Cameron WittingIt doesn’t seem like much of a selling point to be the drummer in the band that’s generally held to be a pseudonym for the songwriter and frontman. But for Sean Carey, who works under the name of S. Carey, the Bon Iver connection is much more than a marketing angle.

While Carey’s debut solo effort All We Grow wasn’t recorded in solitude, ensconced in a rural Wisconsin cabin – it was assembled piecemeal over time between tours – it taps into a similar emotional wellspring as For Emma, Forever Ago. Built on layers of Carey’s gentle vocals and wrapped in gently insistent piano motifs, stark yet complex percussion and raw guitar work, All We Grow is hypnotic, meditative and suffused with a serene sort of longing. It’s the sort of record that could simultaneously lull you to sleep while reminding you of an unshakeable ache in your heart.

Many found For Emma an unbearably beautiful record – I wasn’t one of them. I liked it and certainly understood what people found so emotionally resonant about it, but it didn’t strike that chord in me like it did others. All We Grow, on the other hand, hits much closer to the mark. If Justin Vernon makes the next Bon Iver record into more of a band-crafted affair and Carey can contribute some of the depth that he’s infused his own work with, the results could be devastating.

The Daily Iowan talks to Sean Carey, who is currently on tour and will be at the Horseshoe Tavern in Toronto this Sunday, December 19. Tickets for the show are $11.50 in advance but courtesy of Collective Concerts, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see S Carey” in the subject line and your full name in the body. Contest closes at midnight, December 16.

MP3: S. Carey – “In The Dirt”
MP3: S. Carey – “In The Stream”
Myspace: S.Carey

Mark Kozelek finally returns to Toronto – he cancelled his last scheduled visit in June of 2008. This time, he’s scheduled to play Lee’s Palace on March 22 as part of a solo tour supporting Sun Kil Moon’s latest Admiral Fell Promises.

Le Tigre spinoff MEN have assembled a North American tour in support of their next record Talk About Body, due out February 1. Look for them at Wrongbar in Toronto on March 21.

The Los Angeles Times finds out just how close Warpaint came to calling it quits before breaking out with their debut The Fool.

The Daily Yomiuri chats with Owen Pallett and eye gets some insight into the scoring of the New York Times’ “14 Actors Acting” videos that made the rounds last week.

Prefix talks to drummer Arlen Thompson of Wolf Parade.

OMG Blog has an interview with Liz Phair.

Stereogum gets a status report on the next Death Cab For Cutie record, which will carry the name Codes And Keys and be due out in the Spring of next year.

Not content to be known for records, rock operas and possibly plays, Colin Meloy of The Decemberists talks to Spinner about his literary ambitions – his novel Wildwood is currently in the editing stage. The new Decemberists record The King Is Dead is out on January 18 and they’ll be at The Sound Academy on February 1.

Pitchfork talks to Belle & Sebastian leader Stuart Murdoch about his upcoming book/memoir The Celestial Cafe, due out in early 2011.

James Allan of Glasvegas talks to NME about their old drummer’s departure, their new drummer’s arrival and their second album, which is targeted for a late 2011 release.

There was some disappointment when it was revealed that The Radio Dept.’s forthcoming Passive Aggressive compilation wouldn’t be a total rarity treasure trove as originally hoped, but a mix of singles and b-sides that would be of limited value to people who’d collected the band’s one-offs over the years. That disappointment has been allayed some with the announcement that the collection will be released on double vinyl in an edition limited to 2000 pieces and available for pre-order exclusively from Insound. I will leave you all to claim the other 1999 yourselves. The set is out January 25 and they play Lee’s Palace on February 7. And they have a new video.

Video: The Radio Dept. – “Never Follow Suit”

The Dø have put out a video from their new EP Dust It Off.

Video: The Dø – “Slippery Slope”

Spin hangs out with Grinderman during their North American tour.

MyspaceI don’t really participate in Twitter memes, but if I were to ride the one currently trending for #why90srocked, one of my contributions might be Boston’s Buffalo Tom. One of my favourite bands of that decade, their Let Me Come Over and Big Red Letter Day were two of the gateways that led me to the world of college rock (what the kids now mostly call indie) – jangly guitars, raspy vocals, big hooks all around, what’s not to like? Unfortunately they, like many of the acts of that era, didn’t find the underground to be especially profitable and eventually called it a day at the end of the 20th century when the responsibilities of real life came calling (frontman Bill Janovitz became and continues to be a realtor).

But like many of their peers, Buffalo Tom found a second act years later when they discovered their fans from back in the day were still there and so was their appetite for their music. I for one was thrilled to finally see them live not once but twice in 2007, both terrifically high energy performances with just the right amount of slop, and their comeback album Three Easy Pieces also stood tall alongside their past works. There were no disappointments here.

And I don’t expect any on their second post-reunion album, Skins. The Buffalo Tom formula isn’t necessarily a broad one, but it is deep enough to expect the veteran songwriters to be able to pull a dozen or so good tunes out of it every few years. Stereogum has the first MP3 from the album available to download, and though it starts out favouring the band’s more pensive side it builds quickly to a big rock breakdown, and Janovitz’s voice is unmistakeable. Consider the appetite whetted. Skins is out on February 15 of next year and The Alternate Side has an interview with Janovitz.

Grab the title track from their last record for a taste of their more pop-oriented side. Update: The new track is now available for anyone to disseminate. Yay!

MP3: Buffalo Tom – “Arise, Watch”
MP3: Buffalo Tom – “Three Easy Pieces”

Chunklet interviews Andy Earles, biographer of Husker Du and author of Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock.

Creative Loafing talks to Jon Wurster and City Pages to Mac McCaughan of Superchunk. They’re playing an in-store at Sonic Boom on December 9 at 3PM before hitting up the Sound Academy that evening opening up for Broken Social Scene.

The Vine interviews Doug Martsch of Built To Spill.

Rolling Stone reports that in addition to the reissues of Hollywood Town Hall and Tomorrow The Green Grass on January 18, the same day that a short tour kicks off at The Phoenix in Toronto, The Jayhawks will be releasing a new album under their proper name – previously a stumbling point – in the Spring of next year.

Magnet has gone archive-digging and come up with their 2002 feature piece on Wilco circa Yankee Hotel Foxtrot, arguably the most interesting period of their career.

Old 97’s frontman Rhett Miller talks to Spinner about his love of hockey while bassist Murry Hammond chats with Metromix.

Conor Oberst will return to Bright Eyes for the first time since 2007 for The People’s Key, due February 15. Details at American Songwriter.

Interpol heads to Europe and does the press circuit with Metro, The Guardian and Drowned In Sound.

Spoon has collected the demos and alternate takes of songs that were posted to their website over the past couple years and are offering it for sale as the digital compilation Bonus Songs 2008-2009.

Yours Truly has a video session with S. Carey, in town at The Horseshoe on December 19.

The Fly has an acoustic session with Local Natives.

Spinner talks to Warpaint bassist Jenny Lee Lindberg while the band talks about and performs the song “Warpaint” in session for The Guardian.

The Besnard Lakes have set a date at Lee’s Palace for January 29, tickets $15 in advance.

MP3: The Besnard Lakes – “Albatross”

Scots Biffy Clyro will bring their Mercury-shortlisted Only Revolutions to The Garrison on February 16, tickets $15 in advance.

Video: Biffy Clyro – “God and Satan”

Asobi Seksu will hit the road following the the February 11 release of their new record Fluorescence and stop in at The Horseshoe on February 27.

MP3: Asobi Seksu – “Trails”

Cold War Kids will be at Lee’s Palace on March 18 in support of their new record Mine Is Yours, out January 25. Tickets $20 in advance. The Richmond Times-Dispatch, Spinner and The Hook have features on the band.

The Whig and Edmonton Journal interview Dan Mangan, who just recorded a World Cafe session for NPR.

San Francisco Weekly and Exclaim chat with The Sadies, who will be holding their annual New Year’s Eve throwdown at The Horseshoe on December 31.

Wolf Parade discuss their decision to take an indefinite hiatus with aux.tv.

Exclaim declares Arcade Fire’s The Suburbs as their pop/rock album of the year and talk to Win Butler about it.

The Dears are giving away a track from their forthcoming Degeneration Street over at Dangerbird. The record is out February 15.

MergeJust a short one today as I’m still recovering from a) replacing all the carpet in my apartment with hardwood (well, laminate) in a single day and b) trying to clean up the enormous mess generated by a). Exhausting stuff, that.

So I’ll let Dan Bejar take it away. Now a couple years removed from Trouble In Dreams and with Pornographer duties largely done with for a while, Dan is getting Destroyer back into gear. Following up last year’s epic-length “Bay Of Pigs” 12″, Bejar released a second limited edition 12″ for the song “Archer On The Beach” earlier this month, but if you haven’t already got your copy secured, then you’re out of luck – all 1000 copies are spoken for. But you can stream the song, and its spoken-word b-side “Grief Point”, courtesy of Merge.

There’s still plenty of time to reserve a copy of the new Destroyer LP Kaputt, though – it’s not out for another two months, on January 25. The first MP3 is now up and while it’s not a cover of the Luna song (how great would that be?), it’s a pretty sweet if chilled out tune that incorporates some of the electronic and atmospheric touches of the aforementioned 12″ releases and some wonderfully questionable saxophone. I’ve been in the mood for a new Destroyer record for a while now – looking forward to hearing the rest of this.

MP3: Destroyer – “Chinatown”
Stream: Destroyer – “Archer On The Beach”/”Grief Point”

Montreal represents on March 5 when Lee’s Palace welcomes 2008 Polaris Prize shortlisters Plants & Animals and 2010 Polaris Prize winners Karkwa. Tickets for the show are $15 in advance.

MP3: Plants & Animals – “Tom Cruz”
MP3: Karkwa – “Dors Dans Mon Sang”

Exclaim has details on a Nick Drake tribute/benefit concert taking place at Trinity-St. Paul’s in Toronto on November 28.

BBC talks to Mark Hamilton of Woodpigeon on the topic of concert taping. Mark has been posting various sundry MP3s to the Woodpigeon site all Fall, including this live solo one from Montreal’s CJLO.

MP3: Woodpigeon – “…And as the Ship Went Down, You’d Never Looked Finer (Live on CJLO)”

S. Carey, in town at the Horseshoe on December 19, is featured in a Daytrotter session.

School Of Seven Bells have released a new video from Disconnect From Desire and have been tapped to open up for Interpol on their North American tour next year – including the February 15 stop at the Sound Academy in Toronto.

Video: School Of Seven Bells – “I L U”

Also with a new video is Sufjan Stevens, who’s taken the song title to heart with regards to the clip’s art direction. Tribute will be paid to a simpler Sufjan by means of a tribute album to his Seven Swans record featuring Bonnie Prince Billy and a number of Asthmatic Kitty artists. Seven Swans Reimagined will be out on March 22.

Video: Sufjan Stevens – “Too Much”

The Radio Dept.’s Martin Carlberg discusses the band’s modest career ambitions with Spinner. Their singles and b-sides compilation Passive Aggressive is out on January 25 and they make their Toronto debut at Lee’s Palace on February 7.

M83 mastermind Anthony Gonzalez talks to Pitchfork about his plans for his next record.

Nick Cave tells Spinner that a new Nick Cave record should be out next year – just as soon as he writes it. In the meantime, Grinderman remains on the front burner – The AV Club talks to Warren Ellis about making Grinderman 2.

Valerie PhillipsWhen Why You Runnin’, the debut EP from Rock Island, Illinois native Elisabeth Maurus – aka Lissie – was released late last year, she was heralded as a bright new voice of the alt.country scene and indeed, her emotive voice and songwriting had the right balance of twang and rasp that she could well have become the next big crossover act for the genre. The problem with this was that in many ways, alt.country has become as rigid and codified a style as the Nashville scene that it was initially a reaction to in the late ’80s, and for an ambitious new artist, may not be a pigeonhole they want to get stuck in before they’ve even gotten their careers started.

That’s my speculation about why Lissie’s debut album Catching A Tiger is what it is, and that’s a big, genre-hopping record that pops and rocks as much as it twangs. It might have caught some off-guard, but really shouldn’t have – after all, its release was preceded by a series of viral videos that featured Lissie covering decidedly non-country acts like Lady Gaga, Kid Cudi and Metallica. There was definitely an aspect of calculated marketing to these selections, but that took a back seat to the fact that Lissie did a great job of making them her own, and that sentiment largely covers Catching A Tiger as well.

The production is pretty slick – overly so in parts – and the attempts to make songs in certain styles sound authentic, like the ’50s AM radio-filtered “Stranger”, try too hard, but Lissie’s voice and songwriting are strong and versatile enough to transcend any excess studio tinkering. She has a gift for inserting a big chorus where you’re not expecting a big chorus and thus making tracks like “Loosen The Knot” and “Cuckoo” indelible from the very first listen. Her folkier side isn’t neglected either, though it’s largely represented with the three tracks carried over from Why You Runnin’. Their placement alongside the more stylistically rangy selections of the record makes them more impactful, however, and by the time the gospelly “Oh Mississippi” closes things out, it’s clear that the decision to bust out of the pigeonhole before even being put in it was the right one – she’d have busted out of it sooner rather than later anyways.

The Dallas Observer and Spinner have interviews with Lissie, who is currently on tour in support of Catching A Tiger – she’ll be at the El Mocambo in Toronto on October 19.

MP3: Lissie – “Little Lovin'”
MP3: Lissie – “Everywhere I Go”
MP3: Lissie – “In Sleep” (live)
Video: Lissie – “When I’m Alone”
Video: Lissie – “Cuckoo”
MySpace: Lissie

American Songwriter, Washington City Paper and The Cornell Sun talk to Sharon Van Etten, who’ll be at Lee’s Palace on November 5.

The lead single from Nicole Atkins’ sophomore effort Mondo Amore is now available to download, widget-free. The record is out January 25.

MP3: Nicole Atkins – “Vultures”

Anyone who missed seeing S. Carey open up for The Tallest Man On Earth last month, take heart – he will be returning on his own tour, supported by White Hinterland, for a show at the Horseshoe on December 19. And honestly, I can’t think of a better bill to welcome Winter and close out (probably) the 2010 touring calendar – Carey’s All We Grow is a beaut.

MP3: S. Carey – “In The Dirt”
MP3: S. Carey – “In The Stream”
MP3: White Hinterland – “No Logic”
MP3: White Hinterland – “Dreaming Of The Plum Trees”

Spinner talks to Chris Chu of The Morning Benders about their high-profile support slots this year. They headline their own show at the Mod Club on November 5 and some of footage of their/his ice cream-powered in-store/out-store show in August has been posted as a video session over at the newly-minted TapeDek.

Offbeat interviews Local Natives; they’ve got a sold out show at Mod Club on October 19.

Pitchfork gets a musical history from Patrick Stickles of Titus Andronicus.

My Morning Jacket bassist Tom Blankenship tells Spin that their next album, currently in production, will be a return to the reverb-drenched atmospheric rock of their early records.

The Chicago Tribune talks to Guided By Voices’ Tobin Sprout about how the current reunion came together and where it might go from here.

Pitchfork takes the recent GQ interview with Steve Albini as a launching pad for contemplating the long-term effects of Sonic Youth’s major label tenure on the indie world.

CMJ reports that when Iron & Wine’s new record Kiss Yourself Clean comes out next January, it will be on a major label – they’ve signed to Warner Bros in North America. Their indie cred remains intact in the rest of the world, where they’ll be handled by 4AD.

Spinner interviews Warpaint, who have a new video for the first single from The Fool, out October 26.

Video: Warpaint – “Undertow”

Black Book interviews both Bjork and Antony Hegarty of Antony & The Johnsons, the latter of whom has a new record out in Swanlights. A video from said record was just released.

Video: Antony & The Johnsons – “The Spirit Is Gone”

Claudia Dehaza has left School Of Seven Bells for “personal reasons”. Ben Curtis and Alley Dehaza intend to carry on with the band, though without those sisterly harmonies it can’t help but be a wholly different beast.

With Jim Bryson acting as a touring member of The Weakerthans for some time now, it’s only fair that the Winnipeggers help out on the Ottawa-based artists’ next solo record, and so it is that the Weakerthans are functioning as Bryson’s backing band on his new record The Falcon Lake Incident. The record is due out next Tuesday, October 19, and they’re marking the occasion (sort-of/not really) halfway between their respective homes with some free shows – one on Tuesday night at the Horseshoe at 10PM and another by way of in-store at Sonic Boom on Wednesday at 6PM. And on top of that, John K Samson will play a solo set as part of the screening of their tour documentary We’re The Weakerthans, We’re From Winnipeg at the Royal on Monday night, October 18. If you need more Weakerthan action than that in a week, then I can’t help you. No one can.

MP3: Jim Bryson & The Weakerthans – “Wild Folk”
Trailer: We’re The Weakerthans, We’re From Winnipeg

And apparently their perfect sendoff at The Horseshoe in December 2007 wasn’t perfect enough – The Lowest Of The Low are getting back together for two gigs at Lee’s Palace on December 3 and 4. The occasion is the 20th anniversary of their beloved debut Shakespeare… My Butt which is getting a fancy-pants remastered reissue on November 23 and will include a DVD with a 45-minute documentary about the band entitled LowRoads 91-08. I waxed nostalgic about the record and what it meant to me in Summer 2007, but think I might let these shows pass me by. I’ve said thanks and goodbye already.

MP3: The Lowest Of The Low – “Bleed A Little While Tonight”
Trailer: LowRoads 91-08

Julia MårdYou can probably scientifically and quantitatively prove that there is nothing fresh or original about what Swede Kristian Matsson does under his stage name of The Tallest Man On Earth. He’s a folk-oriented singer-songwriter who’s armed with just an acoustic guitar and a raspy, Dylan-ish twang and in those terms, is indistinguishable from an infinite number of performers in coffee houses around the world at any given moment in time.

What sets Matsson above and apart is something more ineffable; a fine sense of melody, deft guitarwork and evocative turn of phrase, certainly, but what I like most is his enthusiastic romanticism – he’s occasionally wistful but never downbeat or morose. The cap always sits at a jaunty angle, the step always has just enough spring. It comes across well on his latest record The Wild Hunt but is so much more irresistible live – I only caught him play a short in-store at Criminal Records back on Record Store Day but it was enough to be won over by his charm and charisma as a performer, and I’m a pretty hard sell on “guy with a guitar”.

His show at the El Mocambo that evening was all kinds of sold out, but those shut out will be pleased to know that Matsson will be spending a goodly chunk of the next few months on the road – in Chicago for Pitchfork next week, but Europe the rest of the Summer before returning to North America for a continent-crossing September that includes a September 24 date at Lee’s Palace in Toronto. Support on all North American dates comes from S. Carey of Bon Iver; his solo debut All We Grow is out August 24.

MP3: The Tallest Man On Earth – “Burden Of Tomorrow”
MP3: The Tallest Man On Earth – “King Of Spain”
MP3: S. Carey – “In The Dirt”

In other concert announcement news – Scissor Sisters bring their new record Night Work out on tour and stop in at the Sound Academy on August 31; tickets $35 in advance.

Video: Scissor Sisters – “Fire With Fire”

New York’s Ratatat are also now apparently big enough to play the Sound Academy – their latest album LP4 brings them to the aforementioned venue on September 8; tickets $20 in advance.

MP3: Ratatat – “Party With Children”

Maryland’s Cotton Jones, whose new record Tall Hours In The Glowstream is out August 24, will be at the Drake on October 9 supported by Pepper Rabbit, who were just there the other night.

MP3: Cotton Jones – “Gotta Cheer Up”
MP3: Pepper Rabbit – “Red Wine”

And speaking of just here – with the Toronto Islands gig over and done, Band Of Horses are coming back to town on October 21 for a show at the Kool Haus as part of a full North American tour. Tickets are $27.50 in advance.

MP3: Band Of Horses – “Factory”

Veteran punks Social Distortion have set a date at the Kool Haus on October 23 as part of a Fall tour.

Video: Social Distortion – “I Was Wrong”

The Line Of Best Fit interviews Swedish duo jj. Awkwardness ensues.

Jonsi talks to The Quietus about his days as a Metallica fan.

Wye Oak chats with NPR; they’re at the Horseshoe on August 28.

Daytrotter has served up a session with Drive-By Truckers.

The Quietus talks to Greg Edwards of Autolux. Their Transit Transit is out August 3 and they play Lee’s Palace on August 24.

Cults, who’re at the Horseshoe on August 7 opening up for Maps & Atlases, have a new video that is awash in balloons.

Video: Cults – “Oh My God”

Ted Leo takes to the blog to address rumours circulating about his impending retirement from music.

Local Natives are featured in a Spinner Interface session and interview with Filter. They play the Mod Club on October 19.

NPR has a World Cafe session with Holly Miranda.

That Imagine Concert that was supposed to bring the spirit of the ’60s to Downsview Park this coming weekend but never announced boo about boo? It’s not dead yet. They’re now targeting Labour Day weekend to get all up in your face with peace and love – lineup and ticket details coming soon. I can’t wait.