Frank YangNear as I can tell, there’s no great narrative that explains why or how Two Door Cinema Club’s sold-out show at Wrongbar earlier this week became the hottest show in town, with tickets in huge demand and scalpers having apparently missed the boat entirely. There’s been no soundtrack appearance, no ad placement, no celebrity scandal, nothing that could explain why people were lined up hours in advance of doors to see the Northern Irish trio (quartet live) except that, well, they liked the songs from their debut album Tourist History. Which is reasonable.

Not that folks had necessarily intended to line up for hours. The quoted door and set times proved to be completely wrong, but as it turned out, with good explanation – Miami’s MillionYoung, who was supposed to open things up, had all their gear stolen in Montreal the night before (really, Montreal? Again?) and consequently had to cancel, throwing the evening’s schedule into disarray. The way it all shook out, doors opened an hour later than planned – thankfully the weather was nice out – and the sole support act, Cincinnati’s Bad Veins, rolled out a little after 9.

As the duo pointed out early, it was their first time playing in Toronto though it wasn’t their first time here – they had already crossed the border last Summer en route to a date at the El Mocambo when headliner Now Now Every Children’s van self-destructed and the gig had to be canceled at the last minute. This I know because I was one of a handful of people standing around outside a shuttered ElMo that evening, wondering what the what. The delay may have proved to be a blessing, though, as they can now say they made their Toronto debut in front of a packed house instead of an empty one. And while the duo’s aesthetic might have appeared junk-store – drums and guitar were handled live, but additional backing tracks were run off a reel-to-reel analog tape recorder and singer Ben Davis often sang through an old telephone handset (and through the earpiece, no less) – their songs were stadium-sized, all heart on sleeve emotional and built on big choruses. I had forgotten that I actually quite liked their 2009 self-titled debut, but their set more than reminded me not only that I did, but why.

For Two Door Cinema Club, this show marked the finale of a two-week tour that saw them criss-cross the continent and a peak to the buzz that they’d been steadily building along the trek. And really, their appeal isn’t hard to understand – it’s upbeat, hooky, danceable guitar pop delivered by young men with accents. It’s not especially deep or rich in variety – the musical equivalent of empty calories – but it is fun and when the whole room is bouncing up and down and singing along, you’d have to be an exceptionally determined stick in the mud to not play along. With just the one album clocking in at a touch over half an hour, their set list was predictable with the whole of Tourist History being aired along with three non-album tracks. All were played tightly and nearly note-perfect to the recorded versions, but theirs is not the sort of pop with a lot of room for side trips or on-the-fly reinterpretations; it’s meant to be delivered fast and fun and to keep the kids moving. Countless bands have made it work for them in the past, countless more will do so in the future. For now, however, the moment appears to belong to Two Door Cinema Club.

Paste declares Two Door Cinema Club amongst their “best of what’s next”; after a Summer of European touring, they’ll be back in North American in the Fall – expect another and larger Toronto date in October-ish. Bad Veins will be back in town sooner than that on June 15 at The Phoenix, opening for Thrice.

Photos: Two Door Cinema Club, Bad Veins @ Wrongbar – May 17, 2010
MP3: Two Door Cinema Club – “I Can Talk”
MP3: Two Door Cinema Club – “Something Good Can Work”
MP3: Bad Veins – “Gold & Warm”
MP3: Bad Veins – “Go Home”
Video: Two Door Cinema Club – “I Can Talk”
Video: Two Door Cinema Club – “Undercover Martyn”
Video: Two Door Cinema Club – “Something Good Can Work”
Video: Bad Veins – “Gold And Warm”
MySpace: Two Door Cinema Club
MySpace: Bad Veins

State talks to Kele about his solo debut The Boxer, due out June 21. He plays the Mod Club on July 29.

NYC Taper is sharing a recording of yet another Joy Formidable show from New York, this one from the Mercury Lounge on May 10.

The Twilight Sad will release a new EP on July 26 entitled The Wrong Side Of The Car; details at Clash. They’re at Lee’s Palace on May 26.

MPR is streaming a studio session with Frightened Rabbit.

Filter and The Atlantic have feature pieces on Laura Marling.

Florence Welch of Florence & The Machine talks to BBC6 about how her second album is shaping up. But before that, a new and final video from her first album.

Video: Florence & The Machine – “Cosmic Love”

Rose Elinor Dougall has also put out a new video and her debut album Without Why has finally been given a release date – it will be out on August 30.

Video: Rose Elinor Dougall – “Find Me Out”

Patrick Wolf has reported via blog that work is complete on his new record The Conqueror and it will be coming out on a new subsidiary of Mercury Records later this year, thus returning the Wolf to the major label fold. Here’s hoping it turns out to be a more enjoyable experience than last time…

Le Blogotheque scores a Take-Away Show with Echo & The Bunnymen. The song they convince Mac to play for them? One guess.

To accompany the deluxe reissue of Disintegration on June 8 in bonus-laden triple CD or bonus-less double LP form, The Cure have set up a minisite on which they’re streaming 20 live and unreleased tracks from the era which are not included in the reissue. Hit up Slicing Up Eyeballs for details on the set, the site, and a way to save those streaming tracks for your very own.

Frank YangI would say that a band that’s been around as long, as influential and as consistently excellent as The Wedding Present has been over their quarter-century existence is entitled to a little indulgence, and what better occasion than the 21st anniversary of one of your most beloved albums? But indulgence isn’t the Wedding Present’s style, so rather than make a big production of it, they rolled into town on Wednesday night to do their thing, same as they’ve done a number of times since David Gedge put the Cinerama name on the shelf and brought The Wedding Present out of mothballs.

Unlike their past few visits, however, this show was booked into the cozier Horseshoe rather than their usual digs at Lee’s Palace – a greater than normal number of hot tickets in the city that evening meant that the Toronto concert-going public would be split amongst any number of venues, but another benefit of longevity is a loyal fanbase – for many, when the Wedding Present comes to town and promises to play Bizarro in its entirety, there is no plan B.

Support for this leg of the tour seemed a curious choice on paper – Girl In A Coma hail from San Antonio, are named for a Smiths song and are signed to Joan Jett’s label. What woud you expect them to sound like? If you said a catchy blend of punk aggression and rockabilly twang, you’d be correct. Frontwoman Nina Diaz was petite but had a big presence, both with her guitar and voice – the latter, in particular, was an elastic and expressive instrument that she mostly chose to utilize via snarling but was obviously capable of more. I hadn’t gone in expecting a lot, but was pleasantly surprised and entertained.

My past reviews of Wedding Present shows tended to focus on how consistently good they were and, with the exception of incorporating material from the latest record, how fairly the song selection covered all eras of The Wedding Present’s career. That held true on this night, even with 3/5 of the set fixed in stone 21 years ago. The front bit of the show covered the non-Bizarro material – three new songs and four more strategically picked from key points of their career and which, if presented to someone who’d never heard the band before, would have provided a pretty accurate picture of what they were all about. At any other Wedding Present show, selections like “Corduroy” and “Everyone Thinks He Looks Daft” would have been more than a meal, but at this one they were just the appetizer.

The beginning of the main course was heralded by the PA, through which came an audio collage of the late, great John Peel intoning the band’s name over and over again – it went on a little while as the Wedding Present were one of Peel’s very favourite acts and were fixtures on his radio show, and as soon as it ended, the wonderful descending riff of “Brassneck” began and they were off. Bizarro might now be old enough to drink in all 50 states, but it’s aged amazingly well, as the live renderings would attest. The dry, dueling guitars with their combination of jangle and pummel have lost none of their vitality and the tales of romantic frustration and futility that David Gedge has been mining and pointedly articulating for a quarter-century will never cease being topical. And they certainly still inspire fervor amongst the faithful, a fact borne out by the enthusiastic middle-aged mosh pit that frequently broke out throughout the night, particularly for the heavier moments of “Kennedy” and the nine minute-plus centerpiece, “Take Me!”. The relatively gentle “Be Honest” provided the denouement to a run-through of a classic album that’s sadly not really appreciated as such – just as The Wedding Present aren’t properly appreciated for all they’ve done. But that’s those who don’t get it’s loss. For the rest of us, well, Seamonsters turns 20 next year. See you there.

And oh yeah, early on in the show I got hit in the head with a semi-inflated sex doll. Why someone had that with them and not a beach ball, I will never know. But I’m over it.

Exclaim was also in attendance and has some thoughts on the show.

Photos: The Wedding Present, Girl In A Coma @ The Horseshoe – April 14, 2010
MP3: The Wedding Present – “The Thing I Like Best About Him Is His Girl Friend”
MP3: Girl In A Coma – “Clumsy Sky”
MP3: Girl In A Coma – “Static Mind”
Video: The Wedding Present – “Don’t Take Me Home Until I’m Drunk”
Video: The Wedding Present – “Ringway To Seatac”
Video: The Wedding Present – “I’m From Further North Than You”
Video: The Wedding Present – “Don’t Touch That Dial”
Video: The Wedding Present – “Interstate 5”
Video: The Wedding Present – “Yeah Yeah Yeah Yeah Yeah”
Video: The Wedding Present – “Chant Of The Ever Circling Skeletal Family”
Video: The Wedding Present – “No Christmas”
Video: The Wedding Present – “Loveslave”
Video: The Wedding Present – “Boing!”
Video: The Wedding Present – “Come Play With Me”
Video: The Wedding Present – “Silver Shorts”
Video: The Wedding Present – “Three”
Video: The Wedding Present – “Go Go Dancer”
Video: The Wedding Present – “Blue Eyes”
Video: The Wedding Present – “Dalliance”
Video: The Wedding Present – “Crawl”
Video: The Wedding Present – “Brassneck”
Video: The Wedding Present – “Why Are You Being So Reasonable Now?”
Video: The Wedding Present – “Nobody’s Twisting Your Arm”
Video: Girl In A Coma – “Static Mind”
Video: Girl In A Coma – “El Monte”
Video: Girl In A Coma – “Their Cell”
Video: Girl In A Coma – “Clumsy Mind”
Video: Girl In A Coma – “Say”
Video: Girl In A Coma – “Road To Home”
MySpace: The Wedding Present
MySpace: Girls In A Coma

Kate Nash tells Spinner that people seeing her on her upcoming North American tour – which begins April 26 at the Mod Club in Toronto – shouldn’t automatically assume they’ll hear “Foundations”. But they will hear her new record My Best Friend Is You, which comes out next week. One assumes.

So Much Silence talks to Frightened Rabbit frontman Scott Hutchison.

Gareth Keenan investigates the new video from Slow Club.

Video: Slow Club – “Giving Up On Love”

CBC and Spinner talk to Handsome Furs about how it feels to be Juno Award nominees.

White Hinterland will follow up her show at the Drake on Sunday night, April 18, with an in-store at Soundscapes on April 19 at 6PM.

MP3: White Hinterland – “Icarus”
MP3: White Hinterland – “No Logic”

The Acorn will celebrate the June 1 release of No Ghost with a show at Lee’s Palace on June 11 and a handful of other dates around southern Ontario and Montreal.

All those who like their synth-pop slinky and ’80s-styled would do well to check out New York’s Class Actress at Wrongbar on June 12.

MP3: Class Actress – “All The Saints”

The folks at Buffet Libre have put together some impressive compilations in the last while, but they may have outdone themselves with Peace, a 180-song collection featuring artists from all over the world and assembled in conjunction with Amnesty International. They’re offering the collection for a minimum donation of 5 Euro to Amnesty and if you need further persuading, they’ve made a number of tracks available to download for free. Goodness knows that these ones – a Kate Bush cover by Patrick Wolf, a new Voxtrot song and – most excitingly – the first new Dubstar song in a decade. Dubstar! With Sarah Blackwood! Exclamation!

MP3: Patrick Wolf – “Army Dreamers” (Kate Bush cover)
MP3: Voxtrot – “Whiskey and Water”
MP3: Dubstar – “I’m In Love With A German Film Star”

Record Store Day hits tomorrow, April 17, and honestly the list of RSD exclusive goodies that will go on sale Saturday has reached ludicrous proportions. There’s a few digital items being made available but the emphasis is hugely on limited edition wax, which I find both exciting and bewildering. I mean, I know that vinyl continues to make a comeback – I myself decided to buy LPs whenever possible at the start of this year – but to see people who weren’t even alive the last time turntables were in vogue scrambling for 7″s is… neat. To do their part in marking the occasion, PitchforkTV is streaming I Need That Record, a documentary on record stores for one week, and if you miss it (or love it), it is one of the items that will go on sale tomorrow. Convenient! Spinner also talks to Flaming Lip Wayne Coyne about the phenomenon of Record Store Day.

Video: I Need That Record! The Death (Or Possible Survival) Of The Independent Record Store

NOW looks forward to Record Store Day by talking to some of the proprietors of Toronto shops taking part in the event – I’ve tried to round up as many of the specials and special happenings that people can look forward to at the various shops in the 416 in addition to random and unknowable quantities of the aforementioned RSD exclusive items (most of the store links have details on what they have going on), while eye has done the same in map format:

– Criminal Records has been reporting arrivals of goods via Twitter and Facebook and will be offering discounts on regularly priced merchandise as well as door crashers.
– Soundscapes will be offering 10% off all CDs, vinyl, DVDs and books
– Sonic Boom is having giveaways and hosting an in-store festival starting at 3PM and featuring sets from Valery Gore, Buck 65, METZ, Meligrove Band, Adam Green and Sloan, who are slated to go on around 9. Admission free with donation of a canned good. Update: Lullabye Arkestra are now kicking things off at 2:30, Adam Green is on at 4:45, METZ at 7PM and Pink Eyes from Fucked Up is MC-ing all day.
– Rotate This is having a sale
– Vortex will have a day-long 25% off sale on used items and holding raffles of sweet prizes
– Kops will be hosting an in-store with The Junction at 5PM and City Sweethearts at 6PM.
– Sunrise Records at Yonge and Dundas will have in-store sets from Justin Nozuka, Moneen, Ash Koley, Fox Jaws and Hunter Valentine. Those get started at noon and run all afternoon.
– Slinky Music is having a 10% off sale
– Penguin Music, Neurotica and Hits & Misses are also all listed as participating stores, which means at the least there should be some sort of sale and/or RSD exclusives to be had.

And maybe the greatest record-related thing I’ve seen this week is the return of the Sound Burger, albeit under the less moniker of the Crosley Revolution. There’s probably no way this thing sounds anything but terrible, but the sheer cool points you’d get from having one of these hanging from your belt more than makes up for that. Right? It’s cool, right?

Wikipedia

No two ways about it, 2009 sucked. Hard. It started badly with the demise of a relationship and despite my determination to pull myself up by the proverbial bootstraps, only went downhill from there. The past twelve months have been marked by people moving on, moving away and passing away – not just my loved ones but those of people close to me. If there’s any silver lining to the huge, black cumulonimbus thunderhead that was this year, it’s that it’s over and I can only hope it’s not tempting fate to believe that things can only get better from here.

Ironically, though, it was a pretty good year for music. A lot of records I expected great things from met those expectations, some exceeded them by a wide margin and only a few disappointed. Picking ten to stand up and represent is always tough since what sounds like the best thing ever at any given time is wholly contingent on one’s mood. That said, as I’ve chewed on this list mentally over the past few months, a few records continue to bubble up to the surface as either played ad nauseum or hardly at all, for fear that the feeling of wonder around it might begin to dissipate.

Long-time readers may note an absence of some of the usual suspects who, despite putting out great records that if there existed some sort of absolute scale of measurement, might well be better than ones that made the cut, but never underestimate how much sway the element of surprise and discovery can have on one’s opinion. I can’t say that I’ll still endorse all of these records so strongly in a few years, or maybe even a few months from now but as of this moment, this is what it is. Alphabetized and unranked, as always.

And unlike past years where I spent an inordinate amount of time creating or commissioning artwork to accompany the year-end list, I’ve not gone to any particular trouble this year. Partly because though I’ve had some good/great ideas for visual treatments, I haven’t had the time to organize or execute them and partly because, well, 2009 doesn’t fucking deserve it. Maybe 2010 will get some sweet year-end loving but 2009? Begone.

(more…)

Frank YangWhen I caught Friendly Fires at Lee’s Palace back at the end of March, they were here as support for White Lies and their high-energy disco party easily stole the show from the angst-ridden headliners. And while their profile has since grown to the point that they were able to play their fourth local show in just over a year on Wednesday night at the Phoenix, buzz-wise the shoe was on the other foot – the gig was sold out, but that was largely because the show also marked the Toronto debut of the astonishingly-hyped (including in these parts, yes) London outfit, The xx.

The band’s narrative had taken a turn over the past month, gone from focusing on their slinky and skeletal blend of R&B and indie rock to the departure of guitarist Baria Qureshi and their subsequent reconfiguration as a trio, not that any of the off-stage drama had dampened anyone’s enthusiasm for the performance. Very few were playing the “show up late, nuts to the opener” game this evening and when The xx strode onstage, you’d be forgiven if you thought, from the response that they were the main attraction. Coming in, I’d heard that the band were both extremely dull and amazing live – and I can see how both points of view could be reached. To the former, they don’t really do much. Jamie Smith perches behind a DJ booth emblazoned with glowing band logos working the sampler and drum machine while Romy Croft and Oliver Sim stand on either side with guitar and bass, respectively, and do their sleepy, seductive thing. The thing is, what should they be doing? Their music isn’t the sort that requires a lot of visual accompaniment, and if either of them were to act out, it would be completely at odds with their aesthetic. No, gentle swaying and the occasional sideways glance was pretty much what was demanded of them and their performance matches the atmosphere of the music perfectly.

Musically, they struck a perfect balance between reproducing the spaces and textures of XX and stretching out a bit – when you’re working with structures as minimalist as they, moving something around a little makes a big difference. Obviously I’ve no point of comparison, but it was hard to imagine where Qureshi’s contributions would have gone – Croft seemed able to cover all the necessary guitar parts with no problem, and intertwined seamlessly with Sim’s basslines and Smith’s real-time drum machining (is there a word for that?). Playing the triggers live rather than relying on loops or samples kept things from feeling overly mechanical, for as much as technology underpins their sound, the net result is wholly organic. Their set ran just over half an hour – short and efficient, but not unreasonable considering the amount of material they had to draw on – but most importantly, it established that they could weave the same magic live as they do on record. Definitely looking forward to their April 20 return engagement at the Kool Haus in support of Hot Chip.

I’d heard that at other stops on the tour, much of the crowd cleared out after the opener and left no doubt who they were there to see. I was pleased to see that that wasn’t the case here, because really – even if you wanted to see The xx, you paid for the ticket, were already here and unless you were truly committed to the art of the mope, you couldn’t not enjoy Friendly Fires live. As they did in March, they delivered a set that was absurdly tight, pure discofied fun though this time they brought along a little extra in the form of a horn section to go with their manic percussion, synth and guitar maelstrom. In addition to extra players, another benefit of the larger tour was the real estate – frontman Ed Macfarlane took full advantage of the larger Phoenix stage in busting out his uniquely undulating dance moves, all shake and shimmy and equally awesome and ridiculous to behold.

Like the openers, their set was brief by conventional rock show standards – 50 minutes including encore – but in that span they put more sweat and kinetic energy they put into their performance than most bands do in twice the time. And anyways, they played the entirety of their Mercury-nominated self-titled debut plus latest single “Kiss Of Life” – pretty much their whole repertoire. I’d challenge anyone complaining about the length of the show to tell me what else they’d have expected to hear, but really, I don’t think I’d have been able to find anyone complaining. Come for The xx, stay for the Friendly Fires, leave completely satisfied.

Panic Manual, Exclaim and eye were both in attendance and have reviews. hour.ca has an interview with Friendly Fires while AUX.TV has a video interview, eye, Metro, Time Out and Rolling Stone print features and MPR a streamable session.

Photos: Friendly Fires, The XX @ The Phoenix – December 2, 2009
MP3: Friendly Fires – “Jump In The Pool”
MP3: Friendly Fires – “Paris” (Aeroplane Remix)
MP3: The xx – “Basic Space”
Video: Friendly Fires – “Kiss Of Life”
Video: Friendly Fires – “Skeleton Boy”
Video: Friendly Fires – “Paris”
Video: Friendly Fires – “Jump In The Pool”
Video: Friendly Fires – “On Board”
Video: The xx – “Basic Space”
Video: The xx – “Crystalised”
MySpace: Friendly Fires
MySpace: The xx

The Village Voice talks to The Big Pink’s Robbie Furze.

AUX.TV has a video interview with Florence Welch of Florence & The Machine, The Irish Independent a profile.

Lots of new videos coming out of the UK – Richard Hawley has one from the second single off of Truelove’s Gutter

Video: Richard Hawley – “Open Up Your Door”

The Twilight Sad have released a new clip from Forget The Night Ahead.

Video: The Twilight Sad – “Seven Days Of Letters”

Have a first look and listen at Lightspeed Champion’s next album Life Is Sweet! Nice To Meet You, out February 16.

Video: Lightspeed Champion – “Marlene”

Good news – Fanfarlo has released a new video from Reservoir. Bad news – both Canadian dates have disappeared from their tour itinerary. Actually, make that “terrible news”. The only upside is that I can now go see Blue Roses at the Drake that night, but it’s small comfort. Boo. The Houston Chronicle interviews bassist Justin Finch.

Video: Fanfarlo – “Harold T. Wilkins”

Liam Gallagher tells This Is London that he may well continue on with Noel as Oasis. An album’s worth of Liam compositions. That can’t possibly go wrong.

The Age talks to Patrick Wolf.

They Shoot Music has a video session with Camera Obscura. The Rochester Democrat & Chronicle, Jackson Free Press and St. Louis Today have interviews with various band members.

Despite having their Fall US tour scuppered by the IRS, Echo & The Bunnymen’s Ian McCulloch tells Spinner that they intend to return to this continent in the Spring and following the success of the Ocean Rain shows, perhaps play both Crocodiles and Heaven Up Here in their entirety. If you’re a fan of Porcupine, however, you are SOL. Sorry.

Adam Franklin & The Bolts Of Melody have scheduled a North American tour, including a January 31 date at the Drake Underground, that’ll probably cover their 2009 release Spent Bullets and their just-completed new record I Could Sleep For A Thousand Years, out sometime in 2010.

Frank YangComing via The Guardian, here’s an unexpected collaboration to wind out the week – Paul Weller has completed work on a new album entitled Wake Up The Nation and while a release date is still forthcoming, the first single from has been released and it features the fruits of a collaboration with none other than My Bloody Valentine’s Kevin Shields. “7 & 3 Is The Striker’s Name” pairs the Modfather with the godfather of shoegaze (Shields doesn’t have a catchy nickname that appropriately describes his stature) and while the tune is a bit out of Weller’s typical wheelhouse, it’s still pretty recognizable as him – even with Shields layering jet plane noises overtop.

The tune is is available to download for 99p via 7Digital, or you can just watch the trippy albeit Shields-less video. NB – The one on Weller’s own website has better audio and video quality than the YouTube one linked.

Video: Paul Weller with Kevin Shields – “7 & 3 Is The Striker’s Name”

On the subject of My Bloody Valentine, both Amazon.co.uk and CDWow has the long-rumoured, oft-delayed reissues of Loveless and Isn’t Anything available for pre-order with a January 4 on-sale date noted. Could these finally be coming out?

Ian McCulloch of Echo & The Bunnymen submits to a Q&A with New York Magazine.

Spinner reports that Graham Coxon hopes Blur aren’t done for good, just for now.

Both eye and NOW welcome The xx to town for their first-ever Toronto gig at the Phoenix next Wednesday with Friendly Fires. Their second-ever Toronto gig is already scheduled for April 20 at the Kool Haus in support of Hot Chip. The Seattle Times also has an interview.

Also making their first visit to Toronto is The Big Pink, who are at the under renovation Lee’s Palace on Sunday night. NOW has an interview with the English duo.

Florence Welch of Florence & The Machine tells BBC that she’s preparing to start recording the follow-up to Lungs in January of the new year. In the meantime, the super-deluxe version of her debut is coming out next week and she’s released a second video for “You’ve Got The Love” which also functions as an advert for Stella Artois. But is a cool video first.

Video: Florence & The Machine – “You’ve Got The Love”

The Sydney Morning Herald chats with Patrick Wolf.

For a limited time, The Futureheads are giving away a free download of a song from album number four. No dawdling. Emirates Business has an interview with the band.

BBC talks to White Lies about their plans for recording album number two.

RockFeedback has an acoustic video interview and session with Sky Larkin.

Tom Campesinos of Los Campesinos talks Romance Is Boring, out February 1, with Drowned In Sound.

Highland News talks to Frightened Rabbit about recent lineup changes and their forthcoming record The Winter Of Mixed Drinks, out on March 1. A Daytrotter session with the band has just gone up; only old songs, though – no sneak peaks at new.