Frank YangI’m sure they didn’t intend to be away for so long – it wasn’t their fault that the 2009 edition of the Toronto Islands show for which they were the undercard was cancelled – but as of Friday night’s long-awaited show at the Sound Academy., it had been over four years since Explosions In The Sky last played Toronto and you could round up closer to five if you’re talking headlining shows. A long time for any active, touring band but an eternity for an act whose fanbase grew markedly in the years between 2007’s All Of A Sudden I Miss Everyone and this year’s Take Care, Take Care, Take Care through key soundtrack placements and old fashioned word of mouth about how astonishing their cinematic, instrumental post-rock was.

Baltimore duo Wye Oak have been no such strangers hereabouts, their supporting slot marking their third show in Town this calendar year with one still to come. This was less a case of market oversaturation than simply keeping up with demand, though; specifically the demand of larger acts who wanted them to open up for them. And when the likes of The Decemberists, Explosions and The National ask you to come along on tour with them, you say yes. Since playing this same stage in February opening up for The Decemberists, Wye Oak had released their second album Civilian and toured it heavily, so even just eight months later there were noticeable differences in the band’s live show. The moodier Civilian must call for a leaner approach to things, as Jenn Wasner took fewer guitar excursions and Andy Stack seemed to be called on less to handle keyboard duties simultaneously with drums. It was as though the two were feeling more confident in their ability render the songs with just the guitars, drums and vocals, and when the keys were brought in, such as for some gut-punch bass, their contributions were extra-effective. In any case, it was mope-rock on a grand scale.

One of the most magical things about Explosions In The Sky, either live or on record, is how from the moment they begin to play you’re instantly transported to a world writ on 70mm film but left wide open. There is a universality to their music that allows it to be the soundtrack to the movie of each listener’s life, for them to write their own script and direct their own scenes, using the emotions and dynamics created by the band as cues. So I suspect that the people sitting, eyes closed, out of line of sight of the band were getting just as much out of the performance as the people jammed up front watching them actually play – or at least I’d like to think so; it’s possible they were just asleep.

It’s this intangible that allows them to transcend their formula and continue to connect and be remarkable. Their sound hasn’t really changed much since 2000’s How Strange, Innocence – they’re more adept at the push and pull of evoking emotional responses but any stylistic shifts over their career have been relative to the EITS aesthetic – they’ve never redefined, only refined. So even though Friday’s show pulled from their entire decade-plus repertoire, with a little extra emphasis on Take Care, it felt like a single, unified feature-length piece with gentle lulls and soaring crescendos in all the right places. One major difference from their last time through was for touring, they’d expanded to a five-piece with a full-time bassist which allowed for an even bigger sound with either a three guitar-attack or double-guitar, double-bass, all the sounding even more massive without losing any of the intricacies of their arrangements. As the final notes of “The Moon Is Down” rang out and the band bid farewell, hopefully without as long a wait between visits, I wanted to tell those gathered at the front pleading for an encore that the band doesn’t do encores, and if they wanted more they’d have to wait for the sequel.

The Toronto Star alos has a review of the show while aux.tv and The Detroit News have interviews with Explosions.

Photos: Explosions In The Sky, Wye Oak @ The Sound Academy – October 7, 2011
MP3: Explosions In The Sky – “Trembling Hands”
MP3: Explosions In The Sky – “Welcome, Ghosts”
MP3: Explosions In The Sky – “Memorial”
MP3: Explosions In The Sky – “A Poor Man’s Memory”
MP3: Explosions In The Sky – “Greet Death”
MP3: Explosions In The Sky – “Look Into The Air”
MP3: Wye Oak – “Holy, Holy”
MP3: Wye Oak – “Civilian”
MP3: Wye Oak – “Take It In”
MP3: Wye Oak – “Warning”
Video: Explosions In The Sky – “Last Known Surroundings”
Video: Explosions In The Sky – “Be Comfortable, Creature”
Video: Wye Oak – “Holy, Holy”
Video: Wye Oak – “Fish”

Chicago post-rock instrumentalist Russian Circles will be at Lee’s Palace on November 12 in support of their new record Empros, due out October 25.

MP3: Russian Circles – “Mladek”

Nicole Atkins is giving away a free live EP entitled …Til Dawn over at her Bandcamp in exchange for an email address.

The Georgia Straight talks to Kristen Gundred – aka Dee Dee – of Dum Dum Girls. They’re at Lee’s Palace next Sunday night, October 16.

NPR is streaming the new My Brightest Diamond record All Things Will Unwind in advance of its release next week. There’s also a new video at Stereogum and some live video performances posted at Le Blogotheque.

MP3: My Brightest Diamond – “Reaching Through To The Other Side”
Video: My Brightest Diamond – “Be Brave”
Stream: My Brightest Diamond / All Things Will Unwind

Beatroute talks to Annie Clark of St. Vincent.

DIY interviews Wild Flag, in town to melt your faces at Lee’s Palace tonight.

NPR is streaming Days, the new album from Real Estate, out next week.

MP3: Real Estate – “It’s Real”
Stream: Real Estate / Days

Clash, The National Post, DIY, Drowned In Sound and The Los Angeles Times all have interviews with Ryan Adams about his new record Ashes & Fire and Exclaim has a list of RyRy trivia, but only LA Weekly manages to piss him off. Bravo. He plays The Winter Garden Theatre on December 10 and has released a live studio video and proper “if MTV still played videos” video from the new album.

Video: Ryan Adams – “Lucky Now”
Video: Ryan Adams – “Invisible Riverside”

The Vancouver Sun and The Republic interview Stephen Malkmus.

Blurt interviews Matthew Sweet.

DIY talks to Girls.

The New York Daily News chats with Mates Of State.

The Alternate Side has an interview and session with EMA.

NYC Taper is sharing a recording of The Antlers’ show in New York last week.

MySpaceIt’s bad form, but I’m generally too lazy to type out the HTML special characters that properly render things like accents or other non-English written language goodies, but in the case of The Dø, I’ll make an exception – one usually only reserved for the mighty umlaut. Partly because failing to do so reduces French-Finnish duo’s brief yet memorable name to something utterly forgettable (though either way they’re going to have to accept that it’s going to be mispronounced), but also because the slashed o – “ø” – just looks so cool.

And that coolness factor does raise some expectations for the act that would trade under said character, expectations that they largely deliver on if you rate oddness highly. It’s hard to describe what The Dø do – their debut album A Mouthful encompasses a wide range of styles, dwelling where folk, jazz and hip-hop intersect at pop. The ensuing melange is catchy yet discomfiting, with Olivia Merilahti’s plaintive vocals – capable of coo or caterwaul – providing an uneasy anchor and with multi-instrumentalist Dan Levy’s cinematic background making for a widescreen yet intimate effect that can be just as unsettling. A Mouthful is a accessible in that it lets you in easily, but once inside you may not ever be able to figure out exactly where you are.

A Mouthful was released in Europe in 2008 and became the first English-language album to top the French charts. It only received a North American release last month, though bolstered with a handful of bonus tracks by way of apology, and come this Fall they’ll follow it up with a North American tour that includes a September 11 date at The Mod Club.

MP3: The Dø – “At Last”
MP3: The Dø – “Tammie”
Video: The Dø – “At Last”
Video: The Dø -“On My Shoulders”
MySpace: The Dø

Phoenix frontman Thomas Mars tells Spinner they have no time for side projects – they’re too busy playing Tiny Desk Concerts for NPR.

And moving from the French portion of the post – yes it was brief – to the “just announced”: LEAF – which stands for “Local Enhancement & Appreciation of Forests” – will hold their fourth annual celebration of preserving the urban forest with a show at the Wychwood Barns featuring two local acts who, at least by their names, share the same appreciation of flora and possibly fauna. That’d be Forest City Lovers and The Wilderness Of Manitoba, both of whom have new records out soon – Carriage on June 29 and When You Left The Fire on June 22, respectively. Tickets for the show are $25 in advance, full details on the event over here.

MP3: Forest City Lovers – “Light You Up”
MP3: The Wilderness Of Manitoba – “Hermit”

Minus The Bear will be in town at the Mod Club on July 4 in support of their new record OMNI; Black Book has an interview with singer Jake Snider.

MP3: Minus The Bear – “My Time”
Video: Minus The Bear – “My Time”

One of the acts I kept hearing people talk about at SxSW this year was Los Angeles’ Pepper Rabbit, though I never managed to see them play. And now that they’re coming to town on July 6 for a show at the Drake Underground… I still not make it seeing as how I’ll have just gotten back in town the day before.

MP3: Pepper Rabbit – “Red Wine”

I don’t think they’ve been through town any time in recent memory – certainly not since I acquired one of their band wristbands for admission to SxSW 2006 (it’s okay, they got paid) – but Phosphorescent will finally be in Toronto on July 10 for a show at the Horseshoe. Their new record is Here’s To Taking It Easy and pretty well captures the spirit of Matthew Houck’s laid-back, feel-good country-rock.

MP3: Phosphorescent – “It’s Hard To Be Humble (When You’re From Alabama)”
MP3: Phosphorescent – “The Mermaid Parade”
MP3: Phosphorescent – “A Picture Of Our Torn-Up Praise”

Calexico will be in town on July 22 for a show at the Phoenix with Elliott Brood as support. Calexico haven’t put out an album since 2008’s Carried To Dust; it’s not unreasonable to assume that touring implies a new record is on its way. Or it’s just folk festival season. Tickets for the show are $21.50 in advance.

MP3: Calexico – “Two Silver Trees”

The Stills – who recently welcomed original singer-guitarist Gregory Paquet back into the fold – have a date at the Horseshoe on July 29, tickets $20 in advance.

MP3: The Stils – “Being Here”

Heaviness will ensue when Boris and Russian Circles roll into Lee’s Palace on August 9.

MP3: Boris – “Farwell”
MP3: Russian Circles – “Malko”

So people have been waiting for ages for Justin Vernon to come back to town… and they’re going to get their wish – but not in the way they might have thought. He’s hitting the road this Fall but not as Bon Iver – that’s still on the shelf – but as part of Gayngs, a supergroup of sorts featuring members of Bon Iver, Megafaun and The Rosebuds, amongst others. Their mandate is funky, sexy slow jams and if that sounds completely at odds with what you’d expect from those involved… well it is. The album is called Relayted and the Autumn tour stops in at The Phoenix on October 1, tickets $20.

MP3: Gayngs – “The Gaudy Side Of Town”
MP3: Gayngs – “Faded High”
Video: Gayngs – “Cry”