Danielle St. LaurentI suspect that I will be one of the only people in any way related to the Toronto music scene not on hand at Garrison Common tomorrow for Field Trip, the day-long festival marking the 10th anniversary of the Arts & Crafts label, headlined by the “reunited” (having only been inactive for less than two years, they get the air quotes) Broken Social Scene playing in full their watershed 2002 album You Forgot It In People.

It’s not that I wasn’t tempted. This blog was in existence barely a month before People was released, and there’s no denying that it – and the emergence of Toronto and Canada on the indie rock world stage in its wake – made the 416 beat an infinitely more interesting place to cover. But you know, you see a band as many times as I did in those early years and you can get a bit burnt out – their headlining slot to close out the first Virgin Fest in 2006 was pretty much the last time I would make any kind of effort to see the band, and with Amy, Emily, and Leslie all singing “Anthems For A Seventeen-Year-Old Girl” together, it was really the right note to go out on. Not that our paths wouldn’t cross again – there was one stop of their 2010 in-store tour and then again that December – mainly to see Superchunk, but also to affirm that hey, we had some good times but I think we’re done. There’s just not enough nostalgia in my tank to spend a day seeing a lineup of bands I’ve seen a million times already. So everyone else in the city, have a great time tomorrow, happy anniversary Arts & Crafts, have a great show Broken Social Scene. I’ll be at home installing some blinds.

But if you’re in the spirit of the occasion, do read this piece in Rolling Stone about the BSS “reunion” and A&C anniversary, another in Huffington Post, as well as this one in Interview with Brendan Canning about those same topics as well as what he’s up to at the moment. And also this week’s cover story in The Grid about the evolution of the independent music scene in Toronto over the past decades – not just post-BSS – and the companion piece by author Michael Barclay at his own Radio Free Canuckistan. And you can watch last night’s “reunion” warm-up performances of “Almost Crimes” and “7/4 Shoreline” on Jimmy Fallon at Pitchfork. Update: A full transcript of the interview with Kevin Drew that went into the Rolling Stone piece is up courtesy of the author.

MP3: Broken Social Scene – “Deathcock”
MP3: Broken Social Scene – “World Sick”

The Music Nerd Chronicles and The Independent talk to Hayden, who’s also playing Field Trip and got in touch with his crafty side in a video feature for Etsy.

Pitchfork are streaming the new Braids EP “In Kind//Amends”, out June 11. They play The Comfort Zone for NXNE on June 15 and the new full-length Flourish//Perish is out August 20.

Stream: Braids / In Kind//Amends

DIY gets to know Diana; they’re at The Horseshoe on June 13 for NXNE, opening for Tegan & Sara and fun. at Downsview Park on July 6, and will release their debut full-length Perpetual Surrender on August 20.

Exclaim gets a bit of context to that Halifax-heavy showcase happening at The Great Hall on the Friday night of NXNE, June 14; it’s to mark the 21st anniversary of Murderrecords, and will feature Sloan performing their debut Peppermint EP in its entirety (plus some other songs because the EP is only like 23 minutes long), and will also have the first-ever vinyl pressing of The Super Friendz’s debut Mock Up, Scale Down available for sale – I may prevail upon someone to grab me a copy since I probably won’t make it to the show – and the release of a commemorative book about the label. For those not rocking NXNE wristbands, advance tickets are $23 and available now.

Nylon has a feature piece on Majical Cloudz, doing the NXNE thing on June 15 at BLK BOX.

Lightning Dust are streaming another new song from their forthcoming Fantasy, out June 25.

Stream: Lightning Dust – “Loaded Gun”

Exclaim is streaming another new song from Louise Burns’ forthcoming solo record The Midnight Mass, out July 9.

Stream: Louise Burns – “Jasper”

The Grid and Huffington Post check in with Tokyo Police Club about the status of their next album, possibly/probably due out in the Fall.

Muso’s Guide interviews Hooded Fang.

Frank YangTo the best of my knowledge, there does not exist a remotely official image of the outfit calling themselves Overseas, but anyone who’s paid any sort of attention to the American indie rock scene over the past twenty-some years knows exactly what they look like, and that’s because the each of the band’s members has a formidable resume behind them: Will Johnson of Centro-Matic, South San Gabriel, Will Johnson, and Monsters Of Folk; David Bazan of Pedro The Lion and David Bazan; and Matt and Bubba Kadane of Bedhead and The New Year. And if you don’t know any of those acts but are assuming they’re a bunch of white, bearded dudes with guitars… well, yeah.

As to the more important question of what Overseas sound like, their self-titled debut sounds pretty much exactly as you’d expect given the personalities involved, with either Johnson’s weary rasp or Bazan’s mournful growl – they trade off lead vocal duties – overtop the steady whirlpool created by the Kadanes’ signature slow, spidery guitars. Or, in a word and if you’re predisposed to what any of the principals do, gorgeous. Even though the project was announced over a year ago, the finished product is only going to coming out next week, on June 11, and Paste has the advance stream of the whole thing. Do listen. A handful of live dates are planned for August but I’m not holding my breath for more extensive itineraries.

D Magazine has an interview with Bazan about the for-lack-of-a-better-term, “supergroup”.

MP3: Overseas – “Old Love”
Video: Overseas – “Ghost To Be”
Stream: Overseas / Overseas

Paste has an advance stream of John Vanderslice’s new joint, Dagger Beach – it’s out on June 11. The Bay Bridged talks to Vanderslice about the 15th anniversary of his Tiny Telephone studio.

MP3: John Vanderslice – “Raw Wood”
Stream: John Vanderslice / Dagger Beach

NOW, Spin, Interview, Black Book, and DIY have interviews with The National, whose Perfume Genius cover – released as bonus track on the Japanese edition of Trouble Will Find Me – is streaming and well worth hearing. They headline Yonge-Dundas Square for NXNE on June 14.

Stream: The National – “Learning”

Sebadoh have come clean on details of their first new album in 14 years; following the June 25 release of The Secret EP,the new full-length Defend Yourself will be out September 17. Joyful Noise – who are releasing the album – have a Q&A with Lou Barlow about the new record and Spin also has an interview and stream of the EP.

Stream: Sebadoh / The Secret EP

Stereogum talks to Smith Westerns about their forthcoming Soft Will, out June 25. They play Lee’s on July 29.

Salon chats with Stephin Merritt about the new Future Bible Heroes album Partygoing, and Vulture has an animated Merritt dressed as an elephant singing a song about Thomas Edison from Bob’s Burgers because of course they do. Future Bible Heroes are at Lee’s Palace on July 22; Merritt will not be with them.

Spin reports that Divine Fits are putting out some new tunes in the form a 12″ single due out July 23, though digital formats are available now. You can hear the new tunes performed live on Conan via Pitchfork.

Spin and Vita.mn get to know Father John Misty, who has just released a new video from last year’s Fear Fun and will be at The Danforth Music Hall on August 3.

Video: Father John Misty – “Funtimes In Babylon”

The first track from Superchunk’s new record I Hate Music is now available to stream; it’s out August 20.

Stream: Superchunk – “FOH”

Confirming the life cycle of profitable farewell tour to profitable reunion tour at barely four years, Nine Inch Nails will return with a new album in Hesitation Marks on September 3 – stream the first single below – and have scheduled an extensive North American arena tour to support. The Toronto date comes October 4 at The Air Canada Centre with Explosions In The Sky opening up.

MP3: Nine Inch Nails – “Starsuckers, Inc.”
MP3: Explosions In The Sky – “Memorial”
Stream: Nine Inch Nails – “Came Back Haunted”

Drowned In Sound has an interview and NPR a video session with Wild Nothing, in town supporting Local Natives at The Kool Haus on September 21.

The context is a little weird – a compilation released by Toyota automobile imprint Scion – but hey, a new Chromatics tune is a new Chromatics tune.

MP3: Chromatics – “Red Car”

Michael WilsonWith all respect to the albums that came before and those that came after – Southern Rock Opera included – history will probably hold the Drive-By Truckers albums recorded between 2003 and 2006 with Jason Isbell in the lineup – Decoration Day, The Dirty South, and A Blessing And A Curse – as the band’s finest, at least on a song for song basis. Isbell’s more personal, human-scale songs were the perfect foil to Messers Hood and Cooley’s Southern mythology epics, and his melodic contributions – his songs were arguably the most pop the Truckers ever put out – are still missed years after he left the band to go it solo.

A solo career that’s turned out a goodly number of albums, both live and studio, and whose number will increase by one with the release next week of Southeastern, the first record to be credited to Isbell without his band The 400 Unit since his 2007 debut, Sirens Of The Ditch. Which isn’t to say that it represents a dramatic shift from its predecessors, but being a little less plugged-in and more thoughtful in pace, it’s different enough that the change in branding probably makes sense to those involved.

The 400 Unit will be on hand when Isbell takes to the road in support of the record, though, an itinerary which brings them to Lee’s Palace on August 2, tickets $17.50 in advance. There’s a feature interview and advance stream of the new record at MTV Hive, and extensive profiles at both The New York Times and The Wall Street Journal.

M4A: Jason Isbell – “Traveling Alone”
Stream: Jason Isbell / Southeastern

Though he’s proven he can sell out four nights at The Sound Academy, Toronto R&B star The Weeknd is keeping things small to preview material from his new record Kiss Land, due sometime this year; he’ll be at The Mod Club on June 13, tickets $40 in advance and probably sold out already.

MP3: The Weeknd – “Heaven Or Las Vegas”

So the good news is that Still Corners’ NXNE showcase has been confirmed, their continued absence from the schedule until now being a bit of a concern. The bad news is they’re on at the exact same time as The National – 10PM on June 14 at The Horseshoe. Which may not be bad news for you if you weren’t planning on being at The National or were going to see them a couple nights earlier on June 12 supporting CHVRCHES at The Hoxton, but we’re not talking about you, here. Try to keep up.

MP3: Still Corners – “Fireflies”

Lemonheads leader Evan Dando has been added to this year’s NXNE lineup; he’ll be anchoring the showcase at The Rivoli on the Saturday night, June 15.

Video: The Lemonheads – “Into Your Arms”

If you were wondering who’d step in for the injured Big Boi at NXNE’s closing Sunday night gala at Yonge-Dundas Square on June 16, wonder now more – it’s Ludacris. Who, apparently, has a bunch of chart-topping platinum albums and a starring role in the Fast & Furious films. I had no idea. Still don’t.

Video: Ludacris – “Stand Up”

Because sometimes you just can’t look away – Courtney Love will be playing solo and Hole-less at The Danforth Music Hall on July 20. Expect to pay $35 to $50 for the experience. Bust has an interview with Love wherein she insist she’s sane. Because that’s necessary.

Video: Hole – “Celebrity Skin”

With their new record Stills set for a July 16 release, Chicago noisemaker duo Gauntlet Hair have made a date at The Drake Underground on August 5. Consequence Of Sound has the full tour itinerary and the new video from the new record.

MP3: Gauntlet Hair – “Human Nature”
Video: Gauntlet Hair – “Human Nature”

Chicago indie-rock veterans Joan Of Arc are coming back to town for a show at The Garrison on August 22, tickets $12.50, as part of a tour behind their new record Testimonium Songs, which is out July 11.

MP3: Joan Of Arc – “White Out”

Washed Out – whose Ernest Greene would probably prefer not to be known as the guy who did the Portlandia theme but whom you probably know best as the guy who did the Portlandia theme – will release his second album Paracosm on August 13 – there’s a trailer below – and who will be touring behind it, the Toronto date coming September 15 at The Opera House, tickets $20 in advance.

MP3: Washed Out – “Eyes Be Closed”
Trailer: Washed Out / Paracosm

Veteran Anglo-Dutch experimental rock outfit The Legendary Pink Dots are coming to town, ostensibly in support of their new album The Gethsemane Option – out June 25 – but more likely to explore many corners of their 30-plus year history. They’re at Lee’s Palace on September 23, tickets $20. The Jerusalem Post has an interview with the band.

MP3: The Legendary Pink Dots – “Puppets Apocalypse”

With the August 27 release of Carrier creeping ever-closer – okay, not THAT close yet – The Dodos have made a date at Lee’s Palace for September 24, tickets $17.50 in advance.

MP3: The Dodos – “Don’t Stop”

Welsh meat-and-potatos rockers Stereophonics have figured their latest album Graffiti On The Train has done well enough at home to justify a North American release – it’s out August 20 over here – as well as a tour; look for them at The Danforth Music Hall on September 25, tickets $36.50 in advance.

Video: Stereophonics – “Graffiti On The Train”

Completing what I will call the live music hat-trick – which for these purposes is playing three shows in a year in ever-larger venues – Britain’s Daughter are coming back to build on last October’s debut at The Drake and this past May’s show at The Great Hall with a performance at The Phoenix on September 29. Tickets for that are $20.50 in advance.

MP3: Daughter – “Love”

Hot on the heels of yesterday’s announcement of their third album Big TV coming out August 21, White Lies have announced a North American tour that brings them to The Opera House on October 1, tickets $25.

MP3: White Lies – “Getting Even”

Anyone wondering why UK buzz band Peace abruptly disappeared from the NXNE listings now has their answer – they’ll be supporting Two Door Cinema Club on their just-announced tour, which puts them at The Danforth Music Hall on October 15.

MP3: Peace – “California Daze”

Lisa DevineAll’s been quiet from camp Ladytron since they finished up touring in support of 2011’s Gravity The Seducer, but frontwoman Helen Marnie hasn’t been idle. Working under her surname, Marnie took to crowdfunding site Pledgemusic last Fall to finance a solo record. Unsurprisingly, it was fully funded within days – even without anyone taking the top reward of one Marnie’s own car, a 1998 Mini Cooper, at five thousand quid – and since then, fans have waited patiently while she decamped to Reykjavik to record the album.

While the record, entitled Crystal World, just missed its release date of this past weekend – mastering of the album pushed things back slightly – it should be out very shortly and the window to pledge and get a copy is closing soon. Last week, Under The Radar premiered the first song and video from it; it and another sample of a new song confirms that whatever name she operates under or whomever she plays with, Marnie make sleek, seductive electro-pop.

Stream: Marnie – “Hearts On Fire” (excerpt)
Video: Marnie – “The Hunter”

Keyboardist Carey Lander discusses Camera Obscura’s new album Desire Lines with The Skinny. It’s out as of tomorrow and they play the first night of the Toronto Urban Roots Fest at Garrison Common on July 4.

Swedish up-and-comer Elliphant, who opens up for Twin Shadow at The Phoenix on June 7, has made another new song available to stream.

Stream: Elliphant – “Music Is Life”

The Quietus talks to Beady Eye about their new record BE, out in the UK on June 10.

Gold Panda is streaming his new album Half Of Where You Live in full at NPR ahead of its June 11 release, and has also put out a new video from it via Nowness. He plays Lee’s Palace on October 8.

Video: Gold Panda – “My Father In Hong Kong, 1961”
Stream: Gold Panda / Half Of Where You Live

The Line Of Best Fit has an interview with Still Corners, who open up for CHVRCHES at The Hoxton on June 12, and should have a NXNE date to announce shortly thereafter.

Icona Pop are streaming their newest single. They’re here playing the Grove Fest at Garrison Commons on August 3.

Stream: Icona Pop – “Girlfriend”

Spin takes the news that Elvis Costello and The Roots have given their collaborative album a title – Wise Up Ghost – and a release date – September 17 – and wonders if copies haven’t already been circulating since April. Though probably not.

The Horrors tell NME that they’re just about done recording the follow-up to 2011’s Skying. Nothing is on the schedule but a late 2013 release seems reasonable.

James Dean Bradfield of Manic Street Preachers confirms to NME that the band have two new records in the can, one primarily acoustic and another that sounds “European”.

Suede have released a vandalism-infused video for the new single from Bloodsports, which is also leading a new EP that comes with two new proper b-sides.

Video: Suede – “Hit Me”

MTV Iggy has an interview with Icelandic composer Ólafur Arnalds.

Thom Yorke and Flea discuss their preparations for the upcoming Atoms For Peace tour with Billboard, rehearsals for which have produced an in-studio video of Thom going through some deep cuts that aren’t even his own.

Video: Atoms For Peace – “Rabbit In Your Headlights”

Victoria MastersSo I’m sitting here with a handful of bits and bobs to string together into a blog post, and find that most of the artists have already been featured hereabouts in recent months. So what’s that mean? Braids, you’re up.

I’m not a tremendous fan of the Montreal-based trio, the things I liked about their 2011 debut Native Speaker outweighed by the things I didn’t – that a frequent reference point for the band is Animal Collective is really all you need to know about that. But that it garnered them a sizeable fanbase, as well as a place on that year’s Polaris shortlist, is not up for debate so when they finally announce details of their sophomore album, it’s newsworthy.

First, there’s the new stream of the flipside of their new 12″ “In Kind//Amends” due out June 11, both songs of which will be appearing on the full-length Flourish//Perish. Exclaim has all the specifics of the new record, which will be coming out August 20 and finds the band trading their guitars for keyboards for an electronically-driven sound. And while it’s hardly a ringing endorsement, I will say these new songs aren’t annoying me. Whether that’ll still hold over a complete album remains to be seen, but it’s a positive step.

It remains to be seen if they’ll be rearranging all the old material to work guitar-less live, or if they’ll just travel with a whole lot of gear. People who attend their NXNE showcase at The Comfort Zone on June 15 will be able to report back on that.

Stream: Braids – “In Kind”
Stream: Braids – “Amends”

NOW and Exclaim talk to Hooded Fang, who are holding the record release party for their new album Gravez at The Horseshoe tonight.

NOW also previews Young Galaxy’s show at Lee’s Palace tonight.

Get your Murderrecords t-shirts out of storage! The Great Hall will turn warp both time and space to become Halifax in the mid-’90s for NXNE, proffering a lineup of Sloan, The Super Friendz, and former Inbred Mike O’Neill on June 14. Admission by festival wristband only.

MP3: Sloan – “The Answer Was You”
Video: The Super Friendz – “Up And Running”
Stream: Mike O’Neill – “This Is Who I Am”

Aritzia has an interview, Pitchfork a guest list and Le Blogotheque a Takeaway Show with Majical Cloudz, whose NXNE showcase goes June 15 at BLK BOX.

Though he probably could have just called it a Dears record and no one would have thought anything of it, Under The Radar reports that Murray Lightburn will release his first solo record Mass:Light on June 16, and that it’ll be available on vinyl only via mail order. And there’s also a new Dears record in the works.

Austra is streaming a second – and arguably more characteristic – sample from Olympia, due out June 18.

Stream: Austra – “Painful Like”

I Like Music has an interview with Born Ruffians, who’re streaming a new track not found on their latest Birthmarks, just because. They play a free show at Harbourfront Centre on July 13.

Stream: Born Ruffians – “With An Ax”

Beatroute talks to Nils Edenloff of The Rural Alberta Advantage.

Loud & Quiet interviews Suuns.