Frank YangAs I understand it, conventional wisdom is that Leap Day should be taken as an opportunity to try something new. But seeing as how prior to this year I’ve never thought of February 29 as anything more than an extra day of Winter every four years, I don’t feel bad that I spent it seeing a band I’ve seen many times before – Scotland’s The Twilight Sad, in town in support of their third album No One Can Ever Know.

“Trying something new” points should still be award for showing up early for opening act Odonis Odonis, who despite hailing from Toronto I’d not heard before the took the stage. A little research revealed that they were in fact labelmates with The Twilight Sad, being signed to the UK’s esteemed Fat Cat imprint for their debut album Hollandaze; this would normally be a good indicator of quality, but I recall another Toronto outfit signed to Fat Cat – Ten Kens – whom I was totally unimpressed with. And as it turns out, Odonis Odonis is the project of a former Ten Kens member. So. It’s probably just as well that I didn’t know that beforehand because I likely wouldn’t have given them a shot, and as it turned out, I liked them better. Relatively, at least. The trio either took a garage/surf-rock thing and buried it under noise layers or art-rock or took a noisy, art-rock thing and gave it a garagey/surfy friendly vibe – the coin flipped a few times over the course of their set. It was pretty loud and heavy, either way, and by the time it was over, I think the scorecard tipped in favour of tuneful over discordant, but just barely.

As noted in my review, No One Can Ever Know certainly found The Twilight Sad trying something new – synth-rock. An unexpected move given their signature sound to this point had been James Graham’s inconsolable bellow over Andy Macfarlane’s massive guitars, but one that works surprisingly well. So while I had a pretty good idea of what to expect of the band live by this point, I was curious to see how this new dimension would be incorporated into the show.

Taking the stage to a slow, pulsing synth tone that could well have been a fire alarm, they opened with No One‘s “Kill It In The Morning” – about half the set was comprised of new material, the rest split evenly between Fourteen Autumns & Fifteen Winters and Forget The Night Ahead – and made it clear that though they had the same five-piece lineup that opened for Mono last time through, Martin Doherty’s keyboard responsibilities – while certainly more important this time out – were not going to supplant Macfarlane’s six-string duties anytime soon. The synthetic sheen of the new material was given a proper steel wool scrub courtesy of Macfarlane’s Fender Jaguar and Marshall stack and made loud, fuzzy and loud. Did I mention loud?

The combination of their old sound and new was quite a potent one, the resultant chaotic squall with a mechanical pulse coming across as more urgent and menacing than ever before and proving the new direction did not come at the expense of old strengths. At some points, the mix fell out of balance and Graham’s vocals – no wallflower of an instrument – were buried under the tumult but it always managed to right itself before becoming an issue. It was also interesting to see how far Graham has come as a frontman, his lurch-dance moves providing a welcome bit of onstage activity relative to his bandmates.

The show moved with a steady but unrelenting momentum for just over an hour, Graham taking the time to sincerely thank everyone for coming out to see them and promising a return visit soon before finishing with a scorched-earth double-shot of “And She Would Darken The Memory” from Fourteen Autumns and “At The Burnside” from Forget The Night Ahead. There was no encore, but there didn’t need to be; that was the proper finish.

Exclaim also has a review of the show.

Photos: The Twilight Sad, Odonis Odonis @ Lee’s Palace – February 29, 2012
MP3: The Twilight Sad – “Another Bed”
MP3: The Twilight Sad – “Kill It In The Morning”
MP3: The Twilight Sad – “Reflection Of The Television”
MP3: The Twilight Sad – “Cold Days From The Birdhouse”
MP3: The Twilight Sad – “That Summer, At Home I Had Become The Invisible Boy”
MP3: Odonis Odonis – “Ledged Up”
Video: The Twilight Sad – “Another Bed”
Video: The Twilight Sad – “Sick”
Video: The Twilight Sad – “The Room”
Video: The Twilight Sad – “Seven Years Of Letters”
Video: The Twilight Sad – “I Became A Prostitute”
Video: The Twilight Sad – “And She Would Darken The Memory”
Video: Odonis Odonis – “Ledged Up”
Video: Odonis Odonis – “Blood Feast”
Video: Odonis Odonis – “Mr. Smith”

Nick Lowe returns to town with a full band for a show at The Phoenix on April 23, tickets $34 in advance and there will be limited seating available. It’s in support of last year’s The Old Magic, from which Lowe has released his first music video in almost two decades – NPR premiered it alongside a conversation with Lowe about the tune.

Video: Nick Lowe – “Sensitive Man”

Finally apparently getting over her fear of playing venues appropriately sized to her fanbase, Laura Marling has announced a June 17 visit to The Phoenix, the final date of a Summer tour. Tickets will be $25 in advance.

Video: Laura Marling – “All My Rage”

Daytrotter has posted a session with Noah & The Whale.

Interview and The Quietus interviews Beth Jeans Houghton, whose Yours Truly, Cellophane Nose is up to stream in whole at Spinner; I wrote this record up a month ago – but the North American release was just this week. But to make up for the delay, there’s a new video!

MP3: Beth Jeans Houghton – “Dodecahedron”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Atlas”
Stream: Beth Jeans Houghton & The Hooves Of Destiny / Yours Truly, Cellophane Nose

Arctic Monkeys have released a new video for a non-album track. They’re at the Air Canada Centre opening for The Black Keys on March 14.

Video: Arctic Monkeys – “R U Mine?”

The lead single from The Wedding Present’s new album Valentina is now available to download. The record is out March 20 – North Americans can preorder the LP version over here – and they play The Horseshoe on March 25.

MP3: The Wedding Present – “You’re Dead”

The most appealing part of the new Belle & Sebastian-curated Late Night Tales compilation coming on March 26 – the band’s cover of The Primitives’ “Crash” – is now available to stream.

Stream: Belle & Sebastian – “Crash”

Also out March 26 is In Time To Voices, the new record from Blood Red Shoes; Artrocker talks to drummer Steve Ansell about the new album.

Allo Darlin’ have released a new video from their forthcoming album Europe, which will be out on April 17.

Video: Allo Darlin’ – “Capricornia”

In conversation with producer Stephen Street, Louder Than War learns that the Blur back catalog is in the process of being remastered for reissue in the near future. And the video from Graham Coxon’s new solo record A+E for which he was soliciting dance audition clips is now live; the album is out April 26.

Video: Graham Coxon – “What’ll It Take”

Pitchfork reports that Hot Chip have completed work on their new album and will release it under the title of In Our Heads on June 12.

Summer Camp has released a new video from their debut album Welcome To Condale.

Video: Summer Camp – “Losing My Mind”

Le Blogotheque has posted a Take-Away Show with Anna Calvi, while Time Out talks to her about her forays into the fashion world and The Music Network inquires about her music.

The Quietus talks to Stuart Staples and David Boulter of Tindersticks about their new record The Something Rain.

DIY talks dating with Charles and Rebecca of Slow Club.

aux.tv gets Los Campesinos! to provide a running commentary of their video for “By Your Hand”.

The Quietus checks in with British Sea Power, presumably working away at their next album.

The Line Of Best Fit salues Black Cab Sessions on the occasion of their 100th episode, and we (I) salute The Line Of Best Fit on the occasion of their fifth anniversary. The Guardian also marks the occasion by picking their five favourite performances.

Black Arts PRGraham Coxon has come up with a pretty clever way to get the word out about his forthcoming eighth solo record A+E, which is due out on April 2. Sure, the giving away a free MP3 from the album via a mailing list at DIY is pretty standard these days, but still effective. Soliciting dance auditions from fans to get a chance to star in the first video is also a fun strategy. And the three video trailers he’s released so far? Also effective if you’ve got some cachet and people are interested enough to watch – I think Coxon qualifies.

But the best way to get the words “Graham” and “Coxon” on peoples’ lips is to give an interview to The Daily Record wherein you basically guarantee in as many words that there will be a new Blur record while discussing your new record and your band’s upcoming appearance at the Brit awards. This carries a bit more weight than if, say, Alex James were saying it because Coxon is the one who basically ended Blur back in back in 2002 when he walked out on the recording of Think Tank. The other three carried on with that album and tour, but for many – myself included – it wasn’t Blur without Coxon, thus making his return to the fold in 2009 and the ensuing triumphant reunion tour that much sweeter.

If there’s any caveat about getting too excited about this pronouncement, it’s that Coxon was also the one who wanted aforementioned reunion tour to continue on – presumably with a return to North America – but Damon Albarn’s commitments to his zillion other projects put the nix on that. But one remains hopeful that where there’s smoke, there’s fire and eventually a new Blur album – with loads of tasty Coxon Telecaster and no world music beats – will emerge. And they will tour again.

Update: Pitchfork gets Damon Albarn on the horn and he’s cagier about what’s going on with Blur.

Well-timed, Filter has dug up a Think Tank-era cover story on the band as part of their tenth anniversary archive dig and DIY looks at the band’s 1997 self-titled effort – fifteen years old this week – helped kill Britpop.

Trailer: Graham Coxon / A+E Part 1
Trailer: Graham Coxon / A+E Part 2
Trailer: Graham Coxon / A+E Part 3

Noel Gallagher has released a new video from Noel Gallagher’s High Flying Birds.

Video: Noel Gallagher’s High Flying Birds – “Dream On”

Drowned In Sound, The Stool Pigeon, The Line Of Best Fit, and Clash all mark the release of Field Music’s new album Plumb with interviews.

Daytrotter welcomes Blood Orange to their studios for an interview.

Having just made an MP3 from the album available to download last week, Tindersticks have gone all in and their new record The Something Rain is available to stream ahead of its release next Tuesday, February 21.

MP3: Tindersticks – “Frozen”
Stream: Tindersticks / The Something Rain

The Guardian are streaming the new Slow Club single, taken from last year’s Paradise. Hear it live at The Rivoli this Sunday, February 19. The West Australian has an interview with the duo and the non-couple, amongst others, offers some Valentine’s Day reminisces for DIY.

Stream: Slow Club – “The Dog”

Drowned In Sound and Stereoboard chat with The Twilight Sad.

Los Campesinos! have a new video from Hello Sadness. There may be pole dancing.

Video: Los Campesinos! – “Songs About Your Girlfriend”

As a salute to the team of Russian scientists who’ve dug into an Antarctic lake that has been sealed in ice for 15 million years or more and not unleashed prehistoric monsters to devastate the modern world (I hope), Fanfarlo are streaming a new song that appears only as a bonus track on deluxe editions of Rooms Filled With Light. Also, a second live session video intended to get people excited for the record has just been posted. It’s out February 28 and they play The Mod Club on March 24.

Stream: Fanfalro – “Vostok, You Are Waiting”
Video: Fanfarlo – “Tightrope” (live session)

Head over to Clash to see a couple of live session videos from Trailer Trash Tracys.

There used to be a time where “European version” meant that there was at least some frontal nudity. Loney Dear must not have gotten the memo, as the European version of the new video from Hall Music trades the footage of the forlorn, masked skateboarder of the Nort American version released just last month for a pair of attractive people embracing at the seaside. Okay, then.

Video: Loney Dear – “Loney Blues” (European version)
Video: Loney Dear – “Loney Blues” (North American version)

The Independent gets Niki & The Dove to unplug for a video session while Digital Spy declares the pair “ones to watch” with a short interview.

DIY gets to know the people behind Sweden’s lovely Labrador Records.

thetwilightsad.comAs I mentioned in my review of The Twilight Sad’s new record No One Can Ever Know, the band have never tried to hide their influences. But for everything that has gone into their sonic stew, the jangle-pop art-pop of The Smiths doesn’t come immediately to mind as you work through their discography… or does it. James Graham may not aspire to be as deft a wordsmith as Morrissey, but whether it’s buried in the the white noise of their debut Fourteen Autumns & Fifteen Winters or the gleaming sheen of No One Can Ever Know, the common denominator is miserablism. And yeah, you might be able to draw a line to The Smiths for inspiration on that front.

“Half A Person” was originally the b-side to “Shoplifters of the World Unite”, but became almost as well known as The Smiths’ album cuts thanks to its inclusion on the Louder Than Bombs b-sides clearing house and also the Best… I compilation, so it’s perhaps fitting that The Twilight Sad’s simple acoustic studio rendering appeared on their own 2008 odds-and-sods comp Killed My Parents And Hit The Road, a limited edition tour-only release issued as a stopgap between their first and second albums.

The Twilight Sad bring No One Can Ever Know, released last week, to Lee’s Palace on February 29; The 405 has an interview with the band. Despite constantly finding new ways to re-release their old material, The Smiths remain broken up and god willing will remain so. But Johnny Marr is working on new solo material, so there’s that.

MP3: The Twilight Sad – “Half A Person”
Stream: The Smiths – “Half A Person”

Frank YangIt hasn’t escaped my notice that my live show schedule so far in 2012 has been pretty lean, and what there has been has been more on the sedate side. Which is fine – I dig the low key stuff and getting home well before midnight – but sometimes you get a fever for something bigger, louder and more rawk… and on those occasions, such as Tuesday night, the perfect prescription is The Kills.

The Amer-English duo were on the road for a second North American jaunt in support of last year’s Blood Pressures, but also to mark their tenth anniversary as a live act; the pair first took to the stage a decade prior to this show less a week. I can’t comment on how they were as performers way back when – the only time I’d seen them live was in 2008 in support of Midnight Boom – but considering the difference between that show and this one, I can only imagine that they’ve come a long, long way since that first gig.

I’m sure it was a longevity that first openers on the night, Brookyln’s Hunters, were aspiring to – goodness knows they’d clearly been taking other notes from the headliners, particularly in making good use of co-ed on-stage chemistry to put on an entertaining show. Derek Watson and Isabel Almeida were either trading off vocals and physically playing off each other over tunes that were garage-punk with a hint of bubblegum, and more adolescently hormonal than sophisticatedly seedy. Their stage presence more than compensated for some musical formulaicness and it was evident that their short set was enough to win them some fans, as Watson went for a set-closing crowd surf – not many openers can be assured of not being dropped.

Nashville sibling act JEFF The Brotherhood had been at it almost as long as The Kills, churning out six albums of psych-inflected garage rock over the past ten years and touring a hell of a lot over that time; it’s therefore not surprising that they already had a fanbase welcoming them back and cheering them on. The Orrall brothers specialize in and excel at a heavy but nimble brand of rock that’s more tuneful than you might think, a balance of sludgy stoner and spirited – if greasy – bar stylings. And they brought Alison Mosshart out to sing on their last song, so they also had that going for them.

At The Kills’ 2008 show, I was impressed how well Jamie Hince and Mosshart were able to put on a riveting show without needing to recruit a live band to back them up, so I was rather surprised to see their stage setup included a row of floor toms along the back – I presumed they weren’t just decorative and someone was actually going to play them. Two someones, as it turned out – a pair of drummers whose duties would include rhythm, clapping and choreography. A surprising break in the Kills aesthetic, but a beneficial one – you wouldn’t say they NEEDED the extra impact of those drums, either sonically or visually, but it didn’t hurt.

You could recruit a children’s choir and a symphony orchestra to back The Kills, though, and ultimately it’d just be about Hince and Mosshart – he of the untouchable guitar swagger and she of the feral intensity to match the giant leopard-print backdrop that hung above the stage, and both lubricating the stuttering mechanical rhythms that underpinned their sleazy electro-blues with sweat, blood, and whatever other fluids you might presume. Understand that I’d never suggest that that last show had been restrained in any way, but it seemed that the duo seemed even more confident and assured this time out – as if whereas before they were satisfied to be propelled by their raw charisma and chemistry, now they were steering it.

Unsurprisingly, the set leaned heaviest on Midnight Boom and Blood Pressures but those who wanted a more career-spanning show got a few bones in set opener “No Wow” – the only representative of their second album – and the two encore closers being pulled from their debut Keep On Your Mean Side. There were also a pair of covers – Patsy Cline’s “Crazy” and The Velvet Underground’s “Pale Blue Eyes” – to rep their forthcoming “The Last Goodbye” 12″, due out at the end of the month.

The Kills aren’t a band I necessarily turn to a lot in my regular listening patterns, but if you need a kick in the ass, a grab in the groin or just a reminder of why you love rock’n’roll, seeing them live is just the thing to do it.

The National Post, Music Vice, and PostCity have reviews of the show and amNY a short interview with Mosshart.

Photos: The Kills, JEFF The Brotherhood, Hunters @ The Kool Haus – February 7, 2012
MP3: The Kills – “DNA”
MP3: The Kills – “Future Starts Slow”
MP3: The Kills – “URA Fever”
MP3: The Kills – “Cheap & Cheerful”
MP3: The Kills – “Black Rooster”
MP3: The Kills – “Cat Claw”
Video: The Kills – “Last Goodbye”
Video: The Kills – “Baby Says”
Video: The Kills – “Future Starts Slow”
Video: The Kills – “Black Balloon”
Video: The Kills – “Tape Song”
Video: The Kills – “The Last Day Of Magic”
Video: The Kills – “Cheap & Cheerful”
Video: The Kills – “U.R.A. Fever”
Video: The Kills – “No Wow”
Video: The Kills – “Love Is A Deserter”
Video: The Kills – “The Good Ones”
Video: The Kills – “Wait”
Video: The Kills – “Fried My Little Brains”
Video: JEFF The Brotherhood – “Whatever I Want”
Video: JEFF The Brotherhood – “Hey Friend”
Video: JEFF The Brotherhood – “Mind Rides”
Video: JEFF The Brotherhood – “You Got The Look”
Video: JEFF The Brotherhood – “Bone Jam”
Video: JEFF The Brotherhood – “The Tropics”
Video: Hunters – “Acid Head”
Stream: Hunters / Hands On Fire

Those of you looking forward to the visit of another co-ed rock machine duo – I speak of Sleigh Bells – will have to wait a little longer. Pitchfork reports that rather than play The Phoenix on the evening of February 18, as they were supposed to, the pair will now be doing their pop-metal thing on Saturday Night Live instead. The Toronto show has been rescheduled for March 27, though their April 27 and 28 dates supporting Red Hot Chili Peppers at the Air Canada Centre are unchanged. Reign Of Terror – the new album – is out February 21 and there’s interviews with the band at The Palm Beach Post, The Orlando Sentinel, and Pensacola News Journal – yeah, I’d say the band are in Florida right now.

Peggy Sue, whose attempt to bring their second album Acrobats to town last November was stymied by some immigration issues with their tourmates, will try again as they’ve been added as support for First Aid Kit at The Great Hall on April 4.

MP3: Peggy Sue – “Cut My Teeth”

Though their debut My Head Is An Animal still won’t be out until April 3, Of Monsters & Men are clearly already one of Iceland’s biggest exports as demand for their April 16 show has moved it from The Mod Club to The Phoenix.

Sweden’s Niki & The Dove have a new video for a song which appeared on their 2011 12″ single and will presumably show up on their debut album whenever it arrives later this year.

Video: Niki & The Dove – “The Fox”

The Line Of Best Fit has posted a video session with Loney Dear.

Keeping today’s he-she/trans-Atlantic duo meme going, Big Deal have released a new video from their debut album Lights Out.

Video: Big Deal – “Talk”

Veronica Falls have made a new song available to stream – they were already playing new material on the road last year, you can bet we’ll hear some new tunes at The Garrison on February 14. NOW has an interview with the band in preview of that show.

Stream: Veronica Falls – “My Heart Beats”

Clash, Sloucher, and The Scotsman interview The Twilight Sad. They’re at Lee’s Palace on February 29.

Tindersticks have made a track from their new record The Something Rain, due out February 21.

MP3: Tindersticks – “Frozen”

DIY interviews Field Music, whose new album Plumb arrives next week.

Best news of the day? Richard Hawley has announced details of his new album. Standing At The Sky’s Edge will be out on May 7 and according to the press release at DIY, it will be more stripped-down affair than recent efforts, built on, “two guitars, bass, drums and rocket noises”.

Slate The Disco talks to Kate Jackson.

FacebookAfter writing up some bands lately whose names have either undersold or misrepresented the music they present, it’s rather refreshing to have an artist whose public identity promises exactly what they have to offer. And that artist is Beth Jeans Houghton & The Hooves Of Destiny. A grandiose name, to be sure, and one that’s matched by the title of their just-released debut album Yours Truly, Cellophane Nose.

There’s no way that labels like those could herald anything less than grandiose ambitions, so the question is really whether the 21-year old Newcastle-Upon-Tyne native who gives the band their name can deliver on them. And the answer is an unequivocal, “yes”. Nature has given Houghton not only a richly smoky voice and operatic range, but a tremendously vivid imagination upon which to draw on for her songwriting. All these gifts are combined to impressive effect on Cellophane Nose, which is by turns whimsical and dramatic, dark and technicolour and enchanting throughout.

Houghton’s roots as a folkish/singer-songwriter are perceptible in the record’s quieter moments, but more often they take a backseat to the ornate, often baroque-ish arrangements that adorn everything. By rights they should be overpowering, even with veteran producer Ben Hillier on hand to keep things on track; a case of too much too soon for an artist let loose in the sonic costume shop filled with horns, strings, choirs and harpsichords. And yet, rather than collapsing under the weight of it all, Cellophane Nose finds Houghton not only standing straight and tall in all her finery, but galloping off towards greater things. Hooves of destiny, indeed.

DIY and The Quietus have interviews with Beth Jeans Houghton.

MP3: Beth Jeans Houghton & The Hooves Of Destiny – “Dodecahedron”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Sweet Tooth Bird”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Liliputt”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Dodecahedron”

NPR is streaming the whole of the new Field Music LP Plumb, ahead of its release next week. MusicOhm also has an interview with the David half of the Brewis brothers.

MP3: Field Music – “A New Town”
Stream: Field Music / Plumb

Though The Big Pink’s second album Future This has been out a few weeks now, the band has only now made a track from it available to download. So download it. And read these interviews with Milo Cordell at The Skinny and The Province.

MP3: The Big Pink – “Give It Up”

The video for M.I.A.’s new single surfaced last week, just in time for her appearance at the Super Bowl halftime show this weekend. It’s her video that’s got everyone talking, right? Right?

Video: M.I.A. – “Bad Girls”

The Line Of Best Fit welcomes Lianne La Havas for a video session; her debut album is due out in the Spring, to be preceded by the Forget EP on March 6 in North America.

Video: Lianne La Havas – “Forget”

Daytrotter sessions up with Anna Calvi.

The 405 enlists Summer Camp’s Elizabeth Sankey as an advice columnist.

A Heart Is A Spade and STV have interviews with The Twilight Sad and Le Blogotheque offers up a Take-Away Show with the band. No One Can Ever Know is out today and they’re at Lee’s Palace on February 29.

Band Of Skulls will follow up the release of Sweet Sour next week with a North American tour that hits Lee’s Palace on May 15, and if you can’t wait that long they’re also at The Phoenix on March 30 opening for We Are Augustines. The band takes Gigwise and Spin through the new record track-by-track, with Spin also offering a stream of the whole thing. And over at The Independent, bassist Emma Richardson talks about her painting.

MP3: Band Of Skulls – “Sweet Sour”
MP3: Band Of Skulls – “The Devil Takes Care Of His Own”
Video: Band Of Skulls – “Sweet Sour”
Stream: Band Of Skulls / Sweet Sour

Ca Va Cool caught up with Los Campesinos! on their recent Canadian tour for an interview.

In conversation with The Daily Mail, Noel Gallagher reveals he thought that the Iron Lady was great. No, not the movie.

Liam Gallagher of Beady Eye sounds off to The Daily Mail about fashion, fitness and family.

The Quietus talks to XTC’s Andy Partridge about the making of English Settlement.

Dose gets to know First Aid Kit, in town at The Great Hall on April 4.

The video for the first single from Ladyhawke’s forthcoming Anxiety is now out. The album arrives March 27 in North America.

Video: Ladyhawke – “Black White & Blue”