FoxSunday night’s television lineup got a healthy injection of The National this week, both directly and indirectly. In the Thanksgiving episode of Bob’s Burgers, viewers were treated to a holiday-themed song by Linda in abbreviated form and in full over the closing credits, and shortly thereafter The Vulture surfaced with a version of the song rendered in Matt Berninger’s distinctive baritone over appropriately tasteful backing. They had to take it down, unfortunately, but this is the internet – nothing ever dies.

Boardwalk Empire viewers didn’t have to do nearly as much legwork to hear the band’s contribution to this week’s episode – they just had to sit through the credits. As has been the custom for the Steve Buscemi vehicle, the band – assisted by Vince Giordano & the Nighthawks – covered a period-correct song to play while the best boys and gaffers got their due; this one was a 1924 song originally recorded by Isham Jones and The Ray Miller Orchestra. I didn’t know that – full credit goes to Fuck Yeah The National for pulling the background together on that one.

Stream: The National – “I’ll See You In My Dreams”
Stream: The National – “Bob’s Burgers Thanksgiving Song”

Freelance Whales, who just released their second album in Diluvia, and Hundred Waters, whose self-titled debut came out in September, will be at The Mod Club on January 17, tickets $16. Spinner and The Daily Tar Heel have Freelance Whales features.

Video: Freelance Whales – “Spitting Image”
Video: Hundred Waters – “Thistle”

Christopher Owens – aka the guy from Girls who was basically the entirety of Girls and who recently left Girls – will be at The Mod Club on January 18 as part of a North American tour in support of his solo debut Lysandre, out January 14.

Stream: Christopher Owens – “Lysandre’s Theme / Here We Go”

NPR has a World Cafe session with Titus Andronicus, and The Chicago Tribune, Denver Westword, and 77 Square have features. They’re at Lee’s Palace next Tuesday, November 27.

A new track from Memory Tapes’ forthcoming Grace/Confusion is now available to stream, as is a mish-mash of b-sides, unreleased material, and whatnot in mixtape form. The album is out December 4.

Stream: Memory Tapes – “Neighbourhood Watch”
Stream: Memory Tapes – “Displaced Mix”

Spinner talks to Paul Banks about Interpol turning ten. The decade-anniversary edition of Turn On The Bright Lights is out December 4 and one of the bonus tracks is now available to download. Las Vegas Weekly and Denver Post also talk to Paul Banks about his solo thing.

MP3: Interpol – “Roland” (first demo)

Yo La Tengo have released a video from their next record Fade, due out January 15. They play The Phoenix on February 9.

Video: Yo La Tengo – “Before We Run”

NPR welcomes Father John Misty to the World Cafe; MTV Hive also has an interview. He’s at The Danforth Music Hall supporting The Walkmen on January 16.

NYC Taper is sharing a recording of a Widowspeak show from earlier this month. There’s some new Almanac material to hear before the album is released on January 22.

Rolling Stone talks to Jim James about his forthcoming solo debut, Regions of Light and Sound of God. It’s out February 5.

Beach House have released a new video from Bloom.

Video: Beach House – “Wild”

R.E.M. may be gone, but they’re still able to remind you they’ve got some Hollywood-type friends, such as with this video for the final song from their final album, Collapse Into Now, directed by James Franco and starring Lindsay Lohan.

Video: R.E.M. – “Blue”

American Songwriter talks to Britt Daniel of Divine Fits.

The Fly and MusicOmh have interviews with Sharon Van Etten.

Stereogum talks to Steve Drozd of The Flaming Lips about how work is coming on their new album, at last check entitled The Terror and earmarked for release this Fall though that’s probably not happening. They could have asked Wayne Coyne, but he was otherwise occupied being detained by the TSA.

Happy Thanksgiving, America. Happy Thursday, rest of the world.

LabradorAs predisposed as I am towards things Swedish, melancholic, and anthemic, it took me a little bit to warm to Jönköping’s Mary Onettes because, well, their name is pretty awful; thankfully, their music is most definitely not. Their 2009 album Islands was a glorious thing, all Cure-meets-Bunnymen ’80s romantic angst in stadium dress. And as happy as I’d have been to have more of the same, the band has other ideas.

Their Love Forever EP released back in February made public the first fruits of their sessions with Swedish über-producer Dan Lissvik, probably best known in these parts for helping make Shapeshifter a game-changing record for Montreal’s Young Galaxy. While it doesn’t sound as though he’s been as transformative with The Mary Onettes, Lissvik’s fingerprints are clearly audible from the distinctive gleam about each sonic element – it doesn’t sound so much like the ’80s as what the ’80s thought the future might sound like.

Love Forever did fine as a teaser, and we won’t have to wait long for the main feature. Their third album Hit The Waves will be released on March 12 and a track from it has been made available to stream. Give it a listen below, along with the Love Forever material, and get anxious.

MP3: The Mary Onettes – “Love’s Taking Strange Ways”
Stream: The Mary Onettes – “Evil Coast”
Stream: The Mary Onettes / Love Forever

Correctly interpreting their sold-out show at The Drake in October as demand, Niki & The Dove are responding with supply via a North American tour that brings them back for a show at Wrongbar on January 16, tickets $15 in advance. There’s also a feature interview at Filter.

MP3: Niki & The Dove – “Tomorrow”

NPR has a video session with Jens Lekman, who also chats with The Phoenix New Times and The Dallas Observer.

Culture Fly has an interview with Amanda Mair.

Icona Pop have released a new video from their self-titled debut, out now in Sweden and sometime next year in the rest of the world. They’re also interviewed by The Daily Beast and Buzzine, and will be at The Kool Haus on December 1 opening up for Marina & The Diamonds.

Video: Icona Pop – “We Got The World”

Matador has announced the signing of Danish post-punk young’ns Iceage. Their as-yet untitled second album will be out on February 19.

The Line Of Best Fit has an interview with Björk.

Sigur Rós are almost done with their Valtari Mystery Film Experient – this “Varúð” clip is the second-last one, and the final one should be out before they’re screened in film form in a couple weeks including December 8 at The Bloor. They play The Air Canada Centre on March 30.

Video: Sigur Rós – “Varúð”

Bowery Presents got Of Monsters & Men to perform an acoustic session on the rooftop of the Music Hall of Williamsburg way back in the Spring. But they’ve only posted it now.

Frank YangIf there’s any lessons a band can take from Ash, first and foremost would be a) to never mind fashion and stick to what you do well, and b) to get started young. The benefits of both of these points were on display Saturday night when the Northern Irish trio rolled into Lee’s Palace for their first Toronto show in seven years. To the former, they had a massive and impressive repertoire of high-energy, ultra-melodic punk/metal-laced pop to draw from and to the former, well if you’re so fortunate to be celebrating your twentieth anniversary as a band then you would probably want to be has as young and spry as the 35-year old Tim Wheeler, even with the flecks of grey in his beard.

While I can think of some acts I’d have rather seen open for Ash – former guitarist Charlotte Hatherley, say, or Wheeler’s girlfriend Emmy The Great – Halifax’s Kestrels were more than fine as well. As I wrote in July, their debut A Ghost History has more than enough ’90s-vintage college rock/shoegaze DNA in it to be a good fit, and there was even a formal connection what with Wheeler making a guest guitar appearance on the record. As is not unusual for bands of their ilk, their live show was exceedingly loud, and many of the pop-friendly nuances on the record were smothered with distortion and volume. The rhythm section, with its thick, fuzzy bass chords and nimble, 16th-note drumming, was an effective balance of heavy and agile and Chad Peck’s guitar leads were less melodic lines than bursts of noise run through a wah pedal. They probably could have done themselves a favour by turning down just a bit, but their enthusiasm was warranted – it was their last show of the year after touring heavily in support of their album and as Peck noted, Ash was his favourite band since forever so getting to open for them – and then take over Wheeler’s guitar roadie duties later – made for a pretty unique experience. If ever there was a night to leave it all on stage, it was this. And they did. Loudly.

Though chronologically, Ash fit right into the first wave of Britpop, I never really thought of them as such – and not just because Northern Ireland isn’t technically part of Britain, so the genre was a misnomer anyways. No, it was more their youthful energy and punkier inclinations didn’t really fit with the sort of Anglo sophistication that I wanted from the likes of Blur or Pulp, and so while I appreciated the singles I heard over the years, I didn’t start making up the lost time until recently. Definitely in time to thoroughly enjoy their show, though. Obviously feeling no inclination to be difficult, the set was wall-to-wall hits – both actual and should have beens – drawn from throughout their career but focusing largely on their 1996 debut 1977 with appropriate consideration given to 2001’s Free All Angels and 2004’s Meltdown, and ranging from the relatively gentle “Shining Light” to the positively raging “Clones”. And while not sold out, the show was well-attended with no small number of Irish fans and not singing along with anthems such as “Goldfinger” or “Girl From Mars” was simply not an option. They also drew heavily from their recent ambitious A-Z singles series – the triple vinyl North American release ostensibly the reason for the tour – and tracks like “Arcadia” and “Binary” proving that even after twenty years, their simple formula of riff and melody – and recently, the occasional electronic flourish – still pays tremendous dividends.

As you would expect a band with as many years and miles under their belts as Ash, they were unbelievably polished and powerful, bassist Mark Hamilton not missing a not while striking body-contorting rock poses through the whole night and Wheeler, when not singing, was bounding around the stage and confirming that the road case oddly placed front and centre stage was indeed for jumping on and rocking out. And after nineteen songs and 90 minutes, it was also the place for the trio to stand up and take a well-earned bow.

Oh, one more lesson bands can take from Ash? Flying Vs rawk.

Exclaim also has a review of the show and A Music Blog, Yea has an interview with Tim Wheeler.

Photos: Ash, Kestrels @ Lee’s Palace – November 17, 2012
MP3: Ash – “Return Of White Rabbit”
MP3: Ash – “Burn Baby Burn”
Video: Ash – “Carnal Love”
Video: Ash – “Binary”
Video: Ash – “Kamakura”
Video: Ash – “The Creeps”
Video: Ash – “War With Me”
Video: Ash – “Neon”
Video: Ash – “Ichiban”
Video: Ash – “Space Shot”
Video: Ash – “Pripyat”
Video: Ash – “Tracers”
Video: Ash – “Arcadia”
Video: Ash – “Joy Kicks Darkness”
Video: Ash – “True Love 1980”
Video: Ash – “Return Of White “
Video: Ash – “End Of The World”
Video: Ash – “Polaris”
Video: Ash – “You Can’t Have It All”
Video: Ash – “I Started A Fire”
Video: Ash – “Renegade Cavalcade”
Video: Ash – “Starcrossed”
Video: Ash – “Orpheus”
Video: Ash – “Clones”
Video: Ash – “There’s A Star”
Video: Ash – “Candy”
Video: Ash – “Sometimes”
Video: Ash – “Burn Baby Burn”
Video: Ash – “Shining Light”
Video: Ash – “Warmer Than Fire”
Video: Ash – “Wildsurf”
Video: Ash – “A Life Less Ordinary”
Video: Ash – “Oh Yeah”
Video: Ash – “Goldfinger”
Video: Ash – “Angel Interceptor”
Video: Ash – “Girl From Mars” (US)
Video: Ash – “Girl From Mars” (UK)
Video: Ash – “Kung Fu”
Video: Ash – “Uncle Pat”
Video: Kestrels – “The Past Rests”
Video: Kestrels – “There All The Time Without You”

Here’s one to file under “happy coincidences”. Just yesterday morning, I was listening to The Joy Formidable and thinking that it had been too long since I saw them live, having skipped their show in April and also planning to give next Sunday night’s support slot for The Gaslight Anthem a pass. And then, lo and behold, they announce a last-minute headline gig at The Mod Club for next Monday, November 26. It’s a free show as part of CFNY’s holiday concert series, so head to theedge.ca for details on how to win tickets. Expect to hear material from their new album Wolf’s Law, out January 22.

MP3: The Joy Formidable – “Wolf’s Law”

Kate Nash has announced her Death Proof EP will indeed be out this Fall as promised – as of right now, in fact. DIY has details on the release, which will be out on November 19, and Consequence Of Sound has some specifics on Nash’s third studio album, entitled Girl Talk and targeted for a March 2013 release. Spin talks to her about her new video for the title track of the new EP.

Video: Kate Nash – “Death Proof”

Florence & The Machine have squeezed another video out of Ceremonials and premiered it over at Nowness.

Video: Florence & The Machine – “Lover To Lover”

Played the new Veronica Falls track to death already? Head over to They Shoot Music where the band play a live version for a video session in addition to an old song. The new album Waiting For Something To Happen is out February 12.

4AD has details on the second album from Stornoway, to be entitled Tales From Terra Firma and due out on March 11.

Pitchfork has a Takeaway Show with Jessie Ware, filmed last month in Paris.

Blurt talks to Beth Orton.

The first track from Foals’ new album Holy Fire, out February 12, is now available to download.

MP3: Foals – “Inhaler”

Esben & The Witch are also giving away the first teaser of their second album Wash The Sins Not Only The Face, out January 21.

MP3: Esben & The Witch – “Deathwaltz”

For Folks Sake and The Stool Pigeon talk to Neil Halstead.

The Guardian asks the question so many have wondered – how did Mumford & Sons get so damn big?

Wales Online reports that Manic Street Preachers have gotten to work on a new album, though it won’t be out until 2014 at least.

Blur have released a clip from their not-farewell Hyde Park concert, documented on the forthcoming CD/DVD Parklive set. It’s out December 3.

Video: Blur – “Under The Westway” (live at Hyde Park)

Wired reports that Beautiful Noise, the documentary film on the shoegazing movement featuring interviews with many principals of the scene that has seemingly been in production forever, is finally finished and turning to Kickstarter to fund its distribution. $25 gets you a copy of the DVD… and you know you want it.

Trailer: Beautiful Noise

Joseph YarmushIt’s been interesting to keep up with Montreal’s Suuns over the last few years, starting from back in January 2009 when they were still a mostly-unknown outfit calling themselves Zeroes, opening up for Land Of Talk, through their rebranding and 2010 debut Zeroes QC. From the get-go, their intention of melding post-punk, new wave, krautrock, psychedelia, and really any other sound they could conceive of into an occasionally serene but more often discomfitingly danceable brew was clear but the progress they’ve made at realizing it, measured at various checkpoints over the last few years has been impressive.

So it’s not unreasonable to think that their just-announced second album, Images Du Futur, will see the band take a big leap forwards; it’s just velocity, really. The first taste of the new record, available to stream, finds the band plumbing the gentler side of things but I’m pretty confident that at least some of the other nine songs on the record will pick up the freaky slack. We’ll know for sure when it’s out on March 5, but those heading to see Plants & Animals at The Great Hall tonight will have an idea sooner than that – Suuns are one of the openers.

Stream: Suuns – “Edie’s Dream”

CBC Music has compiled an oral history of Mock Up Scale Down, the 1995 debut from beloved Halifax power-poppers The Super Friendz; NOW also has a feature piece on the reunited outfit, who will be at Lee’s Palace tomorrow night, November 16.

Spinner is streaming Great Lake Swimmers’ contribution to the forthcoming Nettwerk Christmas album, Isn’t This World Enough, out November 20. They also recently released a new video from their own latest album, New Wild Everywhere.

Stream: Great Lake Swimmers – “Hang A String Of Lights”
Video: Great Lake Swimmers – “The Great Exhale”

CBC Music and The Ottawa Citizen talk to Metric about graduating to the arena circuit which brings them to The Air Canada Centre on November 24. There’s also interviews at Metro, The Province, and The Winnipeg Free Press. They’ve just released a new, tour-sourced video from Synthetica.

Video: Metric – “Breathing Underwater”

Neil Young & Crazy Horse have released another epic-length video from Psychedelic Pill. They’ll be at The Air Canada Centre next week, on November 19, and if they focus on the new record they might get through four or five songs before curfew. Maybe.

Video: Neil Young & Crazy Horse – “Driftin’ Back”

JAM, The Georgia Straight, The Tyee, and Victoria Times-Colonist talk to John O’Regan of Diamond Rings. They play The Mod Club on November 29.

Beatroute, The Vancouver Sun, Oregon Live, and The Victoria Times-Colonist have features on Patrick Watson, who is at Massey Hall on December 6.

where has an interview and Secret Sessions a session (duh) with Evening Hymns. They’re at the Church Of The Redeemer on December 15.

Purity Ring have a new video from their debut Shrines. They are at The Phoenix on February 1.

Video: Purity Ring – “Loftcries”

Spinner talks to Damian Abraham of Fucked Up about where they’re at with writing their next record.

The Elwins have released a new video from their debut, And I Thank You. They bewilderingly have no upcoming local shows booked.

Video: The Elwins – “Helpful Assistance”

Billboard talks to Crystal Castles.

TwitterYo La Tengo haven’t quite spilled the beans on their thirteenth studio album, besides to acknowledge it exists, that recent single “Stupid Things” will appear on it albeit in a different version, that it was produced by Tortoise’s John McEntire, that it’ll be out in late January – the smart money is on the 29th, since the last week of the month is typically when the year’s first big releases are slated – and that a North American tour – of which only a few dates have been revealed – would follow. And while a tweet yesterday implied that today was the day for revelations, details on the Toronto show came yesterday – and so here they are: Hoboken’s finest will be at The Phoenix on February 9 – their first visit since October 2009, not counting their “Sounds Of Science” performance here in April. Tickets for that are $25 in advance and go on sale Friday.

While on the topic, I just finished reading Big Day Coning: Yo La Tengo and The Rise of Indie Rock. You might wonder how interesting a bio of a band that has been rather resolutely drama-free over its career could be, but it’s the understatedness of their story – plus the greatness of their music – and how it intertwines with the transformation of the underground to college to alternative to indie rock scene that makes it an interesting read.

I had hoped to get up this morning and find all the salient new album info conveniently collected in a press release in my inbox, but instead there was an email from the library telling me that the aforementioned book was a week overdue. Not quite the same thing. So I’ll update this post with specifics about the tour and release when they surface today – assuming they do – but in the meantime, marvel at the photo up above, picked up via Matablog, of Yo La Tengo with a trio of Japanese lookalikes. Don’t ask why or how, just marvel.

Update: And Matablog has it: Fade, out January 15, and tour starts the 23rd.

MP3: Yo La Tengo – “Stupid Things”
MP3: Yo La Tengo – “Nuclear War”

Keeping with the New Jersey theme, Titus Andronicus are interviewed by Beatroute, Boise Weekly, and Pitchfork and a couple more tracks from their latest Local Business are available to download. They’re at Lee’s Palace on November 27.

MP3: Titus Andronicus – “In A Big City”
MP3: Titus Andronicus – “Ecce Homo”

And if you were wondering what former Titus guitarist Amy Klein was up to, know that in addition to playing in Leda, she’s got a drum-and-guitar duo called Hilly Eye. Exclaim has some details on their debut album Reasons To Live, due January 22, and a couple of songs are available to stream.

Stream: Hilly Eye – “Jacob’s Ladder”
Stream: Hilly Eye – “Amnesia”

The Village Voice, Red Eye, and Seven Days have interviews with Sharon Van Etten.

Interview talks to Paul Banks about balancing the solo work with Interpol.

Nada Surf have released a video from their latest, The Stars Are Indifferent To Astronomy.

Video: Nada Surf – “Jules & Jim”

Some feel it’s still to early for Christmas music, but Sufjan Stevens is hoping that doesn’t apply to him. He’s made the whole of his six-EP Silver & Gold box set – that’s 58 tracks worth – available to stream and also released a couple more videos for good measure. It’s available to buy as of yesterday.

MP3: Sufjan Stevens – “Ding-A-Ling-A-Ring-A-Ling”
Video: Sufjan Stevens – “I’ll Be Home For Christmas”
Video: Sufjan Stevens – “Silver & Gold”
Stream: Sufjan Stevens / Silver & Gold

Pitchfork has details on the second album from Brooklyn’s Widowspeak; Almanac will be out on January 22 and the first MP3 from it is available to download.

MP3: Widowspeak – “Ballad Of The Golden Hour”

School Of Seven Bells are streaming the whole of their new EP Put Your Sad Down, released this week.

MP3: School Of Seven Bells – “Secret Days”
Stream: School Of Seven Bells / Put Your Sad Down

Filter talks to Grizzly Bear.

Ra Ra Riot are streaming the first track from their new record Beta Love, out January 22. They bring it to Lee’s Palace on March 6. There’s also a feature on the band at syracuse.com.

Stream: Ra Ra Riot – “Beta Love”

Head over to RecordStoreDay.com to stream the whole of Chocomel Daze, the You’re Living All Over Me-vintage Dinosaur Jr live record being released on vinyl-only next week.

Stream: Dinoaur Jr / Chocomel Daze

SF Weekly talks to Greg Dulli of The Afghan Whigs.

Jim James is done hiding behind bands and pseudonyms; he’ll release his solo debut Regions of Light and Sound of God on February 5 – details at Pitchfork and the first taste is streamable below.

Stream: Jim James – “Know Til Now”

The Chicago Tribune, Boston Globe, and Newsday talk to Aimee Mann, who has released a new video from her latest Charmer.

Video: Aimee Mann – “Soon Enough”

DIY interviews Benjamin Gibbard.