Frank YangWell I certainly didn’t expect that.

Even though Godspeed You! Black Emperor’s surprise comeback record‘Allelujah! Don’t Bend! Ascend! was high on my own ballot and certainly a worthy record by any standard – refer back to my review last October – I had expected that some combination of the band’s own refusal to interact with the media (and thus any of the jury), the relative bleakness/impenetrableness of their music, and just their lack of profile outside of old-school indie circles to stack the odds against them. Apparently not. Proving that predicting the Polaris Music Prize is a tricky, tricky pastime, the name that last year’s winner Leslie Feist read from winner’s envelope wasn’t Zaki Ibrahim or A Tribe Called Red or any of the other acts who were widely expected to walk away with the $30,000 in this unusually wide-open year, but Godspeed.

No one was sure if they’d even acknowledge the nomination though it was a pretty sure thing they wouldn’t show up to the ceremony, and indeed they didn’t. American music journalist Jessica Hopper said a few short words at the gala to acknowledge their nomination and Ian Ilavsky of Constellation Records, Godspeed’s label, said a few words after their win, thanking the jurors and announcing that the winnings would be donated to a program to bring music and instruments to Quebec prisons. There was no giant novelty cheque. And this morning, the band made their own official statement on the win and manage to be entirely gracious while remaining entirely Godspeed.

As to the rest of the gala, it was an eminently enjoyable affair in its fancy new home at The Carlu. Shad and Kathleen Edwards were fine hosts, with the requisite costume skits and making light of the fact that they were both two-time Polaris losers (including both of them in 2008 when my Grand Jury gave the prize to Caribou), as well as leveraging Edwards’ renowned potty mouth towards collecting money for charity via a swear jar on each guest table whenever she cussed. Which was often.

The performances opened with Purity Ring bringing their trademark cocoon lantern stage show to accompany their squelchy electro-pop, followed by and impressive set by R&B artist Zaki Ibrahim with costumes and dancers that was probably revelatory for most in attendance, since she’s hardly if ever performed live in Canada. As they did in 2009, Metric opted to perform acoustic as just the core duo of Emily and James but bringing in a grand piano to fancy things up a bit helped avoid the coffee house vibe of that previous showing.

What with having been sidelined very recently with a broken hand, solo saxophonist Colin Stetson was a surprise performer on the night but showed no ill effects fresh off the DL, turning in the most raw, elemental performance of the night and maybe the history of the Polaris Prize. Tegan & Sara also surprised, not by showing up and performing but by having Toronto’s Choir! Choir! Choir! sub in with a brilliant and buoyant version of “Closer”.

Whitehorse only played one song when they could have easily done two in their allotted time, but that one more than ably showcased their abilities and appeal, with Luke Doucet and Melissa McClelland’s intricately choreographed instrument swapping and looping an impressive demonstration of musicality and chemistry. And it speaks to the diversity of nominees on this year’s short list that Young Galaxy’s set would come across as unusual, what with them being a conventional rock band simply performing a couple of their songs.

A fancy-dress gala might have been an odd first time to see local punk heroes METZ, but their loud and loud and awesome and loud set successfully transformed the Carlu from a storied concert hall that once hosted Frank Sinatra and Glenn Gould into every dirty, grungy basement venue in the world, albeit a really well-lit one. And finally, to wrap the night, A Tribe Called Red added some visual interest to their three-DJ performance with a native break/hoop dancer who, while no Gary the pole dancer, certainly put on a memorable and unique performance.

And then they gave the prize to Godspeed. It’s funny – of all the years the Polaris has been a thing, this was the year I felt least invested in. The couple of records I would have really loved to see make the final round having not, I had a lot of difficulty getting interested in this year’s edition beyond an academic level. And of course, it turns out the album I was pulling for but had basically assumed was out of contention wins, and the gala features some of the very best performances I’ve seen at these things. The Polaris – you just never know. Photos from the gala and a reminder of who the shortlist was below.

Photos: The Polaris Music Prize 2013 Gala @ The Carlu – September 23, 2013

A Tribe Called Red / Nation II Nation (Pirate’s Blend)
Video: A Tribe Called Red – “Electric Pow Wow Drum”

Godspeed You! Black Emperor / ‘Allelujah! Don’t Bend! Ascend! (Constellation)
Stream: Godspeed You! Black Emperor – “Mladic”

Zaki Ibrahim / Every Opposite (Motif)
Video: Zaki Ibrahim – “Go Widdit”

Metric / Synthetica (Metric Music International)
MP3: Metric – “Clone”

METZ / METZ (Sub Pop)
MP3: METZ – “Wet Blanket”

Purity Ring / Shrines (Last Gang)
MP3: Purity Ring – “Obedear”

Colin Stetson / New History Warfare Vol. 3: To See More Light (Constellation)
MP3: Colin Stetson – “High Above A Grey Green Sea”

Tegan & Sara / Heartthrob (Warner Music)
Video: Tegan & Sara – “Closer”

Whitehorse / The Fate of the World Depends On This Kiss (Six Shooter)
Video: Whitehorse – “Achilles’ Desire”

Young Galaxy / Ultramarine (Paper Bag)
Video: Young Galaxy – “New Summer”

Young Galaxy have premiered a stream of another of the new tracks on their Ultramarine deluxe edition, out today, at Stereogum. The Edmonton Journal and Metro have interviews with the band.

Stream: Young Galaxy – “Talk To Her”

The Lab interviews Katie Stelmanis of Austra, who brings their 2014 Polaris-likely second album Olympia to The Phoenix on September 27.

The AV Club is offering an advance stream of Basia Bulat’s new album Tall Tall Shadow before its release next Tuesday, October 1. She plays three nights at the Polish Combatants Hall on October 10 through 12.

Stream: Basia Bulat / Tall Tall Shadow

Beatroute, The Montreal Gazette and CBC Music talk to Nick Thorburn of Islands about their new album Ski Mask. They play The Garrison on October 10.

Noisey have premiered the new video from The Darcys’ new record Warring, while B-Insider has an interview. They play the Adelaide Music Hall on October 11.

Video: The Darcys – “Muzzle Blast”

Shad discusses his new album Flying Colours with Respect. It’s out October 15 and he’s at The Opera House on October 19.

The Weeknd has premiered another video from Kiss Land; his three-night stand at Massey Hall begins October 17.

Video: The Weeknd – “Pretty”

NOW talks to Yamantaka//Sonic Titan, who’ve released a first video from their new record Uzu, coming out October 29.

Video: Yamantaka//Sonic Titan – “One”

Consequence Of Sound reports that Arcade Fire will follow-up their September 27 appearance on Saturday Night Live with a 30-minute concert performance to be shown on NBC – so that’s 1AM EDT, if it was unclear. Elsewhere, Richard Reed Perry tells NME how David Bowie ended up on “Reflektor” and Under The Radar has got a stream of their cover of Peter Gabriel’s “Games Without Frontiers”, appearing on the forthcoming All I’ll Scratch Yours tribute album, out this week. Arcade Fire’s own Reflektor is in stores October 29.

Stream: Arcade Fire – “Games Without Frontiers”

Also streaming from the Peter Gabriel tribute is this track from Feist featuring Timber Timbre; whether you choose to imagine a video featuring Leslie and Taylor clinging to each other for warmth for four minutes is your business.

Stream: Feist with Timber Timbre – “Don’t Give Up”

Destroyer has announced the release of Five Spanish Songs, an EP of songs by Spanish musician Antonio Luque of the band Sr. Chinarro, due out November 29. You may hear some of these songs when Dan Bejar plays The Great Hall solo on November 9. Or you may not.

Stereogum are streaming a new song from Odonis Odonis, presumably from a new album in the works or coming soon or something. They’ve not said.

Stream: Odonis Odonis – “Are We Friends”

Pitchfork welcomes Majical Cloudz for a City Of Music video session.

No Joy have released a new video from their latest, Wait To Pleasure.

Video: No Joy – “Blue Neck Riviera”

aux.tv has an interview with METZ.

Exclaim reports that the limited edition vinyl pressing of the first Super Friendz record Mock Up Scale Down is now a little less limited but more easy to buy, being on sale via murderrecords directly.

Colin MedleyThe prevailing trend that I saw amongst Polaris Music Prize-spotters as yesterday’s short list announcement drew close was that there was hardly any consensus as to which of the 40 long list albums would make the cut. This wasn’t especially surprising since as I observed last month when the long list was revealed, the nominees were all over the place without a lot of big names or obvious picks; with absolutely nothing to back this up, I would speculate that this year’s ballots were the most diverse in the history of the prize.

But whether one point or a thousand separate first place from last, the math is the math and we now have the 2013 Polaris Prize short list. And it looks like this:

A Tribe Called Red / Nation II Nation (Pirate’s Blend)
Video: A Tribe Called Red – “Electric Pow Wow Drum”

Godspeed You! Black Emperor / ‘Allelujah! Don’t Bend! Ascend! (Constellation)
Stream: Godspeed You! Black Emperor – “Mladic”

Zaki Ibrahim / Every Opposite (Motif)
Video: Zaki Ibrahim – “Go Widdit”

Metric / Synthetica (Metric Music International)
MP3: Metric – “Clone”

METZ / METZ (Sub Pop)
MP3: METZ – “Wet Blanket”

Purity Ring / Shrines (Last Gang)
MP3: Purity Ring – “Obedear”

Colin Stetson / New History Warfare Vol. 3: To See More Light (Constellation)
MP3: Colin Stetson – “High Above A Grey Green Sea”

Tegan and Sara / Heartthrob (Warner Music)
Video: Tegan & Sara – “Closer”

Whitehorse / The Fate of the World Depends On This Kiss (Six Shooter)
Video: Whitehorse – “Achilles’ Desire”

Young Galaxy / Ultramarine (Paper Bag)
Video: Young Galaxy – “New Summer”

Even though three of my five picks made the short list, I’m personally disappointed that my numbers one and two, Evening Hymns and Jim Guthrie, didn’t make the cut. I genuinely thought they’d make it and in my more fanciful moments, could even envision a win if the stars aligned. Shows how much I know. Well, I know enough to not speculate on who’ll win come September 23 at The Carlu in Toronto. Even in a year with strong/obvious frontrunners, the prize has been predictably unpredictable and while at the moment I’d like to see METZ, whom I swapped for Rachel Zeffira on my second ballot, take it, I’m also really curious if and how Godspeed would respond to a win. What I do know that with two two-time almost-winners in Shad and Kathleen Edwards hosting the gala – did Susan Lucci ever host the Daytime Emmys? Martin Scorcese ever hand out the Best Director Oscar? – it’ll be entertaining. And for the first time, they’ll be selling tickets to the gala, if you want to see it in person – they’ll be $50 and go on sale July 22.

The Fly talks to Raphaelle Standel-Preston of Braids, whose new full-length Flourish//Perish is out August 20.

The Line Of Best Fit talks to Diana drummer Kieran Adams about their debut album their debut album Perpetual Surrender, out August 20. They play The Great Hall on September 26.

Beatroute talks to Lightning Dust about their new album Fantasy. They play The Drake Underground on September 10.

Dazed & Confused has an interview with Daniel Woodhead of Moon King, who’ve announced their series of Obsession EPs will be released in the UK as a single volume on September 16. I would hope that a similar edition is made available domestically, for those of us who’re a little more space-conscious with their record collections.

Austra have released the second video from their second album, Olympia. They play The Phoenix on September 27.

Video: Austra – “Painful Like”

Arcade Fire have announced, via Twitter, that their fourth album will be out October 29. I like to think that somewhere in Montreal, as soon as they hit the send button on that tweet, quietly said, “boom”.

Complex has posted a cover story interview with Abel Tesfaye of The Weeknd, whose album Kiss Land is due out this Fall, probably around the time he plays three nights at Massey Hall – October 17, 19, and 20. He also released a new video from the album, the sample of which was not cleared by Portishead, and Geoff Barrow’s not happy about it.

Video: The Weeknd – “Belong To The World”

KEXP welcomes METZ for a video session.

Beatroute talks briefly with Al Spx of Cold Specks.

CBC Music asks the likes of The National’s Matt Berninger, amongst others, why On The Beach is their favourite Neil Young album. It’s mine as well, but no one asked me why.

Frank YangWith the first three days of the inaugural Toronto Urban Roots Fest having gone swimmingly, certainly the fourth and final day – boasting inarguably the strongest lineup of them all – would be the best? Well it turns out “swimmingly” would be kind of the wrong word to use, but everything started out enough.

Though as per usual I missed the first few acts of the day, I was there in time to see Kurt Vile make his first local appearance in support of his new record Wakin’ On A Pretty Daze, which has garnered pretty much universal acclaim, though I only go as far as saying I like it more than his last one. I’ve always found Vile’s stuff to be pretty same-y in that lightly psychedelic laid-back drone-pop way – an impression confirmed and amplified when I saw him at Pitchfork 2010 – but if you’re in the right mindset, it’s pretty pleasantly trippy. As with that show, this performance mainly had Vile in two modes – huge rug of hair draped over the mic stand while he sang, or huge rug of hair draped over his guitar while he soloed. His bandmates in the Violators did mix things up somewhat by adding mandolins and 6-string basses into the mix, and Vile was equally comfortable ripping leads on electric or acoustic, but a few noisey bursts aside, Vile was pretty content to just let the set mosey along at its pace and his fans were content to mosey right alongside him.

Photos: Kurt Vile @ Garrison Commons, East Stage – July 7, 2013
MP3: Kurt Vile – “Never Run Away”
MP3: Kurt Vile – “Wakin’ On A Pretty Day”
MP3: Kurt Vile – “Jesus Fever”
MP3: Kurt Vile – “Baby’s Arms”
MP3: Kurt Vile – “In My Time”
MP3: Kurt Vile – “The Creature”
Video: Kurt Vile – “KV Crimes”
Video: Kurt Vile – “Never Run Away”
Video: Kurt Vile – “Jesus Fever”
Video: Kurt Vile – “Baby’s Arms”
Video: Kurt Vile – “Runner Ups”
Video: Kurt Vile – “Freak Train”

It was with some regret that I skipped Yo La Tengo’s stop at The Phoenix back in February in support of their latest Fade, but the confidence they’d put on a solid show couldn’t win out over the fact that I’d seen them play said solid show many times before – most recently in 2010 in Vegas at Matador at 21 – that I gave it a pass. Happily, their return for this festival meant that I’d still get to hear the new tunes, and not have to make any special effort to do so. Win! And as nice as it can be to hear Yo La Tengo stretch out live, there’s really something to be said for imposing strict time constraints on them; though they sounded quite the opposite of rushed, the blend of new songs – which sounded really terrific live, perfectly suited to the hazy afternoon – and old favourites done perfectly and without the excesses the band sometimes fall prey to, in some cases twice as “Autumn Sweater” came unravelled early on in the set with a blown amp fuse and had to be returned to later on.

NYC Taper has got the Yo La Tengo’s set from the Wilco-run Solid Sound fest a few weekends ago available to download. The Boston Globe, Metro, and Cincinnati CityBeat have interviews.

Photos: Yo La Tengo @ Garrison Commons, West Stage – July 7, 2013
MP3: Yo La Tengo – “Stupid Things”
MP3: Yo La Tengo – “Nuclear War”
MP3: Yo La Tengo – “Here To Fall”
MP3: Yo La Tengo – “Periodically Double Or Triple”
MP3: Yo La Tengo – “Don’t Have To Be So Sad”
Video: Yo La Tengo – “Ohm”
Video: Yo La Tengo – “Ohm” (tree)
Video: Yo La Tengo – “Before We Run”
Video: Yo La Tengo – “When It’s Dark”
Video: Yo La Tengo – “Nothing To Hide”
Video: Yo La Tengo – “Avalon Or Someone Very Similar”
Video: Yo La Tengo – “Periodically Double Or Triple”
Video: Yo La Tengo – “Here To Fall”
Video: Yo La Tengo – “Sugarcube”
Video: Yo La Tengo – “Tom Courtenay”

I’d never given either Luke Doucet or Melissa McClelland much concern with their solo careers, so when they came together as Whitehorse I still didn’t pay any attention, at least until their second album The Fate Of The World Depends On This Kiss made it onto this year’s Polaris Prize long list. And while the adult contemporary-skewing roots-rock that’s the foundation of their sound isn’t normally what I’d be into (even if, phrased like that, you think it might) I found the record pretty enjoyable in a Steve Earle “chick song” sort of way, though rather slicker in execution; that’s why I expected that their live setup would involve a polished band comprised of session player types, not just the two of them and a garage sale’s worth of instruments and microphones. Okay, so the setup was meticulously arranged for exactly that DIY effect with telephone handsets and old-school shockmounted mics installed just so, but there was no faking the way the two built up the structures of each song by sampling acoustic instruments and looking stylish while doing it. They spent the first part of their set entrenched in their fortress of gear, but eventually strutted out to the front of the stage and sang together into a single mic armed just with guitar and bass. Straight, simple, and to their strengths.

The Halifax Chronicle-Herald has a feature piece on the band.

Photos: Whitehorse @ Garrison Commons, East Stage – July 7, 2013
Video: Whitehorse – “Achilles’ Desire”

If you’re looking for writeups of either The Cat Empire or Xavier Rudd, I’m afraid you’ll have to look elsewhere. I spent their sets huddled under a leaky ATM tent hiding from the deluge that resulted when the skies opened up right around dinnertime. The rain eventually eased up, but not before turning the whole of the festival grounds into some manner of swamp. Not really an ideal setting for anything, let alone enjoying Neko Case’s set, but looked at another way, if there’s anything out there worth enduring this sort of weather for – after a short dry spell, the skies opened up even harder a couple songs in – it’s Neko Case.

When she was here last in December 2011 opening up for The National at the Air Canada Centre, the assumption seemed to be that if she was back on the road, then her new record – the long-awaited follow-up to 2009’s Middle Cyclone – must be close to being done. Not, as it turned out, so much. But nineteen months later, she was back and this time the new record – The Worse Things Get, the Harder I Fight, The Harder I Fight, The More I Love You – was done, locked, and loaded for a September 3 release. The set contained a few of those new songs, all of which sounded of the same high calibre of lead sample “Man”, and a solid tour of her repertoire – “Red Tide”, with its “I hate the rain” lyrics, was especially topical – and always-entertaining banter with backing singer Kelly Hogan. With the time she takes between records, it can be easy to forget just how amazing a talent Neko is; call her alt.country or folk-rock or jangle-pop or whatever you like, her voice and songwriting transcends all labels. And the only thing better than being reminded how good she is was the promise to return for another show sometime in the next six months. Ideally indoors.

Photos: Neko Case @ Garrison Commons, West Stage – July 7, 2013
MP3: Neko Case – “People Got A Lotta Nerve”
Video: Neko Case – “People Got A Lotta Nerve”
Video: Neko Case – “Maybe Sparrow”
Video: Neko Case – “Furnace Room Lullabye”

Finally, with the rain seemingly past though the resultant mud pits remained, it was time for Belle & Sebastian. It’s remarkable how the mysterious mystique the band cultivated in their early years still persists to some degree, and even though they’ve toured North America behind pretty much every album this century, their live shows are breathlessly anticipated like once-in-a-lifetime unicorn herd migrations. Of course, those studio albums are fewer and further between than most would like – their last visit was October 2010 behind Write About Love – so with no new record on the horizon, the fact that they were still coming to town to play a show apart from the usual promotional cycle was actually unicorn-rare, and as is often the case when the artist doesn’t have anything specific they need to push, offered the promise of being a much more unique show.

That this wouldn’t be a typical show was confirmed from the opening number, as instead of one of their obvious (but still beloved) songs, it was the electronic instrumental b-side “Judy Is A Dick Slap”. Anyone who says they had that in the “what’ll be the first song?” pool without consulting previous set lists is lying. “I’m A Cuckoo” then let Stuart Murdoch properly take centre stage and show off his dance moves, slippery stage be damned, “Another Sunny Day” was rolled out as a musical anodyne to the weather, and Andy Murray’s Wimbledon win earlier in the day saluted with “Stars Of Track And Field”. The catalog-hopping trajectory of that first salvo of selections delightfully carried on through the show, and while hardcore fans might suggest they could have gone for deeper cuts, I was more than happy to hear “The Model” and “Loneliness Of A Middle Distance Runner” dug out of the archives.

If it wasn’t quite a greatest hits set song-wise, it certainly was with their audience participation exercises. There was the girl brought onstage to read Isobel Campbell’s spoken word outro overtop “Dirty Dream Number Two” (she sang it, but whatever), the other girl who managed to fit a dance routine amidst playing Scrabble against the band onstage during “The Model”, the girl (sensing a trend? Oh, Stuart) who applied makeup to his face during “Lord Anthony”, the bevy of dancers brought onstage for “The Boy With The Arab Strap”… there was no lobbing of autographed footballs into the audience this time, but the rain probably would have washed the signatures off anyways. The between-song shenanigans might have taken up time that could have gone to another song or two, but you’d have had to be a serious grump to complain about the love-in vibe that they generated. And we should all count ourselves lucky that no one brought onstage insisted on singing one of her own songs. No, what we got was a joyous show that felt like a gift, wrapped a terrific inaugural TURF, and just about made you forget that you probably had trench foot. No mean feat.

The Huffington Post and Pittsburgh CityPaper have interviews with keyboardist Chris Geddes about the current tour and their plans to write their next record when it’s wrapped. The band’s new collection of b-sides and rarities, The Third Eye Centre, comes out August 27.

Photos: Belle & Sebastian @ Garrison Commons, East Stage – July 7, 2013
MP3: Belle & Sebastian – “Write About Love”
MP3: Belle & Sebastian – “Another Sunny Day”
Video: Belle & Sebastian – “I Want The World To Stop”
Video: Belle & Sebastian – “White Collar Boy”
Video: Belle & Sebastian – “The Blues Are Still Blue”
Video: Belle & Sebastian – “Funny Little Frog”
Video: Belle & Sebastian – “Wrapped Up In Books”
Video: Belle & Sebastian – “I’m A Cuckoo”
Video: Belle & Sebastian – “Step Into My Office Baby”
Video: Belle & Sebastian – “Jonathan David”
Video: Belle & Sebastian – “Jonathan David” (70s version)
Video: Belle & Sebastian – “The Wrong Girl”
Video: Belle & Sebastian – “Legal Man”
Video: Belle & Sebastian – “This Is Just A Modern Rock Song”
Video: Belle & Sebastian – “A Century Of Fakers”
Video: Belle & Sebastian – “Is It Wicked Not To Care?”
Video: Belle & Sebastian – “Dirty Dream #2”
Video: Belle & Sebastian – “Lazy Line Painter Jane”
Video: Belle & Sebastian – “Dog On Wheels”

CBC Music have got the Canada-only stream of the new Pet Shop Boys album Electric, out July 16. Americans can hit Pandora and Brits can use Rdio via The Guardian. They play The Sony Centre on September 25, and Spin, Huffington Post, and Metro have interviews with Neil Tennant about going indie on their latest record.

Stream: Pet Shop Boys / Electric

Fashion retailer Mr. Porter has an interview and fashion shoot with Kele Okereke of Bloc Party; their Nextwave Sessions EP is due out August 13.

Mumford & Sons have released a video for the title track of last year’s Babel. They’re at The Molson Amphitheatre on August 24.

Video: Mumford & Sons – “Babel”

Hot on the heels of those advance streams, Franz Ferdinand have released the video for the sort-of title track of their new album Right Thoughts, Right Words, Right Action. It’s out August 27 and they play The Kool Haus October 24.

Video: Franz Ferdinand – “Right Action”

Exclaim and The Daily Beast interview CHVRCHES about their forthcoming debut album The Bones of What You Believe, out September 24. They play The Danforth Music Hall on September 15, and if you need something new and CHVRCH-y to listen to before then, there’s this Haim cover they recorded for BBC.

Stream: CHVRCHES – “Falling” (Haim cover)

Manic Street Preachers have announced details of one of the two new records they’ve got in the can. Based on the title track, largely sung by the inimitable Richard Hawley, Rewind The Film is the largely acoustic album that had been previously mentioned; it’s out September 16 and more specifics on it can be had at DIY. James Dean Bradfield also talks to NME about the other album that’s been recorded alongside it, due out in Spring of next year.

Video: Manic Street Preachers w Richard Hawley – “Rewind The Film”

Veteran British folk-rock outfit The Waterboys are making their first return to town in some years to kick off a major North American tour; they’ll be here on September 17 at a venue to be announced, but last time through in 2007 it was at The Danforth, so presumably it’ll be somewhere similar.

Video: The Waterboys – “The Whole Of The Moon”

With their self-titled debut due out in September, up-and-coming UK outfit The 1975 will be at The Mod Club on October 13 as part of their first major North American tour.

Video: The 1975 – “Sex”

Belfast post-rock firebrands And So I Watch You From Afar and Oxford math-rock trio TTNG – formerly This Town Needs Guns before they thought better of it – are teaming up for a co-headlining tour that hits The Horseshoe on November 9, tickets $15.50. ASIWYFA released their third album All Hail Bright Futures this past Spring, TTNG’s second long-player 13.0.0.0.0 came out in January.

Stream: And So I Watch You From Afar / All Hail Bright Futures
Stream: TTNG / 13.0.0.0.0

The Skinny talks to Yannis Philipakkis of Foals.

Tone Deaf and Clash have interviews with Primal Scream frontman Bobby Gillespie.

DIY wonders aloud something I’ve periodically wondered to myself – whither The Rumble Strips?

Frank YangWhat: Toronto Urban Roots Fest, the inaugural edition of a new multi-day festival that’s aiming to do what Bluesfest does for Ottawa and the Jazz Festival does for Montreal – namely bring in a lot of bands that have little to nothing to do with the festival’s titular genre but make great music. And let’s not get pedantic about the “urban” part, hey?
Who: Arkells, The Barr Brothers, Belle & Sebastian, Camera Obscura, Neko Case, The Cat Empire, Dawes, Justin Townes Earle, Alejandro Escovedo & The Sensitive Boys, The Felice Brothers, Fitz & The Tantrums, Flogging Molly, Hannah Georgas, The Hold Steady, Larry and his Flask, The Lowest Of The Low, Matt Mays, JD McPherson, The Joel Plaskett Emergency, Xavier Rudd, The Sadies, She & Him, Skydiggers, Frank Turner & The Sleeping Souls, Kurt Vile & The Violators, Whitehorse, The Wooden Sky, Yo La Tengo
When: July 4 to 7, 2013
Where: Garrison Common at Fort York, Toronto
How: Single-day tickets for the show range from $50 to $60 in advance, but courtesy of Collective Concerts, I’ve got one pairs of passes for each day of the festival to give away. To enter, email me at contests AT chromewaves.net with “I want to TURF” in the subject line and your full name in the body along with which days, in order of preference, you’d like to attend – consult the schedule for who’s playing when. Contest closes at midnight, July 2, 2013.

Inez van Lamsweerde & Vinoodh MatadinIt might seem like Björk doesn’t tour much anymore – after all, it’s been nearly five years since she was last here headlining V Fest 2007 in support of Volta, but that was actually her last album before 2011’s Biophilia. So besides the fact that she’s been working at a slower pace than when the ’90s triumvirate of Debut/Post/Homogenic made her one of the most unconventional pop stars of Alternative Nation, there’s also the demands of raising a family, and anyways – if you could live here just watching TED talks or in hotels on the road watching ESPN, where would you rather hang out?

In any case, Biophilia initially came with an ambitious slate of live shows, but the preference for more intimate, in-the-round, month-long residencies over conventional shows limited the cities that could host her to the likes of New York, Paris, and Manchester and even if there were intentions of adding more cities, the need for vocal polyp surgery last Fall would have probably ixnayed those. All of which is to say, yes Björk has been away for a while but she’s not forgotten us – as I speculated last month, she is indeed making a stop between already-announced engagements at Ottawa Bluesfest and Pitchfork Festival, and will be at Echo Beach on July 16 with whatever wild, weird, and wonderful show she’s put together for this North American jaunt.

Tickets for the show are $64.50 and $85.00 for VIP, but courtesy of LiveNation, I’ve got one pair of passes to the show to give away before the regular onsale happens this Thursday morning at 10AM. To enter, email me at contests@chromewaves.net with “I want to see Bjork” in the subject line and your full name in the body, and have that in to me by midnight, April 3. Yes, that’s tomorrow night. Winners will be informed before the general on-sale goes live.

MP3: Björk – “Verandi”
MP3: Björk – “It’s In Our Hands”
MP3: Björk – “Cosmogony”
Video: Björk – “Mutual Core” (in Times Square)

Titus Andronicus have announced a May 2 date at Lee’s Palace in support of last year’s Local Business. Yes they’ve already been through for that one and yes, they’ll probably be back yet again before all is said and done. And you know why? Because people keep going. Tickets for this show are $18.50 in advance.

MP3: Titus Andronicus – “Ecce Homo”

Australia’s Presets are coming back to town behind last year’s Pacifica with a date at The Danforth Music Hall on May 10, tickets $25 plus attendant fees.

Video: The Presets – “Promises”

A PSA that the Marina & The Diamonds/Charli XCX show originally scheduled for May 23 at the Sound Academy has been moved to Echo Beach, a development that will probably be welcomed by everyone unless it rains, in which case it will be cursed. Noisey talks to Charli XCX about her debut album True Romance, due out April 15, and Consequence Of Sound has a stream of one of the new songs off of it.

Video: Marina & The Diamonds – “How To Be A Heartbreaker”
Stream: Charli XCX – “What I Like”

British rockers The Boxer Rebellion have announced a North American tour in support of their new album Promises, out May 14, and will be at The Opera House in Toronto on May 24, tickets $18.50. They talked to Billboard about what to expect from the new album.

MP3: The Boxer Rebellion – “No Harm”
Video: The Boxer Rebellion – “Diamonds”

With their new album Ultramarine ready for an April 16 release, Young Galaxy have made a May 31 date at Lee’s Palace to celebrate its release, tickets $15. The Line Of Best Fit has an interview with the band.

Stream: Young Galaxy – “Pretty Boy”

Marking the physical release of last Fall’s Heavyweight EP, Rachael Yamagata will be in town at The Mod Club on June 4 as part of her Dealbreaker Tour, tickets $16.50 in advance.

Video: Rachael Yamagata – “Even If I Don’t”

Perhaps realizing that the royalties from the Veronica Mars movie won’t start rolling in for a while, The Dandy Warhols have announced a lace anniversary tour for the only record of theirs anyone ever really cared about and will play Thirteen Tales Of Urban Bohemia in its entirety at The Phoenix on June 5, tickets $32.50.

Video: The Dandy Warhols – “Bohemian Like You”

Rancid will headline the Avenues and Alleways Fest at Echo Beach on June 12, featuring all manner of Rancid-approved punk bands. Tickets for that are $35 in advance.

Video: Rancid – “Ruby Soho”

British soul-funk saviours The Heavy have made a return engagement in support of last year’s The Glorious Dead; they’ll be at The Phoenix on June 19, tickets $17.50.

Video: The Heavy – “What Makes A Good Man”

Barely making himself scarce after being pretty much everywhere during Canadian Musicfest, Mac DeMarco will be at The Hoxton on June 30, tickets $14.

MP3: Mac DeMarco – “Freaking Out The Neighbourhood”

A second official batch of NXNE acts was announced last week, with notable names including punk vets Social Distortion, who will be headlining the free Yonge-Dundas Square show on the Thursday night, confirmation of Big Boi doing the same on the Sunday, Coeur de Pirate making her first appearance post-motherhood, and Fucked Up doing their thing at The Horseshoe on the Saturday night. Also likely to be a hot ticket is Montreal’s Majical Cloudz, recently signed to Matador for the May 21 release of Impersonator. In addition to the NXNE appearance, he/they’ll be at The Great Hall on May 13 supporting Youth Lagoon. And if you’re interested in all the artists officially announced for NXNE thus far, hit the artists page.

MP3: Majical Cloudz – “Childhood’s End”
MP3: Majical Cloudz – “Turns Turns Turns”

Some more additions to Toronto Urban Roots Fest of a decidedly domestic nature; joining a host of others at Garrison Common from July 4 to 7 will be Toronto twang-duo Whitehorse and ascendant Vancouver singer-songwriter Hannah Georgas. The former is playing on the Sunday, July 7, the latter on the Saturday, July 6.

Video: Whitehorse – “Achilles’ Desire”
Video: Hannah Georgas – “Somebody”

Noel Gallagher-approved, One Direction-baiting, Olympic-soundtracking, chart-topping English singer-songwriter Jake Bugg will make his Toronto debut at The Mod Club on August 3, tickets $15.

Video: Jake Bugg – “Lightning Bolt”