t think he’s been through town since Fall 2008 in support of Lost Wisdom, his collaboration with Julie Doiron and Frederick Squire; his last time through as as Mount Eerie solo was May 2007 and he’s not been back since, despite having released a couple records since then. But if promoting one album isn’t quite enough incentive, apparently promoting two is – having put out Clear Moon back in May and with a companion album Ocean Roar set to come out September 4, he’s finally coming back to town – he’ll be at The Great Hall on September 10 with a full band in tow, tickets $15 in advance.

Stream: Mount Eerie – “Pale Lights” (excerpt)
Stream: Mount Eerie – “Lone Bell”
Stream: Mount Eerie – “House Shape”

You might think that with no less than four visits in 2011 – one headlining show in the Spring and three others supporting The Decemberists in February, Explosions In The Sky in October, and The National in December – that Wye Oak would have had their fill of Toronto for a while. Well apparently nine months is as long as they could wait because they’ve scheduled a show here at The Horseshoe for September 17, tickets $12.50. One assumes that with all that touring, they’ve not had time to write let alone record a follow up to last year’s Civilian, but if you’re hankering to hear something new there is a track they’ve recorded for an Adult Swim compilation that’s available to stream.

MP3: Wye Oak – “Holy, Holy”
Stream: Wye Oak – “Spiral”

Over at The AV Club, Father John Misty record a lovely cover of The Flaming Lips’ “Do You Realize?” for their Undercover series. Father John Misty are at The Opera House opening for Youth Lagoon on July 12.

Spin is streaming another tune from Fang Island’s new record Major, due out July 24.

Stream: Fang Island – “Seek It Out”

NPR has a World Cafe session from The Shins. They open up for The Black Keys at The Molson Amphitheatre on August 3.

Divine Fits – the new band from Spoon’s Britt Daniel, Wolf Parade/Handsome Furs’ Dan Boeckner and New Bomb Turks’ Sam Brown – have announced that their debut album A Thing Called Divine Fits will be out August 28; stream the first track from it below.

Stream: Divine Fits – “My Love Is Real”

Rolling Stone has an interview with J Mascis about the new Dinosaur Jr album I Bet On Sky, the first single from which is available to stream. The album is out September 18 and they kick off their Fall tour in support of it with a three-night stand at Lee’s Palace on September 24, 25, and 26.

Stream: Dinosaur Jr – “Watch The Corners”

Pitchfork has details on the new End Of Daze EP coming from Dum Dum Girls End Of Daze on September 25.

Clash talks to Beach House, in town at the Kool Haus on October 18.

Spinner talks to Beachwood Sparks about getting back together for their first album in over a decade in the just-released The Tarnished Gold.

NPR welcomes M. Ward to their World Cafe for a session.

Drowned In Bells catches up with Sleigh Bells.