Frank YangGiven the unrelenting heat that defined the first two days of Pitchfork 2010, a forecast of rain for Sunday wouldn’t have been the worst thing in the world and indeed, we got an impressive flash thunderstorm around noon – perfectly timed as I was still holed up in the hotel room. Unfortunately, said mini-monsoon didn’t actually wash away any of the heat, it just made it more humid. Awesome.

I don’t imagine the heat was bothering Best Coast, hailing as they do from the sunny climes of southern California. Their early afternoon slot on the B stage was pretty good proof that the festival schedule had been set some time ago, because if it had been put together in the last few weeks, the buzz around them and their forthcoming debut Crazy For You – out next week – would have warranted either a larger stage or later set time or both. As it was, the trio packed the field in front of the Balance Stage and delivered a set whose delivery wasn’t especially remarkable, but stripped of the lo-fi, garage-friendly production that has been one of their main talking points, it was evident that their songwriting smarts were for real. Great, hooky throwback pop however it’s marketed. They play Lee’s Palace on September 25.

Photos: Best Coast @ Balance Stage – July 18, 2010
MP3: Best Coast – “Boyfriend”
MP3: Best Coast – “Something In The Way”
Video: Best Coast – “When I’m With You”
MySpace: Best Coast

Over at the Aluminum main stage, Girls were late getting started as girls often are, with frontman Christopher Owens looking dazed and maybe confused. Though their debut Album was one of 2009’s biggest records, their live show got only middling reviews, which was approximately what I thought when I saw them at SxSW last year. You couldn’t go so far as to say that heavy touring had turned them into a lean rock machine, but they did sound fuller and more assured than they once did, if still kind of sloppy. Like their fellow Californians in Best Coast, their jangly pop gleamed in the sunlight where it couldn’t hide behind the fuzz but rather than dispense with the noise and static entirely, the just saved it up for an epic and unexpected shoegaze-worthy guitar squall in the coda of “Hellhole Ratrace”. Wakey wakey.

Photos: Girls @ Aluminum Stage – July 18, 2010
MP3: Girls – “End Of The World”
MP3: Girls – “Laura”
MP3: Girls – “Lust For Life”
Vide: Girls – “Hellhole Ratrace”
Video: Girls – “Laura”
Video: Girls – “Lust For Life”

If it had been the pre-Teen Dream Beach House coming up next on the Connector Stage, then the Girls wake-up call might have gone to waste. But the band circa 2010 is quite a different beast, having given their hazy dream pop enough energy and substance to not only keep an audience awake but enthralled. Their music may have originally been built for dark rooms in the wee hours of the night, but their ever-growing popularity seems to keep forcing them out onto outdoor stages – the last two times I saw them was in front of huge audiences lolling about in broad daylight. And such will again be the case on September 7 when they play the Molson Amphitheatre.

Photos: Beach House @ Connector Stage – July 18, 2010
MP3: Beach House – “Zebra”
MP3: Beach House – “Norway”
MP3: Beach House – “Gila”
MP3: Beach House – “Heart Of Chamber”
MP3: Beach House – “Master Of None”
Video: Beach House – “Walk In The Park”
Video: Beach House – “Silver Soul”
Video: Beach House – “Used To Be”
Video: Beach House – “You Came To Me”
Video: Beach House – “Heart Of Chambers”
MySpace: Beach House

Over at the Balance Stage, I managed to finally rectify a four month-old wrong in catching Local Natives, whom I’d missed at SxSW something like eight times. And the Los Angeles quintet was as impressive a live beast as I’d been told, with them reproducing the complex harmonies and rhythms of Gorilla Manor with even more energy than on record. It almost felt as though they themselves were being propelled by the music and while they lost control early on, with the drums clearly falling out of step with the rest of the arrangements, they quickly got hold of the reins again and didn’t misstep again. I’m looking forward to seeing them again when they play the Mod Club on October 19. Baeble Music is streaming a complete live Local Natives show recorded at the Bowery Ballroom in New York City.

Photos: Local Natives @ Balance Stage – July 18, 2010
MP3: Local Natives – “Sun Hands”
Video: Local Natives – “World News”
Video: Local Natives – “Airplanes”
MySpace: Local Natives

After a brief break from the day’s programme to hydrate and cool down in the media tent, it was back to the Connector Stage where St. Vincent was patiently waiting for the sturm und drang of Lightning Bolt over on the main stage to dissipate. And you couldn’t ask for greater polar opposites than Lightning Bolt and St. Vincent; the change over from their set to hers was like having a post-apocalyptic landscape morph into an animated fairy tale forest. It doesn’t seem like a year since I saw St. Vincent last, but indeed its been and while this show felt very similar to that one, I’m tempted to say that they sound and feel more like a cohesive band than just Annie Clark and some backing players. And while most of the set showcased the more delicate/pretty side of St. Vincent, their set-closing “Your Lips Are Red” indulged her noisier inclinations, building into an instrumental cacophony that those Lightning Bolt fans across the field would have appreciated.

Photos: St. Vincent @ Connector Stage – July 18, 2010
MP3: St. Vincent – “Actor Out Of Work”
MP3: St. Vincent – “The Strangers”
MP3: St. Vincent – “Now Now”
Video: St. Vincent – “Laughing With A Mouth Of Blood”
Video: St. Vincent – “Actor Out Of Work”
Video: St. Vincent – “Jesus Saves I Spend”
MySpace: St. Vincent

I have to confess my tweet prior to Major Lazer’s set was a bit disingenuous as I wasn’t completely ignorant of what Major Lazer was about. That’s because when their debut Guns Don’t Kill People…Lazers Do came out last year, it was accompanied by one of the most annoying and incessant PR campaigns in recent memory. So while I couldn’t help know that it was a faux-cartoon hip-hop/dancehall project by DJs Diplo and Switch, I pretty much refused to pay it any more attention than that. Not that that knowledge would have prepared me for their live show, which was pretty much all party and spectacle. With Diplo on hand to lay down beats, live MC Skerrit Bwoy and two dancers led a ridiculous assault on the senses with faux sex, crowd surfing, dragon dancers and I don’t even know what else. It was something to see if not comprehend.

Photos: Major Lazer @ Aluminum Stage – July 18, 2010
Video: Major Lazer – “Pon De Floor”
Video: Major Lazer – “Hold The Line”
Video: Major Lazer – “Keep It Goin’ Louder”
Video: Major Lazer – “Zumbie”
MySpace: Major Lazer

Choosing between Sleigh Bells and Big Boi was a tough one, and while I’m sure some are shaking their heads at the decision, I opted to go for Sleigh Bells over at the Balance Stage. Their debut Treats has been a bit of a guilty pleasure, with its ridiculously loud production and unrelentingly chipper vocals, and I was curious to see how the Brooklyn duo pulled it off live. And the answer was a qualified “pretty well”. On the downside, they seemed to be taking full advantage of their moment in the hype spotlight, starting a good 15 minutes late, setting up the stage with prop guitar amps and using a lot of prerecorded tracks. The only live elements were Derek Miller’s guitar, though good luck distinguishing what he was actually playing from what was on tape, and Alexis Krauss’ vocals, which largely made the previous points irrelevant. Though the diva persona she affected on stage was at odds with her sugar buzz cheerleader vocals, their set was delivered with so much energy and volume that you probably couldn’t form a coherent enough thought to care. I was only able to stick around for a couple songs as the crush of media was being rotated through the photo bit in waves, and anyways I didn’t want to be late for an appointment with a certain legendary band. The Detroit News, NOW, The Weekly Dig and Prefix have Sleigh Bells interviews.

Photos: Sleigh Bells @ Balance Stage – July 18, 2010
MP3: Sleigh Bells: “Infinity Guitars”
MP3: Sleigh Bells: “Crown On The Ground”
MP3: Sleigh Bells: “A_B Machines”
MySpace: Sleigh Bells

And finally, at the end of it all, there was Pavement. Following a bizarre introduction where Drag City’s Rian Murphy pretended to be a washed up radio shock jock (I only found out for certain it was a gag after the fact, but it was fun to have an excuse to yell profanities at a stranger), the reunited indie rock forebears took the stage to a riotous response and promptly messed up their first song. Okay, it was barely a false start but it definitely set the tone for a show that would be less about big rock moves or a barnburning festival finale than just playing the songs everyone wanted to hear and having a good time. And they started with “Cut Your Hair”, possibly so that anyone who just wanted to hear the hit could go home early, and continued through their entire catalog front to back, one classic track after another, like an amble down a shady memory lane. And while it would have been impossible to play everyone’s favourites in the 90 minutes allotted, they did make the most of the available time by forgoing the ceremony of an encore to squeeze in as much as possible, personal highlights including “Shady Lane”, “Stereo” and “Spit On A Stranger” (I like the s-songs?). And while the reasons for their reunion were more financial than personal or artistic, it really looked as though they were having fun, Stephen Malkmus sporting a subtle but genuine smile (and no handcuffs), Mark Ibold on bass happily bobbing up and down, a (presumably) ironic “Fuck Pavement” t-shirt hung over Steve West’s kick drum and Bob Nostanovich doing what Bob Nostanovich does, which was a lot more than I thought – many of the vocal parts I thought were Scott Kannberg were in fact their invaluable utility player.

There’s been a lot of talk about whether Pavement will or even should continue after their reunion tour is over and the cheques are cashed, and as great as it was to see them and finally hear these songs live, I find myself falling in the “walk away” camp. They and their sound is so intrinsically tied to the ’90s college/alternative rock boom that they sound out of time and place when compared to the bigger, more aggressive sounds of contemporary acts. And I don’t think I’d want to hear them try to keep up or catch up… Pavement had a nearly perfect artistic arc from Slanted & Enchanted through Terror Twilight and this victory lap has introduced their legacy to a new fans and reaffirmed it to old. I think it should be left at that.

Photos: Pavement @ Aluminum Stage – July 18, 2010
MP3: Pavement – “Gold Soundz”
MP3: Pavement – “Rattled By The Rush”
MP3: Pavement – “Heckler Spray/In THe Mouth Of A Desert” (live)
MP3: Pavement – “All My Friends”
MP3: Pavement – “Greenlander”
Video: Pavement – “Major Leagues”
Video: Pavement – “Carrot Rope”
Video: Pavement – “Shady Lane”
Video: Pavement – “Father To A Sister Of Thought”
Video: Pavement – “Stereo”
Video: Pavement – “Painted Soldiers”
Video: Pavement – “Cut Your Hair”
Video: Pavement – “Gold Soundz”
Video: Pavement – “Range Life”
Video: Pavement – “Here”
MySpace: Pavement

Pitchfork – of course – has lots of coverage of their own party including interviews with many of the performers.

So that was my first Pitchfork Festival, and I would recommend it for anyone looking to do a festival without drowning in a sea of humanity. Yeah, there’s not really anyone on the lineup that you couldn’t see touring any other time during the year but seeing these acts test their mettle in front of much bigger crowds than their accustomed to is a different experience. On top of that, it’s quite a well-run fest, not too big and not too small (approximately 18,000 people), well-priced and located and with there’s a good selection of food and vendors and a poster and record fair that I wish I was able to spend more time at. In short, I had a great time. I’m not prepared to commit myself to attending next year – or any festival, for that matter – but if I get the itch to hang out in dusty photo pits while sweating my ass off for a weekend again, it could do the trick.

Check out my Flickr set from the fest for audience shots in addition to artists, though there’s not a lot of LATFH action – people looked disappointingly normal. And my best discovery of the festival? The Arnold Palmer – that is some tasty stuff. Thanks, Matt Picasso!

A return to non-‘Forky stuff tomorrow.

Julia MårdYou can probably scientifically and quantitatively prove that there is nothing fresh or original about what Swede Kristian Matsson does under his stage name of The Tallest Man On Earth. He’s a folk-oriented singer-songwriter who’s armed with just an acoustic guitar and a raspy, Dylan-ish twang and in those terms, is indistinguishable from an infinite number of performers in coffee houses around the world at any given moment in time.

What sets Matsson above and apart is something more ineffable; a fine sense of melody, deft guitarwork and evocative turn of phrase, certainly, but what I like most is his enthusiastic romanticism – he’s occasionally wistful but never downbeat or morose. The cap always sits at a jaunty angle, the step always has just enough spring. It comes across well on his latest record The Wild Hunt but is so much more irresistible live – I only caught him play a short in-store at Criminal Records back on Record Store Day but it was enough to be won over by his charm and charisma as a performer, and I’m a pretty hard sell on “guy with a guitar”.

His show at the El Mocambo that evening was all kinds of sold out, but those shut out will be pleased to know that Matsson will be spending a goodly chunk of the next few months on the road – in Chicago for Pitchfork next week, but Europe the rest of the Summer before returning to North America for a continent-crossing September that includes a September 24 date at Lee’s Palace in Toronto. Support on all North American dates comes from S. Carey of Bon Iver; his solo debut All We Grow is out August 24.

MP3: The Tallest Man On Earth – “Burden Of Tomorrow”
MP3: The Tallest Man On Earth – “King Of Spain”
MP3: S. Carey – “In The Dirt”

In other concert announcement news – Scissor Sisters bring their new record Night Work out on tour and stop in at the Sound Academy on August 31; tickets $35 in advance.

Video: Scissor Sisters – “Fire With Fire”

New York’s Ratatat are also now apparently big enough to play the Sound Academy – their latest album LP4 brings them to the aforementioned venue on September 8; tickets $20 in advance.

MP3: Ratatat – “Party With Children”

Maryland’s Cotton Jones, whose new record Tall Hours In The Glowstream is out August 24, will be at the Drake on October 9 supported by Pepper Rabbit, who were just there the other night.

MP3: Cotton Jones – “Gotta Cheer Up”
MP3: Pepper Rabbit – “Red Wine”

And speaking of just here – with the Toronto Islands gig over and done, Band Of Horses are coming back to town on October 21 for a show at the Kool Haus as part of a full North American tour. Tickets are $27.50 in advance.

MP3: Band Of Horses – “Factory”

Veteran punks Social Distortion have set a date at the Kool Haus on October 23 as part of a Fall tour.

Video: Social Distortion – “I Was Wrong”

The Line Of Best Fit interviews Swedish duo jj. Awkwardness ensues.

Jonsi talks to The Quietus about his days as a Metallica fan.

Wye Oak chats with NPR; they’re at the Horseshoe on August 28.

Daytrotter has served up a session with Drive-By Truckers.

The Quietus talks to Greg Edwards of Autolux. Their Transit Transit is out August 3 and they play Lee’s Palace on August 24.

Cults, who’re at the Horseshoe on August 7 opening up for Maps & Atlases, have a new video that is awash in balloons.

Video: Cults – “Oh My God”

Ted Leo takes to the blog to address rumours circulating about his impending retirement from music.

Local Natives are featured in a Spinner Interface session and interview with Filter. They play the Mod Club on October 19.

NPR has a World Cafe session with Holly Miranda.

That Imagine Concert that was supposed to bring the spirit of the ’60s to Downsview Park this coming weekend but never announced boo about boo? It’s not dead yet. They’re now targeting Labour Day weekend to get all up in your face with peace and love – lineup and ticket details coming soon. I can’t wait.

Christine LimThough not technically related, yesterday afternoon’s announcement of this year’s Polaris Music Prize long list in the midst of all the NXNE hubbub was no coincidence. What better time to reveal the consensus cream of the Can-con crop than in the smack dab in the middle of one of the biggest festivals and conferences in the country? A perusal of the 40 albums that made the cut reveals a lot of the names I’d have expected, based on factors such as public profile, track record and oh yeah, artistic merit, though some others that I thought might have eked onto the list are absent and others that I thought would have been too under the radar to gather sufficient support have moved onto the next round.

Net result? An interesting and diverse list of albums that should provide sufficient grist for acclaim, angst and analysis, at least until the short list when it’s announced on July 6, and then the fun part – endless back and forth about which of the ten finalists should take home the $20,000 cheque – begins and continues until the winner is announced on September 20. For my part, since I was on the Grand Jury in 2008, my duties end this year with submission of my second ballot in a week’s time. And considering that I’ve only got one record from the first ballot that’s not still in the running and a pool of 36 records to choose from, that should be relatively easy. What’s that? What was on my first ballot? Well I’m glad you asked. In order, they were:

1. Shad / TSOL
In a perfect world, my Polaris ballot would write itself. Albums up for the title of “best in Canada” should announce themselves as such and not give you the option to not include it. Not a lot of records do this, but Shad’s third album did. Its blend of heart, humour and hooks are irresistible. TSOL demands its place on the long list, will almost certainly find its way on the short list and I give it good odds of going all the way.

MP3: Shad – “Yaa I Get It”

2. Reverie Sound Revue / Reverie Sound Revue
I knew this album wouldn’t make the long list without some sort of divine intervention, but with each successive listen in the year or so since its release, it has won me over more and more. What it has is understatedly clever wordplay delivered by Lisa Lobsinger’s perfectly matched vocals overtop impeccably conceived and arranged jazzy pop sounds, and the fact that very little out there does what they do this well, from any country. What it doesn’t have is a band able to tour or otherwise promote it as it deserved, and that’s why I’m looking for a new fifth album for ballot #2. But this album should be heard.

MP3: Reverie Sound Revue – “Arrows”

3. Owen Pallett / Heartland
Just five years in, repeat short list nominees are hardly uncommon but we haven’t had a repeat winner yet. And with the name change before this record’s release, pedants could argue it wouldn’t be a repeat, but I digress. Truth is I don’t even know how much I like it – there’s so much going on that even months on I find myself overwhelmed and still haven’t fully absorbed it – but the artistic ambition and achievement of it transcends subjective opinion.

Video: Owen Pallett – “Lewis Takes His Shirt Off”

4. Dan Mangan / Nice, Nice, Very Nice
What I said about the Shad record applies here as well, though not quite as emphatically. Some naysayers have criticized Mangan’s album for being just another indie-folk singer-songwriter record and technically, they’re quite correct. Which is why the degree to which Nice, Nice was able to stick and resonate for so long marks it as noteworthy. There’s unquestionably something going on here above and beyond what you get on paper.

MP3: Dan Mangan – “Road Regrets”

5. Basia Bulat / Heart Of My Own
Any reservations I had about nominating Basia’s second album amounted to it being so similar to Oh, My Darling and not yet being the masterpiece statement that I’m sure she has in her. But then I listened to it – and “The Shore” – again and tossed those reservations out the window. I don’t know that I’d go to the wall for it as best album of the year, but thankfully I don’t have to.

MP3: Basia Bulat – “Gold Rush”

Chart talks basketball and TSOL with Shad, who’s at the Kool Haus with K’Naan on October 1.

The Toronto Star, JAM and Metro interview The Besnard Lakes.

Pitchfork talks to Black Mountain’s Stephen McBean. Their new record Wilderness Heart is out September 14 and they preview it at The Horseshoe on July 23.

Torq Campbell of Stars goes through The Five Ghosts, out next week, song-by-song for The National Post while Amy Milan talks about the new album with Dose.ca.

The Toronto Star and The Globe & Mail and Vancouver Sun talk Twilight with Metric, who recorded an acoustic video session for The Fly. They’re at the Molson Amphitheatre on July 9.

Ca Va Cool interviews The Meligrove Band. Their new record Shimmering Lights is out September 21.

Filter Q&A’s Tokyo Police Club, who’re at the Molson Amphitheatre on July 8.

Check out this Takeaway Show with Land Of Talk, whose new record Cloak & Cipher is out August 24. hour.ca has a conversation with Liz Powell.

Wolf Parade are streaming the whole of their new record Expo 86 at their MySpace in advance of its June 29 release.

Stream: Wolf Parade / Expo 86

Diamond Rings has released the video for his new single – the most elaborate one so far – just in time for the 12″ release at Wrongbar tonight. He’s on at 11 and a certain peacock costume may well be making an appearance. His debut full-length Special Affections will be out in the Fall.

Video: Diamond Rings – “Show Me Your Stuff”

The Balconies have released the first video from their self-titled debut; they play the Wine & Spirits Festival in the Distillery District on Saturday evening.

Video: The Balconies – “Serious Bedtime”

A few show announcements to cap off the week – after first cancelling the Toronto date and then the whole tour back in May, reunited shoegaze forebears Chapterhouse have re-booked their North American tour for this Fall and T.O. is back on the agenda – this time it’s set for October 6 at Lee’s Palace, again with Ulrich Schnauss supporting.

Video: Chapterhouse – “Pearl”

If you look at my schedule for SxSW in March, you will see no less than seven Local Natives shows marked down, some of them flagged as “high priority”. Needless to say, I missed them all. I’ll finally get to make that up on October 19 when the Los Angeles outfit bring Gorilla Manor to town for a show at the Mod Club, tickets $17.50 in advance.

MP3: Local Natives – “Sun Hands”

Matt & Kim have slated a massive Fall tour that will include an October 29 show at The Phoenix. Yeah, they’re that big now.

MP3: Matt & Kim – “Yeah Yea”

Blind PilotWhen you find out that Blind Pilot are from Portland, it doesn’t seem quite so strange that the duo-turned-quintet used to conduct their tours on bicycle. It also puts into context their genial, acoustically-based, orchestrally-flavoured brand of pop which goes down smooth and easy. It also gives a notion of what you can expect from their tourmates on their current east coast tour, southern California’s Local Natives. Their sound is somewhat fuller, but just as rooted in rich melodicism and unlikely to upset any apple carts. Expect a lot of head-nodding and not a lot of moshing when the two acts play the El Mocambo in Toronto this Friday night, June 12.

And courtesy of Against The Grain, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Blind Pilot” in the subject line and your full name in the body. Contest closes at midnight, June 10.

Richmond.com, 77 Square and Express Night Out all have interviews with Blind Pilot.

MP3: Blind Pilot – “Go On, Say It”
MP3: Local Natives – “Airplanes”
MP3: Local Natives – “Cards & Quarters” (live)
MP3: Local Natives – “Sun Hands”
Video: Blind Pilot – “Go On, Say It”
MySpace: Blind Pilot
MySpace: Local Natives