Alissa AndersonWho: Vetiver
What: San Francisco-based folk-pop classicists led by Andy Cabic and known for the company they keep, including Devendra Banhart and Gary Louris.
Why: They released their fifth album The Errant Charm back in June. They’d like to play it for you.
When: Friday, September 14, 2012
Where: The Legendary Horseshoe Tavern in Toronto (19+)
Who else: Support is Brooklyn’s Habibi.
How: Tickets for the show are $15 in advance but courtesy of Collective Concerts, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want Vetiver” in the subject line and your full name in the body. Contest closes at midnight, September 12.

MP3: Vetiver – “Wonder Why”
MP3: Vetiver – “Can’t You Tell”

Frank YangIt was sometime on Friday that, in looking at my NXNE schedule, that I realized just how Pitchfork-y it all was and for that, I apologize. It wasn’t intentional, but there’s no arguing that the balance of stuff I’ve heard of/stuff I was curious about/stuff that doesn’t come through town all the time is pretty influenced by the online echo chamber.

But to be fair, the options amongst my usual go-to of acts from the UK and Scandinavia was frightfully lean this year; like I can count them on one hand. A consequence of the global recession, I suppose, but at least one of the acts who did make it over was 2:54. Their show kicking off the night at Lee’s Palace wasn’t far removed from when I saw them at SXSW but definitely better, both for my being familiar with the material and their having developed some more stage presence, frontwoman Collette Thurlow having traded her thousand-yard glare for some dramatic sway-dancing. I like but can’t claim to love their self-titled debut – they excel at atmosphere but the songwriting could be stronger – but they were tight and had an air of slight aloofness, and as one of the few British acts at the festival, they played ambassador well.

Londonist has an interview with the band.

Photos: 2:54 @ Lee’s Palace – June 15, 2012
MP3: 2:54 – “The March”
Video: 2:54 – “Creeping”
Video: 2:54 – “You’re Early”
Video: 2:54 – “Scarlet”

You probably didn’t need to be told that DIIV were from Brooklyn; just a look at their outfits and/or haircuts would have made that conclusion obvious. But assuming that meant they were going to be some unworthy, overhyped flavour-of-the-minute would have been a mistake. To be clear, they certainly sound very “now”, their shimmery jangle being very reminiscent of fellow buzz band Real Estate, but with more jump and less emphasis on vocals and more focus on creating a tight, airy groove. The initially claimed the were going to play their new album Oshin in its entirety, but the insertion of a “new song” mid set made that claim questionable, though I suppose that with the album not out until next week, they’re all technically new songs. Oh, and then there was the Nirvana cover that’s probably not on the record. In any case, their music was well-personified by their live show: the rhythm section kept their heads down and tended to business whilst the guitarist danced around like electrified marionettes.

Interview, The Line Of Best Fit, and NOW have features on the band, Spin gets to know their pet rat, and Oshin is streaming in its entirety right now over at Hype Machine.

Photos: DIIV @ Lee’s Palace – June 15, 2012
MP3: DIIV – “Sometime”
Video: DIIV – “Sometime”
Video: DIIV – “How Long Have You Known?”
Stream: DIIV / Oshin

The build-up around New York’s Friends started a good year ago, so by the time their debut album Manifest! came out a couple weeks ago, they were probably due some good, solid backlash. And while I haven’t heard the album, the live show certainly entertained for the 30-plus minutes they were on. They had far less reliance on electronics than I’d have expected – lots of percussion to with the guitar and bass, and less electro-pop than old school disco/funk. Frontwoman Samantha Urbani had presence to spare, offering a great impression of an ’80s pop diva with a simpler, more innocent kind of sexy. Her pipes were also good but her breathy-to-squeal move got formulaic pretty quickly. The same could be said for their sound as a whole – it’s pretty templated – but if you were looking for a band to soundtrack a dance party for this night, at least, you couldn’t do much better.

Blurt has a feature piece on Friends and The Line Of Best Fit a Bands In Transit session.

Photos: Friends @ Lee’s Palace – June 15, 2012
Video: Friends – “Mind Control”
Video: Friends – “I’m His Girl”
Video: Friends – “Friend Crush”

At this point it was goodbye Lee’s, hello mad dash across town to The Garrison. And while I made pretty good time if I do say so myself, I still needed to brandish the priority pass to jump the queue for Yamantaka//Sonic Titan. I already explained how their debut YT//ST improbably found its way onto the number two slot on my Polaris Prize ballot, but it probably counts as remarkable that they did so without my having seen their live show. Not that live performance is supposed to influence our voting, but it’s hard to imagine not being influenced by such an elaborate production. And with the costumes, the Kabuki paint, the stage dressings, they arguably had the most going on onstage at the fest for a band not named Of Montreal or The Flaming Lips.

And yet for all that they put into it, there was a refreshing lack of pretence from the band. They set up their gear and props like anyone else, and the cognitive dissonance of hearing them finish an intense, thrash/operatic passage and then ask for monitor adjustments was pretty funny. In performance, though, they were all business and deadly serious – there was no irony detectable, and I don’t even know if allowing themselves to dance a bit during “Hoshi Neko” even counts as breaking character; it’s a pretty danceable song. It was a unique, breathtaking performance that left you dazed and feeling like you may have just joined a cult. And you may be right.

Killscreen Daily talks to band principals Ruby Attwood and Alaska B about the influence of video games on their music.

Photos: Yamantaka//Sonic Titan @ The Garrison – June 15, 2012
Video: Yamantaka // Sonic Titan – “Hoshi Neko”
Stream: Yamantaka // Sonic Titan / YT//ST

Following that show was going to be tough and topping it impossible, so it’s probably a good thing that New York’s Widowspeak don’t even attempt to blow you away with theatrics or spectacle. Their sleepy country/dreampop had the perfect sort of late night vibe that didn’t quite come across during their mid-afternoon set at SXSW. It wasn’t all aural narcolepsy, though – the guitars got a little more aggressive than I expected and downright heavy at points, but despite wielding a mean axe, Molly Hamilton’s voice smoothed it all over. Those asking for more vocals in the mix slightly missed the point – she’s at her best as a honeyed whisper you have to lean in to hear. And though the audience seemed a bit restless – understandable if they were still on a Yamantaka come-down, they were largely appreciative. As they should have been.

Photos: Widowspeak @ The Garrison – June 15, 2012
MP3: Widowspeak – “Harsh Realm”
MP3: Widowspeak – “Gun Shy”

A brace of new videos coming at you from across the pond – first there’s Summer Camp with a murderous clip for the title track of their forthcoming EP Always, out July 10. You can also hear it in French, if that’s your thing.

Stream: Summer Camp – “Always” (French)
Video: Summer Camp – “Always”

Richard Hawley has released a video from his latest album Standing At The Sky’s Edge, out August 28 in North America.

Video: Richard Hawley – “Down In The Woods”

The Guardian talks to Charles of Slow Club about getting Daniel Radcliffe to star in the new video from Paradise.

Video: Slow Club – “Beginners”

Noel Gallagher goes the guest celeb route for the new clip from Noel Gallagher’s High Flying Birds; Mischa Barton! Remember her?

Video: Noel Gallagher’s High Flying Birds – “Everybody’s On The Run”

Kate Nash has put out a new video for a non-album track that was apparently written and recorded in under 24 hours. Who’d have guessed.

Video: Kate Nash – “Under-Estimate The Girl”

And a few more show announcements over the last few days: John K Samson returns to get intimate – and all-ages – for a show in support of Provincial at 918 Bathurst on September 6, tickets $25 in advance.

Video: John K. Samson – “Longitudinal Centre”

San Fransico folkers Vetiver return to The Horseshoe on September 14, tickets $15 in advance. They’re still working last year’s The Errant Charm.

MP3: Vetiver – “Wonder Why”

Bluegrass all-stars Punch Brothers will be at The Phoenix on September 28 as part of a Fall tour, admission is $19.50. Acoustic Guitar has a feature on the band.

Video: Punch Brothers – “Kid A” (live)

The Besnard Lakes have been tapped to open up all three nights of Dinosaur Jr’s Lee’s Palace residency on September 24, 25, and 26. Tickets for each night are $34.50.

MP3: The Besnard Lakes – “And You Lied To Me”

Frank YangEvery relationship waxes and wanes over time, and mine with Interpol is no different. Like many/most, I fell for the blend of post-punk and atmospheric rock on their debut Turn On The Bright Lights, an infatuation cemented by a stellar show at the Horseshoe way back in September 2002. The bloom started coming off the rose not long after, though, with a lacklustre show at the Kool Haus a year later where they were clearly exhausted from touring the world and should probably have just gone home and gotten a good night’s sleep rather than book one more North American leg.

When their second album Antics arrived in 2004, surrounded by a sea of sonic imitators, my attention was already wandering and by the time their major label debut Our Love To Admire came out in 2007, I was detached enough to be able to regard it objectively and heard a band struggling with how to grow artistically without losing their distinctive sound and ending up compromising on both fronts. Their V Fest 2007 appearance, however, was still pretty solid and reminded me of why I liked them in the first place.

Fast-forward to 2010, specifically Tuesday night at the Kool Haus in Toronto. Circumstances beyond their control – namely their leaving Capitol after one album and the departure of founding bassist Carlos Dengler – have forced Interpol out of their comfort zone and though three years isn’t that long a time, the musical landscape has changed enough that they may be finding themselves in the unfamiliar position of being underdogs. And though these dates in advance of the September 7 release of their self-titled fourth album were ostensibly to make up for their support slots on the cancelled U2 Summer tour, also on the agenda was retrenching and seeking to remind fans why Interpol were the soundtrack to their early-mid ’00s.

Striding on stage besuited and dapper as ever, the five-piece touring ensemble started things off with the new and hopefully prescient “Success”, the pulsing opener to Interpol. It’s interesting that after getting progressively cleaner-sounding with each album, the new record dives back into the sonic muck, relatively speaking, thanks to post-production work from uber-shoegaze producer Alan Moulder, and while it still doesn’t reach the heights of their debut, it does possess a pleasing denseness and sophistication that hits the balance that they were striving for on Love. It would be only one of four new songs previewed, though, as the bulk of the set stuck to their first two records and thereby ensured the just-about sold-out house would remain largely enraptured for 90 minutes or so and lose their shit more than a few times for numbers – classics? – like “PDA”, “NYC” and “Slow Hands”.

In the past, it was Dengler – all low-slung bass, questionable moustache and irresistible aloofness – who acted as the visual focus for the band but with him gone and touring players Dave Pajo and Brandon Curtis off to the side tending to their bass and keyboard duties respectively, it left guitarists Paul Banks and Daniel Kessler to provide the band’s stage presence. Kessler obliged, barely standing still throughout the show in favour of dancing/lurching around the stage and Banks, never the most magnetic frontman, was somehow more charismatic and animated than in the past. Even with the new players, Interpol were superbly tight throughout, performing with a nimbleness and weight that you can’t take for granted. That cohesion has always their greatest strength, moreso than any showmanship, so it was a relief to see that that survived the lineup changes.

It can be argued that Interpol sound and style are so tightly tied to a time and place that it would be hard if not impossible for them to ever regain that level of relevance. But it’s also true that while all the imitators that followed in their wake have largely disappeared, the original article has persisted and stayed true to themselves well past fashionable, and it still resonates. Either way, it feels good to have Interpol back.

eye, The Chicago Sun-Times and Charleston City Paper talk to Fogarino and aux.tv with Paul Banks about life in Interpol post-Dengler. Exclaim, Chart and Music Vice have reviews of the show.

Photos: Interpol @ The Kool Haus – August 10, 2010
MP3: Interpol – “Lights”
MP3: Interpol – “NYC”
MP3: Interpol – “PDA”
Video: Interpol – “Lights”
Video: Interpol – “The Heinrich Maneuver”
Video: Interpol – “No I In Threesome”
Video: Interpol – “Mammoth”
Video: Interpol – “C’Mere”
Video: Interpol – “Evil”
Video: Interpol – “Slow Hands”
Video: Interpol – “PDA”
Video: Interpol – “Obstacle 1”
Video: Interpol – “NYC”
MySpace: Interpol

Belle & Sebastian have released some of the salient details about their next album – it will be called Write About Love, look like this and be out on some yet to be announced date this Fall – probably sometime around their October tour dates that include Massey Hall on the 12th of the month.

Pitchfork talks to Isobel Campbell about her new album with Mark Lanegan Hawk, out August 24, cancelled shows and the state of her relationship with her old band. She and Lanegan are at Lee’s Palace on October 20.

The Vaselines have released a video for the title track from Sex With An X. The record is out September 14 and they play The Horseshoe on October 30.

Video: The Vaselines – “Sex With An X”

The triple-bill of Dawes, Peter Wolf Crier and Vetiver will be at the Horseshoe on November 8. For Peter Wolf Crier, it’ll be their second time in town in just over a month and a half as they’re also part of a bill with Rogue Wave and Midlake at the Opera House on September 24. There’s a concert video with them available over at Baeble Music.

MP3: Dawes – “Love Is All I Am”
MP3: Peter Wolf Crier – “Hard As Nails”
MP3: Vetiver – “Strictly Rule”

Support for Band Of Horses’ October 21 show at the Kool Haus has been announced as Jenny & Johnny (as in Lewis and Rice) and The Besnard Lakes.

MP3: The Besnard Lakes – “Albatross”

NOW features Forest City Lovers, playing a record release show for Carriage at the Great Hall tonight.

Exclaim reports that after celebrating their 10-year anniversary earlier this year, Constantines have gone on indefinite hiatus.

Ingram BarssWhen it comes to rock music, there’s few things that can be said to be asking to fail more than the double album and the concept album. To the former, most artists have trouble coming up with enough quality material to pad out a conventional 10-song set and to the latter… well, I don’t think there’s any explanation needed there. And let’s not even get started on the double- concept album. So the fact that Joel Plaskett’s latest is a triple-album with a running theme should be a recipe for glorious catastrophe… and yet it’s not. Far from it, actually.

But let’s be clear – Three may be ambitious, but it doesn’t overreach. The only real “concept” at work is the number three, which applies to the number of CDs in the set, manifests itself in a number of song titles (“Pine, Pine, Pine”, “Run, Run, Run” for example) and crops up in the lyrics from time to time – hardly a rock opera. And all 27 songs could have easily fit on two compact discs, but that would have spoiled the fun. And besides the numeral three, fun is the prevailing theme of this set – proceedings are dominated by an easy, laid-back vibe that finds Plaskett knocking off the sort of genial, unpretentious roots-pop/rock that has earned him the mantle of one of this country’s most reliable songsmiths.

And that reliability applies across the entire set. By sticking to what he does best and keeping the delivery simple and straightforward, Plaskett manages the remarkable feat of not including a single standout clunker. They’re certainly not all classics – many drift by with just an amiable nod – but anything that does catch jump out and grab the ear does so because it’s exceptional, and there’s no shortage of those, particularly on disc two. Generally, these are the quieter, more thoughtful compositions – a fact that may mark Plaskett’s transition from rocker to balladeer complete, but one that should be celebrated. Unless you still light a candle nightly in hopes of a Thrush Hermit reunion, in which case I cannot help you.

Plaskett has just begun a cross-Canada tour that will place him at Massey Hall on May 23, and courtesy of Maple Music I have a pair of tickets to give away to the show, along with an autographed copy of Three. To get in on this, email me at contests AT chromewaves.net with “I want to see Joel Plaskett” in the subject line and your full name and mailing address in the body, and get that to me by midnight, May 19.

There’s interviews with Plaskett about his reasonings behind crafting a triple-album at The Edmonton Journal, The Gateway, Vue, FFWD and The Vancouver Courier.

MySpace: Joel Plaskett

PopMatters and The Sun talk to Steve Earle about his new album Townes, which you can stream in its entirety right now at Spinner.

Stream: Steve Earle – “Townes”

The Arkansas Times checks in with Richard Buckner. He’s beginning work on his next album which will be out next year.

There’s a new MP3 available from Iron & Wine’s forthcoming rarities collection Around The Well, out next week. You can also stream the whole double-disc collection at their MySpace.

MP3: Iron and Wine – “Belated Promise Ring”
Stream: Iron & Wine / Around The Well

Blurt talks to Andrew Kenny of The Wooden Birds, whose debut Magnolia is out now. Imagine American Analog Set unplugged, sans vibraphone and Farfisa and you’re pretty much there. Check out a track from the album and also their WOXY Lounge Act session from SxSW in March. Muzzle Of Bees and Black Book have interviews.

MP3: The Wooden Birds – “False Alarm”
MP3: The Wooden Birds – “Sugar” (live at WOXY)
MP3: The Wooden Birds – “The Other One” (live at WOXY)
MP3: The Wooden Birds – “Believe In Love” (live at WOXY)

Bowerbirds have released the first MP3 from their new album Upper Air. It’s out July 7 and they’re at Sneaky Dee’s on July 14.

MP3: Bowerbirds – “Northern Lights”

NPR has a session with Vetiver, who will be at the Horseshoe on May 15.

Bob Dylan has a new video.

Video: Bob Dylan – “Beyond Here Lies Nothin'”

Beatroute and Canadian Press interview Grizzly Bear. Veckatimest is out May 26, they’re at the Phoenix June 5.

Wayne Coyne tells Billboard that the next Flaming Lips album, due out later this year and still untitled but possibly to be called Embryonic, is looking like it’ll be a double-album.

Metromix interviews Thao, whom I won’t be seeing in New York tomorrow night because I will instead be hoofing it to Connecticut to see Leonard Cohen. I’d like to think Thao would understand.

Drowned In Sound, Express Night Out and Charleston City Paper interview The Thermals’ Kathy Foster.

KEXP has a session with Telekinesis, in town at the Horseshoe on June 10.

The Bygone Bureau talks to John Vanderslice about Romanian Names, out next week. He plays the Horseshoe July 10.

Ohbijou, who are currently gallivanting around Europe, have set a CD release show for Beacons when it comes out on June 2. The party will be on June 25 at the Opera House, tickets $13.

MP3: Ohbijou – “Black Ice”

The Veils and Foreign Born will be at the Horseshoe on July 27, both with new albums to promote – Sun Gang for the former and Person To Person, out June 23, for the latter. Tickets for that are $13.50.

MP3: The Veils – “The Letter”
MP3: The Veils – “Killed By The Boom”
MP3: Foreign Born – “Vacationing People”

Lykke Li is coming back to town yet again on August 9, and this time she’s playing the Sound Academy. Tickets are $26.50.

Caribou are returning to live action this year and have something special planned for their September 10 show at the Opera House. They’ll be performing as The Caribou Vibration Ensemble and according to Exclaim, that means “Four Tet’s Kieran Hebden, Koushik, John Schmersal, Kathryn Bint and Ahmed Gallab, along with a choir, a horn section and a quartet of drummers”. Um, okay. Bring it.

MP3: Caribou – “Melody Day”

Alissa AndersonIf you’re looking to establish your country-rock credentials, you could do far worse than get tapped to be the backing band for once-and-future Jayhawk Gary Louris on his solo ventures. And it was in that role that San Francisco-based outfit Vetiver came to the attention of many in 2008, even though they were hardly wet behind the ears newcomers, with their 2009 release Tight Knit their fourth long-player.

But if you come to the Vetiverse – their own clever term, not mine – via the Louris connection, you might be a little surprised as their own creative compass tilts in a somewhat different direction from their sometime bandleader’s. Tight Knit could loosely be filed under country but not all under rock – instead, it’s a soft and billowy collection of folk-pop tunes that might have roots in ’70s AM if it were solid enough to have roots. It drifts prettily along, led by Andy Cabic’s gentle vocals and tinged with a dizzy psychedelia of the sort you might experience not by taking illicit pharmaceuticals but by rolling down a tall hill on a sunny day. Though released back in the cold days of February, Tight Knit could be the soundtrack for many a lazy Summer’s afternoon.

Vetiver are currently taking their show on the road and will stopping in at the Horseshoe next Friday, May 15, and courtesy of Against The Grain, I’ve got a couple pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to visit the Vetiverse” in the subject line and your full name in the body. Get that in to me before midnight, May 13.

The Winston-Salem Journal has an interview with Andy Cabic.

MP3: Vetiver – “Everyday”
Video: Vetiver – “Everyday”
MySpace: Vetiver

Billboard has had a listen to Wilco’s next album Wilco (The Album) in advance of its June 30 release and reports its findings. And Paste has info on the $50,000 lawsuit that former Wilco member Jay Bennett has brought against the band for allegedly unpaid royalties.

Pitchfork talks to James Mercer of The Shins about their impending return, with a new self-released album and new lineup. Well not that impending – the record probably won’t be out till next year.

Song, By Toad interviews Jason Lytle, whose solo debut Yours Truly, The Commuter may not be out until May 19 but is currently available to stream at NPR.

Stream: Jason Lytle / Yours Truly, The Commuter

New York Magazine and The New Yorker both devote features to Grizzly Bear, whose Veckatimest will be released on May 26 and who will play the Phoenix on June 5.

Tickets for the free Malajube show at Lee’s June 12 are now available at Soundscapes – probably Rotate, too.

Grand Archives will release their second album Keep in Mind Frankenstein on September 8.

The Tripwire asks five questions of M Ward. The Visalia Times-Delta asks as many questions as it wants.

Blurt talks to Patterson Hood about goings-on in camp Drive-By Trucker, including a rarities and b-side collection due out later this year.

A lifetime (if you’re eight years old) since the release of their first album, Elephant 6 survivors The Circulatory System will return with Signal Morning on August 4.

R.E.M.’s Reckoning will be getting the deluxe, double-disc reissue on June 23 with the original album getting a sonic buff and the package coming with a bonus live disc recorded in Chicago in 1984. Both Murmur and Reckoning will be released on 180-gram vinyl on that date as well.

So playing V fest-spotter has become something of a hobby of mine the last little while, trying to unearth info about the where, when and who with the festivals this year. Well the first official announcement came yesterday, and it was not what I’d expected. There’ll be five V Fests across Canada this year – British Columbia, Alberta, Ontario, Montreal and Nova Scotia – and based on who they’ve rounded up for Montreal next month, it’ll be interesting to see how things shape up if nothing else. I will give them this much – no one will be complaining about the same acts playing that fest as all the others in North America, nor will you be hearing about the indie/classic rock hegemony of music festival lineups. You may hear complaining about other things, but not those. There’s still no hint of when the Toron- sorry, ONTARIO lineup will be unveiled, or any of the others, but rest assured as they are, I’ll be there. And more than likely, incredulous. JAM has a bit of an interview with one of the Virgin PR people about the festivals.