Paolo CalamitaHe may have migrated habitats from Calgary to Vienna, but Mark Andrew Hamilton – he who is Woodpigeon – remains one of Canada’s great, underappreciated musical treasures. Though 2009’s Polaris long-listed Treasury Library Canada raised his profile considerably, it may lie with his fourth album (or closer to fortieth, depending on how you count his many interstitial releases) Thumbtacks & Glue to properly elevate his status to where it belongs.

Thumbtacks refuses – if you’ll excuse the pun – to be pigeonholed as orchestral-folk the way past releases have. It’s still built around Hamilton’s soft, tender vocals and melodic gifts, and trades in a delicate beauty that would be easy at this point to take for granted, but incorporates a broader, more electrified sonic palate that’s unafraid to let some edges fray or layers stack upon themselves. It’s a side of Woodpigeon that’s come out in live shows in the past, but has until now been unreflected in the recordings and while acknowledging that part of its appeal is the novelty it brings to the Woodpigeon recipe, it’s difficult to argue that it doesn’t legitimately make things tastier.

Thumbtacks and Glue is out this Tuesday, February 26, and is available to stream right now over at DIY.

MP3: Woodpigeon – “Red Rover, Red Rover”
Stream: Woodpigeon / Thumbtacks & Glue

NOW talks to local electro-pop sensations Diana, whom I wish nothing but success but will admit to being disappointed that the more success they achieve, the further on the back-burner vocalist Carmen Elle will surely push Army Girls, and that’s a shame. Diana open up for Trust at Lee’s Palace tonight and are on the fun./Tegan & Sara bill at Downsview Park on July 6.

Lesser Evil, the long-awaited debut long-player from Doldrums, is also out next week and available to advance stream thanks to Pitchfork.

MP3: Doldrums – “Egypt”
MP3: Doldrums – “She Is The Wave”
Stream: Doldrums / Lesser Evil

The Line Of Best Fit and Incendiary have interviews with Suuns about their new album Images du Futur, out March 5. They play Lee’s Palace on March 23, the Saturday night of Canadian Musicfest.

Cold Specks has gone the live performance route for the latest video from I Predict A Graceful Expulsion; they have two hometown shows coming up – March 22 at the Kool Haus as part of the CMW Indies and June 8 as part of the Arts & Crafts Field Trip festival at Fort York.

Video: Cold Specks – “When The City Lights Dim”

Pitchfork has a stream of a song from Birthmarks, the new album from Born Ruffians, in stores April 16.

Stream: Born Ruffians – “Needles”

Gorilla Vs Bear has premiered a second sample of the new Young Galaxy record Ultramarine, due out April 23.

Stream: Young Galaxy – “Fall For You”

Though delayed some by some aborted sessions with Sune Rose Wagner of The Raveonettes, Montreal’s No Joy have wrapped their second album and will release Wait To Pleasure on April 23; that same day, they’ll be in Toronto at The Garrison celebrating the new record by opening up for Clinic. You can stream the first taste of the album below.

Stream: No Joy – “Lunar Phoobia”

Toronto’s Decades, who were a pleasant new wave surprise last month, have gotten their self-titled debut together for an April 30 release and have released a first video from it that confirms it’s worth keeping an ear out for.

Video: Decades – “Tonight Again”

The Creators Project gets into the glowing cocoons that define Purity Ring’s live show. They’ll be on display when the duo pla

The Alternate Side welcomes METZ for a studio session and The 405 an interview. They’re at Lee’s Palace on May 17.

Patrick Watson has a new video from last year’s Adventures In Your Own Backyard.

Video: Patrick Watson – “Blackwind”

Vanessa HeinsOh hey so the weekend is upon us and whatever you’ve got planned, you could do worse than to take an hour and listen to Us Alone, the new album from beloved Toronto singer-songwriter Hayden. What’s that, you say? The record isn’t out until Tuesday – February 5 – and by then we’re back into the work week and you can’t find an hour to curl up in a little ball in the corner and weep uncontrollably let alone listen to a charmingly languid collection of folk-pop? Well it’s a good thing that CBC Music has an advance stream of the new record as well as a Q&A with the artist. So grab a coffee, read that, and have a listen. And if you’re finished reading that before it’s done – which I would hope is the case – there’s another interview at The Victoria Times-Colonist.

Hayden has three intimate local shows coming up later this month – February 20, 21, and 22 at the Dakota, Cameron House, and Rivoli respectively – but those are as sold out as you can imagine. Tickets are still available for relatively nearby shows in Guelph and Hamilton, or you can wait until June 8 where he performs as part of the Arts & Crafts Field Trip festival at Fort York.

MP3: Hayden – “Old Dreams”
Stream: Hayden / Us Alone

NOW interviews Purity Ring ahead of their show at The Phoenix tonight. PhillyBurbs and The Dallas Observer also have features.

Wavelength talks to Sarah Neufeld about her solo work, which she brings to The Great Hall on February 16 as part of their anniversary series of shows.

Southern Souls has posted a video session with Two Hours Traffic, who release their new record Foolish Blood on February 19. They play Lee’s Palace on March 21.

Consequence Of Sound has premiered the first video from Thumbtacks & Glue, due out February 26. There’s also a video session recorded at Iceland Airwaves last year at The Line Of Best Fit and Mark Hamilton talks to The Calgary Herald about a project he’s working on with some Icelandic musicians.

Video: Woodpigeon – “Edinburgh”

The Victoria Times-Colonist has an interview with Rachel Zeffira and NPR a live-in-studio version of her My Bloody Valentine cover. Her original reinterpretation and nine other gorgeous songs can be found on The Deserters, due out domestically on March 12.

Daytrotter has posted a session with Stars, who are playing two nights at the Danforth Music Hall on March 20 and 21.

Born Ruffians have prepped their third album Birthmarks for an April 16 release; you can stream a new single from it below.

Stream: Born Ruffians – “With Her Shadow”

Gorilla Vs Bear has premiered the first track from Young Galaxy’s new album Ultramarine, out April 23, and it should put to rest any fears that Shapeshifting was a lucky accident.

Stream: Young Galaxy – “Pretty Boy”

Spin talks to Colin Stetson about his new album, New History Warfare Vol. 3: To See More Light, which was just confirmed for an April 30 release. Pitchfork has details on the album as well as North American tour dates which include a May 19 date at The Great Hall in Toronto, tickets $13.50. A track from the album featuring Justin Vernon of Bon Iver on vocals is also available to download.

MP3: Colin Stetson – “High Above A Grey Green Sea”

Exclaim talks to Louise Burns about the status of her second solo record, tentatively entitled Louise Burns Presents the Midnight Mass and due out whenever it’s good and ready.

Ottawa Magazine catches up with Rolf Klausner of The Acorn, whose new record Vieux Loup will be out later this year. You can hear one of the new songs by way of video session for Herd Mag.

The Ontarion has words with Alaska B and Ruby Attwood of Yamantaka//Sonic Titan.

Memoryhouse have made a video for an unreleased song as a sort of thank you to their fans.

Video: Memoryhouse – “Untitled”

Richmond LamCanadian music is quite often equated with rootsier stylings – which to be fair we do a lot of and well – but we can also get downright trippy when the mood strikes and a couple of the country’s finest exemplars of this are back with new records this Spring.

Montreal’s Besnard Lakes have completed the follow-up to 2010’s The Besnard Lakes Are The Roaring Night and if the title – Until In Excess, Imperceptible UFO – is any indication, this album will be out there, maaaaan. And if you need something a little more substantial than that to get on board, they’ve made the first single from the record available to stream. That should do it. The album is out April 2 and details on the release can be had over at Exclaim.

Stream: The Besnard Lakes – “People Of The Sticks”

Also out of Montreal – Mount Royal must be a good spot for keeping an eye out for extra-terrestrial landings – come Young Galaxy with the follow-up to their 2011 breakout album Shapeshifting. Whereas that record only brought in Swedish super-producer Dan Lissvik to mix and still got game-changing results from his influence, Ultramarine was recorded in his Gothenburg studio with Lissvik assuming full production duties. No preview yet aside from the obligatory teaser trailer, but even the beats showcased there are enough to engender a tingle of anticipation. Expect more such teases before the album hits on April 23. More details on the release over at Pitchfork.

Trailer: Young Galaxy / Ultramarine

It’s probably not accurate to call Suuns – also from Montreal, what – spacey, but their arty post-punk/new wave is definitely trippy. Their second album Images Du Futur is out March 5, and they’ve just released the first video from it as well as a pile of tour dates that confirm a Toronto appearance during Canadian Musicfest at Lee’s Palace on March 23.

MP3: Suuns – “Edie’s Dream”
Video: Suuns – “Edie’s Dream”

Yamantaka//Sonic Titan – who lay equal claim to Montreal and Toronto as hometowns – talk to Spinner about their video game and rock opera aspirations. They play The Garrison tomorrow night, January 18.

Cult Montreal has an interview with Purity Ring – guess where they’re based – who are in town at The Phoenix on February 1.

Cœur de pirate has released a new video from 2011’s Blonde.

Video: Coeur de Pirate – “Place de la République”

Rachel Zeffira doesn’t hail from Montreal – she doesn’t even live in Canada anymore, being now based in the UK – but she’s originally from the Kootenays in British Columbia and if Canada didn’t rush to claim her as a native daughter from her work in Cat’s Eyes with Faris Badwan of The Horrors, then we surely will when her solo debut The Deserters – a heady blend of opera, classical, and dreampop released late last year in Europe – gets a North American release on March 12. Nylon recently premiered a new video from the album with some words from Zeffira on its making, and do yourself a favour and check out her My Bloody Valentine cover which also appears on the record.

Stream: Rachel Zeffira – “To Here Knows When”
Video: Rachel Zeffira – “Here On In”
Video: Rachel Zeffira – “The Deserters”

Pitchfork talks to Kevin Drew of Broken Social Scene, who reveals that he’s got two albums coming out in 2013 – one solo record and one collaboration with Archies songwriter Andy Kim. This in addition to the June 8 BSS one-off (yeah right) reunion show at Fort York to mark Arts & Crafts’ 10th anniversary.

Ion has premiered a stream of a new song from the next Woodpigeon album Thumbtacks & Glue, coming February 26.

Stream: Woodpigeon – “Edinburgh”

You Say Party have released their first new music since reforming last Fall, a tribute to their late drummer Devon Clifford. More new material will follow later this Spring.

Stream: You Say Party – “Friend”

PopMatters chats with A.C. Newman.

NPR has a video session with Rose Cousins.

CBC Music has compiled a list of release dates for Canadian release big and small this year. Mark your calendars!

KillbeatIt was pretty fun times to be an artist named for (or almost named for) a Matthew Broderick vehicle back circa 2007/2008. Pip Browne was turning heads with her hooky, ’80s synthpop-referencing tunes from all the way in New Zealand as Ladyhawke and in Canada, four guys were making a name for themselves with hooky, ’70s bar rock-referencing tunes from all the way in Kelowna. Hard to confuse the two (unless you were the guys in this story), but it was interesting that both were active at the same time and then basically disappeared around the same time in 2009, neither taking advantage of the other’s inactivity to increase their Ladyhawk/e identity mindshare.

But while Ladyhawke’s disappearance was because of a prolonged process of recording album number two, Ladyhawk went on a proper hiatus after finishing with their second album Shots, with frontman Duffy Driediger putting together a new outfit in Duffy & The Doubters, bassist Sean Hawryluk pulling time in Baptists, and drummer Ryan Peters and guitarist Darcy Hancock recording as SPORTS. Fast-forward to 2012, though, and they’re back. Both of them.

Ladyhawke released Anxiety back in May, and Ladyhawk will let their third album No Can Do out of the pen on October 9. Note how the two records look nothing alike and most certainly don’t sound anything alike (a track from the new record is available below for reference). Possibly creating some genuine confusion is the fact that both artists are touring North America this Fall, though fully a month apart. Toronto gets Ladyhawke (the feminine article) September 15 at The Hoxton, and Ladyhawk (the band of bros) on October 25 at The Horseshoe ($15 in advance). I suppose it’s conceivable that you could get those two venues mixed up, but I really hope you don’t. Unless you’re the guys from London.

MP3: Ladyhawk – “You Read My Mind”

It’s a little bit of Montreal in Toronto on November 15 when Plants & Animals and Parlovr play The Great Hall, tickets $15.

MP3: Plants & Animals – “The End Of That”
MP3: Parlovr – “Pen To The Paper”

The Weeknd are making it a three-day weekend stand at The Sound Academy, adding a third show for November 4 to go with the November 2 and 3 ones that are presumably just about sold out.

MP3: The Weeknd – “Life Of The Party”

Pitchfork has got a new song from Yamantaka/Sonic Titan, recorded for Adult Swim’s Singles Series, available to download. And if you’ve had trouble finding their YT/ST album in stores – despite it being Polaris shortlisted, they’ve been label-less since March – fear not; they’ve just signed to Paper Bag Records, who will be reissuing it and making it available pretty much everywhere on September 11.

MP3: Yamantaka//Sonic Titan – “Lamia”

Torq Campbell of Stars gets all fired up about topics political with The Huffington Post. Their new record The North is out September 4 and they open up for Metric at the Air Canada Centre on November 24.

Claire Boucher – aka Grimes – also has some thoughts on politics of the Russian variety, which she shares with NME. She has two nights booked at Lee’s Palace on September 21 and 22 and has just released another wacky-ass video from the Polaris shortlisted and heavily-favoured Visions.

Video: Grimes – “Genesis”

The Line Of Best Fit talks to Jonas Bonnetta of Evening Hymns.

Talk Rock To Me chats with You Say Party, who will be back in action at The Great Hall on September 29.

Also playing that Paper Bag anniversary show at the Great Hall on the 29th are Young Galaxy; Stephen Ramsay discusses with Spinner the changes of direction that will come with their next album when it comes out next year.

Exclaim has details on the second of Gentleman Reg’s digital Leisure Life EPs, the second of which will be out on September 4. A track from it is available to stream courtesy of Ion.

Stream: Gentleman Reg – “Make It Better”

CBC Music gets some tips on eating on the road from Great Lake Swimmers’ Tony Dekker.

Frank YangMy writeup of day one of Osheaga mentioned a few times how hot it was, but it bears repeating: it was hot. 40 Celsius with the humidity – that’s 104 Fahrenheit, my American friends – and not even much relief in the shade. Why is Friday’s heat relevant to Saturday’s recap? Because Saturday felt even hotter. And why is the heat relevant? I guess it’s not, really, but even days on I still feel like complaining about it. It was damn hot. But even though any rational person would have opted to stay indoors and air conditioned, tens of thousands still headed back onto Parc Jean-Drapeau in the middle of the St. Lawrence River for another day of music. In the heat.

And the earliest or most masochistic of those – your call – were there in time to see The Dø, arguably the best French/Finnish band going, do their thing to kick off the day. Having seen them on their previous to last visit to Toronto in Fall 2010 – their most recent visit being the night before – I remembered that their live experience was a much less eclectic one than you got from their records, focused more on their pop side. But there’s only so much smoothing out you can do for an outfit as artistically restless as they and throughout their set, their odder/proggier tendencies would manifest themselves in outros, jams, what have you. Singer Olivia Merilahti’s charisma works better as slinky than sweaty, but you take what you can get.

Photos: The Dø @ Scène de la rivière – August 4, 2012
MP3: The Dø – “Slippery Slope”
MP3: The Dø – “At Last”
MP3: The Dø – “Tammie”
Video: The Dø – “The Wicked & The Blind”
Video: The Dø – “Gonna Be Sick”
Video: The Dø – “Too Insistent”
Video: The Dø – “Slippery Slope”
Video: The Dø – “At Last”
Video: The Dø – “On My Shoulders”
Video: The Dø – “Playground Hustle”
Video: The Dø – “The Bridge Is Broken”

Immediately following on the Mountain stage and way at the opposite end of eccentric was Canada’s sweetheart 2012, Kathleen Edwards, with the first set of the weekend that came with a simple, “yeah it’s hot so why not lay back and soak it in” vibe. Indeed, looked at it from a different perspective, it was rather the perfect place for Edwards’ earnest and genial sort of roots-rock, bolstered by the fact that she’s pretty hellaciously funny – case in point, her comment to the stage hand turning the fire hose onto the audience: “hey, hose guy you and me have a date in 20 minutes”. I don’t see her live enough to not need to be reminded of this, but I did have enough of a reference point to notice that Edwards seemed happier and more content up there than I’d ever seen her, particularly in her older material which was represented by the singles though she did turn to her breakout Voyageur for some deep cuts. I don’t usually expect happiness to translate into great art, but Edwards wears and uses it well.

Huffington Post Music has a feature piece on Edwards.

Photos: Kathleen Edwards @ Scène de la montagne – August 4, 2012
MP3: Kathleen Edwards – “Change The Sheets”
MP3: Kathleen Edwards – “Asking For Flowers”
MP3: Kathleen Edwards – “In State”
MP3: Kathleen Edwards – “Back To Me”
MP3: Kathleen Edwards – “Copied Keys”
MP3: Kathleen Edwards – “One More Song The Radio Won’t Like”
MP3: Kathleen Edwards – “National Steel”
MP3: Kathleen Edwards – “Six O’Clock News”
Video: Kathleen Edwards – “Change The Sheets”
Video: Kathleen Edwards – “I Make The Dough, You Get The Glory”
Video: Kathleen Edwards – “The Cheapest Key”
Video: Kathleen Edwards – “In State”
Video: Kathleen Edwards – “Back To Me”
Video: Kathleen Edwards – “Hockey Skates”
Video: Kathleen Edwards – “One More Song The Radio Won’t Like”
Video: Kathleen Edwards – “Six O’Clock News”

Following Edwards – though with enough of a break between to allow a water run – was Calexico, who thanks to their Arizona roots probably didn’t even notice the heat, and if they had something to say about the humidity, they politely refrained from doing so. And indeed, if any artist on the lineup made music that sounded beaten down and bleached by the sun, it was Calexico. The usually workaholic band had been relatively quiet since 2008’s Carried To Dust, focusing on some archival reissues before getting around to making a new record in Algiers, due out September 11. But their set didn’t worry too much about proving they’d been making new music – opening with “Crystal Frontier” circa 2001’s Even My Sure Things Fall Through, they were much more about creating a deliciously parched, mariachi-tinged atmosphere and maybe getting people thinking, “hey, this heat thing isn’t so bad”. Methinks they succeeded.

Photos: Calxico @ Scène de la montagne – August 4, 2012
MP3: Calexico – “Para”
MP3: Calexico – “Two Silver Trees”
MP3: Calexico – “History Of Lovers”
MP3: Calexico – “Cruel”
MP3: Calexico – “Alone Again Or”
MP3: Calexico – “Black Heart”
MP3: Calexico – “Quattro (World Drifts In)”
MP3: Calexico – “Crystal Frontier”
MP3: Calexico – “Ballad Of Cable Hogue”
MP3: Calexico – “Service And Repair”
MP3: Calexico – “Frontera”
MP3: Calexico – “Spokes”
Video: Calexico – “Para”
Video: Calexico – “Two Silver Trees”
Video: Calexico – “Cruel”

Considering they were a local band whose last album Shapeshifter had been a real breakout record – it certainly got me onside after years of indifference – I was a little surprised that Young Galaxy had drawn a mid-day time slot on the festival’s smallest stage. But considering they’d spent much of 2012 writing and recording the follow-up to said record in Sweden – though their Rockethub campaign didn’t reach its target, they made it over anyways? – perhaps they wanted to ease back into the live thing. In any case, they weren’t helped out by the fact that the technical difficulties that plagued the acts I saw on the Forest stage on Friday persisted, the overall mix rather shoddy, or the fact that Young Galaxy have never been the best live act, but the vibrancy of the Shapeshifter material still came through. Interestingly, their live sound seemed more built on conventional instruments and less reliant on electronics than I remembered; it remains to be seen if this was just happenstance for this performance or if it marks another change in direction… the one new song they offered up didn’t stray far from the Shapeshifter formula but I wouldn’t assume what was heard onstage necessarily resembles that which came out of Dan Lissvik’s Gothenburg studio. I look forward to hearing it.

Daytrotter recently posted up a session with the band.

Photos: Young Galaxy @ Scène des arbes – August 4, 2012
MP3: Young Galaxy – “Youth Is Wasted On The Young”
MP3: Young Galaxy – “Peripheral Visionaries”
MP3: Young Galaxy – “We Have Everything”
MP3: Young Galaxy – “Cover Your Tracks”
MP3: Young Galaxy – “Outside The City”
MP3: Young Galaxy – “Come And See”
MP3: Young Galaxy – “Swing Your Heartache”
Video: Young Galaxy – “Phantoms”
Video: Young Galaxy – “Peripheral Visionaries”
Video: Young Galaxy – “Blown Minded”
Video: Young Galaxy – “We Have Everything”
Video: Young Galaxy – “The Alchemy Between Us”
Video: Young Galaxy – “Outside The City”
Video: Young Galaxy – “Come And See”

Back at the mainstage, it was soon time for Garbage. As much as I hate people who equate bands falling off their own radar with having ceased to exist at all, I have to admit that I had completely forgotten they’d released two albums this century; I thought this year’s Not Your Kind Of People had been their first record in much more than seven years. I wasn’t even really a fan back in the ’90s and had not paid any attention to the Toronto stop of their tour earlier this year, but festival math is different and in this setting, Garbage were a must-see for me if for no other reason than I never had before and I’d surely know a lot of the songs. After all, they weren’t a cult band by any measure, but genuinely successful across their first two albums and ubiquitous across radio and television. Not that any of that necessarily meant anything to much of the Osheaga demographic, who were probably in primary school when Garbage were at their apex, but I digress.

Boasting surely the most spartan stage setup of anyone at the festival – there was almost no gear onstage – they turned in a thoroughly polished performance befitting the 3/4 of the band who’re studio perfectionists and with frontwoman Shirley Manson responsible for providing any and all rawness, which she did with aplomb. Looking as fierce and confrontational as ever – and probably thankful they had an early evening timeslot for even SPF10000 sunblock couldn’t have prevented her paleness from spontaneously combusting at high noon – Manson prowled and strutted around the stage like she owned it; time hasn’t diminished her charisma, that’s for certain. Their tunes have also aged surprisingly well; though their electro-grunge pop sound is inseparable from its era, the hooks and melodies are forever. And I appreciated their seeing the Pretenders’ “Talk Of The Town” quote in the outro of “Special” – probably my all-time favourite Garbage moment alongside the hard-panned guitars on “Vow” – and raising it an extra few lines from “I Go To Sleep”. A nice moment in one of my unexpectedly favourite sets of the weekend.

The Montreal Gazette and Huffington Post have interviews with Shirley Manson and Rolling Stone analyzes her distinctive fashion sense over the years.

Photos: Garbage @ Scène de la rivière – August 4, 2012
Video: Garbage – “Blood For Poppies”
Video: Garbage – “Tell Me Where It Hurts”
Video: Garbage – “Run Baby Run”
Video: Garbage – “Sex Is Not The Enemy”
Video: Garbage – “Bleed Like Me”
Video: Garbage – “Why Do You Love Me”
Video: Garbage – “Shut Your Mouth”
Video: Garbage – “Breaking Up The Girl”
Video: Garbage – “Cherry Lips”
Video: Garbage – “Androgyny”
Video: Garbage – “You Look So Fine”
Video: Garbage – “The Trick Is To Keep Breathing”
Video: Garbage – “When I Grow Up”
Video: Garbage – “Special”
Video: Garbage – “I Think I’m Paranoid”
Video: Garbage – “Push It”
Video: Garbage – “Milk”
Video: Garbage – “Stupid Girl”
Video: Garbage – “Only Happy When It Rains”
Video: Garbage – “Queer”
Video: Garbage – “Vow”

En route from the mainstages to the far end of the festival grounds, I made my first and only stop at Osheaga’s electronic stage in order to see Sweden’s Little Dragon. I was there well in time but the band were extra-late in getting set up and underway, thus limiting my time to get acquainted with them. I hadn’t really heard much from them before, but an elevator pitch of three Swedes fronted by a little Japanese girl while cranking out beat-heavy electro-soul was enough to get me interested. For the few songs I was able to stick around and with frontwoman Yukimi Nagano was all over the stage, dancing and going to town on her tambourine, they certainly delivered what I’d hoped for and did with a good deal more energy and ferocity than I expected. As I said, I’d have liked to stay and watch more, but I had a long-standing appointment to keep.

Fuse and Rolling Stone have feature pieces on Little Dragon.

Photos: Little Dragon @ Scène Piknick Électronik – August 4, 2012
Video: Little Dragon – “Crystalfilm”
Video: Little Dragon – “Brush The Heat”
Video: Little Dragon – “When I Go Out”
Video: Little Dragon – “Fortune”
Video: Little Dragon – “My Step”
Video: Little Dragon – “Never Never”
Video: Little Dragon – “After The Rain”
Video: Little Dragon – “Twice”
Video: Little Dragon – “Constant Surprises”

An appointment that dated back to March, when I got to within ten people or so of seeing The Jesus & Mary Chain in Austin at SXSW, but no closer. This was before they made it clear that they’d be on the road for much of 2012, mind, so being shut out and listening to them from the street felt extra painful at the time; needless to say, missing them again was simply not in the cards. Though if I had any fears about the Green stage being jammed before I got there, they were unfounded – the band may have been legends to many, but there weren’t more than a few hundred people gathered to see them close out the night, most of a certain generation and more than a few with kids in tow. No doubt a club show, as they’d sold out in Toronto the night before, would have better suited but this was what it was, and what it was was pretty great.

If you were to drop someone from the ’80s in front of the stage, they probably wouldn’t have had any idea who they were looking at – William Reid may have looked similar to how he did back then, albeit heavier-set, but Jim Reid’s wild shock of hair has long been traded for a rather office-looking cut and it’s hard to imagine the younger him wearing a red Flying Burrito Brothers t-shirt onstage as he did. The time-traveler might also ask why Phil King of Lush was there on bass. And just as they didn’t look like they once did, they didn’t entirely sound like they did either – but that’s not necessarily a bad thing. While still exceptionally loud, the white noise screech that was their signature circa Psychocandy was localized mainly to Reid’s guitar as opposed to across the entire sonic spectrum and the melodic pop polish that they’d achieved by the end of their recording career (1999’s Munki) was applied to all of their career-spanning set. And while the younger Reid may have looked rather more proper than he once did, his voice still had that Glaswegian sneer and the misanthropic spirit of his lyrics remained – it’s hard to sugarcoat a song like “Reverence”, after all.

We didn’t get to hear Jim Reid berate his brother for messing up at all as I’ve heard he’s done at other shows – some things never change – but he did apologize to the audience for forgetting the words to “Happy When It Rains” and forcing a start-over (the second time that day I’d heard a Scottish person sing about how they enjoy the rain, coincidentally). And while I’m sure they intended having Mad Men actress and Montréal native Jessica Paré come out to sing backups on “Just Like Honey” and cover Hope Sandoval’s parts on “Sometimes Always” as a surprise, the fact that she’d done the same at the previous Buffalo and Toronto shows kind of took some of the wow factor out of it. Unsurprisingly, that’s what most of the reviews of the show focused on but the real important take-away was that even if they never make a new record – and maybe we don’t even want one – The Jesus & Mary Chain still sound amazing and still don’t give a fuck. All hail.

Photos: The Jesus & Mary Chain @ Scène verte – August 4, 2012
Video: The Jesus & Mary Chain – “I Love Rock’N’Roll”
Video: The Jesus & Mary Chain – “Cracking Up”
Video: The Jesus & Mary Chain – “I Hate Rock’N’Roll”
Video: The Jesus & Mary Chain – “Come On”
Video: The Jesus & Mary Chain – “Sometimes Always”
Video: The Jesus & Mary Chain – “Almost Gold”
Video: The Jesus & Mary Chain – “Something I Can Have”
Video: The Jesus & Mary Chain – “Far Gone And Out”
Video: The Jesus & Mary Chain – “Teenage Lust”
Video: The Jesus & Mary Chain – “Reverence”
Video: The Jesus & Mary Chain – “Head On”
Video: The Jesus & Mary Chain – “Blues From A Gun”
Video: The Jesus & Mary Chain – “Darklands”
Video: The Jesus & Mary Chain – “Happy When It Rains”
Video: The Jesus & Mary Chain – “Some Candy Talking”
Video: The Jesus & Mary Chain – “April Skies”
Video: The Jesus & Mary Chain – “Just Like Honey”
Video: The Jesus & Mary Chain – “You Trip Me Up”

Some other things that you may want to know about… Cat Power has announced the North American tour dates in support of Sun, out September 4. She’ll be at The Kool Haus on October 20, tickets $34.50 in advance, and a second track from the new record is now available to download.

MP3: Cat Power – “Cherokee”

Bob Mould is streaming the first single from his new one The Silver Age, out September 4. It sounds like going through those Sugar reissues reinspired him in the very best way, and if you’re unfamiliar with Mould’s extensive body of song but want to start investigating, The AV Club has a helpful beginner’s guide.

Stream: Bob Mould – “The Descent”

Rolling Stone has some details on the 25th anniversary reissue of R.E.M.’s Document, due out on September 25.

Paste, LA Weekly, and The Village Voice talk to Jeff McDonald of Redd Kross, who’ve just released a new video and download from their excellent new record Researching The Blues.

MP3: Redd Kross – “Stay Away From Downtown”
Video: Redd Kross – “Stay Away From Downtown”

Circuital may be over a year old, but that doesn’t mean that My Morning Jacket can’t release a new animated, Galifianakis-powered video from it to coincide with their tour which brings them to Echo Beach next Wednesday, August 15.

Video: My Morning Jacket – “Outta My System”

Lower Dens also have a new video from Nootropics. There’s also interviews at DCist and The Village Voice.

Video: Lower Dens – “Candy”

Tom Waits had everyone convinced last week that he’d be announcing his first tour in forever this week. He didn’t, he just released a new video from Bad Like Me. Never before has such a cool video been met with so much disappointment.

Video: Tom Waits – “Hell Broke Luce”

Rolling Stone talks to John Darnielle of The Mountain Goats about their new record Transcendental Youth. It’s out October 2 and brings them to The Phoenix on October 20.

Britt Daniel chats with Exclaim about his new band Divine Fits, his old band Spoon, and about his other new band, Spl:t S:ngle. A Thing Called Divine Fits is out August 28 and they’re at Lee’s Palace September 5.

Fang Island gives aux.tv a track-by-track walkthrough of their latest Major.