Derrick BelchamIt figures that the first year that I would have been able to actually attend the long-list unveiling for the Polaris Music Prize, they up and move it from its usual home atop the Drake clear across the country to give Vancouver a taste of what the grand unveiling of the 40 albums selected as the top musical achievements in Canada over the past 12 months is like. But that’s alright because as it turns out, this was also the first year that I don’t need to make any changes to my ballot as all five of the records I submitted have made it onto the long list so unless I have some massive change of heart about which record is more artistically achieving than another, my role in this year’s Polaris is done.

Which is a surprise because at the start of this year’s eligibility period, I’d have only been able to predict one – maybe two – of my nominations. One of them I’d have sworn I’d never get behind and one I’d never even heard of. And yet. That said, the long list itself is simultaneously one of the most varied in recent memory, from a stylistic and profile point of view, and also one of the most predictable if you’ve been privy to the internal discussions of the 200+ jurors (or at least the ones who participate in the Google group). In any case, nows the time for forty artists to enjoy their time in the large-ish spotlight, send out press releases and update their Wikipedia pages; the short list is announced on July 17 and that, I’m far less confident in my ability to predict. Then, come September 24, there will only be one.

And as I do every year, here are what made my final ballot and why. There was more indecision and last-minute jockeying than there usually is, but I’m pretty comfortable with my picks and also with the fact that two of my three runners-up also made the long list. What can I say, this was just the year that I was wholly in sync with the zeitgeist or something.

1. Fucked Up / David Comes To Life
As with Arcade Fire’s eventual champion The Suburbs last year, this one felt like a no-brainer for the number one slot if for no other reason than it aspired to more, artistically, than most of its peers and arguably succeeded far more than it fell short. Certainly, questions abound: Does the rock opera narrative hold up? Is it hardcore anymore? Will this be the year an artist finally repeats as Polaris champ? To these questions, I have no answer, but I do know this: those guitar riffs friggin’ shoot for the moon.
MP3: Fucked Up – “The Other Shoe”
MP3: Fucked Up – “Ship Of Fools”
MP3: Fucked Up – “A Little Death”
MP3: Fucked Up – “Queen Of Hearts”
Video: Fucked Up – “Turn The Season”
Video: Fucked Up – “The Other Shoe”
Video: Fucked Up – “Queen Of Hearts”

2. Yamantaka//Sonic Titan / YT//ST
I fully expected to hate this band and this record. I mean, how much more pretentious can you get than a bio like, “the pan-Asian cultural collective, Yamantaka // Sonic Titan has crafted a debut LP that sets new standards for the creative heights and satisfactions of genre fusion. They call it Noh-Wave”. And yet that may very well be what they’ve done. Within it’s barely-qualifying seven tracks (really six) and 30 minutes, there’s incredibly deft moves through rock, metal, no-wave, and jazz, all with a genuine Eastern flavour that’s more than just affectation; by rights, it should collapse under the weight of its conceit but instead it soars. It’s operatic, metallic, exotic, and fantastic.
Video: Yamantaka // Sonic Titan – “Hoshi Neko”
Stream: Yamantaka // Sonic Titan / YT//ST

3. Bry Webb / Provider
Never the biggest Constantines fan, I didn’t have much in the way of expectations of their frontman’s solo career, and with its low-key production and ruminations on age and family and life, Provider doesn’t seem like it’s necessarily expecting you to expect much from it. And yet it’s an unquestionably powerful and resonant work, with Webb’s rich, rasp of a voice proving to be just as effective – if not more – in a conversational tone as it was as a defiant bark.
MP3: Bry Webb – “Rivers Of Gold”

4. Patrick Watson / Adventures In Your Own Backyard
I will refer you back to this post in order to fully appreciate how remarkable I must think Adventures is for it to be on my ballot. And really, he’s not doing anything substantially different than he’s done on his earlier records – elegantly arranged and executed art-pop that’s content to just be lovely. And that he’s dialed down the fussiness a bit and dialed up the beauty a lot has apparently been enough to win me right over.
MP3: Patrick Watson – “Words In The Fire”
MP3: Patrick Watson – “Into Giants”
Video: Patrick Watson – “Into Giants”

5. Kathryn Calder / Bright & Vivid
I liked Calder’s first record a lot and loved her second, and yet was reluctant for a long while to put it on my ballot. Why? Because it’s pop music – pure and simple – without any particular stylistic angle or backstory, and pure pop is frequently dismissed or denigrated for aspiring to nothing more than creating indelible, earwormy melodies. Well you know what? That’s an incredibly hard thing to do, and to do it as well as Calder does on just her second time out? That deserves recognition.
MP3: Kathryn Calder – “Who Are You”
Video: Kathryn Calder – “Turn A Light On”
Video: Kathryn Calder – “Who Are You”

Plants & Animals have released a new video from The End Of That. Their NXNE schedule puts them at Yonge-Dundas Square tonight at 8:30PM for a free show.

Video: Plants & Animals – “H.C.”

NOW and The Ottawa Citizen talk to Yamantaka//Sonic Titan as they gear up for NXNE; they’ll be at The Garrison tonight at 12AM, will play an in-store at Sonic Boom on Saturday at 3PM and if you’re still up and about late Saturday night, maybe you’ll need a soundtrack for some nachos…

Toronto’s METZ – who have been fixtures around the city seemingly forever – have finally announced details of their debut full-length, which is still untitled but will be out on October 9 via Sub Pop. They talk to Exclaim about it, and will be at Wrongbar tonight and The Phoenix opening for Archers Of Loaf tomorrow.

The San Francisco Bay Guardian, City Arts, Denver Westword, Washington City Paper, Willamette Weekly, The Phoenix New Times, and Vice discover Destroyer’s Dan Bejar isn’t so media-averse after all. He’s at The Opera House on June 23.

Consequence Of Sound and Spin have features on Japandroids, in town at Lee’s Palace on June 23.

Reg Vermue has been pretty busy in the guise of Regina The Gentlelady in Light Fires, but Gentleman Reg is not being neglected; Exclaim reports that Reg will be releasing a new album entitled Leisure Life as a series of three digital EPs, the first arriving July 3 and all of which will be collected in physical form in the Fall. The first track from the collection has been made available to stream.

Stream: Gentleman Reg – “Waiting Around For Gold”

Basia Bulat will be opening up for Andrew Bird at Echo Beach on July 19.

MP3: Basia Bulat – “Gold Rush”

CBC Music asks Bry Webb to name his five favourite records of the last 20 years; The Saskatoon Star-Phoenix, Uptown, and Regina Leader-Post. Webb plays The Theatre Centre on August 18 as part of the Summerworks festival, the lineup of which was just announced this week and also features the likes of Evening Hymns and Buck 65 in special performances that promise to better integrate the theatrical side of the festival; should be interesting. Dates and performer information can be had at Exclaim.

The National Post talks to Tony Dekker of Great Lake Swimmers; they’re opening up for Blue Rodeo at The Molson Amphitheatre on August 18.

Exclaim, eMusic, National Post, and Spinner have features on Metric and The Alternate Side a video session to mark the release of Synthetica. The band have a new video from it as well.

Video: Metric – “Youth Without Youth”

PS I Love You have released another video in their Paper Bag Sessions series. The Halifax Chronicle-Herald and McMaster Silhouette have interviews.

Video: PS I Love You – “Death Dreams Pt 1 & 2”

Spin talks to Spencer Krug about the new Moonface record With Siinai: Heartbreaking Bravery, from which a new video has just been released.

Video: Moonface – “Faraway Lightning”

Macleans investigates why John K Samson is so popular in Germany. Check the Hasselhoff jokes, people. Just don’t.

Frank YangFriday nights usually find Torontonians spoilt for entertainment options and tonight will be no exception, but if you’re at all unsure of what to do with your evening then consider heading down to Lee’s Palace. It’s hosting a benefit concert for three young Oakville boys whom, following a tragic series of events, were orphaned in January of this year and in addition to all the emotional devastation, were left in a dire financial situation.

Their uncle, however, was a founding member of The Hidden Cameras and has deep connections to the Guelph and Toronto music communities and has organized a benefit show at Lee’s that will feature performances from some of the best this city has to offer, including Owen Pallett, Basia Bulat, Sandro Perri, Bry Webb, Jim Guthrie, Nathan Lawr, Andre Ethier, Ohbijou’s Casey Mecija and Light Fires.

Tickets for the show are $15 in advance and at the door, and proceeds will go to both a trust fund for the boys and Halton Women’s Place. Specifics can be found at the Facebook event and there are feature pieces on the benefit at The Grid and CBC Music. And if you can’t make it and still want to help out, donations can be made at Newman Boys Trust Fund. There’s not really any more worthy cause than this.

MP3: Owen Pallett – “A Man With No Ankles”
MP3: Basia Bulat – “Gold Rush”
MP3: Bry Webb – “Rivers Of Gold”

Saturday is Record Store Day and, while you’ve already been briefed on the day-long in-store festival at the Annex location of Sonic Boom, but that’s not the only place you can enjoy some live music on whilst getting your shopping on – Soundscapes will be hosting Toronto’s next great power-pop hopes The Elwins at 7PM. They’ll surely have copies of their debut And I Thank You for sale – they just debuted a new video from it – but in the spirit of the occasion they’ll also have a limited-edition handmade CD containing a new remix and their cover of Beyonce’s “Countdown”, which will also be available to download free via their Bandcamp.

Video: The Elwins – “Are You Flying With A Different Bird?”

While on the topic of Record Store Day, one of the more sought-after releases is sure to be the Feistadon release – that’s Feist/Mastadon covering each other on either side of a split-7″ – and if you’re not lucky enough to get your hands on one you can at least hear it via stream.

Stream: Feist – “Black Tongue” (Mastadon cover)
Stream: Mastadon – “A Commotion”

The split-7″ between Toronto’s METZ and Fresh Snow is probably one of the more limited releases out there tomorrow – it’s only available at Sonic Boom. METZ contribute a cover of Sparklehorse’s “Pig” and Fresh Snow’s new track continues to establish them as one of the city’s new bands to watch, building on a rock-steady Krautrock foundation with horns and pretty, interesting things. They’re playing a Sonic Boom in-store tomorrow at 6 and are at The Boat on May 9. Both sides of the release are up for stream.

Stream: METZ – “Pig” (Sparklehorse cover)
Stream: Fresh Snow – “BMX-Based Tactics”

And oh, if you’re planning on spending oodles of money on vinyl and are going to listen to them on a turntable you bought at Urban Outfitters… read this New York Times piece on turntables and set a little money aside to save up for a Rega. You’re welcome. There’s also chats with some of Toronto’s record stores about RSD at Plaid and across the pond, The Stool Pigeon has an interview with Martin Mills, head of the Beggars group of independent labels (Matador/4AD/XL) about the annual event.

NOW and Post City talk to Plants & Animals, who are at Sonic Boom tomorrow afternoon before their show at Lee’s Palace that night, and then will be at NXNE in June and are allegedly going to on the bill with Sam Roberts at Echo Beach on July 26. All of which is to say that if you are a Plants & Animals fan, you have no excuse whatsoever for not seeing them play. Unless you’re just lazy. Can’t argue with that.

The Chronicle-Herald talks to Rose Cousins, in town at The Rivoli on May 3.

Exclaim and Spinner chat with Patrick Watson while aux.tv points to a mini-documentary on the making of his latest album Adventures In Your Own Backyard. He plays The Music Hall on May 29.

Spinner collects some more details on the new Metric album Synthetica, due June 12.

Dan Mangan is the subject of a just-released short documentary film. He plays a free show at Pecault Square on the afternoon of June 16 for LuminaTO.

Video: In The Car With Dan Mangan

Hidden Cameras fans wondering why the band’s recently-announced itinerary of eastern Canada dates didn’t include a hometown show in Toronto now have their answer – the band will be playing a free show at Harbourfront Centre on Canada Day, July 1. I remember seeing them on that same stage for the Indie Unlimited festival back in August 2006. And now I feel terribly old.

MP3: The Hidden Cameras = “In The NA”
MP3: The Hidden Cameras – “Walk On”

The big fest announcement hereabouts this week was NXNE, but Guelph’s Hillside Festival also let the world know who would be gathering on the shores of Guelph Lake from July 27 to 29 – Bry Webb, Cold Specks, Kathleen Edwards, Great Lake Swimmers, Memoryhouse, Chad VanGaalen and more.

NPR is streaming a World Cafe session with Grimes and The List has an interview.

Caleb BeyersEven though Kathryn Calder had well-established her songwriting credentials prior to joining The New Pornographers via her tenure in the now-defunct Immaculate Machine, her 2010 solo debut Are You My Mother? still came as a surprise to many – myself included – for how musically sophisticated and lyrically poignant it was, while still being tremendously tuneful. No one doubted Calder was talented – holding her own in a band of such musical heavyweights was plenty of proof of that – but to release such a mature record on her first go-around was really remarkable.

So while the entire thing has yet to be heard, the first sample of her second album – already completed, entitled Bright And Vivid and set for an October 25 release – certainly seems to prove that Are You My Mother? was no fluke. If anything, “Who Are You?” declares that Mother was just Calder getting warmed up – it sounds more widescreen in scope yet nimbler in execution and more assured all around. If the album’s other nine tracks measure up, Bright And Vivid will firmly establish Calder as a formidable artist in her own right, every bit the equal of her bandmates’ own solo ventures. Yes, I mean that.

Exclaim has more details on the album. Calder’s only visit to Toronto as a solo artist was back in June on one of the most packed concert nights in recent memory and sadly, her Tranzac show didn’t make the cut – here’s hoping that the Fall brings her back to showcase both her records in a live setting.

MP3: Kathryn Calder – “Who Are You?”

What does it sound like when awesome meets awesome? Probably a bit like this cover Basia Bulat did of Ted Leo’s “Where Have All The Rude Boys Gone” for the AV Club Undercover. I look forward to her inevitable folk-punk album. And if you need a Basia fix in the GTA, she’s playing a free show on Friday evening, August 26 at Mississauga Celebration Square – that’s around Square One shopping centre – at 8:30PM; Mississauga.com previews the show with an interview. She also teams up with the Hamilton Philharmonic Orchestra to play Hamilton’s Supercrawl on September 10 – another free show.

Tasseomancy have made their album Ulalume available to stream a week before its August 30 release over at Exclaim, who also have an interview. They play an album release show at The Great Hall on October 20 and open up for Austra at The Phoenix on December 1.

MP3: Tasseomancy – “Healthy Hands”
MP3: Tasseomancy – “The Darkest Of Things”
Stream: Tasseomancy / Ulalume

Feist talks to Q about the process of making Metals. It’s out October 4 and she plays Massey Hall on December 1.

HearYa has a audio/video session and CultureMob an interview with The Wilderness Of Manitoba, who cap off a busy Summer of touring with a homecoming show at Lee’s Palace on September 8.

MP3: The Wilderness Of Manitoba – “Hermit”

Speaking of hometown shows, Elliott Brood will mark the September 27 release of Days Into Years with a show at The Phoenix on November 18, advance tickets $12. There’s interviews with the band about the new record at The Whistler Question and Pique.

MP3: Elliott Brood – “Northern Air”

The Weeknd are getting a jump on their bid for a 2012 Polaris Prize nomination to go with this year’s shortlist nod, making a new album/mixtape available for free download.

ZIP: The Weeknd / Thursday

Spoonfed talks to Fucked Up’s Jonah Falco.

Frank YangThere’s not a lot of cross-Canada tours that skip over Toronto, but the Exclaim/Scion-sponsored country-wide trek headlined by Shad, and for this leg also featuring fellow Polaris shortlist alumni Miracle Fortress, looked to be doing just that with Thursday night’s show at Wrongbar presented as a private show, attended by contest winners and attendees of Exclaim’s 19th anniversary party which went before the show. But it’s not as though either artist had been strangers hereabouts lately – both performed in March as part of Canadian Musicfest, and both had more upcoming local dates over the next couple of months; if you wanted to see either of them, you will still have your chances. If you wanted some of the tasty hors d’oeuvres and free beer that was being handed out to party guests… well, sorry – can’t help you there.

But if you were curious about how the show itself went, that I can comment on. I’ve already talked about how much I like Miracle Fortress’ second album, the gorgeous blend of new wave and classic pop that is Was I The Wave?, and so was pretty excited to see/hear it live armed with an intimate knowledge of its contents rather than just the one-week head start I had in March. And while this performance was pretty similar in structure and presentation to that previous show – Graham Van Pelt on guitars, keys, and general sonic sorcery and Greg Napier on drums, a few laser-lighting and strobe effects and a lot of darkness – there were a few fresh observations.

In particular, the realization that as much as Van Pelt is often characterized as preferring to studio to the stage and only touring because it’s necessary, the live Miracle Fortress experience is as intricately arranged and choreographed in its way as the record – whereas the touring incarnation of Miracle Fortress changed a fair bit over the course of promoting 2007’s Five Roses, it’s pretty clear that Van Pelt knew exactly how he wanted Was I The Wave? to be presented live. The way that the duo are able to recreate all the nuances and textures of Was I The Wave? while incorporating a few more visceral live flourishes to keep it from feeling to pre-programmed was quite impressive, as was the fact that even with all the multi-tasking he needs to manage, Van Pelt’s vocals were pitch-perfect. In short, Miracle Fortress sounded fantastic.

And while Shad is always fantastic live as a performer, you couldn’t say that his hour-long headlining set sounded fantastic. Somehow Miracle Fortress’ elaborate setup was easier to amplify than Shad’s mic, turntable and bassist because he had to fight his way through feedback, poor levels and generally muddy sound. Luckily, though, he was in a fighting mood and despite all of that, he put on the most aggressive show I’ve seen from him yet. I don’t mean that in any sort of confrontational sense – that’s not Shad’s game – but just in the amount of energy and enthusiasm he put into it. If you’ve seen him before, you know that his baseline is pretty energetic; this was better.

For his set, he drew heavily on last year’s breakout TSOL and took advantage of the city to invite some guests out; Lisa Lobsinger of Reverie Sound Revue and Broken Social Scene to reprise her parts on “Rose Garden” and Grand Analog’s Odario Williams to take lead on their track “Electric City”, on which Shad guested. But from my perspective, the most memorable guest was the hopefully drunken girl who barged her way to the front for the last few songs of the set and proceeded to writhe and gyrate all over the stage monitors like she was auditioning for a Warrant video. I’m really not sure what she was trying to accomplish – though if it was to be laughed at by the rest of the audience, the club staff and security she succeeded – but as many points as Shad scored for the rest of his set, he gets bonus for not getting distracted. Wish I could say the same but I was doing my best to not get elbowed in the head by her dance moves. Memorable, if nothing else.

BlogTO was also on hand for wasabi mashed potatoes and a review of the show. Ca Va Cool , hour.ca, The Vancouver Sun and See interview Graham Van Pelt; Was I The Wave? gets a US release tomorrow. Shad will be playing at showcase to be announced as part of NXNE and also a free Canada Day show at Metro Square as part of the Toronto Jazz Festival. Miracle Fortress will be at The Phoenix on June 9 as support for Junior Boys. Update: Shad will perform at The New Social on June 18.

Photos: Shad, Miracle Fortress @ Wrongbar – May 12, 2011
MP3: Shad – “Rose Garden”
MP3: Shad – “Yaa I Get It”
MP3: Shad – “I’ll Never Understand”
MP3: Miracle Fortress – “Raw Spectacle”
MP3: Miracle Fortress – “Have You Seen In Your Dreams”
Video: Shad – “Keep Shining”
Video: Shad – “We Myself & I”
Video: Shad – “Rose Garden”
Video: Shad – “Yaa I Get It”
Video: Shad – “The Old Prince Still Lives At Home”
Video: Shad – “I Don’t Really Like To”
Video: Shad – “Brother (Watching)”
Video: Miracle Fortress – “Maybe Lately”
Video: Miracle Fortress – “Have You Seen In Your Dreams”

DIY, Spinner and BlogTO talk to Katie Stelmanis of Austra, whose record Feel It Break is out tomorrow and who plays Lee’s Palace on May 19.

Spinner talks to Suuns, who are playing the Horseshoe on June 17 as part of NXNE.

Ottawa XPress profiles The Balconies, whose NXNE showcase goes at 1AM the evening of June 18 at Sneaky Dee’s.

Yours Truly has a stunningly-shot video performance from Basia Bulat playing a new song.

Modern Superstitions quietly rolled out a sharp new video a couple months ago. Worth a watch, as is the band themselves.

Video: Modern Superstitions – “Mercy Line”

Spinner talks to Will Whitwham of The Wilderness Of Manitoba about taking their folk-pop around the world.

Southern Souls has both audio and video from The Darcys’ show at Steam Whistle Brewing a couple weeks ago.

Five words that I never thought I’d see together – Fucked Up and Air Canada Centre (unless it was in the context of how the Leafs do on the ice). And yet Toronto’s premiere hardcore outfit will indeed be going arena-sized on August 9 when they open up for Foo Fighters. And on top of it all, Montreal pop-punkers from the ’90s The Doughboys are back together and will also be on the bill. Fun fact – my band in high school covered The Doughboys’ “Shine” because I liked playing the riff. Yes, I basically made a hash of it every time; I fail to see what that has to do with anything. Fucked Up’s David Comes To Life is out June 7 and the band have released a mini-doc video talking about the new record.

MP3: Fucked Up – “Queen Of Hearts”
Video: Foo Fighters – “Rope”
Video: Doughboys – “Shine”

Handsome Furs have made the first MP3 from their forthcoming Sound Kapital available to download without and bloodletting or having to sign up for any mailing lists. The record is out June 28.

MP3: Handsome Furs – “What About Us”

Efforts to catch Sloan’s in-store at Sonic Boom on Saturday were largely foiled thanks to the TTC, who got me there about 40 minutes later than expected. As a result, I couldn’t see anything and there won’t be much writeup beyond saying that The Double Cross continues to impress me with how top-to-bottom great it is, they’re still not nor will they likely ever be an airtight live band but that’s part of their charm and I’m going to have to hit their June 22 show at The Mod Club now. In the meantime, check out this Q&A with Patrick Pentland as the band prepare to commandeer the Magnet website for a week, this guided tour of Sloan’s rehearsal space at Metro, this review/reminiscence of the record/band from Dave Ullrich of Inbreds at Thick Specs and two more installments in their video tributes – a choral “Everything You’ve Done Wrong” and celebrities choosing their favourite Sloan albums.

Canvas MediaThere’s records that you hear and, regardless of how you personally feel about them, you know that they will be a big thing, that their contents will resonate with the masses and will prove to be game-changers for the artist who created it. Timber Timbre’s 2009 self-titled album was not one of these, or at least I didn’t hear it. Building swampy textures and tempos around Taylor Kirk’s low, drawling Randy Newman-ish vocals, it didn’t seem the sort of record with a lot of crossover appeal and yet it did find an audience beyond lo-fi folk/blues enthusiasts and would be one of the most highly-regarded Torontonian and even Canadian releases of the year. What can I say, I’m wrong a lot. I’m okay with that.

And so I’m not at all surprised that people are rubbing their hands together in anticipation of Timber Timbre’s new record, the marvelously-titled Creep On Creepin’ On, which is out on April 5. It keeps much of the dark, out-of-time atmospherics of its predecessor, but with Kirk’s live band Simon Trottier and Mika Posen now full-fledged members, offers a more dynamic sound with some rather rich-sounding instrumental passages. I already like it more than Timber Timbre, so everyone else is probably going to love it.

Exclaim thinks enough of it to put the band on the cover of their new issue with accompanying feature story. The record is streaming in whole at Spinner and they’ve just released a video from it as well. Months of touring begin in earnest this weekend and include a sold-out hometown show at Trinity-St. Paul’s next Friday night, April 8.

MP3: Timber Timbre – “Black Water”
Video: Timber Timbre – “Woman”
Stream: Timber Timbre / Creep On Creeping On

PS I Love You have released a new video from Meet Me At The Muster Station and support for their April 7 show at The Garrison has been revealed as Matters. Whom you may have known better as The D’Urbervilles. Which you may know as John O’Reagan’s – aka Diamond Rings – rock band. Exclaim has some info on the change in identity, both sides of their new single – which is out next week and already has a video – is streaming at Bandcamp and NOW has a chat with the director of the last Diamond Rings video.

Video: PS I Love You – “Get Over”
Video: Matters – “Get In Or Get Out”
Video: Diamond Rings – “It’s Not My Party”

Creative Loafing and Ca Va Cool check in with The Rural Alberta Advantage, who will be at The Phoenix on April 29.

Spinner and Simcoe.com talk to Tokyo Police Club.

A new MP3 from Sloan’s forthcoming The Double Cross is up for grabs. The record is out May 10.

MP3: Sloan – “Unkind”

Matablog announced that the lead-up to the June 7 release of Fucked Up’s new record David Comes To Life would consist of four digital singles, the first of which is already up for grabs. Exclaim also reports that the band will put out a compilation of fake ’70s-era punk bands as part of Record Store Day on April 16, and are offering a track from that to wrap your head around.

MP3: Fucked Up – “The Other Shoe”

Apparently coming out of SxSW as one of the buzz bands, Austra have scheduled a hometown show at Lee’s Palace for May 19 to go with the May 17 release of Feel It Break. The Guardian declared them “New band of the day” last week.

MP3: Austra – “The Beat & The Pulse”

The Meligrove Band have released a new video from last year’s Shimmering Lights.

Video: The Meligrove Band – “Really Want It”

The National Post chats with Basia Bulat.

Stars have released a new video from last year’s The 5 Ghosts, and congratulations to Amy Millan and Evan Cranley on the birth of their daughter last week.

Video: Stars – “Changes”

PopMatters talks to Natalia Yanchak of The Dears while The Village Voice chats with Murray Lightburn.

NYC Taper is sharing a recording of Godspeed You! Black Emperor’s show in Brooklyn in mid-March. Their sold-out three-night, four-show stand at Lee’s Palace runs April 22 to 24.

Exclaim talks to Little Scream, whose debut The Golden Record arrives April 12. She opens for Antlers at The Mod Club on June 14.

Exclaim has details on Miracle Fortress’ long-awaited second album Was I The Wave?, due out April 26 and previewed impressively (though in the dark) back Canadian Musicfest. A track from the record is available in exchange for your email address.

Ottawa post-pop instrumentalists My Dad Vs. Yours have released a video from their gorgeous new record Little Symphonies. The Link has an interview with guitarist Jose Palacios.

Video: My Dad Vs Yours – “Happy Wanderer / Carry The Weight”

The Take talks with Juno award winner Shad, who by way of thanks is giving away a new track recorded with Skratch Bastid. There’s also a video interview with Shad from the Junos by the Province of Ontario. Our tax dollars at work!

MP3: Shad & Skratch Bastid – “Give You All I Can”
Video: Shad & Skratch Bastid – “Give You All I Can”

eye, The Chicago Tribune, The Riverfront Times and Austinist talk to Dan Bejar of Destroyer, who are playing a sold-out show at Lee’s Palace tonight.