jmonae.comBack in mid-December, I pointed out that the website for the 2011 edition of Canadian Musicfest had gone live with the first batch of showcasing artists for the festival. And while there was enough in that initial list to get my attention, in the last couple of weeks the information available has really ramped up and, methinks, another round-up of acts who will be filling Toronto clubs from March 9 to 13 is in order.

Perhaps most exciting is the return of cyber-soul firecracker Janelle Monáe, though if you were hoping to see her play a conventional headlining show then “frustrating” might be the more accurate word. She made Canadian debut last Summer on Olympic Island as part of the Arcade Fire mini-fest and this time she’s performing as part of the CMW/CMF-associated Indie Awards, the exact mandate of which I’ve never understood. But whatever the reason, Monáe will top a bill that also includes Shad, Hollerado, Bombay Bicycle Club, Hannah Georgas and Desperate Union. Obviously, it’s an awards ceremony as well as a show, but my understanding is that Monáe, at least, will play a full set so the $30 ticket price would still be worth it; a festival wristband will also get you in. The Indies take place in the Canadian Room of the Royal York on March 12.

Other “big” shows that week: Land Of Talk, Hollerado, Cadence Weapon, Isis (ex. Thunderheist) and Little Scream show at the Opera House on March 10 (already reported I know), admission $18 or with a wristband. For those who like dudes with their hair hanging over their faces while they play guitar, the pairing of J Mascis and Kurt Vile at The Great Hall on March 11 is not to be missed – that one’s limited wristbands, advance tickets $27.50. It won’t get roots-rockier than Dawes and Deer Tick to say nothing of their Voltron-like supergroup Middle Brother (which includes Matt Vasquez of Delta Spirit), all three of whom will be at the Opera House on March 11, all wristbands accepted or $18.50 for advance tickets.

Also noteworthy and festival-related if not necessarily in my wheelhouse – a Big Sugar reunion at the Sound Academy, Good Charlotte at the Phoenix, Melissa Etheridge at Massey Hall – all on the Friday, March 11 – and the can’t miss (with a rocket launcher, ideally) pairing of Buckcherry and Papa Roach at the Sound Academy on March 12. Something for everyone? And less renowned/reviled but of more interest to me – Brits Esben & The Witch (date/place TBA) and Anna Calvi (Wrongbar, March 11), Australians The Jezebels (Lee’s Palace, March 11) and surely many more that still haven’t been announced – they’re expecting some 800 showcasing bands when all’s said and done and the official artist list is only at around 560. Of course, as always, it’s logistics that will ultimately determine what I end up seeing – the schedule has just started going up and already, I’m seeing some tough choices that are going to have to be made about where to be and when.

And let’s not even get started on the fact that SxSW’s showcase listings are slowly coming together.

MP3: Land Of Talk – “Swift Coin”
MP3: Dawes – “Love Is All I Am”
MP3: Esben & The Witch – “Warpath”
MP3: Anna Calvi – “Jezebel”
MP3: The Jezebels – “Mace Spray”
Video: Janelle Monáe – “Tightrope”

I mentioned a little while back that the release of Bruce Peninsula’s second album was on the back burner while frontman Neil Haverty was being treated for acute promyelocytic leukemia; now his friends and bandmates are staging a fundraiser to help mitigate some of the financial burdens of being ill. On January 29, two fundraisers will be held at the Music Gallery – a matinee show with Snowblink, Kith & Kin, The Deep, Steve McKay and Lake Andrew Drowning and an evening show with Timber Timbre, Austra (former BP-er Katie Stelmanis newly signed to Domino) and Evening Hymns. Admission is a $10 suggested donation for the matinee and $20 for the evening show, or if you just want to donate a PayPal account has been set up. More details at the Facebook event.

MP3: Timber Timbre – “Demon Ghost”
MP3: Austra – “The Beat & The Pulse”
MP3: Evening Hymns – “Broken Rifle”
MP3: Snowblink – “Ambergris”

If Do Make Say Think’s show at the Drake Underground during Boxing Week was too big or expensive for you, take heart – they’ll be going smaller, cheaper (free with canned good) and just as below grade with an in-store at Sonic Boom on February 3.

MP3: Do Make Say Think – “Other Truths album mix”

Halifax’s Jenn Grant will be bringing her shiny new record Honeymoon Punch – which finds her going a little less jazzy and a little more poppy with great results – at the Horseshoe on February 19, advance tickets $15. The National Post and aux.tv have features on Grant, who’s just released a new video from the album.

Video: Jenn Grant – “Getcha Good”

Broken Social Scene’s January 18 show at Terminal 5 in New York City will be broadcast live on YouTube starting at 9PM.

QTV has a video interview with Feist.

Volume 1 Brooklyn talks books with Owen Pallett.

eye puts Tokyo Police Club on this week’s cover and solicits their New Year’s resolutions in honour of Saturday’s show at the Kool Haus.

Beatroute has an interviews with Dan Bejar while NOW talks to one of the Toronto-based horn players who’s all over Destroyer’s new record Kaputt. out January 25. They’ll play Lee’s Palace on March 31.

Nils Edenloff of The Rural Alberta Advantage discusses the inspiration behind the song “Tornado ’87” with Spinner. Said song appears on their new album Departing, out March 1.

Fucked Up frontman Damian Abraham talks to eye about his new gig as veejay of MuchMusic’s back-from-the-dead alternative nation show The Wedge which returns to the air on January 26 at 10PM, and to Chart about the new Fucked Up record David Comes To Life, which could be out as soon as May.

Jason NocitoFolks were justifiably disappointed when last year’s Broken Social Scene/Explosions In The Sky mini-festival on the Toronto Islands were Molson Indy-ed out, but in hindsight it seems to have worked out for the best. First Broken made up for it in July with a free show at Harbourfront that’s pretty much legendary now (or so I’ve been told – I missed it), and now they’ve bolstered this year’s edition of the Toronto Island Concert – already a must-see thanks to the presence of BSS, who will be able to showcase their new record Forgiveness Rock Record after its May 4 release, the reunited Pavement and Band Of Horses – with Beach House.

The Baltimore duo were part of last year’s ill-fated lineup as well, but at the time were positioned in the lineup largely in a supporting role rather than as a big draw. But now coming off the release of Teen Dream this past January and the pretty much universally acclaim that’s followed, Beach House has been elevated from a band to watch to a band that’s arrived. Like most, I’m of the opinion that Teen Dream represents a big leap forward for the duo – it’s far more engaged, awake and interesting a record than either of their previous releases, which I appreciated but only when I was in the mood for something dozy. If this record was a conscious effort by Beach House to reach for the brass ring, then congratulations to them – it worked.

Beach House’s March 30 date at the Opera House is now sold out, so if you procrastinated, your only option is now to head out to the lovely Toronto Islands on June 19 and enjoy their hazy dream-pop under the Summer sun (or torrential rain, one never knows). Life is so hard, I know. Still, quite a difference from their first visit to Toronto back in November 2006 where they played in front of maybe 20 people in the front room of the Tranzac by a roaring fire. I’ll freely admit I fell asleep during the show – I think that was entirely the point. Anyways, tickets for the Island show are $49.50 plus attendant fees and looking at prices for all the other Pavement shows announced so far, I daresay this is the best value of any of them, save for maybe Pitchfork Festival. And that one doesn’t let you ride a BOAT.

Spin and The Irish Times have feature pieces on Beach House and vinylphiles rejoice – not only has their self-titled debut been remastered and reissued on fancy heavy vinyl, they’re releasing a limited-edition 7″ EP for Record Store Day 2010 on April 17. Be the envy of all your friends with a copy of either/each on your phonograph.

MP3: Beach House – “Norway”
Video: Beach House – “Silver Soul”

Also added to the Toronto Islands show yesterday were Timber Timbre, whom I hope will recruit a band of some sort to make his blues-folk ruminations audible on the big stage, and local stalwarts Zeus, Flash Lightnin’ and The Beauties, under the collective banner of “Toronto Revue”. What’s that mean, exactly? I’ll tell you on June 20.

MP3: Timber Timbre – “Demon Ghost”
MP3: Zeus – “Marching Through Your Head”
MP3: The Beauties – “Wastin’ Time”

As for the Island festival headliners, Pavement kicked off their much-anticipated reunion tour the other night in New Zealand. Spin has a report from the show including career-spanning set list, Matablog checks in with Spiral Stairs on how rehearsals for the tour went and GQ sent pop culture essayist Chuck Klosterman to interview Stephen Malkmus. Quarantine The Past, the Pavement best-of, is out next week and let me tell you – hearing songs which had always been presented in the context of their respective albums in a mish-mash running order is weird. Unless you’ve always made Pavement mixes in which case it’ll probably seem perfectly natural.

Elsewhere in the wonderful world of concert announcements, Fucked Up have been announced as one of the kick-off bands for this year’s Canadian Musicfest – they will play the El Mocambo on March 10. Tickets are $15 with limited wristbands admitted. Chaos guaranteed.

MP3: Fucked Up – “No Epiphany”

Former Dead Kennedy leader Jello Biafra will be coming to town with his new musical (not spoken word) project The Guantanamo School Of Medicine for a show at the Opera House on April 4. They released their debut album The Audacity Of Hype last year. This will be Biafra’s first appearance with band in Toronto in some 25-plus years; tickets are $22.50 in advance.

Portland’s Horse Feathers have scheduled a date at the Drake Underground on April 28. Their listed tour dates also indicate they’ll be back in the area in July for Hillside.

MP3: Horse Feathers – “Curs In The Weeds”

Austin’s Harlem have slated a slew of dates in support of their second album Hippies, due out April 6. Look for them on April 28 at the Horseshoe.

MP3: Harlem – “Friendly Ghost”

Everybody Was In The French Resistance… Now!, the new project from Art Brut leader Eddie Argos, has set a date for the El Mocambo on May 8, tickets $10. Their debut album Fixin’ The Charts, Volume One, came out late last year.

Video: Everybody Was In The French Resistance… Now! – “G.I.R.L.F.R.E.N.”

A correction to last week’s a-ha farewell tour announcement – the Toronto show at Massey Hall is scheduled for May 10, not 11. Tickets are $49.50 and $55.50, on sale Saturday at noon.

With their just-announced show a the Queen Elizabeth Theatre on May 26, The Weakerthans will be undertaking that most curious of musical events: a live show in support of a live album. Their CD/DVD set Live At The Burton Cummings Theatre is due out March 23. Tickets for the show are $35.

MP3: The Weakerthans – “Sun In An Empty Room”
MP3: The Weakerthans – “Night Windows”

Frank YangIs there any better/lazier way to start of the new year’s concert calendar than with the band that closed out the old year’s sched? I think not. And so The Balconies, who were one of the last bands I saw in 2009 are the first I’ve seen in 2010, thanks to last night’s show at Supermarket. And seeing as how I was sort of running out of things to say about the trio that time, it being third time I’d seen them in less than four months, I pretty much expected to have even less to offer, editorially speaking, this time.

As it happened, the show wasn’t a carbon copy of the others, and not just because it took place somewhere besides the Horseshoe. Maybe it was a bit of holiday hangover, but this gig didn’t feature the band at their best. While spirited by most standards, compared to their fire of their previous performances, they weren’t as tight as I’ve seen them and the energy felt somewhat subdued. Part of this, I think was technical – frontwoman Jacquie Neville’s guitar and vocals both seemed to be buried in the mix somewhat, her Telecaster missing some of its signature bite. Its absence, however, allowed bassist Steve Neville’s parts to come to the fore and while I’d always appreciated his contributions – and acknowledge his vocals are stronger live than on records – it was only last night that I realized just how complex and downright funky his basslines were. I’d always let his sister’s wiry, hooky guitarwork define my impression of the band, but in addition to all that, he ensures that The Balconies are wholly danceable as well. I know this because people were dancing. So not the band at their best, but still probably better than many.

The Balconies are setting out on an eastern Canadian tour and with it, they run the very real risk of no longer being the best-kept secret of the Ottawa-Toronto 401 corridor. They could well be on their way to delivering on the blue-chip prospects that “next big Canadian things” surveys conducted by The National Post and Resonancity peg them to be.

Photos: The Balconies @ Supermarket – January 6, 2010
MP3: The Balconies – “Serious Bedtime”
MP3: The Balconies – “300 Pages”
MP3: The Balconies – “Smells Like Secrets”

Oh No Forest Fires, with whom The Balconies shared the bill at that show last December, have announced that their upcoming January 23 gig at The Horseshoe will be their last and they’re calling it a day. It’s a damn shame that Toronto is losing one of their most entertaining live bands, but all good things, as they say. Your last opportunity to be showered in Rajiv’s sweat will be shared with The Darcys, Songs From A Room and Arietta, cover $7.

MP3: Oh No Forest Fires – “Robin The Boy Wonders”
MP3: Oh No Forest Fires – “It’s Not Fun And Games Until Someone Loses An Eye”

The Besnard Lakes have offered up the first taste of their forthcoming album The Besnard Lakes Are the Roaring Night, out March 9. The single “Albatross” will be available on 12″ as of February 9. They’ll be at the Horseshoe on March 11, presumably as part of Canadian Musicfest. Spinner talks to Jace Lasek about the new record.

MP3: The Besnard Lakes – “Albatross”

Daytrotter has posted a session with Timber Timbre.

Julie Doiron will be playing a free show at the not-especially-big Cobourg out in Cabbagetown (533 Parliament) on Saturday night. Details at Facebook; early arrival recommended.

MP3: Julie Doiron – “When Brakes Get Wet”
MP3: Julie Doiron – “Consolation Prize”

Michael Cera stars in the new video from Islands. He also stars in this still image from Scott Pilgrim vs The World, wielding a flaming sword.

Video: Islands – “No You Don’t”

Woodpigeon are now streaming their new album Die Stadt Muzikanten on their website in advance of its release next Tuesday, while Beatroute interviews Mark Hamilton. Woodpigeon are at the Drake Underground on February 11.

Owen Pallett graces the cover of this week’s NOW, thanks to the upcoming release of Heartland and his sold-out show at the Mod Club, both happening this coming Tuesday. He has another show scheduled for April 8 at the Queen Elizabeth Theatre.

Diamond Rings-master John O’Reagan chats with Spinner and NOW. He’ll be appearing at the aforementioned January 12 Mod Club show opening for Owen Pallett and at the Roundhouse on February 11 as part of Wavelength 500.

Quick Before It Melts talks to Rae Spoon.

Spinner talks to Mike O’Brien of Zeus, whose debut full-length Say Us is out February 9 on nice 180g vinyl and February 23 on shiny CD.

CBC Radio 3 has compiled a list of notable Canadian indie releases for the first part of 2010 and some heretofore unannounced bits to take note of include the March 23 release of Holy Fuck’s Latin and a live Weakerthans document entitled Live At The Burton Cummings Theatre, plus a May target for the new Broken Social Scene record.

Macleans looks at the unfortunate phenomenon of bands getting their gear stolen in Montreal. Hey Montreal, what the hell?

MySpaceOpening up with the sound of bird noises might be a bit of an over-sell, but forgiveness comes easily when the multi-layered harmonies of Toronto’s The Wilderness Of Manitoba arrive and usher in their debut EP, Hymns Of Love And Spirits. Sharing members with Provincial Parks and Key Witness, The Wilderness of Manitoba come with a very clear and direct mandate – to craft gentle, intricate folk songs of the sort that no one seems to make anymore. Of course, that’s a mandate that many have taken on in recent years and so, ironically, there’s a good number of artists presently making those sorts of songs.

The Wilderness Of Manitoba still manage to stand tall amongst their peers, however, and stand out. Obviously drawing inspiration from both the English and American folk revivals of the 1960s, they place an emphasis on choral vocals that give the mini-album a certain dreamy quality that splits the difference between spiritual and ghostly. The musical arrangements are similarly kept ethereal, all gentle acoustic guitar, spare percussion with an occasional guest appearance from a banjo, cello or keys and carried aloft on a plush cloud of reverb. It’s a record that drifts by prettily, seemingly untethered from earthly concerns yet tangible enough to still carry a very real emotional heft. It haunts, like a fond but faded memory.

The Wilderness Of Manitoba are playing The Garrison tomorrow night with Olenka & The Autumn Lovers and Slow Down Molasses. BlogTO interviewed the band at the end of the Summer while The Line Of Best Fit had a more recent conversation.

MP3: The Wilderness Of Manitoba – “Bluebirds”

Timber Timbre has made his self-titled debut available as a free download through the end of Saturday, October 31. He plays a free show at the North York Central Library on November 7. It’s all about the free.

MP3: Timber Timbre – “Demon Host”
Video: Timber Timbre – “Demon Host”
Video: Timber Timbre – “We’ll Find Out”
ZIP: Timber Timbre / Timber Timbre

Examiner.com talks to Liz Powell of Land Of Talk.

Blurt reports that Midlake will finally release their new record The Courage of Others on February 2.

Fazer has got an interview with Logan Kroeber of The Dodos.

Tiny Mix Tapes talks to Thao. Aaah, that’s some good alliteration right there. Thao plays the El Mocambo on November 1.

The Quietus asks Alison Mosshart what’s up with each of her bands, The Kills and The Dead Weather – new records from both in 2010. There you go.

PitchforkTV has added a video interview segment with Yo La Tengo to go with their Don’t Look Down session performances. The Skinny, San Diego News Network, The San Francisco Examiner and Vail Daily also have interviews.

Magnet picks their five most overrated and underrated Galaxie 500 songs. Is it really possible for a band that’s chronically underrated to have overrated songs?

Sweden’s Shout Out Louds have completed their new album and named it Work – look for it February 23 of next year.

Mid to late December is usually a real dead zone for tours coming through town, so what are the odds that two shows I’d want to see would arrive on the same night? Apparently pretty good. There’s no way I’m not going to be seeing Fanfarlo at the El Mocambo that night, but am sad that it means missing seeing Blue Roses – aka English singer-songwriter Laura Groves who released a lovely self-titled debut back in the Spring – at the Drake Underground, opening up for Marcus Foster, whom I don’t know at all. There’s no reason I can think of not to be at Fanfarlo, but if you can come up with one it better be because you’re at this show instead.

MP3: Blue Roses – “Doubtful Comforts”
MP3: Blue Roses – “I Am Leaving”

It’s not new album news, per se, but NME’s reporting that Lightspeed Champion will have a new single out entitled “Marlene” on January 25 is certainly a good omen that record number two is coming.

Exclaim talks to The xx. They’re at the Phoenix on December 2.

Frank YangIn my review of Yo La Tengo’s latest Popular Songs, I lauded the New Jersey trio for their unbelievable ability to deliver excellent album after excellent album over their 25-year career, and having seen them five times before Saturday night’s show at the Opera House, I felt comfortable thinking that same sense of consistency could be applied to their live shows. There’d be a handful of new songs, a brace of old standards and at least a couple unexpected surprises from deep in their catalog. Performance-wise, you could count on Ira Kaplan being alternately hilarious and irascible, be guaranteed a transcendent moment or two and assured of at least one jam would go on for far too long. I know more than one person who’s said, “I love them but don’t think I need to see them again” and it’s a fair statement to make. I myself was going to skip out on this show in favour of one of a multitude of other entertainment options available that evening, but the excellence of Popular Songs persuaded me to go back for more.

Excepting their Beautiful Noise taping last April (that season is now airing on SunTV, by the by), this past Saturday night was Yo La’s first visit back to Toronto in three years and taking place at the Opera House rather than their usual digs at The Phoenix, it was a cozier show than they’ve played here in some time – TV taping aside. As such it was sold out, 800 steadfast fans giving up the early part of Nuit Blanche (or avoiding it entirely) in favour of getting their eardrums massaged and having no second thoughts about it.

Support for the Canadian dates on tour came from Chicago duo The Horse’s Ha, whose pedigree includes Freakwater and The Zincs, and who’ve just released their debut Of The Cathmawr Yards. Their brand of Americana-folk was on the decidedly polite and proper side, dusty-sounding yet immaculately clean in its delivery. Jim Elkington and Janet Beveridge Bean’s voices worked well together, but it was more their supporting players that kept things interesting, offering a rhythmic, musical backbone that they didn’t let fly until later in the set, culminating in a decidedly rewarding shredding cello solo. The Horse’s Ha have got talent and power on hand, and would do well to loosen the reins a bit.

Here’s the funny thing about the list of Yo La Tengo live givens I rattled off earlier – they didn’t happen. It could be that as much as their fans were feeling their shows were getting a bit familiar to hear, the band thought it was getting a bit familiar to play so just as Popular Songs seemed to take every Yo La song template and offer something new in that mould, their live show would also benefit from such a makeover. The set was far heavier on new songs than I’d expected, making up fully half the main set and as such the show felt simultaneously fresh and comfortable and when the band did reach further back into their extensive catalog for numbers like “Big Day Coming” or “Stockholm Syndrome”, it felt like even more of a treat. I was especially pleased to hear “Black Flowers” make an appearance, it being my favourite track off I Am Not Afraid Of You And I Will Beat Your Ass and sadly omitted from the set last time around. And the choice of encore covers this time out – a James McNew-sung Velvet Underground’s “She’s My Best Friend” and Devo’s “Gates Of Steel” – were also impeccable.

Beyond the marvelous song selection, the show benefited from a dynamic arc that felt new to Yo La Tengo shows. Past shows had felt like enjoyable meanders through their repertoire but this show had a more unified feel to it, starting out a touch restrained despite opening with the uptempo “Double Dare”, going gentle in the middle while inviting Georgia Hubley out from behind the kit to sing and then closing out big with a gloriously frantic and guitar-abusive “And The Glitter Is Gone” and sugar-buzzed “Sugarcube”. Throw in a perfectly casual double-encore – James had to remind Ira of the chords to the VU tune – and you had a glorious, and perhaps more importantly faith-restoring, Yo La Tengo show. “I love them, when can I see them again?”.

And oh yeah, Ira seemed to be in a great mood. Maybe that was all the difference.

There’s interviews with the band at hour.ca, Beatroute and The National Post.

Photos: Yo La Tengo, The Horse’s Ha @ The Opera House – October 3, 2009
MP3: Yo La Tengo – “Here To Fall”
MP3: Yo La Tengo – “Periodically Double Or Triple”
MP3: Yo La Tengo – “Pass The Hatchet, I Think I’m Goodkind”
MP3: Yo La Tengo – “Beanbag Chair”
MP3: Yo La Tengo – “The Summer” (live on KEXP)
MP3: Yo La Tengo – “I Feel Like Going Home” (live on KCMP)
MP3: Yo La Tengo – “Little Eyes”
MP3: Yo La Tengo – “Don’t Have To Be So Sad”
MP3: Yo La Tengo – “From A Motel 6”
MP3: The Horse’s Ha – “Asleep In A Waterfall”
MP3: The Horse’s Ha – “The Piss Choir”
Video: Yo La Tengo – “When It’s Dark”
Video: Yo La Tengo – “Nothing To Hide”
Video: Yo La Tengo – “Avalon Or Someone Very Similar”
Video: Yo La Tengo – “Periodically Double Or Triple”
Video: Yo La Tengo – “Here To Fall”
Video: Yo La Tengo – “Sugarcube”
Video: Yo La Tengo – “Tom Courtenay”
MySpace: Yo La Tengo

And if you’re wondering, trying to start Nuit Blanche at 1AM at Queen West and Yonge is quite possibly the stupidest thing you can do, and that includes live scorpions infected with bubonic plague. I got a good look at a lot of lineups before giving up and heading home. Oh, and I had some popcorn. Woo, art! Woo, culture!

Spinner and JustOut talk to Bob Mould.

NPR is streaming the new Flaming Lips record Embryonic for a week, leading up to its October 13 release date.

Stream: The Flaming Lips / Embryonic

PitchforkTV has a Cemetery Gates session with Grizzly Bear.

It’s getting/already gotten colder than any right-thinking person would like, but if you’re thinking there’s still time to take one last hop out to the Toronto Islands then do it next Saturday, October 17, and stop by the ALL CAPS! Island Show at the Artscape Gibraltar Point. It starts at 3PM, goes till 10 and features a bunch of acts including but not only Great Bloomers, Adam & The Amethysts and Snowblink. It’s $10 or PWYC and all-ages.

You’ll have a clinic in teaching the indie kids to dance when Junior Boys and Woodhands hit Lee’s Palace on November 6. Junior Boys were just featured in a Daytrotter session.

MP3: Junior Boys – “In The Morning”
MP3: Woodhands – “Dancer”

The annual Make Some Noise events presented by the Toronto Public Library returns on November 7 when Bruce Peninsula and Timber Timbre make the North York Central Library sound like it’s haunted.

MP3: Bruce Peninsula – “Crabapples”
MP3: Timber Timbre – “Demon Host”

Constantines will celebrate their 10th anniversary with a pair of special shows at Lee’s Palace on December 10 and 11. Ticket pre-sales are already on, with early birds eligible for extra goodies.

MP3: Constantines – “Nighttime Anytime It’s Alright”

The Line Of Best Fit is offering a fifth volume of “Oh! Canada” series of downloadable Canuck mixes.

CBC Radio 3 has a shiny new website and the same old annoying habit of constantly rewriting the location in the browser back to radio3.cbc.ca. Seriously, WTF.

And if you’re one of those people who not only still has cable, but has those ridiculously high-numbered channels which seem to only show Law & Order reruns, check out channel 107 as aux.tv went on the air (well, the digital cable air) last weekend and features a slew of terrific music television programming that goes well beyond videos. There’s details on what the channel hopes to offer and how they’ll do it at The Globe & Mail and ChartAttack.