FacebookIt would seem to be a mathematical and scientific fact that Divine Fits – the band meticulously assembled from the Britt Daniel quarter of Spoon, the Dan Boeckner half of Handsome Furs/quarter of Wold Parade, and Sam Brown quarter of New Bomb Turks – would be a swaggering rock juggernaut, but what works on paper or even in a lab setting doesn’t necessarily translate to real world settings.

So with the August 28 release of their debut album A Thing Called Divine Fits still a few weeks off, the world got its first taste of Divine Fits the other night when in advance of their first announced gigs – one in the hometown of each of the three principals of the band – they hit the Continental Club in Austin and by all accounts, it went over like gangbusters. Ultra8201 has got some videos of their inaugural performance, while Spin, Columbus Alive, and Donewaiting have interviews with the band about who they are and how they came to be.

And in addition to those hometown performances, the band have begun booking shows in other cities – including Toronto. They’ll be at Lee’s Palace on September 5, tickets $20 and on sale now.

Stream: Divine Fits – “My Love Is Real”
Stream: Divine Fits – “Would That Not Be Nice”

Quite pleased to see that LA’s Tashaki Miyaki are finally coming to town, but not so happy that it’s tonight as a last-minute-ish support act for Florence & The Machine at The Molson Amphitheatre (it was originally supposed to be the UK’s Spector but I guess that didn’t end up happening). I saw them at SXSW and their dreamy, Mazzy Star-ish garage pop went down real good, yes it did. I don’t expect their presence to sell any tickets but if you’re already going, I would suggest showing up early enough to see them – they’re on at 8. Spin has a stream of a new song and Spoonfed an interview. Update: Thanks to Mechanical Forest Sound for pointing out that they’ve also got their own show at The Garrison on Saturday night. THAT you should go to.

MP3: Tashaki Miyaki – “Somethin’ Is Better Than Nothin'”
Stream: Tashaki Miyaki – “Paisley Spangled Jangler”

James Mercer of The Shins talks to Spinner about the joys of analog recording; they’re at The Molson Amphitheatre on August 4 opening up for The Black Keys.

Interview and The Village Voice talk to Al Spx of Cold Specks. They play The Great Hall on August 8.

Chan Marshall of Cat Power discusses the heartbreak that led to her new record Sun with Exclaim. It’s out September 4.

Drowned In Sound conversates with J Mascis of Dinosaur Jr. Their new album I Bet On Sky is out September 18 and they’re at Lee’s Palace on September 24, 25, and 26.

San Francisco’s Fresh & Onlys have made a date at The Shop Under Parts & Labour for November 14. Their new record Long Slow Dance is out September 4. The Bay Bridged has an interview and DIY a video session.

MP3: The Fresh & Onlys – “Waterfall”
MP3: The Fresh & Onlys – “Do You Believe In Destiny?”

The Line Of Best Fit, Macleans, The Sydney Morning Herald, and The Age interview Metric. They play The Air Canada Centre on November 14.

The Skinny gets School Of Seven Bells to put on their reviewer hats for a batch of recent singles.

Sonic UnyonWere the magical little elves in charge of categorizing music – be it in record store bins or the meta tags on MP3s – would like to take Halifax trio Kestrels and file them under “shoegaze”, pointing to the heyday of Creation Records in describing their second album A Ghost History. And I’m not necessarily going to argue the point – it definitely owes more than a debt to the sounds of the early ’90s, what with its roaring guitars and liberally reverbed vocals, but those expecting some Maritime take on sonic cathedral construction or hazy dream-pop had best check their expectations.

Kestrels’ record collections may have their shares of of My Bloody Valentine and Slowdive records – “There All the Time Without You” is pretty damn Shields-y in a great way – but those records clearly share shelf space with plenty of college rock from this side of the Atlantic. And from those records, they learned valuable lessons – Superchunk taught them how to channel their energy into pogo-ready punk-pop anthems, Dinosaur Jr taught them how to rip a guitar solo like a mofo, and Sloan… well it might be a bit cliche to cite the proto-Halifax rock band, but there’s more than a little Smeared – both in its fuzzy textures and indelible hooks – in Kestrels’ DNA.

For those of us who grew up with these influences will find Ghost History familiar yet invigorating and those who didn’t, who are perhaps of the same generation as Kestrels themselves, well maybe we should consider this a gateway drug.

The Chronicle Herald and The Telegram have feature pieces on Kestrels, whose North American tour hits Rancho Relaxo in Toronto on July 20.

Stream: Kestrels – “Dumb Angel”
Video: Kestrels – “The Past Rests”
Video: Kestrels – “There All The Time Without You”

Spinner talks to Grimes ahead of her show at Historic Fort York tonight as part of the Full Flex train tour thing.

Radio Free Canuckistan continues to get excited for the Shadowy Men On A Shadowy Planet reunion show at Lee’s Palace on Saturday night by interviewing drummer Don Pyle as well as band patron/friend Bruce McCulloch of Kids In The Hall fame. NOW and The AV Club also have feature pieces and Exclaim also has another video session of the 2012 incarnation of the band playing a tune for St. Alban’s Boys and Girls Club in Toronto.

It was a sad day when Forest City Lovers called it a day back in April, but frontwoman Kat Burns did promise that she’d still have a new record out soon – and indeed she does. Now recording as Kashka and exploring the electro-pop side of things, she’ll release her debut album Vichada on July 17 – stream a track below – and has already begun playing some shows but nothing of the hometown persuasion just yet.

Stream: Kashka – “This Machine”

Spin, Dazed, and The Line Of Best Fit talk to Purity Ring about their debut album Shrines, which is due out July 24 and from which they’ve just released a new video.

Video: Purity Ring – “Fineshrine”

CBC Music sends author Grace O’Connell to ask some questions of Great Lake Swimmers main man Tony Dekker. They’re at The Molson Amphitheatre on August 18 opening for Blue Rodeo.

Like bikes? Like music? Maybe you’ll like the Toronto Bicycle Music Fest which happens at Trinity Bellwoods on September 15. The music side of things will feature performances from Snowblink, Gentleman Reg, and Rae Spoon and the bicycle side of things… well I guess you’re encouraged to bring your bike? Snowblink will be presumably be playing material from their new album Inner Classics which comes out September 11, Reg will showcase his Leisure Life material which is being released incrementally through the Summer and collected into album form in the Fall and Spoon’s I Can’t Keep All Of Our Secrets came out at the start of 2012.

MP3: Snowblink – “Black & White Mountains”
MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Rae Spoon – “Crash Landing”

The Wilderness Of Manitoba have announced a September 18 release date for their second album, Island Of Echoes. Hear – and see – a new song that doesn’t actually appear on the new record in this video session filmed by Southern Souls.

Video: The Wilderness Of Manitoba – “Forest City Love” (live)

METZ has released the first taste of their self-titled debut, due out October 9.

MP3: METZ – “Headache”

DIY and Rolling Stone interview Emily Haines and James Shaw of Metric, playing a show at The Air Canada Centre on November 14.

PopMatters, The Vancouver Sun, and The Georgia Straight profile Patrick Watson, doing his thing at Massey Hall on December 6.

Spin has the new video from PS I Love You, taken from Death Dreams and named for Hogtown!

Video: PS I Love You – “Toronto”

Artrocker has a short interview with and Pitchfork a short documentary film featuring Japandroids.

Emily BergerWhile it’s true that Toronto’s days of having a BIG annual music festival out on the islands appear to be over – the locally-grown, Wavelength-affiliated ALL CAPS fest has been more then happy to step in for those needing to combine a ferry crossing with live music to make their Summer worthwhile.

Since their inaugural edition in 2009, they’ve put together bills that have showcased a lot of local and a little bit of imported talent, combined with art and film components and as of last year, overnight camping but this year’s lineup – set to take place on August 11 and 12 at Gibraltar Point – has quite surprised me with its all-out aggressiveness.

The first night is headlined by Montreal’s Yamantaka//Sonic Titan, whom I’m not going to try and find new words to describe but were a real highlight of NXNE, with an eclectic undercard consisting of Maylee Todd, Choir! Choir! Choir!, Tyvek, Wet Hair, and Esther Grey. The Sunday night will be closed out by Brooklyn noise-and-strobe freaks A Place To Bury Strangers, following sets from Lioness, OG Melody, Young Mother, and Canadian Winter. Many/most of these acts are only peripherally known to me – if that – so I suggest checking out the Wavelength site for capsule descriptions, but I will say that they won’t be boring. Unless you’re bored of interesting things.

A limited number of two-day passes including camping on the island are available for $65, two-day passes that force you to go home and sleep in your own bed on Saturday night will run you $30 and single-day tickets are a very reasonable $17; ferry tickets are not included in the price. They go on sale on July 12 but you can also get them now via the IndieGogo fundraising site. And while Gibraltar Point is way on the other end of the islands from the residences at Ward’s Island and faces out into the lake, I can’t help but hope that there’s a southwesterly wind that wafts just a little bit of Oliver Ackermann’s sonic armageddon over their cottages. Just a little.

Guitar World, The Fredericksburg Free Lance-Star, and CultureMob talk to Ackermann about the new APTBS album Worship.

MP3: A Place To Bury Strangers – “You Are The One”
MP3: Lioness – “The Night”
MP3: Choir! Choir! Choir! – “I Want It That Way”
Video: Yamanta//Sonic Titan – “Hoshi Neko”
Video: Maylee Todd – “Heart Throb”
Video: OG Melody – “Change Gon Come”

Interview and The Georgia Straight profile Japandroids, who’ve made another couple track from Celebration Rock available to download.

MP3: Japandroids – “The Nights Of Wine And Roses”
MP3: Japandroids – “Younger Us”

Daytrotter has posted a session with Memoryhouse.

Rolling Stone and NPR profile Metric, bringing it home to the Air Canada Centre on November 14.

Brightest Young Things and The AV Club talk to Spencer Krug of Moonface.

Exclaim gets Brian Borcherdt to discuss the state of Holy Fuck even as he focuses on his new project Dusted, whose debut Total Dust is out on Tuesday, is available to stream now at Chart, and they open up for Chad VanGaalen at The Mod Club on July 26.

MP3: Dusted – “(Into The) Atmosphere”
Stream: Dusted / Total Dust

Beatroute and Chart have interviews with Vancouver’s Chains Of Love.

NPR gets into Americana with Neil Young, adding a World Cafe session on top of the Fresh Air interview.

The Mountain Goats celebrate their 40,000th Twitter follower by giving away an old demo track.

MP3: The Mountain Goats – “All Devils All Devils”

That first preview of the new Antlers EP Undersea is now available to download. It’s out July 24.

MP3: The Antlers – “Drift Dive”

DIY and Prefix have features on Dirty Projectors, in town tonight at the Danforth Music Hall.

Spinner talks to Alexis Krauss of Sleigh Bells.

Frank YangThere’s a point in the arc of the breakout band where long-time fans who’ve supported and encouraged the artist through those early days find themselves in the odd position of rubbing elbows not with the faithful but newbs and tourists, interested not in hearing the songs that soundtracked crucial points in their life but that one tune they heard on the radio. For fans of Vancouver duo Japandroids, that time has come and for those in Toronto, that specific moment was Saturday night where on the strength of their second album Celebration Rock, they not only proved they could play clubs the size of Lee’s Palace, but jam it to the gills. And I report on this not as one of those die-hards but one of the newbs.

It wasn’t quite the top-40 scenario sketched out above, but it is true that while I didn’t care for the duo’s 2009 debut Post-Nothing, I was wholly and unexpectedly taken with Celebration Rock and its righteous classic rockism. And I was hardly the only one as the band’s story has turned from having almost called it quits prior to making this record into being one of the most talked-about rock bands of the moment, to say nothing of a spot on the 2012 Polaris Prize longlist with more than reasonable chances of making the short. Yeah, they’re having a pretty good year.

And if they needed someone to discuss the spotlight with, then they could do worse than their tourmate Rollie Pemberton, aka Cadence Weapon, who had himself made the Polaris long list with his third album Hope In Dirt City and who had previously shortlisted with his 2005 debut Breaking Kayfabe. The bill had just completed tours together in the UK and US and as Japandroids guitarist explained as he took the mic before their set, he’d taken to introducing Cadence Weapon to their audience as a way of explaining why a crowd who’d come to see a white noise rock band was about to be warmed up by a hip-hop artist. He did, however, also acknowledge that this was their first show together in Canada and that Cadence Weapon probably didn’t need any hype man in his home country; indeed, to hear Pemberton tell it on Dirt City, he “don’t need a fuckin’ hype man” at all.

In any case, Pemberton performed as though he was thrilled to be playing to audiences where he didn’t necessarily have to justify his presence. His set was part performance, part conversation where he would offer some backstory, some anecdote or otherwise just chat between songs – good for engagement, not so great for pacing or keeping the momentum going. It did get going though, thanks to the crowd getting more and more into it as the show progressed, and while the spartan beats that work well on the Dirt City recordings sounded a bit thin in the live setting, that was more than offset by the amount of energy and expression that Pemberton threw into the performance.

Building momentum wasn’t any kind of problem for Japandroids’ set. Though some have cited Celebration Rock‘s unrelenting pace as a shortcoming – not unreasonably – it was nothing but a positive for their live show, as after another short introduction by King, he and drummer David Prowse – not David Prowse – burst out of the gates with “The Boys Are Leaving Town” and basically didn’t let up with the fist pumping adrenaline or hand clapping anthemicism for the next 80 minutes or so. This was my first Japandroids show ever – see above about newbiness – and even though I’d seen two-piece acts before, the massiveness of their sound was really impressive. The dual Fender Twins/Marshall full stack/Ampeg SVT backline that King plugs his Telecaster into sound massive and also looks it – perfect for doing guitar hero poses in front of, particularly when you’ve got a fan situated sidestage providing windswept hair effects (and cooling things off, of course) to go with the Springsteen-approved white button-down and blue jeans look.

You couldn’t escape the Springsteen-ness of the music, either. Though the older material still sounded a bit generic to my ears, the Celebration Rock stuff translated as well from record to stage as impressively as you could hope, particularly with hundreds of fans singing along. Sweaty and rank fans, certainly – I had to flee their churning mosh pit after four songs – but absolutely devout and unquestionably enthusiastic. And young. Their new record may be a celebration of rock but it’s also a celebration of youth, and I can appreciate how while it just sounds like a great rock record to me, it can connect on a much deeper level to their demographic. It was quite something see; I just didn’t need to be in the middle of it anymore.

If his emcee role earlier in the evening wasn’t a hint, Brian King made it clear pretty quickly he liked to talk to the audience when he wasn’t rocking their faces off, explaining the songs, recounting tour stories, and thanking the fans. You definitely got the sense that he wasn’t taking their recent successes for granted and was genuinely grateful for it all; I’ve little doubt that this is going to be a momentous couple years for the duo as the record propels them forward – it’s good to see that they’re going into this with the right attitude.

It was amusing to hear him call album closer, “Continuous Thunder” a “slow jam” but I suppose that relative to most everything else in their repertoire, it was the thoughtful, contemplative mid-tempo number. They closed with their cover of The Gun Club’s “For The Love Of Ivy”, warning in advance that there would be no encore as they intended to give it their all. The same could have been said about their entire show and no, they weren’t kidding. Intense.

The National Post was also on hand for a review. The double bill has rightfully been leaving quite a trail of press clippings in their wake. There’s Japandroids features at The Phoenix, Denver Westword, Post City, Vulture, The Montreal Mirror, Cleveland.com, and The New York Times while Pemberton talks to The AV Club, The Grid, The Winnipeg Free Press, The National Post (who also take him shopping in Toronto), The Montreal Gazette, and The Edmonton Journal.

Photos: Japandroids, Cadence Weapon @ Lee’s Palace – June 23, 2012
MP3: Japandroids – “The House That Heaven Built”
MP3: Japandroids – “Young Hearts Spark Fire”
MP3: Japandroids – “Wet Hair”
MP3: Japandroids – “Heavenward Grand Prix”
MP3: Cadence Weapon – “Conditioning”
MP3: Cadence Weapon – “Real Estate”
Video: Cadence Weapon – “Get On Down”
Video: Cadence Weapon – “Conditioning”
Video: Cadence Weapon – “Real Estate”
Video: Cadence Weapon – “Sharks”

Billboard talks to Neil Young and director Jonathan Demme about the Neil Young: Journeys documentary that’s coming out June 29. Young leads Crazy Horse into the ACC on November 24.

And just announced as openers for that Neil Young show and others on the tour – ladies and gentlemen, The Sadies.

MP3: The Sadies – “Another Year Again”

Over at The National Post, Nils Edenloff of The Rural Alberta Advantage explains why opening up for The Tragically Hip at Burl’s Creek on Canada Day next weekend is such a big deal for him. He also talks to The Barrie Advance about the show.

Ragged Gold, the debut album from Guelph disco-pop brother act The Magic is out this week and available to stream in its entirety, along with track-by-track band annotations at DIY. They’re opening up for Hot Chip at The Sound Academy on July 15 and will play their own show at The Theatre Centre on August 10 as part of Summerworks.

MP3: The Magic – “Door To Door”
Stream: The Magic / Ragged Gold

Edmonton’s Purity Ring have released another taste of their forthcoming debut Shrines. They’re at The Music Hall on July 6 supporting Dirty Projectors and are featured by The National Post and Spinner.

MP3: Purity Ring – “Fineshrine”

Macleans has posted the full Q&A of their interview with Don Pyle of Shadowy Men On A Shadowy Planet, whose reunion hits Lee’s Palace on July 14, and Exclaim has a video of one of their comeback gigs at St. Alban’s Boys and Girls Club.

MP3: Shadowy Men On A Shadowy Planet – “13”

DIY has a video session with and aux.tv some video commentary from Al Spx of Cold Specks. She leads her band into The Great Hall on August 8.

Opening up that show is Snowblink and they’ll be previewing material from their just-confirmed new album Inner Classics. It’s due out September 11 and details on the release can be found at Exclaim, and a first track can be downloaded below.

MP3: Snowblink – “Black & White Mountain”

Each Note Secure chats with Great Lake Swimmers, opening up for Blue Rodeo at The Molson Amphitheatre on August 20.

Stars have revealed details of their next album – it will be called The North, be out September 4, and at least one song will sound like this. As for details of their next tour…

MP3: Stars – “The Theory Of Relativity”

…They will be hooking up with Metric for a cross-Canada tour that brings them to the Air Canada Centre on November 24. Not quite stadium love, but arena ain’t bad. The Globe & Mail and eMusic have feature pieces on the band and DIY and The Line Of Best Fit chip in video sessions. And another track from Synthetica has been made available to download.

MP3: Metric – “Clone”
MP3: Metric – “Artificial Nocturne”

Spinner gets a preview on the visual and audio direction that Diamond Rings will be taking with his second album; a video for the first single from it was just released.

Video: Diamond Rings – “I’m Just Me”

The Grid chatted with Dan Bejar of Destroyer ahead of last weekend’s show at The Opera House.

Chains Of Love have released a new video from Strange Grey Days and if you head over to Nylon, you can grab another track from the album to download. Note that it’s uncompressed so have some disk space open…

AIFF: Chains Of Love – “Mistake Lover”
Video: Chains Of Love – “He’s Leaving With Me”

Daytrotter has a session with Kathryn Calder.

CBC Music solicits PS I Love You frontman Paul Saulnier’s five favourite songs of the last 20 years.

The Take chats with The Elwins.

Frank YangLast week turned out to be a pretty spectacular week – weather-wise – for a festival. Good thing that Toronto had one. Or four. At least three. In any case, I was focused on NXNE; anything else going on in the city were just obstacles to be navigated around – literally. The relatively lighter Wednesday night of the programme meant that there’d be less need for club-hopping, though, and one could ease themselves into the festival grind gently.

“I’m 23 and I’m scared shitless”. That’s how Carmen Elle, the guitar-slinging/lyric-singing half of Army Girls introduced their set at Supermarket, and you were just going to have to take her word for it because if you were looking for some evidence of those frayed nerves in their performance, they were nowhere to be found. As much as I go on about this band, I actually hadn’t seen them live since last October, and as good as I thought they were then the heavy playing and touring they’ve done since then – they just finished up a North American tour with PS I Love You – has made them even better. Exceptionally tight with a side of jam, Elle performed with poise and verve, the only thing better than seeing them live again was hearing all the new material in the set. Only two songs from their Close To The Bone EP made it into the set – and were highlights, sure – but the new material arguably demonstrated more songwriting range without sacrificing any of the punch. But the best takeaway on the night was Elle’s declaration that they were planning to release not one but two albums this year; I’ve heard such ambitions from other artists before and will believe it when I see it, but for as long as I’ve been saying that Army Girls have what it takes to be as big as they want to be, it seems like they finally want it. Look out.

Photos: Army Girls @ Supermarket – June 13, 2012
MP3: Army Girls – “T W I C E”
Stream: Army Girls / Close To The Bone

The next and last stop of the night was The Drake Underground where the lineup guaranteed plenty of buzz, if not quality. First up was Virginia’s Eternal Summers whom you could be forgiven for assuming was a hazy post-chillwave outfit, but who in fact were a decidedly loud, faintly angry, garage-bred power trio specializing in what you might reference as surf-gazey, sonically youthful noise. And while I hate myself a little for writing the previous sentence, I’m sticking with it. They weren’t necessarily the most charismatic performers, but it certainly sounded good. Their new record Correct Behavior isn’t out until July 24, but that still leaves plenty of Summer – if not an eternal amount – for it to enjoyably soundtrack.

The Singing Lamb and We Love DC have interviews with the band.

Photos: Eternal Summers @ The Drake Underground – June 13, 2012
MP3: Eternal Summers – “Millions”
Video: Eternal Summers – “Wonder”
Video: Eternal Summers – “Millions”
Video: Eternal Summers – “Safe At Home”

The first thing I noticed about Montreal’s Mac DeMarco was that they exceeded the Surgeon General’s recommended allowance of baseball caps in a band; three of four is just unacceptable. Musically they were fine; their smooth, yacht/lounge rock was hard to actively dislike and with a SXSW-calibre schedule for the week ahead – this was the first of something like 10 shows – and claiming fatigue from the trip into town, some laying back and clearly uncharacteristic sloppiness was allowable, but it was certainly easy to not dig the overt bro-ness of the band. Belching into the mic? Yeah, no.

Toro has an interview with DeMarco.

Photos: Mac DeMarco @ The Drake Underground – June 13, 2012
MP3: Mac DeMarco – “Baby’s Wearin’ Blue Jeans”
MP3: Mac DeMarco – “I’m A Man”
Video: Mac DeMarco – “Only You”
Video: Mac DeMarco – “Exercising With My Demons”
Video: Mac DeMarco – “European Vegas”
Video: Mac DeMarco – “She’s All I Really Need”

Given the number of influences and styles name-dropped in reference to Italian-in-New York Mauro Remiddi’s Porcelain Raft and his debut Strange Weekend, I would have expected something decidedly more experimental but the live two-piece – Remmidi and a drummer/multi-instrumentalist – were much more about big, crescendo-friendly dance pop with a distinct European accent, which was also cool. Their songs may have been built on a base of samples and loops but they were defined by the guitars, drums, keys and vox – all pretty conventional and also pretty pretty. Engaging at first, the set seemed to lose form somewhat as it progressed, but that may have just been me taking their song “Put Me To Sleep” a little too close to heart. After their set, I checked out. It was going to be a long weekend.

Photos: Porcelain Raft @ The Drake Underground – June 13, 2012
MP3: Porcelain Raft – “Unless You Speak From Your Heart”
MP3: Porcelain Raft – “Put Me To Sleep”
Video: Porcelain Raft – “Unless You Speak From Your Heart”
Video: Porcelain Raft – “Put Me To Sleep”
Video: Porcelain Raft – “Tip Of Your Tongue”
Video: Porcelain Raft – “Drifting In And Out”

Welsh singer-songwriter Cate Le Bon, whose Cyrk garnered glowing reviews on its release earlier this year, will be releasing a second album from those same session entitled Cyrk II on August 20 and accompany it with a North American tour – she’ll be at The Rivoli on September 18.

MP3: Cate Le Bon – “Puts Me To Work”
Video: Cate Le Bon – “Puts Me To Work”

The long-rumoured David Byrne/St. Vincent collaboration is not only real, it has a name – Love This Giant; a website – LoveThisGiant.com; a first MP3 – “Who”; and a tour – look for them at the Queen Elizabeth Theatre on September 20.

MP3: David Byrne & St. Vincent – “Who”

Morrissey may be sticking to his guns on not playing Canada until we stop eating any meat and wearing leather, but you have to see his just-announced US tour as throwing southern Ontario a bit of a – if you excuse the metaphor – bone. He’ll wave to us from the Rapids Theatre in Niagara Falls on October 19; you might say that as he continues to ignore us, this is as close as he’ll get. Maybe make a road trip of it, hit the Anchor Bar for some wings.

Video: Morrissey – “The More You Ignore Me, The Closer I Get”

A track from Metric’s new album Synthetica is available to download.

MP3: Metric – “Artificial Nocturne”

Also now yours to take home – the first single from Grizzly Bear’s still-untitled forthcoming album. It’s out September 18 and they’re at Massey Hall on September 26.

MP3: Grizzly Bear – “Sleeping Ute”

Sympathies to the friends and family of Radiohead drum tech Scott Johnson, who died in the stage collapse on Saturday and best wishes to those injured.

And further sympathies to the friends and family of former American Music Club/Sun Kil Moon drummer Tim Mooney, who passed away on the weekend. There’s remembrances from his bandleaders Mark Eitzel and Mark Kozelek, and donations to his family can be made via PayPal.