Nick BostickThat Arcade Fire will release a new record this year – possibly/probably produced by or at least involving James Murphy – is pretty much a given. But also a given is that it won’t be out until Fall, at the earliest, because a) it’s already Spring and it’s not done, and b) Fall is still when all the big records come out and this is about as big as they get.

It would be nice to be able to say that Arcade Fire violinist Sarah Neufeld will be able to help fill that gap, what with the announcement that the instrumental solo endeavours that had her playing live shows since late last year have coalesced into her debut album – produced by German composer Nils Frahm – but the fact is that Hero Brother – said debut album – isn’t scheduled to come out until August 20, which is almost Fall anyways. But until then, there’s a preview MP3, an album trailer, a brace of Summer tour dates (nothing local yet but be patient), and a promise that she’ll continue to promote the record even while Arcade Fire is doing the same for album number four. Pitchfork has all the salient details on the record.

And while on the topic of things Arcade-y and Fire-y, congratulations to Win and Regine on the birth of their baby boy.

MP3: Sarah Neufeld – “Hero Brother”
Trailer: Sarah Neufeld / Hero Brother

If ever there was a reason to not rely on this site for your timely music news, this is it. Earlier this week Sloan released a limited-edition 7″ with two new hardcore songs on it, and by the time you read this they will have completely sold out. But you can still read details on it and the companion album of hardcore covers at Exclaim, and stream the two sides of the single below. Because that’s almost as good, right?

Stream: Sloan – “Jenny”
Stream: Sloan – “It’s In You, It’s In Me”

Along with a new video that surfaced last week, Exclaim has an advance stream of Jim Guthrie’s first new record in seemingly forever – Takes Time – ahead of its release on May 7. And spoiler alert – it’s terrific.

Stream: Jim Guthrie / Takes Time
Video: Jim Guthrie – “Bring On The Night”

Dallas Good talks to Exclaim about recording The Good Family Album with his family as The Good Family, and also about the next Sadies record. The Good Family play The Dakota Tavern on May 9 and 10 and The Sadies are part of the Toronto Urban Roots Fest at Garrison Commons on July 7.

aux.tv chats with Airick Woodhead of Doldrums, back in town for a show at The Horseshoe on May 11.

Devon Welsh of Majical Cloudz talks to DIY about his debut album Impersonator, out May 21 and from which a new MP3 has just been made available. He opens up for Youth Lagoon at The Great Hall on May 13 and will be back for NXNE on June 15.

MP3: Majical Cloudz – “Bugs Don’t Buzz”

Stereogum has premiered a stream of a new Hooded Fang tune, taken from Gravez. It’s out May 28 and they play The Horseshoe on May 31.

Stream: Hooded Fang – “Ode To Subterrania”

Beatroute have put Vancouver’s Gold & Youth on this month’s cover in tribute to the May 14 release of their debut album, Beyond Wilderness.

Le Blogotheque has a striking Take-Away Show with Colin Stetson, and Exclaim, Consequence Of Sound, eMusic, and Rolling Stone have feature interviews. His new record New History Warfare Vol 3: To See More Light came out this week and he plays The Great Hall on May 19.

The 405 meets Young Galaxy.

CBC Music graphically maps the Broken Social Scene extended family, a map which will get even messier come May 28 with the release of X, a special album which teams up Arts & Crafts artists to record new songs, Judgement Night-style. Exclaim has details, and Clash a profile piece on the label. Broken Social Scene headline the Field Trip festival at Garrison Commons on June 8.

The Georgia Straight chats with Snowblink, who will also be playing Field Trip on June 8.

Crystal Castles have released a new video from III. They’re at The Sound Academy on June 8.

Video: Crystal Castles – “Affection”

NYLON meets Moon King, who will be all over NXNE playing June 13 at The Garrison, June 14 at The Drake, and June 15 at Yonge-Dundas Square.

Austra have released the first video from their second album Olympia, due out June 18.

Video: Austra – “Home”

She Knows and College Times interview Born Ruffians, playing for free as part of Sound Clash at Harbourfront Centre on July 13.

No Joy have released a new/first video from their second album, Wait To Pleasure.

Video: No Joy – “Hare Tarot Lies”

For her visit to The AV Club’s Undercover studio, Basia Bulat takes a swing at Bruce Springsteen’s “Glory Days”.

Robert NetheryAnd the theme of today’s post is videos. Domestic videos if you’re Canadian, and exotic foreign ones if you’re not. And led off by Mr. Colin Stetson – who is in fact American by birth but Canadian by immigration – because he will be releasing his new album New History Warfare Vol 3: To See More Light next week on April 30, and because the man has a big horn.

He’s actually rolled out a few clips over the past few weeks – one doing double-duty for a couple More Light songs debuted at Pitchfork, and another clip surfaced this week at Interview, so if you were wondering what sort of visuals go with intense, experimental jazz performed on bass saxophone, now you know.

The Skinny also has a feature interview with Stetson, who will be at The Great Hall in Toronto on May 19.

Video: Colin Stetson – “Among The Sef”
Video: Colin Stetson – “In Mirrors”/”And In Truth”

The Wilderness Of Manitoba have released a new video from their second full-length Island Of Echoes, while Baeble Music has premiered the performance video for one of the tracks from their new Leslieville Sessions EP. Their next local show comes this weekend, on April 28 at The Campbell House Museum.

Video: The Wilderness Of Manitoba – “Echoes”

Toronto’s Hooded Fang have put out a clip for the sort-of title track of their new album Gravez, coming out May 28. They play a hometown release show for it at The Horseshoe on May 31.

Video: Hooded Fang – “Graves”

Young Galaxy have put out the first video from their just-released new record Ultramarine and discuss the new record with The Fly, Exclaim, Toro, The Montreal Gazette, and CBC Music. They bring it to Lee’s Palace on May 31.

Video: Young Galaxy – “Pretty Boy”

Hayden has made a new video taken from Us Alone, coinciding with the announcement of a handful more Canadian tour dates which you can find at Exclaim. However, the only Toronto date remains his appearance at the Field Trip festival at Garrison Commons on June 8.

Video: Hayden – “Oh Memory”

This video from Montreal’s Valleys isn’t technically very new – it debuted in early March – but seeing as how I haven’t talked about the band before and their debut Are You Going To Stand There And Talk Weird All Night? comes out next week and is available to stream in whole at Exclaim… I figured I’d post both. Because it’s a good record that does the icy/moody/emotive cinematic electro-pop thing a la Chromatics quite well. So yeah, you haven’t heard about them hereabouts before now, but henceforth you most certainly will.

Video: Valleys – “Undream A Year”
Stream: Valleys / Are You Going To Stand There And Talk Weird All Night?

The Good Family don’t have a new video – though you can bet that home movie footage of Dallas and Travis as toddlers wouldn’t go viral – they are streaming The Good Family Album at Exclaim ahead of its release next week on April 30. The family reunion show runs two nights at The Dakota on May 9 and 10.

Stream: The Good Family / The Good Family Album

Beatroute has words with METZ, coming home to Lee’s Palace on May 17.

DIY talks with No Joy about their just-released Wait To Pleasure.

Spinner talks to Metric about being three-time winners at this year’s Juno Awards.

Grimes has taken to her Tumblr to post a pretty strong statement against the sexism in the music industry that she and many others still have to deal with in 2013.

Vanessa HeinsThey couldn’t have known it at the time, but when naming their 2011 album Shapeshifting, Montreal’s Young Galaxy were describing not only their sonic shift from well-worn dream-pop to sleek, futuristic disco, but in their fortunes as well. Their first couple records had failed to launch them into an orbit commensurate with their band name but Shapeshifting would make them, if not stars, then an act who were genuinely doing something fresh and interesting and well worth watching. It was a fresh start that not many artists get.

It would also put whatever they did next under a next-level degree of scrutiny to see if Shapeshifting genuinely the start of a fruitful new direction for the band or just a lucky aberration. Doing everything they could to ensure the former and acknowledging that Swedish producer Dan Lissvik’s job mixing Shapeshifting was an essential part of the record’s magic and success, Young Galaxy doubled down on his input and traveled to Gothenburg to record with him fully-credited as producer, and it’s a gamble that has paid off handsomely. To say an album sounds like its predecessor is usually interpreted as a sign of creative stagnation, but for Ultramarine to be considered an equal to Shapeshifting is actually rather high praise.

The space-age, synthesized aesthetic that so surprised on its predecessor still feels fresh and more importantly, natural. It provides the perfect setting for now-sole vocalist Catherine McCandless’ vocals and their peripheral iciness, but also allows draws out some of her most affecting performances to date, particularly on album bookends “Pretty Boy” and “Sleepwalk With Me”. Also interestingly, Ultramarine doesn’t find the band venturing any further into dancey territory despite being tooled up for it, funky expedition “Out The Gate Backwards” being the notable exception but even that does its work by way of Madchester, rather than via any contemporary EDM affectations. Ultramarine is a strong record that cements Young Galaxy’s place in the Can-rock firmament, and if Shapeshifting posited the question of, “this is Young Galaxy?”, Ultramarine definitively answers it with “this is Young Galaxy”.

Exclaim talks to Catherine McCandless and The Advocate to drummer Andrea Silver about the making of Ultramarine. It’s out April 23 but streaming now in whole at Pitchfork. They play Lee’s Palace on May 31.

Stream: Young Galaxy / Ultramarine

Odonis Odonis have released a video for the title track of their just-out new EP Better. They’re at Lee’s Palace on May 17 supporting METZ.

Video: Odonis Odonis – “Better”

PopMatters talks to Kevin Drew of Broken Social Scene and Arts & Crafts about the label’s tenth anniversary. The corresponding compilation Arts & Crafts 2003-2013 is now available to stream in its two-CD entirety at CBC Music, and the festival to go along with the comp – Field Trip – hits Garrison Commons on June 8.

Stream: various artists / Arts & Crafts 2003-2013

Spin has posted a stream of Moon King’s new Obsession II EP, though the Soundcloud link below is a bit more reliable in performance. Speaking of in performance, their NXNE appearances have been confirmed – look for them on June 13 at The Garrison, June 14 at The Drake, and June 15 at Yonge-Dundas Square.

MP3: Moon King – “Appel”
Stream: Moon King / Obsession II

Paste gets to know Born Ruffians, whose new record Birthmarks came out this week.

The Belle Game are celebrating this week’s release of their debut Tradition Ritual Habit by giving away another download from the album via Rolling Stone.

MP3: The Belle Game – “Blame Fiction”

The Line Of Best Fit interviews No Joy, who are streaming their new album Wait To Pleasure ahead of its April 23 release date over at Pitchfork. They’re also at The Garrison that night opening for Clinic.

Stream: No Joy / Wait To Pleasure

Stereogum talks to Colin Stetson about his forthcoming New History Warfare Vol. 3: To See More Light, out April 30. He and his lungs are at The Great Hall on May 19.

Arts Journal and NPR talk to Rachel Zeffira, who makes her local debut at The Drake Underground on May 2.

NPR has posted a Mountain Stage video session with Kathleen Edwards, who is part of the CBC Music Fest at Echo Beach on May 25.

Japandroids are coming back to town for a show at the Adelaide Music Hall on June 17, tickets $25. What the hell is the Adelaide Music Hall, you ask? Don’t worry – The Grid is on it.

MP3: Japandroids – “Younger Us”
MP3: Japandroids – “The House That Heaven Built”

Patrick Watson will be playing a free show at Pecault Square on June 20 as part of this year’s LuminaTO festivities.

MP3: Patrick Watson – “Words In The Fire”
MP3: Patrick Watson – “Into Giants”

BrooklynVegan has premiered a Moog Sound Lab video with Diamond Rings, who’s opening up for OMD at the Danforth on July 11 and 19.

The Vancouver Sun and Georgia Straight have feature interviews with Two Hours Traffic.

DIY and Under The Radar talk to The Besnard Lakes.

Inez van Lamsweerde & Vinoodh MatadinIt might seem like Björk doesn’t tour much anymore – after all, it’s been nearly five years since she was last here headlining V Fest 2007 in support of Volta, but that was actually her last album before 2011’s Biophilia. So besides the fact that she’s been working at a slower pace than when the ’90s triumvirate of Debut/Post/Homogenic made her one of the most unconventional pop stars of Alternative Nation, there’s also the demands of raising a family, and anyways – if you could live here just watching TED talks or in hotels on the road watching ESPN, where would you rather hang out?

In any case, Biophilia initially came with an ambitious slate of live shows, but the preference for more intimate, in-the-round, month-long residencies over conventional shows limited the cities that could host her to the likes of New York, Paris, and Manchester and even if there were intentions of adding more cities, the need for vocal polyp surgery last Fall would have probably ixnayed those. All of which is to say, yes Björk has been away for a while but she’s not forgotten us – as I speculated last month, she is indeed making a stop between already-announced engagements at Ottawa Bluesfest and Pitchfork Festival, and will be at Echo Beach on July 16 with whatever wild, weird, and wonderful show she’s put together for this North American jaunt.

Tickets for the show are $64.50 and $85.00 for VIP, but courtesy of LiveNation, I’ve got one pair of passes to the show to give away before the regular onsale happens this Thursday morning at 10AM. To enter, email me at contests@chromewaves.net with “I want to see Bjork” in the subject line and your full name in the body, and have that in to me by midnight, April 3. Yes, that’s tomorrow night. Winners will be informed before the general on-sale goes live.

MP3: Björk – “Verandi”
MP3: Björk – “It’s In Our Hands”
MP3: Björk – “Cosmogony”
Video: Björk – “Mutual Core” (in Times Square)

Titus Andronicus have announced a May 2 date at Lee’s Palace in support of last year’s Local Business. Yes they’ve already been through for that one and yes, they’ll probably be back yet again before all is said and done. And you know why? Because people keep going. Tickets for this show are $18.50 in advance.

MP3: Titus Andronicus – “Ecce Homo”

Australia’s Presets are coming back to town behind last year’s Pacifica with a date at The Danforth Music Hall on May 10, tickets $25 plus attendant fees.

Video: The Presets – “Promises”

A PSA that the Marina & The Diamonds/Charli XCX show originally scheduled for May 23 at the Sound Academy has been moved to Echo Beach, a development that will probably be welcomed by everyone unless it rains, in which case it will be cursed. Noisey talks to Charli XCX about her debut album True Romance, due out April 15, and Consequence Of Sound has a stream of one of the new songs off of it.

Video: Marina & The Diamonds – “How To Be A Heartbreaker”
Stream: Charli XCX – “What I Like”

British rockers The Boxer Rebellion have announced a North American tour in support of their new album Promises, out May 14, and will be at The Opera House in Toronto on May 24, tickets $18.50. They talked to Billboard about what to expect from the new album.

MP3: The Boxer Rebellion – “No Harm”
Video: The Boxer Rebellion – “Diamonds”

With their new album Ultramarine ready for an April 16 release, Young Galaxy have made a May 31 date at Lee’s Palace to celebrate its release, tickets $15. The Line Of Best Fit has an interview with the band.

Stream: Young Galaxy – “Pretty Boy”

Marking the physical release of last Fall’s Heavyweight EP, Rachael Yamagata will be in town at The Mod Club on June 4 as part of her Dealbreaker Tour, tickets $16.50 in advance.

Video: Rachael Yamagata – “Even If I Don’t”

Perhaps realizing that the royalties from the Veronica Mars movie won’t start rolling in for a while, The Dandy Warhols have announced a lace anniversary tour for the only record of theirs anyone ever really cared about and will play Thirteen Tales Of Urban Bohemia in its entirety at The Phoenix on June 5, tickets $32.50.

Video: The Dandy Warhols – “Bohemian Like You”

Rancid will headline the Avenues and Alleways Fest at Echo Beach on June 12, featuring all manner of Rancid-approved punk bands. Tickets for that are $35 in advance.

Video: Rancid – “Ruby Soho”

British soul-funk saviours The Heavy have made a return engagement in support of last year’s The Glorious Dead; they’ll be at The Phoenix on June 19, tickets $17.50.

Video: The Heavy – “What Makes A Good Man”

Barely making himself scarce after being pretty much everywhere during Canadian Musicfest, Mac DeMarco will be at The Hoxton on June 30, tickets $14.

MP3: Mac DeMarco – “Freaking Out The Neighbourhood”

A second official batch of NXNE acts was announced last week, with notable names including punk vets Social Distortion, who will be headlining the free Yonge-Dundas Square show on the Thursday night, confirmation of Big Boi doing the same on the Sunday, Coeur de Pirate making her first appearance post-motherhood, and Fucked Up doing their thing at The Horseshoe on the Saturday night. Also likely to be a hot ticket is Montreal’s Majical Cloudz, recently signed to Matador for the May 21 release of Impersonator. In addition to the NXNE appearance, he/they’ll be at The Great Hall on May 13 supporting Youth Lagoon. And if you’re interested in all the artists officially announced for NXNE thus far, hit the artists page.

MP3: Majical Cloudz – “Childhood’s End”
MP3: Majical Cloudz – “Turns Turns Turns”

Some more additions to Toronto Urban Roots Fest of a decidedly domestic nature; joining a host of others at Garrison Common from July 4 to 7 will be Toronto twang-duo Whitehorse and ascendant Vancouver singer-songwriter Hannah Georgas. The former is playing on the Sunday, July 7, the latter on the Saturday, July 6.

Video: Whitehorse – “Achilles’ Desire”
Video: Hannah Georgas – “Somebody”

Noel Gallagher-approved, One Direction-baiting, Olympic-soundtracking, chart-topping English singer-songwriter Jake Bugg will make his Toronto debut at The Mod Club on August 3, tickets $15.

Video: Jake Bugg – “Lightning Bolt”

Frank YangIf you’re ever debating what to do on a given evening of either Canadian Musicfest or NXNE, you can always do far worse than to simply post up at either The Horseshoe or Lee’s Palace for the entire evening. These Toronto anchors always host a solid bill of bands, both local and international, buzzy and unheralded, covering a swath of genres that will surely have something to delight the ears. Granted, I was there with a more specific mandate than to just take in some music – I wanted to see Savages – but still opted to spend the whole night there and see some other acts I’d not seen before. Because isn’t that the point of these things?

Vancouver’s Zolas drew the opening slot and my immediate impression of their lanky, piano-heavy and slightly funky rock was that they sounded like Spoon, but those comparisons became less valid as the set progressed. The ingredients were similar, but their recipe drew more from laid-back, ’70s pop-rock than the tense, ’80s post-punk influences of the Austinites. This didn’t make their set any less enjoyable, but I can’t say I wasn’t a bit disappointed that they weren’t a more adventurous outfit. Still, their sound was a crowd-pleasing one and when frontman Zachary Gray left the stage to sing the final song from the audience, it felt like he had been invited rather than invaded.

Photos: The Zolas @ The Horseshoe – March 22, 2013
Video: The Zolas – “Escape Artist”
Video: The Zolas – “Cab Driver”
Video: The Zolas – “Knot In My Heart”
Video: The Zolas – “No Talking”
Video: The Zolas – “The Great Collapse”

There’s almost no chance I’d have ever seen Dustin Bentall & The Smokes perform if not for the inherent eclecticism of club festival lineups. Not because I’d have gone out of my to avoid them, but because their brand of unaffected roots-rock ceased being the sort of thing that piqued my curiosity some time ago. But that doesn’t mean it can’t be entertaining, because it absolutely was – Bentall has an easy charm and his songs a friendly familiarity that helps compensate for the rather pedestrian songwriting, to say nothing of the live show – Kendel Carson’s aggressively virtuosic lead fiddle playing could make anything sound amazing.

Photos: Dustin Bentall & The Smokes @ The Horseshoe – March 22, 2013
MP3: Dustin Bentall & The Smokes – “Railroad”
Video: Dustin Bentall & The Smokes – “Streets With No Name”

Hamilton’s Young Rival have been kicking around for a while now – six years and two albums, says Wikipedia – but our paths had yet to cross, or at least until last month when one of their clips was shortlisted for the Prism Prize. In any case, I was advised just before their set to expect something between garage rock and power pop, and while this was true, their set tilted much more towards the former. They offered great guitarwork and a solid rhythm section and songwriting which while not the most memorable, was more than serviceable for rock’n’roll. I would have expected more showmanship from a power trio as tight as they were, but while they weren’t disinterested, they also didn’t seem especially fussed about wowing the audience.

Photos: Young Rival @ The Horseshoe – March 22, 2013
Video: Young Rival – “Two Reasons”
Video: Young Rival – “Nothing You Know Well”
Video: Young Rival – “The Ocean”
Video: Young Rival – “Authentic”
Video: Young Rival – “Your Island”

It was good to see that each of the acts on the bill had their own fanbase turn out, based on the enthusiasm of varying percentages of the audience and the constant turnover of the folks gathered up front, but for me it was London four-piece Savages who were the reason for being here this night. Not because I’m a huge fan, but because I’m not. Or more accurately, I was curious to see if the hype around a band with hardly any recorded output and yet just signed to one of the most respected labels around was justified. And for the record, their “they’re amazing live” reputation actually counted as something of a strike in my books, since talking about the performance before establishing the songs are there raises flags with me.

In any case, Savages took the stage certainly looking as you’d expect – lights dimmed, faces stern, and dressed all in black save for frontwoman Jehny Beth, who in addition to looking an uncanny hybrid of Ian Curtis and Sinead O’Connor, also wore a pair of bright red heels. And for the next 40 minutes, it was all business – that business being a relentless, sonic pummeling of the post-punk variety, all hard edges and not so much interested in hooks as stabs. Each song had a distinct musical angle to distinguish it from the others without compromising their aesthetic consistency, but this wasn’t always enough to make them memorable, particularly measured against the standard of their two best songs and set closers, “She Will” – which was highlighted by drummer Fay Milton absolutely destroying her splash cymbal – and “Husbands”. No question Savages put on a good show, but I will still reserve judgement until the May 7 release of Silence Yourself when I can hear if they’ve got the songs to back up the performance.

Photos: Savages @ The Horseshoe – March 22, 2013
Stream: Savages – “She Will”

There’s probably a rule somewhere that you can’t call it a festival without some ’90s-vintage reunion act, and that’s where the night’s ostensible headliners Limblifter came in. I wouldn’t say I had any particular affection or enmity towards the Vancouver band, having liked some of their hits back in the day and been indifferent to others, but I could think of worse things than to hear “Vicious” live. It’s worth noting that just as frontman Ryan Dahle has aged remarkably well over the past 15 years, Limblifter’s sound has also held up pretty well. Their slightly strangled, angsty grunge-pop is still very much of an era – on hearing “Screwed Up” I half-expected a space-time wormhole to open up and drag me back to my sophomore year (this would not have been a good thing) – but enough of their repertoire is strong enough melodically to still impress so many years hence; to wit, “Tinfoil” still sounded great. And as evidence that Limblifter was still a going concern in 2013, they introduced some new material that didn’t feel out of place with the old. Whether the folks in attendance were actually interested in adding to their Limblifter collection rather than just hearing the old tunes remains to be seen, but for this night, at least, they were loving it.

The KW Record has an interview with Limblifter.

Photos: Limblifter @ The Horseshoe – March 22, 2013
Video: Limblifter – “Perfect Day To Disappear”
Video: Limblifter – “Wake Up To The Sun”
Video: Limblifter – “Cordova”
Video: Limblifter – “Vicious”
Video: Limblifter – “On The Moon”
Video: Limblifter – “Ariel Vs Lotus”
Video: Limblifter – “Tinfoil”

NOW and The Montreal Gazette talk to The Besnard Lakes about their new album Until In Excess, Imperceptible UFO, out April 2. And if you were thinking that it was about time an advance stream of the album surfaced, you would be correct – CBC Music has it (for Canadians).

Stream: The Besnard Lakes / Until In Excess, Imperceptible UFO

Beatroute, The Leader-Post, The Province, Metro, and The Times-Colonist chat with Born Ruffians about their new album Birthmarks, out April 16.

Exclaim has premiered the first video from Gentleman Reg’s latest album Leisure Life. He’ll play songs from it at an in-store at Sunrise Records on Yonge St on April 19.

Video: Gentleman Reg – “Waiting Around For Gold”

Consequence Of Sound reports that Caribou will celebrate Record Store Day with vinyl reissues of his first three albums. That’s April 20 for those not keeping track.

Portals talks to Stephen Ramsay of Young Galaxy about the story behind their new single “Pretty Boy”. Their new album Ultramarine is out April 23 and another track from it is available to stream:

Stream: Young Galaxy – “New Summer”

Exclaim talks to Rachel Zeffira, who is in town for a rare show at The Drake on May 2.

NPR has video of one of METZ’s performances at SXSW this year. They play Lee’s Palace on May 17 and then Downsview Park opening up for Weezer on July 12.

The Toronto Sun, Black Book, and amNY chat with Stars, BlogTO with The Darcys, and The Georgia Straight, Vue, Playback, and FFWD with Hayden – all of whom are part of the Field Trip festival at Garrison Common on June 8.

A Heart Is A Spade and Noisey grabbed interviews with Diamond Rings at SXSW; he opens up both of OMD’s shows at the Danforth Music Hall on July 11 and 19.

Exclaim rounds up some details on Shad’s next album, Flying Colours.

Kestrels have released a new video from A Ghost History.

Video: Kestrels – “Drowning Girl”

Suuns answers questions from Spinner, Noisey, The 405, All The Write Notes, and Ca Va Cool.