Frank YangIn a way, I feel sorry for Franz Ferdinand. Almost without fail, general reaction to every album they’ve released since their 2004 self-titled debut has been, “yeah it’s alright but it’s not as good as their first one” – which may be true, but only by degrees. The Scottish quartet should really be commended for pulling off the difficult trick of maintaining their core recipe of rock guitar riffs, post-punk spikiness, new wave danciness, and art school archness without overtly repeating themselves from one record to the next. So the “return to form” talking point that accompanied their fourth album Right Thoughts, Right Words, Right Action, released at the end of Summer, was amusing because to my ears they’d never lost their form. Right Thoughts was a bit rawer and peppier than 2009’s Tonight, sure, but again – degrees.

The important thing is that it’s another strong record and gave the band a reason to come back to Toronto with Thursday night’s show at The Kool Haus being both the final night of the North American tour and their first local appearance since V Fest in 2009, having declined to make the trip last Summer even though they were just a few hours away in Montreal playing Osheaga. And for me, it’d be my first time seeing them indoors in a club – albeit large club – setting since they made their local debut nearly a decade ago at The Horseshoe in February 2004. Yes, I’m old. What of it.

You could be forgiven for expecting the worst of opening act Casual Sex, what with a moniker that you would only expect to find on university coffee house flyers billed alongside other such clever names as Free Beer and Hot Chicks. But to dismiss them for that would have been a mistake, as the Glaswegian quartet was quite impressive. Led by confident and cheeky frontman Sam Smith, their stabby/dancey/scratchy art-rock sounds sharing roots with the headliners but evolving without any of the arena aspirations and for that, was interesting without being inaccessible.

I’ve often heard 4AD and/or shoegaze descriptors applied to the works of Brooklyn’s Frankie Rose, but those comparisons have always struck me as being a bit surface – after all, stepping on a chorus pedal doesn’t make you the Cocteau Twins. But perhaps compared to the Vivian Girls/Dum Dum Girls/Crystal Stilts garage-rock CV that Rose boasted before striking out on her own, both 2012’s Interstellar and this year’s Herein Wild seemed like ornately-produced space-rock epics. What’s key is that both of those records were filled with shimmery, ’80s-friendly guitar pop that showcased Rose’s lovely vocals and gift for melody. On stage, the presentation was a bit too laid back to even attempt to steal the show, still sounded great with extra respect going to lead guitarist Drew Citron, who managed to recreate the bulk of the textures of the album, leaving Rose to concentrate on singing.

While there may be debate amongst fans about the relative merits of each of the Franz albums – save the debut, which is pretty much accepted as the gold standard – there’s little contention that Franz live are about as sure a thing as you can get. Unlike The Strokes or Interpol, whom they were originally framed as the British answer for when they first emerged, any internal Franz drama has been kept behind closed doors and it never seems like they’re ever having anything but the best time, which is what they bring to the stage. With said stage decked out in strobes, smoke machines, and custom “Right Thoughts”, “Right Words”, and “Right Action” amp housings, Alex Kapranos and Nick McCarthy – proudly sporting a Canadian tuxedo for the occasion – have charisma to spare and channel it through kicks, jumps, and stage moves a-plenty, to say nothing of the always-charming banter. The room may not have been sold out, but the enthusiasm was equivalent to as if it had been double-booked.

And oh yeah, the songs. The set list was suitably Right Thought-heavy, and while they may have left out my favourites “Strawberries” and “The Universe Expanded”, it’s a testament to the solidity of the album that the energy didn’t dip at all throughout. But being a band that’s mastered the art of giving the fans what they want, the rest of the selections were exactly what you’d expect/demand, with a trio of singles from each of Tonight and You Could Have It So Much Better and the debut providing the big moments. It’s impressive that after a decade, those songs still feel fresh and energized and watching the crowd bounce up and down in time with the breakdown of “Take Me Out” is still great fun. There may well be a segment of Franz Ferdinand fans who wish for more deep cuts, more creative left turns, but they’re not being heard – probably because of all the cheering from everyone else.

Exclaim also has a review of the show, while JAM and Rolling Stone have interviews with Franz Ferdinand.

Photos: Franz Ferdinand, Frankie Rose, Casual Sex @ The Kool Haus – October 24, 2013
Video: Franz Ferdinand – “Evil Eye”
Video: Franz Ferdinand – “Love Illumination”
Video: Franz Ferdinand – “Right Action”
Video: Franz Ferdinand – “Can’t Stop Feeling”
Video: Franz Ferdinand – “No You Girls”
Video: Franz Ferdinand – “Ulysses”
Video: Franz Ferdinand – “Eleanor Put Your Boots On”
Video: Franz Ferdinand – “Jeremy Fraser”
Video: Franz Ferdinand – “Wine In The Afternoon”
Video: Franz Ferdinand – “L. Wells”
Video: Franz Ferdinand – “Fallen”
Video: Franz Ferdinand – “Walk Away”
Video: Franz Ferdinand – “Do You Want To”
Video: Franz Ferdinand – “This Fire”
Video: Franz Ferdinand – “Michael”
Video: Franz Ferdinand – “The Dark Of The Matinee”
Video: Franz Ferdinand – “Take Me Out”
Video: Franz Ferdinand – “Darts Of Pleasure”
Video: Frankie Rose – “Know Me”
Video: Frankie Rose – “Night Swim”
Video: Frankie Rose – “Gospel/Grace”
Video: Casual Sex – “Nothing On Earth”
Video: Casual Sex – “Stroh 80”
MP3: Frankie Rose – “Know Me”
MP3: Frankie Rose – “Thee Only One”

Los Campesinos! are streaming their new record No Blues over at Pitchfork ahead of its release tomorrow, at which point it’ll probably be taken down.

Stream: Los Campesinos! / No Blues

Las Vegas Weekly has an interview with Charli XCX, in town at Wrongbar on November 9.

The Guardian profiles Arctic Monkeys, who have released a new video from AM.

Video: Arctic Monkeys – “One For The Road”

The Guardian talks to Bernard Butler about the decision to get back in a band with Trans.

Clash offers their complete guide to Suede while The Fly, The Telegraph, and Burton Mail have chats with Brett Anderson.

Interview talks to the three principals of Black Hearted Brother.

Still Corners have made a random b-side available to stream.

Stream: Still Corners – “We Have The Future On Tape”

Under The Radar has an interview with Laura Marling

CBC Music talks to Travis.

Exclaim reports that Stuart Murdoch’s God Help The Girl film has been completed and will be premiering in early 2014 on the festival circuit and should get some kind of limited release in the Summer before arriving on DVD in the Fall.

Clash talks to Bob Stanley of Saint Etienne about his new book Yeah Yeah Yeah: The Story Of Modern Pop.

And a farewell to Lou Reed, who passed away yesterday at the age of 71. Tributes abound, many worth reading, but Sasha Frere-Jones’ piece at The New Yorker, Robert Christgau’s at Spin, and Michael Barclay’s at Radio Free Canuckistan are good places to start.

Chris McAndrewThough I already celebrated the existence of Trans – all-caps is about as excited as I get online, I’ll have you know – I only recently got a hold of Red, the first in a series of EPs from Bernard Butler – ex of Suede and, in an informal poll of me, greatest guitarist of the past 20-plus years – and Jackie McKeown of Yummy Fur and more recently 1990s, whom Butler was producing when they met and began jamming together.

And jamming is the correct word, rather than writing, because the four tracks that comprise Red are certainly more about their improvised musical interplay than the considered composition that one would presume from Butler, given his track record of crafting ornate and elaborate pop music. As reluctant as I am to use the band’s own words to describe them, the Can-meets-Television descriptor is pretty apt, as the most defining aspects of the band so far are their steady, almost motorik rhythm section and free-form yet melodic guitarwork, at its most Verlaine-Lloyd-ish in the extended “Jubilee”. Lyrics are pretty throwaway, mostly nonsensical riffs on a phrase, but they both add a punky snottiness – Butler’s vocals a far cry from the ’70s singer-songwriter earnestness of his solo albums – and anchor the proceedings in a pop idiom.

There’s no question that Trans is of niche appeal, and if Butler were not involved I’m not honestly sure how much I’d have paid attention though now that I have, I can honestly say its an enjoyable listen on its own merits (and also fun to jam to on guitar), and I look forward to the follow-up releases. And while it’s probably too early to hope it leads to phone calls to David McAlmont or Brett Anderson – don’t worry Fat Richard, your job is safe – anything that gets Butler a little out of the producer’s chair and back towards making his own music is worth celebrating.

Uncut prepares for a feature interview with a short history of the project, while The Quietus has a chat with both Butler and McKeown.

Video: Trans – “Jubilee”
Video: Trans – “Rock Steady”
Video: Trans – “Building No. 8”

Speaking of musical heroes in new contexts, New York Times has got an advance stream of Stars Are Our Home, the debut from Neil Halstead’s new project Black Hearted Brother; the album is out October 22 and North American dates are going to happen. PopMatters, for their part, asks twenty questions of Mark Van Hoen, none of them specifically about the new album.

MP3: Black Hearted Brother – “This Is How It Feels”
Stream: Black Hearted Brother / Stars Are Our Home

With her new album Arrows finally set for release next week on October 22, Polly Scattergood has made it available to stream via her Tumblr.

MP3: Polly Scattergood – “Wanderlust”
Stream: Polly Scattergood / Arrows

DIY interviews Los Campesinos! about their new album No Blues, due out on October 29.

Drowned In Sound gets in-depth with Kate Nash, Noisey gets her to reflect on the moment “Foundations” broke her (in the good way), and she’s just released a new video for “Fri-End?” from Girl Talk and plays an acoustic version in a video session for The Telegraph. She’s in town at The Phoenix on November 5.

Video: Kate Nash – “Fri-End?”

Stereogum chats with Charli XCX, who finally makes her local headlining debut at Wrongbar on November 9.

Though it won’t appear on Cupid Deluxe when it comes out November 19, any new music from Blood Orange – including this Babyface and Toni Braxton cover with Samantha Urbani of Friends – is only a good thing.

Stream: Devonté Hynes & Samantha Urbani – “Hurt U”

Frank Turner isn’t kidding when he says he loves playing Canada. After doing two shows here for TURF back in July, he’s back for a gig at the Sound Academy on December 3; tickets are $23.50 general admission and $37.50 VIP balcony.

Video: Frank Turner – “Oh Brother”

London pysch-kraut outfit Toy have announced the December 9 release of their second album Join The Dots, a follow up to last year’s solid self-titled debut. DIY has details and the title track from the album has been made available to stream.

Stream: Toy – “Join The Dots”

Hot Minute gets to know The High Wire, who will release a new album early in the new year.

The new video from Travis‘ latest Where You Stand could double as an iPhone 5S commercial because it was shot entirely on the mobile phone. Drowned In Sound has the premiere and with it, details on how it was done.

Video: Travis – “Mother”

The Guardian has premiered a new video from Summer Camp’s just-released-in-North America self-titled effort.

Video: Summer Camp – “Two Chords”

British Sea Power have rolled out a new video from their latest album Machineries Of Joy. The Sunderland Echo looks into the inspiration for the song and clip.

Video: British Sea Power – “Monsters Of Sunderland”

Little Boots has premiered a new video from Nocturnes over at Nylon. CNet also asks Victoria Hesketh about her favourite smartphone apps.

Video: Little Boots – “Shake”

Boiler Room has a video session with CHVRCHES.

Under The Radar and FasterLouder talk to London Grammar.

Under The Radar (the New Zealand one) and Metro (the English one) have interviews with Anna Calvi.

Veronica Falls have decided to mark their upcoming Australasian tour with the release of a new song. Listen to said song now.

Stream: Veronica Falls – “Nobody There”

GQ declares Noel Gallagher one of its men of the year, presumably just to score an interview and get him to say batshit things. Mission accomplished.

For Folks Sake have an amiable little chat with Johnny Flynn.

Delirium On Helium talks to Nicky Wire of Manic Street Preachers.

Swedish electro-pop artist Elliphant has released a new video from what one assumes will be a full-length album someday.

Video: Elliphant – “Could It Be”

WNYC welcomes Icelandic composer Ólafur Arnalds for a session.

Wired talks music and technology with Björk.

Exclaim has details on the kidnapping drama that has prompted Spanish dance-pop band Delorean – who are fine now – to cancel their North American tour, including tonight’s date at The Horseshoe. The new date is February 20 at The Hoxton and the rest of the rescheduled tour dates can be had at Exclaim.

Phoenix’s episode of Austin City Limits is available to stream online for a limited time.

Anna Isola CrollaWho: Travis
What: Scottish foursome once hyperbolically tipped as possibly being the next biggest band in the world but have instead settled for being a solidly well-liked one. Which is hardly a bad thing.
Why: While not likely to be as packed with hits as their seminal The Man Who, their just-released new album Where You Stand shows the band hasn’t lost their touch for emotive, sensitive guitar-pop that’s both bedsit- and arena-appropriate.
When: Wednesday, September 25, 2013
Where: The Sound Academy in Toronto (19+)
Who else: Luke Rathborne supports. No, he’s never heard of you either.
How: Tickets for the show are $30 in advance but courtesy of Union Events, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Travis” in the subject line and your full name in the body. Contest closes at midnight, September 20.

Video: Travis – “Moving”
Video: Travis – “Where You Stand”

thecharlatans.netSad, sad news out of the UK yesterday when it was announced that Jon Brookes, drummer and founding member of The Charlatans, had passed away of brain cancer. The condition first surfaced during a 2010 North American tour that forced the cancellation of a number of dates, but until recently appeared to have been successfully treated, allowing Brookes to continue playing and recording with the band as recently as this Summer, with the band working on new material. Brookes was 44.

It’s not the first tragedy to befall the band – original keyboardist Rob Collins was killed in a car crash in 1996 – but in the almost 25 years of the band’s existence they’ve proven to be amazingly resilient, outlasting pretty much all of their Madchester and Britpop peers while building a really remarkable catalog of albums and singles. If any outfit could find the strength to carry on after such a loss – should they choose to – it’d be The Charlatans.

I feel fortunate to have caught them live at The Kool Haus in early 2002 circa Wonderland, their second-to-last visit (I believe) before a 2006 show at The Phoenix for Simpatico. It wasn’t supposed to be so, but the band were snakebit in their attempts to come back to support 2008’s You Cross My Path and 2010’s Who We Touch; for the former, they scheduled, cancelled, rescheduled, and re-cancelled a date at The Mod Club in Fall of 2009, eventually nixing the tour to allow Brookes to have shoulder surgery and their last attempt in September 2010 – which would have brought them to Lee’s Palace – was scrubbed after Brookes had a seizure in Philadelphia two nights before the show.

I’d been largely nonplussed about the band’s output this century, but those last couple records were genuinely solid and I had been quite excited to see them live again – especially in such small rooms – so those cancellations were extra disappointing. For that last Lee’s show, I’d already gone ahead and done the legwork of linking up their entire videography as I try to do for live reviews, and have actually had all of that HTML saved in a draft post for the past three years in hopes that they’d finally return and I could use it. Whatever happens with the future of the band, that return seems unlikely in the near term so I’ll instead post them as a tribute to Brookes and the band. Rest in peace, sir, and thanks for the music.

Video: The Charlatans – “My Foolish Pride”
Video: The Charlatans – “Love Is Ending”
Video: The Charlatans – “Mis-Takes”
Video: The Charlatans – “The Misbegotten”
Video: The Charlatans – “Oh Vanity”
Video: The Charlatans – “You Cross My Path”
Video: The Charlatans – “You’re So Pretty, We’re So Pretty”
Video: The Charlatans – “NYC (There’s No Need To Stop)”
Video: The Charlatans – “Blackened Blue Eyes”
Video: The Charlatans – “Try Again Today”
Video: The Charlatans – “Up At The Lake”
Video: The Charlatans – “A Man Needs To Be Told”
Video: The Charlatans – “Love Is The Key”
Video: The Charlatans – “Impossible”
Video: The Charlatans – “How High”
Video: The Charlatans – “North Country Boy”
Video: The Charlatans – “One To Another”
Video: The Charlatans – “Just When You’re Thinkin’ Things Over”
Video: The Charlatans – “Just Lookin'”
Video: The Charlatans – “Crashin’ In”
Video: The Charlatans – “Jesus Hairdo”
Video: The Charlatans – “I Never Want an Easy Life If Me and He Were Ever to Get There”
Video: The Charlatans – “Cant Get Out Of Bed”
Video: The Charlatans – “Tremolo Song”
Video: The Charlatans – “Weirdo”
Video: The Charlatans – “Me. In Time”
Video: The Charlatans – “Over Rising”
Video: The Charlatans – “Then”
Video: The Charlatans – “Sproston Green”
Video: The Charlatans – “The Only One I Know”

Travis have let Rolling Stone host the advance stream of their new record Where You Stand, which comes out August 19. Fran Healy talks to Metro, The Daily Mail, The Daily Record, and The Arbroath Herald about the new album, which they bring to The Sound Academy on September 25.

Stream: Travis / Where You Stand

DIY has both an album stream and track-by-track walkthrough of Absolute Zero, the debut album from Dublin’s Little Green Cars. It came out in North America back in the Spring but is only getting a European release next week, if you were wondering why they’re only getting around to it now.

Stream: Little Green Cars / Absolute Zero

The Fly and The Belfast Telegraph interview members of The Vaccines, who are streaming one of the tracks from their just-released Melody Calling EP via NME. They open up for Mumford & Sons at the Molson Amphitheatre on August 26.

Stream: The Vaccines – “Do You Want A Man” (John Hill + Rich Costey Remix)

Premier Guitar sits down with Alex Kapranos and Nick McCarthy of Franz Ferdinand to talk about their new record Right Thoughts, Right Words, Right Action with particular interest in – wait for it – their guitars, while The Age settles for a broader-interest feature piece. The record is out August 27 and they play The Kool Haus October 24.

Stereogum has premiered the lead video for Summer Camp’s self-titled second album, due out September 9.

Video: Summer Camp – “Fresh”

Alex Turner of Arctic Monkeys talks to Rolling Stone about the new single and video from their forthcoming AM, which comes out September 10. They’re at The Kool Haus on September 15.

Video: Arctic Monkeys – “Why’d You Only Call Me When You’re High?”

DIY have premiered the first video from Motto, the forthcoming record from Sky Larkin and Oxford Student also has an interview with the band. The new album is out September 16.

Video: Sky Larkin – “Loom”

Even though you’ve already seen her play it live at an in-store, The AV Club has posted the “proper” version of Charli XCX’s cover of The Backstreet Boys’ “I Want It That Way”, as she learned the song for her contribution to their Undercover series. She also lists her five favourites songs for The Week. Charli XCX plays The Hoxton on September 16.

Peter Hook recounts to The Guardian what he sees when he looks in the mirror, which includes a guy who’s going to play Movement and Power, Corruption & Lies at The Hoxton on September 18; he talks to This Is Nottingham about how the live performance will work. And if you want to see what he looks like when he’s trying to teach you to play “Ceremony”, head over to Slicing Up Eyeballs for the video lesson.

Spin is streaming another new track from Johnny Flynn’s forthcoming Country Mile, due out September 30.

Stream: Johnny Flynn – “After Eliot”

Billboard has a video session and interview with Kate Nash. She plays The Phoenix on November 5.

After threatening to leak it herself, M.I.A. has been given a November 5 release date for her eternally-delayed new record Matangi.

Over at Noisey, Emmy The Great explains how she came to write the soundtrack for the film Austenland.

Editors have released another video from their latest album The Weight Of Your Love; Artrocker also has a quick interview with the band.

Video: Editors – “Formaldehyde”

MTV Iggy interviews Camera Obscura.

Mat Osman of Suede tells The Quietus what he’s been listening to lately.

In conversation with The Daily Star Alex James is simultaneously optimistic and hazy about the future of Blur.

Pitchfork has what I believe is the first extensive post-m b v interview with Kevin Shields of My Bloody Valentine, including outtakes.

In conversation with The Japan Times, Johnny Marr dumps a whole load of cold, harsh reality on those holding out hope for a Smiths reunion.

Andrew KnowlesIt was amusing to me to hear portions of the internet get all worked up a few weeks ago when Franz Ferdinand announced the August 27 release of their fourth album Right Thoughts, Right Words, Right Action, because those people most excited are almost certainly the same ones who will be first to declare it to be, for the third time, inferior to their 2004 self-titled debut. And it may well be true, but it’s strange that those who’d purport to be the Scottish quartet’s biggest fans are also the first to be disappointed by them. I feel for the band, I do.

But it could also be they’re less excited about the prospect of new songs than the band heaving an excuse to hit the road again – after all, whatever you think of their records, there’s no denying that the band remain a phenomenal live band – this I was reminded of last Summer when I saw them at Osheaga. And so fans will be pleased to know the band have announced a Fall tour that brings them back to Toronto for the first time since V Fest 2009; they’ll be at The Kool Haus on October 24, tickets $35 in advance.

The band have not offered an official taste of the new record, but they did just release a little behind-the-scenes video featurette to whet your appetite, assuming your appetite is whetted by things like this.

Video: Franz Ferdinand – “Walk Away”
Video: Franz Ferdinand’s A Weekend In Glasgow

Buzzy Scots CHVRCHES have just released details about their debut album. The Bones of What You Believe, as well as more North American dates including September 15 at the Danforth Music Hall in Toronto. The album is out on September 24 and this is the newest video from it. The Guardian also has an interview.

MP3: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “Gun”

Veteran Scots Travis have also regrouped for a new album, their first since 2008’s Ode To J. Smith. Where You Stand will be released on August 19 and be accompanied by a North American tour; their first Toronto show in over four years will be on September 25 at the Sound Academy, tickets $30 general admission and $45 VIP.

MP3: Travis – “Driftwood”
Video: Travis – “Where You Stand”

Frightened Rabbit aren’t as firm believers in absence making the heart grow fonder as their countrymen; Selkirk’s most famous rock band will be back for their third visit in a year with a show at The Kool Haus on October 17, still in support of this year’s Pedestrian Verse. Tickets for that are $25 in advance and Under The Radar has the rest of their tour itinerary. They culled through some live footage recorded on an Australian tour for their latest video.

MP3: Frightened Rabbit – “Scottish Winds”
Video: Frightened Rabbit – “Late March, Death March”

M.I.A. may continue to have problems getting her fourth album Matangi released – Maya Arulpragasam talks to The Guardian about why she thinks that is – but she’s still released the first single to stream and is undertaking a small North American tour, including a stop at Toronto’s Danforth Music Hall on July 18; tickets $35 in advance.

Stream: M.I.A. – “Bring The Noize”

Up-and-coming British electronic duo AlunaGeorge have put together a North American tour in support of their debut album Body Music, which comes out July 29 and has just yielded a new video. Exclaim has the full dates, which include a September 9 stop at The Hoxton. Admission will be $20 in advance.

MP3: AlunaGeorge – “You Know You Like It”
Video: AlunaGeorge – “You Know You Like It”

After high-profile supporting slots for M83 last summer and Marina & The Diamonds last month, Charli XCX is finally ready for the spotlight – she’ll make her local headlining debut in support of True Romance on September 16 at The Hoxton, tickets $15. Exclaim has the complete dates and Billboard and Idolator have conversations with the singer.

MP3: Charli XCX – “Glow”

Editors have released a new video from their forthcoming The Weight Of Your Love, out July 2.

Video: Editors – “The Weight”

Aquarium Drunkard, Willamette Weekly, The Portland Mercury, San Francisco Examiner, and Santa Barbara Independent have interviews with Camera Obscura. They play Garrison Common for the Toronto Urban Roots Fest on July 4.

Guitar Player has an interview with Richard Thompson, who opens up the Bob Dylan/Wilco/My Morning Jacket tour that hits The Molson Amphitheatre on July 15.

Pet Shop Boys have released a new video from their forthcoming Electric, out July 16. They play The Sony Centre on September 25.

Video: Pet Shop Boys – “Vocal”

White Lies are streaming another song from their new record Big TV, out August 21. They play The Opera House on October 1.

Stream: White Lies – “There Goes Our Love”

Bella Union has offered details on the second album from orch-pop ensemble Lanterns On The Lake. Until The Colours Run will be out on September 9.

Also out September 9 will be Summer Camp, the second album from Summer Camp. The Line Of Best Fit have details on the release, or you can just watch the trailer.

Trailer: Summer Camp / Summer Camp

Daughter have released a new video from If You Leave; they play The Phoenix on September 29.

Video: Daughter – “Youth”

They’re not tipping their hat as to a new album that it be taken from, but Arctic Monkeys have released a video to go with a brand new new single.

Video: Arctic Monkeys – “Do I Wanna Know?”

Fans of top-notch dreampop in the Mojave 3 vein take note: Pigeons & Planes has premiered a new song from Anglo-Canadian dreampop outfit The High Wire, with details of a new full-length hopefully to come soon.

Stream: The High Wire – “LNOE”

Gigwise gets Richard Hawley to share his true feelings about festivals like Glastonbury – spoiler alert, not positively – and also about his contributions to the new Manic Street Preachers albums, whenever they come out.

And whilst on the topic of Manic Street Preachers, The Guardian talks to James Dean Bradfield and Tone Deaf to Sean Moore about rugby and music.

Despite being one of the busiest producers and sidemen going, DIY reports that Dev Hynes will release a second Blood Orange record this year, possibly with the title of Cupid Deluxe.

Noisey meets Bobby Gillespie of Primal Scream, whose latest More Light got a North American release this week.

Alex James confirms to Contact Music that Blur did, indeed, hit the studio in Hong Kong recently and that the sessions went “very well”.

Clash and GQ chat with the lads of Beady Eye about their new album BE.

The Guardian has premiered the new video from Foals, taken from this year’s Holy Fire.

Video: Foals – “Bad Habit”

NPR has posted a Tiny Desk Concert with Billy Bragg.

The Guardian chats with Stornoway frontman Brian Briggs.

Figure 8 chats with Dave Gedge of The Wedding Present.