Andrew KnowlesIt was amusing to me to hear portions of the internet get all worked up a few weeks ago when Franz Ferdinand announced the August 27 release of their fourth album Right Thoughts, Right Words, Right Action, because those people most excited are almost certainly the same ones who will be first to declare it to be, for the third time, inferior to their 2004 self-titled debut. And it may well be true, but it’s strange that those who’d purport to be the Scottish quartet’s biggest fans are also the first to be disappointed by them. I feel for the band, I do.

But it could also be they’re less excited about the prospect of new songs than the band heaving an excuse to hit the road again – after all, whatever you think of their records, there’s no denying that the band remain a phenomenal live band – this I was reminded of last Summer when I saw them at Osheaga. And so fans will be pleased to know the band have announced a Fall tour that brings them back to Toronto for the first time since V Fest 2009; they’ll be at The Kool Haus on October 24, tickets $35 in advance.

The band have not offered an official taste of the new record, but they did just release a little behind-the-scenes video featurette to whet your appetite, assuming your appetite is whetted by things like this.

Video: Franz Ferdinand – “Walk Away”
Video: Franz Ferdinand’s A Weekend In Glasgow

Buzzy Scots CHVRCHES have just released details about their debut album. The Bones of What You Believe, as well as more North American dates including September 15 at the Danforth Music Hall in Toronto. The album is out on September 24 and this is the newest video from it. The Guardian also has an interview.

MP3: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “Gun”

Veteran Scots Travis have also regrouped for a new album, their first since 2008’s Ode To J. Smith. Where You Stand will be released on August 19 and be accompanied by a North American tour; their first Toronto show in over four years will be on September 25 at the Sound Academy, tickets $30 general admission and $45 VIP.

MP3: Travis – “Driftwood”
Video: Travis – “Where You Stand”

Frightened Rabbit aren’t as firm believers in absence making the heart grow fonder as their countrymen; Selkirk’s most famous rock band will be back for their third visit in a year with a show at The Kool Haus on October 17, still in support of this year’s Pedestrian Verse. Tickets for that are $25 in advance and Under The Radar has the rest of their tour itinerary. They culled through some live footage recorded on an Australian tour for their latest video.

MP3: Frightened Rabbit – “Scottish Winds”
Video: Frightened Rabbit – “Late March, Death March”

M.I.A. may continue to have problems getting her fourth album Matangi released – Maya Arulpragasam talks to The Guardian about why she thinks that is – but she’s still released the first single to stream and is undertaking a small North American tour, including a stop at Toronto’s Danforth Music Hall on July 18; tickets $35 in advance.

Stream: M.I.A. – “Bring The Noize”

Up-and-coming British electronic duo AlunaGeorge have put together a North American tour in support of their debut album Body Music, which comes out July 29 and has just yielded a new video. Exclaim has the full dates, which include a September 9 stop at The Hoxton. Admission will be $20 in advance.

MP3: AlunaGeorge – “You Know You Like It”
Video: AlunaGeorge – “You Know You Like It”

After high-profile supporting slots for M83 last summer and Marina & The Diamonds last month, Charli XCX is finally ready for the spotlight – she’ll make her local headlining debut in support of True Romance on September 16 at The Hoxton, tickets $15. Exclaim has the complete dates and Billboard and Idolator have conversations with the singer.

MP3: Charli XCX – “Glow”

Editors have released a new video from their forthcoming The Weight Of Your Love, out July 2.

Video: Editors – “The Weight”

Aquarium Drunkard, Willamette Weekly, The Portland Mercury, San Francisco Examiner, and Santa Barbara Independent have interviews with Camera Obscura. They play Garrison Common for the Toronto Urban Roots Fest on July 4.

Guitar Player has an interview with Richard Thompson, who opens up the Bob Dylan/Wilco/My Morning Jacket tour that hits The Molson Amphitheatre on July 15.

Pet Shop Boys have released a new video from their forthcoming Electric, out July 16. They play The Sony Centre on September 25.

Video: Pet Shop Boys – “Vocal”

White Lies are streaming another song from their new record Big TV, out August 21. They play The Opera House on October 1.

Stream: White Lies – “There Goes Our Love”

Bella Union has offered details on the second album from orch-pop ensemble Lanterns On The Lake. Until The Colours Run will be out on September 9.

Also out September 9 will be Summer Camp, the second album from Summer Camp. The Line Of Best Fit have details on the release, or you can just watch the trailer.

Trailer: Summer Camp / Summer Camp

Daughter have released a new video from If You Leave; they play The Phoenix on September 29.

Video: Daughter – “Youth”

They’re not tipping their hat as to a new album that it be taken from, but Arctic Monkeys have released a video to go with a brand new new single.

Video: Arctic Monkeys – “Do I Wanna Know?”

Fans of top-notch dreampop in the Mojave 3 vein take note: Pigeons & Planes has premiered a new song from Anglo-Canadian dreampop outfit The High Wire, with details of a new full-length hopefully to come soon.

Stream: The High Wire – “LNOE”

Gigwise gets Richard Hawley to share his true feelings about festivals like Glastonbury – spoiler alert, not positively – and also about his contributions to the new Manic Street Preachers albums, whenever they come out.

And whilst on the topic of Manic Street Preachers, The Guardian talks to James Dean Bradfield and Tone Deaf to Sean Moore about rugby and music.

Despite being one of the busiest producers and sidemen going, DIY reports that Dev Hynes will release a second Blood Orange record this year, possibly with the title of Cupid Deluxe.

Noisey meets Bobby Gillespie of Primal Scream, whose latest More Light got a North American release this week.

Alex James confirms to Contact Music that Blur did, indeed, hit the studio in Hong Kong recently and that the sessions went “very well”.

Clash and GQ chat with the lads of Beady Eye about their new album BE.

The Guardian has premiered the new video from Foals, taken from this year’s Holy Fire.

Video: Foals – “Bad Habit”

NPR has posted a Tiny Desk Concert with Billy Bragg.

The Guardian chats with Stornoway frontman Brian Briggs.

Figure 8 chats with Dave Gedge of The Wedding Present.

Kjell B PerssonKnow what the worst thing about not going to SXSW this Spring was? Not missing SXSW, but not having my previously annual late-Winter vacation. In fact, save for a weekend jaunt to New York last November, the last time I got out of the 416 was Labour Day – that’s well over eight months ago, and right mental. And while I’d like to say that the European theme of this post is a hint as to where I’m getting away to, it unfortunately is not. I still hope to make it across the Atlantic later this Summer – who wants to go to Stockholm? – but for now, an extra-long weekend getaway to Chicago is going to have to scratch my “get out of EDT” itch. I’ll check back in before next week’s end, but we be going dark for a bit after this. Or after tomorrow, because I have a quick contest to put up. Anyways.

To keep you company – and to build up the Swedish travel karma – you can now stream in whole Above The City, the new near-perfect blend of dancefloor beats and indie-pop moping from Swede-pop veterans Club 8, which is officially out on May 21. And to go along with the stream, the Johan Angergård half of the band talks to Billboard about his and Karolina Komstedt’s first record in three years, the status of his other project The Legends, and what’s coming next from his label Labrador, and over at DIY he offers a track-by-track walkthrough of the record.

Stream: Club 8 / Above The City

With their debut album No One Dances Quite Like My Brothers out now, Copenhagen’s Vår have posted the thing up at Pitchfork for your streaming pleasure.

Stream: Vår / No One Dances Quite Like My Brothers

The Vancouver Sun and The Province interview Icelandic ambassadors Of Monsters & Men, in town at Echo Beach for CBCMusic.ca Fest at Echo Beach on May 25.

Camera Obscura have made another new track from their forthcoming Desire Lines available to stream. The record is out June 4 and they play Garrison Commons for TURF on July 4.

Stream: Camera Obscura – “Fifth In Line To The Throne”

Russell Lissack talks to The Miami New times about new music that Bloc Party might be releasing later this Summer. They play the Arts & Crafts Field Trip fest at Garrison Commons on June 8.

Though of small comfort to those of us who missed out on seeing it in person thanks to the illness that tanked their show during CMF, 4AD has announced they will release a live Efterklang album recorded in Fall 2012 with the Copenhagen Philharmonic. The Piramida Concert will be available as a digital download and vinyl package and be out June 10.

Stream: Efterklang – “The Living Layer + Vælv” (live)

Jónsi þór Birgisson gives Premier Guitar a guided tour of his live guitar rig with Sigur Rós. Their new record Kveikur is out June 18, and they’re on The Simpsons this Sunday night.

Stereogum talks to Bobby Gillespie of Primal Scream, whose new album More Light is out in North America on June 18.

The Los Angeles Times reports that former Belle & Sebastian bassist Stuart David will be writing his memoirs about his time in the band, which started from its very inception – he founded it with Stuart Murdoch in 1996 – through his departure following Fold Your Hands Child, You Walk Like A Peasant in 2000.

aux.tv has a feature-length interview and NPR a video session with Savages, coming to town for a show at The Mod Club on July 16.

Billboard and USA Today check in with the ladies of Icona Pop, coming to town as part of the Grove Fest lineup at Garrison Common on August 3.

Franz Ferdinand have announced the August 27 release of their fourth record, Right Thoughts, Right Words, Right Action; The Line Of Best Fit has details and Domino has an album trailer, but the important thing is it’s only three more months until people can complain that the new record isn’t as good as their first.

Trailer: Franz Ferdinand / Right Thoughts, Right Words Right Action

Dreamy English folk-pop purveyors Lanterns On The Lake aren’t offering any specifics on their second album besides that it’ll be out later this year, but they have released a first video from it.

Video: Lanterns On The Lake – “Another Tale From Another English Town”

Melody’s Echo Chamber have a new video from last year’s self-titled debut.

Video: Melody’s Echo Chamber – “Some Time Alone, Alone”

The Quietus gets an interview with The Knife.

The Independent profiles Nick Cave & The Bad Seeds.

The Line Of Best Fit grabs Neil Halstead for a video session.

The Line Of Best Fit interviews British Sea Power.

The Province, Seattle Weekly, and The San Francisco Examiner interview Kate Nash.

Stacey HatfieldAs performing names go, Daughter certainly exists pretty far on the “not very” end of the Google-ability scale, but they’re worth the effort. Originally a pseudonym for London’s Elena Tonra, its scope eventually expanded to include guitarist Igor Haefeli and now, with drummer Remi Aguilella in the fold, represents the trio and is a proper band – one whose dark, quietly dramatic, atmospheric folk turned out to be one of the highlights of this year’s SXSW.

Considering that hot on the heels of their festival appearances came the word that they’d signed on with 4AD worldwide – but on the less legendary but still impressive Glassnote in North America – I expected there’d be much more news and music from them before long. And indeed, their earliest but still fully-realized recordings were released via a couple of EPs – The Wild Youth and His Young Heart – were released in late March, but since then it’s been radio silence.

A silence that is now happily breaking. Though it’s not a debut album – that’ll have to wait until next year as it’s currently in the process of being created – they will release a 7″ single on October 1, the A-side of which has been made available to stream and does an excellent job of taking me right back to that evening in March when I got so very excited by this outfit. And more importantly, it’s enough pretence for the band to embark on a short North American tour which includes an October 22 date at The Drake Underground, tickets $13.50. This will be very good.

Their His Young Heart EP is available to stream in whole below, and three-quarters of The Wild Youth can be heard at the band’s Soundcloud. Oh, for me the correct Daughter comes up in spots two through five in Google, so maybe it’s not such an unworkable name after all.

MP3: Daughter – “Love”
Stream: Daughter – “Smother”
Stream: Daughter / His Young Heart

Bloc Party have made their new record Four ahead of its formal release next Tuesday, August 21. Life And Times and Montreal Gazette have feature interviews with the band and The Guardian solicits six songs of specific purpose from Kele Okereke. Bloc Party play The Danforth Music Hall on September 10 and 11.

Stream: Bloc Party / Four

Billboard has an interview with The Heavy and a stream of their new record The Glorious Dead, due out next week. They play Lee’s Palace on September 23.

Stream: The Heavy / The Glorious Dead

NME and BBC chat with Two Door Cinema Club frontman Alex Trimble. Their new record Beacon – from which they’ve just released a video – is out September 4 and they play The Sound Academy on October 5.

Video: Two Door Cinema Club – “Sleep Alone”

The Fader, Tone Deaf, FasterLouder, Exclaim, and Spin all have features on The xx as the September 11 release of Coexist draws nearer. A second track from the album has been made available to hear via stream.

Stream: The xx – “Chained”

Rolling Stone talks to Mumford & Sons bassist Ted Dwane about their new record Babel, out September 25 and from which they’ve made the first track available to stream.

Stream: Mumford & Sons – “I Will Wait”

Beth Orton has made a new track from her next record Sugaring Season available to stream at Rolling Stone; NPR also has a Tiny Desk Concert from the singer-songwriter. She plays The Mod Club on September 30 and the album is out on October 2.

Stream: Beth Orton – “Magpie”

The Vaccines are hoping to make the wait for the October 2 North American release of Come Of Age a little more bearable by giving away a free EP of covers and whatnot entitled Please Do Not Disturb in exchange for your email address. The Daily Record has a conversation with singer Justin Young.

The Fly has a feature on Ellie Goulding, who has made the first single from Halcyon available to stream at Billboard. The album is out October 9, and though the released clip is technically just a “lyric video”, its audience-sourced Instagram visuals are more entertaining than many peoples’ official videos.

Lyric Video: Ellie Goulding – “Anything Could Happen”

Scotland folk-pop outfit Admiral Fallow will be at The Drake on October 13 in support of their second album Tree Bursts In Snow. Tickets are $13.50 and Filter has their full North American tour itinerary.

Video: Admiral Fallow – “Guest Of The Government”

In indie-pop news, Allo Darlin’ are streaming the b-side of “Northern Lights”, their next single from Europe, while Tender Trap are doing the same for the first single from their next album Ten Songs About Girls, out September 10. And Darren Hayman continues to be prolific in his post-Hefner years, releasing an instrumental album in Lido as a tribute to Britain’s open-air swimming pools and on November 5, will release The Violence, an album about the witch trials of during the 17th century English civil war. Yeah, another one. Exclaim has some details.

Stream: Allo Darlin’ – “Golden Age”
Stream: Tender Trap – “Step One”
Stream: Darren Hayman & The Long Parliament – “We Are Not Evil”

Their possibly last-ever show in the books, Blur have announced plans to release the live set from Hyde Park as a double-live album entitled Parklive in November; Consequence Of Sound has specifics and there’s pre-final show interviews with Graham Coxon at Shortlist and Damon Albarn at The Sun.

Exclaim collects some information on the next M.I.A. album, which will be called Matangi and should be out in December.

This Music Is Love talks to Alisdair Mclean of The Clientele and Amor de Días, whose second album is due out in or around January of 2013.

The Line Of Best Fit has an interview with London’s Spector, whose debut Enjoy It While It Lasts was released in the UK this week and is pretty great in that tailored-trousered, arched-eyebrow, steal-your-girlfriend, throwback Britpop sort of way. I’ve heard nothing about a North American release, but at one point they were supposed to open up some of Florence & The Machine’s Summer dates over here – including Toronto – and while that didn’t end up happening, at least it shows they’ve an eye on us.

Video: Spector – “Chevy Thunder”
Video: Spector – “Never Fade Away”
Video: Spector – “Grey Shirt & Tie”
Video: Spector – “What You Wanted”

Daytrotter has posted a session with Wild Beasts.

2:54 have released a new video from their self-titled debut.

Video: 2:54 – “Sugar”

Summer Camp have made a video for the lead track of their recent Always EP.

Video: Summer Camp – “Life”

The Fader interviews Mica Levi of Micachu & The Shapes.

Clash finds out how Primal Scream has been doing since Mani left the band to rejoin The Stone Roses.

The Space has a lovely video session with Lanterns On The Lake recorded in a disused shipyard.

Roger DeckkerA little before the holidays rolled in, Swedish songstress Lykke Li gave her fans an early Christmas gift by releasing a three-song EP of stripped-down versions of this year’s Wounded Rhymes. They’re decidedly spare and more downbeat than the finished versions, but if you liked the moodiness that pervaded her second album, then you might well like these versions better than the album versions because they’ve got shadowy atmosphere to spare.

And if the version of “Jerome” sounds familiar, it’s because a video of the performance of “Jerome” came out in the early part of the year – which implies that there might well be more videos lurking in her vaults, just as the Volume 1 implies there might be more songs to give away; perhaps to keep folks interested while she works on album number three.

MP3: Lykke Li – “I Follow Rivers” (The Lost Sessions, Vol. 1)
MP3: Lykke Li – “Jerome” (The Lost Sessions, Vol. 1)
MP3: Lykke Li – “Youth Knows No Pain” (The Lost Sessions, Vol. 1)
Video: Lykke Li – “Jerome” (The Lost Sessions, Vol. 1)
Stream: Lykke Li / The Lost Sessions, Vol. 1

Also offering gifts from Sweden were Stockholm pop outfit Acid House Kings, who offered a free download (and a remix) of one of the highlights of their delicious 2011 release The Music Sounds Better With You, a record I didn’t get around to reviewing but which is, indeed, delicious. And with this offering, that’s three of the album’s ten tracks available as free downloads via Labrador… those Swedes are generous folk.

MP3: Acid House Kings – “Are We Lovers Or Are We Friends?”
MP3: Acid House Kings – “Would You Say Stop?”
MP3: Acid House Kings – “(I’m In) A Chorus Line”
MP3: Acid House Kings – “(I’m In) A Chorus Line” (Dave DaG remix)

Filter chats with Adam Olenius and Markus Krunegård of Serenades.

jj have released a new video. Yes, it’s weird.

Video: jj – “VI”

“Lúppulagið” – the one new song included on Sigur Ros’ Inni live album – is now available to download.

MP3: Sigur Ros – “Lúppulagið”

And Jonsi has released a video for one of the songs on the We Bought A Zoo original soundtrack. Have you seen the film? I think they buy a zoo.

Video: Jonsi – “Gathering Stories”

The Irish Times, Daily Record, and The Skinny talk to Bobby Gillespie of Primal Scream.

Bandstand Busking reaches back to the Summer for a session with Veronica Falls; they’re at The Garrison on February 14.

Lanterns On The Lake offer a list of their favourite records to DIY, chats with The Irish Independent and play a session for Beatcast.

The Quietus marks the twentieth anniversary of Teenage Fanclub’s classic Bandwagonesque.

Want to hear an early demo version of a new xx song? No? Then don’t click on the link below. And then the play button on the page that link leads to.

Stream: The xx – “Open Eyes”

Elbow have announced deluxe reissues of their second and third albums for next year; 2003’s Cast Of Thousands and 2005’s Leaders Of The Free World will be released on March 5 with a second disc of period-correct bonus material and a DVD of videos and live performances.

Frank YangIn discussing Ladytron’s latest effort Gravity The Seducer, I mentioned how the Liverpool band had managed to pull off the difficult move of shifting creative course sufficiently to earn a fresh listen from those who figured they knew what to expect without abandoning their signature sound and alienating those who were perfectly happy to get what they were expecting from a new Ladytron record. Whether they’d manage to do the same with regards to their live show would be seen this past Wednesday night, when they came back to Toronto for the first time since either the release of Gravity or their decade-marking Best Of.

This isn’t to suggest their live reputation required any reputation. Granted, the idea that live, they just stand stock still and play keyboards has followed them around since their inception – I’m as guilty of perpetuating the perception as anyone despite knowing better from having seen them on their last two visits in 2008 and 2009 – but the truth is they actually put on very good live shows, offering impressive lightshows and great sound in lieu of on-stage antics. And of course they stand there. They play keyboards. Do you really want to see them strap on keytars? No you do not.

Warming up for them on this leg of the tour was New York dance veterans VHS OR Beta, who themselves have been at it long enough that once upon a time their name had some retro cleverness rather than just being meaningless to today’s youth (maybe they should consider switching to BluRay or HDDVD. Or not). In any case, their bass-heavy, straightforward synth-rock didn’t make a lot of arguments that you’d want to be remembering their name for long after the show. It wasn’t that they were bad by any means, just unremarkable. But perhaps it’s unfair to criticize them for being lyrically vague or bland when their mandate isn’t to offer deep insights into the human condition but simply to get people moving. And that they did.

Another point in my review of Gravity The Seducer was how it seemed that Helen Marnie was assuming more the de facto frontwoman role, with fewer lead contributions than Mira Aroyo; I don’t necessarily have quantitative proof that that was the case but it also certainly seemed that the live dynamic had shifted that way, if not moreso. While her bandmates were dressed in trademark black (and Reuben Wu in a Ladytron t-shirt though I’ll give him the benefit of the doubt that it was laundry day), Marnie stood out in a shiny white top and giant bow in her hair – it would be hard not to be the centre of attention looking like that, never mind her dancing and swaying throughout the show. And while Aroyo’s lead contributions were fewer – she only took lead on two songs, the first almost halfway into the set – they seemed extra effective in accenting the darker side of their sound, compared to Marnie’s more wide-eyed vocal stylings.

Though the pyramid-referencing stage dressing implied this was the Gravity The Seducer tour, the setlist felt more appropriate to the singles collection with the new material not receiving any greater focus than the old with Witching Hour being drawn from the most. And while I quite like Gravity, I readily admit that its gentler textures wouldn’t have made for nearly as impactful a live set as their back catalog. Thankfully free of the sound issues that marred their last show, Ladytron sounded heavier and more determined than I’ve seen them. I don’t know that you could say their fanbase has necessarily grown over their long run – they’ve been playing The Phoenix as long as I can recall – they’ve remained steady and devoted and based on the sample group in my immediate vicinity, are still energized enough by the band to be able to jump up and down for over an hour straight. Any band at it for over a decade should be so lucky.

The Toronto Star and BlogTO also have reviews of the show while Spinner and The Boston Herald have interviews with the band.

Photos: Ladytron, VHS Or Beta @ The Phoenix – October 5, 2011
MP3: Ladytron – “White Elephant”
MP3: Ladytron – “Ace Of Hz”
MP3: Ladytron – “Black Cat”
MP3: Ladytron – “Open Your Heart”
MP3: Ladytron – “Play Girl”
MP3: Ladytron – “Seventeen”
MP3: VHS Or Beta – “I Found A Reason”
MP3: VHS Or Beta – “I Found A Reason”
Video: Ladytron – “White Elephant”
Video: Ladytron – “Ace Of Hz”
Video: Ladytron – “Runaway”
Video: Ladytron – “Ghosts”
Video: Ladytron – “Destroy Everything You Touch”
Video: Ladytron – “Sugar”
Video: Ladytron – “Evil”
Video: Ladytron – “Blue Jeans”
Video: Ladytron – “Seventeen”
Video: Ladytron – “Play Girl”
Video: VHS Or Beta – “Breaking Bones”
Video: VHS Or Beta – “You Got Me”
Video: VHS Or Beta – “Night On Fire”
Video: VHS Or Beta – “Can’t Believe A Single Word”

JAM talks to Portishead in advance of their two-night stand at The Sound Academy this coming Sunday and Monday while Stereogum finds out how advance work on album number four is coming. They also just announced they’ll be releasing 2009’s “Chase The Tear” as a 12″ single with proceeds going to Amnesty International on November 14.

Paste s streaming Still Corners’ debut Creatures Of An Hour ahead of its release next Tuesday. They play The Drake Underground on October 25 and The Stool Pigeon has an interview.

MP3: Still Corners – “Into The Trees”
MP3: Still Corners – “Cuckoo”
Stream: Still Corners / Creatures Of An Hour

Billboard talks fashion with Florence Welch of Florence & The Machine. Ceremonials is out November 1.

The 405 are streaming The Joy Formidable’s new EP The Big More, out October 17 in limited quantities.

Stream: The Joy Formidable / The Big More

The Vaccines have released a new video from What Did You Expect From The Vaccines, powered by the Instagram iPhone app.

Video: The Vaccines – “Wetsuit”

NPR is streaming Laura Marling’s recent show in Washington, DC.

The Line Of Best Fit has an acoustic video session – well, one song – Veronica Falls.

Also in session at The Line Of Best Fit – Lanterns On The Lake, captured out in the wilderness at End Of The Road in September.

Noel Gallagher takes Spin for a guided tour of Noel Gallagher’s High Flying Birds, out November 8, and talks to The Quietus about going solo. He has two nights slated at Massey Hall, November 7 and 8. And oh new video.

Video: Noel Gallagher – “AKA… What A Life”

Both Rolling Stone and Paste have premiered tracks from The Hours, who will be opening up those shows for Noel Gallagher.

MP3: The Hours – “I Want More”
Stream: The Hours – “I Just Wanna Be Happy”

The Twilight Sad are offering the first official single from album number three, No One Can Ever Know, well before it’s released in February.

Stream: The Twilight Sad – “Sick”

PopMatters talks to Joshua Third and Philly Burbs to Tom Cowan of The Horrors while NPR is streaming their set from last week’s All Tomorrow’s Parties.

Brett Anderson lists off his favourite albums for The Quietus and tells BBC that while they’re working on a new Suede record, that doesn’t necessarily mean there’s going to be a new Suede record.

Peter Hook bitches to Spinner about New Order getting back together without him.

Pitchfork interviews Anthony Gonzalez of M83. Hurry Up, We’re Dreaming is out October 18 and they’ve already sold out Lee’s Palace for their November 18 visit.

Though originally targeted for a domestic release in 2012, The Jezabels have announced a November 8 Canadian release for their debut Prisoner, which only makes sense – they’re opening up for Hey Rosetta! across the country this Fall including November 23 and 24 at The Phoenix. Really ought to have something to sell.

MP3: The Jezabels – “Endless Summer”

NOW has put Bjork on this week’s cover on the occasion of Biophilia‘s release next week, but Drowned in Sound has topped them with a week-long, five-part feature on the Icelandic icon. And NPR wins because they’re streaming the whole album.

MP3: Bjork – “Cosmogony”
Stream: Bjork / Biophilia