Norman Wong/Jules SchillIt’s a real puzzle to me why Toronto’s Snowblink aren’t huge, and I mean huge in relative Canadian indie terms, not absolute household name terms, I’m not delusional. Their 2011 debut Long Live was an unqualified art-folk jewel, as simple and homespun as it was rich and complex, and not content to simply let the record speak for itself, they also toured it across North America and Europe, supporting not only some A-list Canadian talent but Wilco’s Jeff Tweedy on his Spring 2011 solo tour. All of which is to say that people saw them, and they’re not difficult to fall for, so why aren’t the duo of Daniela Gesundheit and Dan Goldman discussed with the same breathless enthusiasm as some of their peers?

Perhaps all that effort should be considered set up, and their forthcoming sophomore effort Inner Classics will be the record that knocks everyone down. I’ve not yet heard the record but based on the two tracks from the album already offered as a preview – “Black & White Mountain” was teased back in June and “Unsurfed Waves” was made available yesterday – it’s reasonable to say that this record will take everything that was great about Long Live and make it even better. Gesundheit’s voice is as delicate and crystalline as ever, but sounds more musically forceful and demanding of your attention without losing the laid-back vibe that come with Gesundheit’s Californian roots.

Inner Classics is out September 11, and while Snowblink have already offered a hometown preview of the new album in opening up for Cold Specks last week and will do so again as part of the Bicycle Music Festival at Trinity-Bellwoods on September 15 at 6PM, the proper release show for the new album will come on September 27 at the perfectly suited Music Gallery. It’s part of a series of shows that covers various points around the continent – full dates are available at Filter. Post City has an interview with Gesundheit about the new record.

MP3: Snowblink – “Unsurfed Waves”
MP3: Snowblink – “Black & White Mountains”

Canadian indie rock icon Ian Blurton has reformed his first and most famous band – Change Of Heart – for a handful of live dates in support of their long-overdue compilation album There You Go ’82-’97. It’s out September 18 and they play The Horseshoe on October 5, tickets a far too reasonable $12.

Stream: Change Of Heart – “There You Go”

If you were ever wondering what garage-pop from Vermont sounded like, King Tuff and their self-titled debut debut is the answer, and if you wanted to know what they looked like in person, then The Garrison on October 12 is the place to be. Tickets for that are $13.50 in advance. The San Francisco Examiner, Weekly Alibi, and LA Weekly talk to frontman Kyle Thomas.

MP3: King Tuff – “Keep On Movin'”
MP3: King Tuff – “Bad Thing”

Paste has the full tour itinerary for Death Cab frontman gone solo Benjamin Gibbard – not Ben, notice – and it curiously contains an isolated October 14 date at the Danforth Music Hall in Toronto, just a couple days before Former Lives is released on October 16. Tickets for that range from $25.50 to $35 in advance.

MP3: Death Cab For Cutie – “The Employment Pages”

The Flying Lotus show originally scheduled for October 13 at the Hoxton has moved through both space and time and will now take place on October 15 at the Danforth Music Hall. Complex and Spin have interviews with the producer.

MP3: Flying Lotus – “Between Friends”

The Heartless Bastards are back in town at Lee’s Palace on October 24 in support of their latest effort Arrow. Tickets for that are $18 in advance. News OK, News Journal, and Spokesman Review have features on the band.

MP3: Heartless Bastards – “Parted Ways”

Rose Cousins, last seen in these parts in May celebrating her third album We Have Made A Spark, will be back on November 3 for a performance at the Glenn Gould Theatre, tickets $29.50. The Boston Globe has an interview with Cousins.

MP3: Rose Cousins – “The Darkness”

In further proof that The Weeknd has gotten over his crippling shyness – he seemed mighty comfortable onstage at Osheaga – he’s scheduled not one but two dates at the Sound Academy for November 2 and 3, tickets $34.50 for general admission and $75 for VIP.

MP3: The Weeknd – “Wicked Games”

Though the biggest room they’d played in Toronto to date, Japandroids proved in June that they were already too big for Lee’s Palace so for their return engagement, they’ll be at the much bigger Phoenix on December 12, tickets $18.50 in advance. Pitchfork has the rest of their end-of-year tour dates and also have premiered the new video from Celebration Rock.

MP3: Japandroids – “The House That Heaven Built”
Video: Japandroids – “The House That Heaven Built”

Spinner and Exclaim talk to Britt Daniel and Dan Boeckner of Divine Fits about their debut album A Thing Called Divine Fits, out August 28. They’re at Lee’s Palace on September 5.

Exclaim examines the career of Cat Power, whose new record Sun is out September 4. She is at The Kool Haus on October 20.

Hitfix talks to Bob Mould about his new album The Silver Age, out September 4.

Aimee Mann has released a video for the title track of her new album Charmer, which is out September 18 and behind which she’ll be at the Danforth Music Hall on November 6. Rolling Stone talks to her about the new record.

Video: Aimee Mann – “Charmer”

MTV gets to know The Rural Alberta Advantage just a little bit; they’re at the Great Hall on September 28 and The Danforth Music Hall on October 25.

CBC Music has some video clips of a session Diamond Rings – now a band and not just a man – performed for KCRW, previewing material from Free Dimensional well ahead of its October 23 release date.

Under The Radar, Tone Deaf, and The Age interview Josh Tillman of Father John Misty, in town at Lee’s Palace on October 27.

A release date has been given to the third part of the Guided By Voices 2012 reunion trilogy; The Bears For Lunch will be out on November 12.

Rolling Stone talks to Frank “Poncho” Sampedro of Neil Young & Crazy Horse, who as it turns out didn’t spend all their recent time in the studio jamming out the standards that would become Americana – an album of original material built on the trademark Crazy Horse sprawl should be out in October under the title of Psychedelic Pill, meaning that they’ll be able to draw on both when they play the Air Canada Centre on November 24.

Exclaim talks to Purity Ring.

Malajube have released a video for the title track of last year’s La Caverne.

Video: Malajube – “La Caverne”

Blurt talks to Steven MacDonald of Redd Kross.

Billboard checks in with My Morning Jacket to see how crowdsourcing the set lists on their current tour is working out.

Liam MaloneyAnd then there were ten.

Yesterday, atop the roof of the Drake Hotel amidst record-breaking heat, the short 2012 Polaris Music Prize short list was announced, dashing the hopes of thirty artists and allowing ten others to begin imagining just what they might do with the $30,000 prize that awaits one of them (the correct answer being: gold plate all of the things). And it’s an interesting group, to be sure.

Some will complain about the lack of a francophone artist – which also surprises me considering the number of strong contenders on the long list – and the heavy 416-ness of the list – 4.5 from Hogtown – but as far as gender and genre splits go, it acquits itself pretty nicely. Usually I can look at the short list and immediately eliminate at least a few of them from serious consideration of winning, but this year it’s a lot tougher to do so – I can envision how many of these records could garner enough support from the grand jury, whomever that ends up being, to have sufficient numbers to come out on top. All of this is speculation, of course, and only those in that creepy-ass Freemason room in the Masonic Temple on September 24 will know exactly how it goes down. But until then, and even though most will save their handicapping until the week before the gala, here’s my thoughts on the short list with points for and against.

Cadence Weapon / Hope In Dirt City (Upper Class Recordings)
Edmonton’s former poet laureate second appearance on the short list comes for a stronger record than Breaking Kayfabe and a higher overall public and critical profile. However, the narratives around the other nominees are almost all stronger and more compelling, and whatever merit Dirt City has, I don’t think it’s going to be front of anyone’s mind including the grand jury.
MP3: Cadence Weapon – “Conditioning

Cold Specks / I Predict A Graceful Expulsion (Arts & Crafts)
That Al Spx is a compelling talent and Expulsion an impressive debut that doesn’t just rest on the power of her voice is unquestionable. But whether it goes far enough in establishing her as having a strong artistic vision of her own rather than just exploring styles of the past, at least at this point in her career, is still up for debate.
Video: Cold Specks – “Blank Maps”

Drake / Take Care (Universal Republic)
By far the “biggest” – at least in terms of mass appeal, record sales, fanbase – artist to make the short list since the Polaris was created, Drake is in rather a unique position, and one that I can’t really argue for or against. Sufficed to say that while I don’t care at all for what he does, millions of others do – and statistically that certainly increases the odds of a sympathetic grand jury. If he does win, I’m pretty sure we won’t be seeing any, “Who the hell is Drake” Tumblrs.
Video: Drake – “Marvin’s Room”

Kathleen Edwards / Voyageur (Maple Music)
There’s no question that Voyageur is the strongest album of Edwards’ career and she’s an eminently likeable artist, but I have trouble arguing it’s the grandest artistic statement our country was able to turn out this year. That said, with the most of the short list decidedly genre there’s a lot of room for something to come up through the middle (of the road) and take it all. If half the jury has gone through a break up recently, then it’s as good as hers.
MP3: Kathleen Edwards – “Change The Sheets”

Feist / Metals (Arts & Crafts)
Many/most assumed that Feist’s latest would at least make the short list even before the album was released – that’s how much people assume that Feist would do something great. So it’s interesting how polarized the response to it has been, with some thinking it’s the deepest record she’s made and others the dullest, but neither side of the argument seems to be that passionate about it.
Video: Feist – “The Bad In Each Other”

Fucked Up / David Comes To Life (Matador)
Despite a few opportunities, we’ve yet to see an artist repeat as Polaris winner and as much as I think Fucked Up are deserving – not for nothing did they top my first ballot and everyone loves the band if not their music – I don’t know if David will have won enough hearts and minds so convincingly to overcome the innate, “they’ve already won!” sentiment that everyone will feel if few will admit.
MP3: Fucked Up – “The Other Shoe”

Grimes / Visions (Artbus)
Perhaps the most heavily-favoured act, at least amongst people I know, there’s not an artist on the list who sounds more absolutely of the moment than Claire Boucher and her chirpy electro-pop. My concerns about this record are that the songwriting is kind of slight and that which is in fashion will, by definition, fall out of fashion and I don’t know that Visions has the sort of weight or timelessness that I’d like to think that the best album our country has to offer would have. However I don’t expect people will hear those concerns as they’ll be too busy dancing. Probably the odds-on favourite to take it all right now.
MP3: Grimes – “Oblivion”

Handsome Furs / Sound Kapital (Sub Pop)
This one’s an interesting entrant, what with the band having announced their dissolution just before the deadline for submission of the first ballots. Not to say that it didn’t have a lot of support before that happened – it almost certainly did – but dominating the news cycle for those few days and reminding every music critic in the country that the band had an eligible record and that it was kind of great certainly didn’t hurt. Now the question is whether or not Dan Boeckner and Alexis Perry can and will put their differences aside to show up at and perform at the gala. Drama!
MP3: Handsome Furs – “Repatriated”

Japandroids / Celebration Rock (Polyvinyl)
There’s a lot of affection for this duo, who went from the verge of splitting up to releasing one of the best pure rock records that this country has seen in a while, and I expect they’ll peel some loud guitar votes from Fucked Up and “if only Springsteen was Canadian” votes from Handsome Furs by being more accessible and immediate than either, but will they be able to sell party as art and get every fist in the grand jury room pumping in unison? I have my reservations.
MP3: Japandroids – “Younger Us”

Yamantaka//Sonic Titan / YT//ST (Psychic Handshake)
I mentioned that Fucked Up topped my first ballot but I should note that by the time second ballots were due, YT/ST had taken the top spot. As Radio Free Canuckistan pointed out in his Polaris preview, a year ago no one had ever heard of this band and now they’ve shortlisted without any appreciable PR effort – just word of mouth from those who’ve heard the record or seen the show – and no label is really unprecedented. They’re certainly not for everyone – if you don’t buy into their “Noh-wave” manifesto, then they probably come off as kind of ridiculous – but despite being the most outside and difficult act on the short list, they’re clearly for more people than anyone might have expected. Certainly, no one can argue they don’t have artistic ambitions or that they’re boring, and they have momentum. So. Much. Momentum.
Video: Yamantaka // Sonic Titan – “Hoshi Neko”

While we’re talking Polaris, aux.tv has an excellent oral history of the prize from organizers, jurists, and nominees, and The National Post got some reactions of shortlisters after discovering that they were. And if you’re interested in seeing some of the nominees live in Toronto, you’re in luck – Cadence Weapon is at Lee’s Palace on July 21 opening up for Liars, Cold Specks is at The Great Hall on August 8, Drake’s annual OVO Fest hits The Molson Amphitheatre on August 5, Fucked Up play Fort York as part of Riot Fest on September 9, Yamantaka//Sonic Titan headline the first day of ALL CAPS! on Toronto Islands on August 11, and Grimes has just announced a date at Lee’s Palace on September 21, tickets $20 in advance.

Some were surprised that Dan Mangan didn’t make the shortlist; he’ll have to drown his sorrows in a cross-Canada tour with The Rural Alberta Advantage that stops in at the Danforth Music Hall on October 25, tickets $32.50 to $39.50. And if you feel inclined to point out that that room isn’t much bigger than the ones that each act has just about filled on their own last year (the Queen Elizabeth Theatre and Phoenix, respectively), I would say that you were correct and point out, in return, that they currently have an off day the following night. You do the math.

MP3: Dan Mangan – “Oh Fortune”
MP3: The Rural Alberta Advantage – “North Star”

Sarah Neufeld, aka violinist for current Polaris champs Arcade Fire, also does a solo thing and she’ll be bringing that thing to The Drake Underground on November 10, tickets $12. Read these pieces at The Georgia Straight and The Province from a west coast tour in May for an idea of what that thing is.

Video: Sarah Neufeld – “Scalpel/Stradivarius”

Pitchfork has details on the new album from Diamond Rings – Free Dimensional will be out October 23.

The Line Of Best Fit has made a new song from The Wilderness Of Manitoba available to download, but it comes not from their new album Island Of Echoes – we continue to have to wait to hear an official sample of that – but from the Delaware House EP they’re releasing overseas to coincide with a European tour. The album is out September 18.

MP3: The Wilderness Of Manitoba – “The Ark”

Exclaim talks to Evan Gordon of The Magic.

The Line Of Best Fit has released a new Oh Canada! downloadable maple-flavoured compilation.

Frank YangSaturday night was pretty flush with options for Toronto music fans – Edgefest for the kids up at Downsview, the Sarah Harmer-led free War Of 1812 celebrations at Fort York for the CBC Radio 3 crowd – but for those of a certain generation, there was nowhere else to be but Lee’s Palace. Because for one night only, Shadowy Men On A Shadowy Planet were back.

Thanks to being the house band for the Kids In The Hall comedy troupe in the late ’80s and early ’90s, Shadowy Men were arguably the most widely-heard independent Toronto band of that era; remember, this was a time when being an independent Canadian artist didn’t have the same cachet that it does today – it basically meant that you toiled away in obscurity or something close to it. The sort of reach that their distinctive surf-a-billy instrumentals got was rare and impressive, and their accomplishments over the course of three albums and many singles frequently overlooked (though a small panel I was on tried to mitigate that somewhat by electing them to the Zunior Independent Music Hall Of Fame in 2010).

The trio disbanded to pursue other projects in 1996 and when bassist Reid Diamond passed away in 2001, it looked as though that would be it for the Shadowy Men legacy; thankfully it wasn’t. Whether the start of a reissue series for their shamefully out of print catalog precipitated the decision to play some live shows with Dallas Good of The Sadies standing in for Diamond or vice-versa, what matters is that Shadowy Men were again an active concern in 2012, first with a show at Calgary’s Sled Island festival in late June and then this sold-out and sweaty hometown show on Saturday.

The last time I’d seen Daniel Romano was right here at Lee’s Palace, but that was five years ago and he was fronting Welland rock act Attack In Black and opening up for Built To Spill. I knew that he’d gone solo in a different direction since then, but it was still something to see him take the stage in full cowboy regalia – okay, no spurs or chaps – with the songs to match. Johnny Cash and Gram Parsons were obvious reference points and while formidable ones, Romano’s slow, hurting songs didn’t pale for the comparison. He wasn’t quite able to win the full attention of the audience at first, but as their performance went on, the floor steadily filled up and by the time a couple began slow dancing at the foot of the stage, their set could be marked in the ‘win’ column.

catl.’s Twitter bio doesn’t even need 140 characters to accurately describe them – “dirty. sweaty. fun.”. Though something of a Toronto fixture, I’d never actually gotten to see the trio live before and indeed their set was loud, dirty, sweaty, and fun. Their greasy blues-rock shuffles were a combination of John Lee Hooker and Tom Waits – thanks to the guitar and voice of Jamie Fleming – happy to grind along in their groove and then periodically detonating with gloriously grimy energy, often in the form of Sarah Kirkpatrick’s maraca shake (mostly not a metaphor). I generally don’t care for the blues or things directly derived from them, but this was more than alright; disinterest was not an option.

Though I counted myself a fan in their initial run – dubbed cassettes of all their albums and their songs were the perfect length for filling in the ends of sides on mix tapes – I never saw them live. I didn’t go to shows because, well, I was still underage and concert-going wasn’t part of my lifestyle – something I’ve spent the past 15 years making up for, I suppose. All of which is to say that it was pretty exciting to get a chance to see something that I’d never thought about having missed, and for it to be as great as I’d never imagined. Obviously Reid Diamond is irreplaceable, but if you had to get a stand-in, you couldn’t do much better than Dallas Good and equipping him with the man’s original Gibson Thunderbird bass – the perfect instrumental counterpoint to guitarist Brian Connelly’s Gretsch White Falcon if ever there was one.

I’m not even going to try and cite many specific songs performed over the course of their 90-minute, two-encore set, which they dove right into without much fanfare – no dimming of lights or chilling of ham. One of the perks of being an instrumental band is you get to come up with ridiculous names for your compositions – which Shadowy Men surely did – so being able to identify 1- to 2-minute songs after having not even heard any of their albums in many years was nigh on impossible. That said, I was surprised how many of their tunes were so immediately familiar – “You Spin Me Round”, “Theme From TV”, “Run Chicken Run”, “Shadowy Countdown”; in trying to describe their sound, any of surf, spaghetti western, spy themes, mariachi, and rockabilly would be appropriate but one musn’t forget pop – as complex as their stylistic melting pot got, memorable and immediate melodies were almost always the first ingredient, which is a large part of why they remain so beloved so many years on.

Though this should have been a record release show for the repressing of their first album Savvy Show Stoppers, drummer Don Pyle apologized for the lack of merch saying that the records were held up at the border… of Saskatchewan. Nonetheless, they’ll make it out eventually and when they do, hopefully a new generation of fans will be able to bask in the greatness that was Shadowy Men. Me, I’m just happy that I finally got to see Brian Connelly play, “Having An Average Weekend”, and be able to confirm after 20 years of wondering that I was indeed playing it right when my high school band covered it in high school – I just sucked at it.

BlogTO has an interview with Don Pyle about the makings of the Shadowy Men reunion and one fan in attendance managed to record their entire set on video in quite good quality and post it to YouTube, so if you weren’t there on Saturday and wished you were, make with the watching. And if you’re up for a road trip, they’ve announced another show on September 14 in Waterloo at the Starlight.

Photos: Shadowy Men On A Shadowy Planet, catl., Daniel Romano @ Lee’s Palace – July 14, 2012
MP3: Shadowy Men On A Shadowy Planet – “13”
Video: Shadowy Men On A Shadowy Planet – “They Don’t Call Them Chihuahuas Anymore”
Video: Shadowy Men On A Shadowy Planet – “Rover And Rusty”
Video: Shadowy Men On A Shadowy Planet – “Memories Of Gay Paree”
Video: Shadowy Men On A Shadowy Planet – “Musical Interlude”
Video: Shadowy Men On A Shadowy Planet – “Shadowy Countdown”
Video: catl. – “Gold Tooth Shine”
Video: catl. – “A Sun’s Grave”
Video: Daniel Romano – “Time Forgot (To Change My Heart)”

Toronto vibraphone ensemble The Hylozoists come out of hiding next week to play The Piston on July 18th.

Video: The Hylozoists – “Bras D’Or Lakes”

Purity Ring’s debut album Shrines is getting the NPR First Listen treatment, being available to stream a week before its July 24 official release.

MP3: Purity Ring – “Fineshrine”
MP3: Purity Ring – “Obedear”
Stream: Purity Ring / Shrines

I probably shouldn’t need a British newspaper to tip me off to new bands in my own backyard, but The Guardian deserves credit for alerting me to the existence of Diana, a new electro-pop band from the brain of Joseph Shabason – aka Destroyer’s go-to saxophonist – that features Carmen Elle of Army Girls on vocals. Seriously, is there any musician in Toronto without an electro-pop side-project/persona?

Stream: Diana – “Born Again”
Stream: Diana – “Perpetual Surrender”

Ion talks to Joel Plaskett.

Loud & Quiet has an interview with Japandroids.

Sonic UnyonWere the magical little elves in charge of categorizing music – be it in record store bins or the meta tags on MP3s – would like to take Halifax trio Kestrels and file them under “shoegaze”, pointing to the heyday of Creation Records in describing their second album A Ghost History. And I’m not necessarily going to argue the point – it definitely owes more than a debt to the sounds of the early ’90s, what with its roaring guitars and liberally reverbed vocals, but those expecting some Maritime take on sonic cathedral construction or hazy dream-pop had best check their expectations.

Kestrels’ record collections may have their shares of of My Bloody Valentine and Slowdive records – “There All the Time Without You” is pretty damn Shields-y in a great way – but those records clearly share shelf space with plenty of college rock from this side of the Atlantic. And from those records, they learned valuable lessons – Superchunk taught them how to channel their energy into pogo-ready punk-pop anthems, Dinosaur Jr taught them how to rip a guitar solo like a mofo, and Sloan… well it might be a bit cliche to cite the proto-Halifax rock band, but there’s more than a little Smeared – both in its fuzzy textures and indelible hooks – in Kestrels’ DNA.

For those of us who grew up with these influences will find Ghost History familiar yet invigorating and those who didn’t, who are perhaps of the same generation as Kestrels themselves, well maybe we should consider this a gateway drug.

The Chronicle Herald and The Telegram have feature pieces on Kestrels, whose North American tour hits Rancho Relaxo in Toronto on July 20.

Stream: Kestrels – “Dumb Angel”
Video: Kestrels – “The Past Rests”
Video: Kestrels – “There All The Time Without You”

Spinner talks to Grimes ahead of her show at Historic Fort York tonight as part of the Full Flex train tour thing.

Radio Free Canuckistan continues to get excited for the Shadowy Men On A Shadowy Planet reunion show at Lee’s Palace on Saturday night by interviewing drummer Don Pyle as well as band patron/friend Bruce McCulloch of Kids In The Hall fame. NOW and The AV Club also have feature pieces and Exclaim also has another video session of the 2012 incarnation of the band playing a tune for St. Alban’s Boys and Girls Club in Toronto.

It was a sad day when Forest City Lovers called it a day back in April, but frontwoman Kat Burns did promise that she’d still have a new record out soon – and indeed she does. Now recording as Kashka and exploring the electro-pop side of things, she’ll release her debut album Vichada on July 17 – stream a track below – and has already begun playing some shows but nothing of the hometown persuasion just yet.

Stream: Kashka – “This Machine”

Spin, Dazed, and The Line Of Best Fit talk to Purity Ring about their debut album Shrines, which is due out July 24 and from which they’ve just released a new video.

Video: Purity Ring – “Fineshrine”

CBC Music sends author Grace O’Connell to ask some questions of Great Lake Swimmers main man Tony Dekker. They’re at The Molson Amphitheatre on August 18 opening for Blue Rodeo.

Like bikes? Like music? Maybe you’ll like the Toronto Bicycle Music Fest which happens at Trinity Bellwoods on September 15. The music side of things will feature performances from Snowblink, Gentleman Reg, and Rae Spoon and the bicycle side of things… well I guess you’re encouraged to bring your bike? Snowblink will be presumably be playing material from their new album Inner Classics which comes out September 11, Reg will showcase his Leisure Life material which is being released incrementally through the Summer and collected into album form in the Fall and Spoon’s I Can’t Keep All Of Our Secrets came out at the start of 2012.

MP3: Snowblink – “Black & White Mountains”
MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Rae Spoon – “Crash Landing”

The Wilderness Of Manitoba have announced a September 18 release date for their second album, Island Of Echoes. Hear – and see – a new song that doesn’t actually appear on the new record in this video session filmed by Southern Souls.

Video: The Wilderness Of Manitoba – “Forest City Love” (live)

METZ has released the first taste of their self-titled debut, due out October 9.

MP3: METZ – “Headache”

DIY and Rolling Stone interview Emily Haines and James Shaw of Metric, playing a show at The Air Canada Centre on November 14.

PopMatters, The Vancouver Sun, and The Georgia Straight profile Patrick Watson, doing his thing at Massey Hall on December 6.

Spin has the new video from PS I Love You, taken from Death Dreams and named for Hogtown!

Video: PS I Love You – “Toronto”

Artrocker has a short interview with and Pitchfork a short documentary film featuring Japandroids.

Emily BergerWhile it’s true that Toronto’s days of having a BIG annual music festival out on the islands appear to be over – the locally-grown, Wavelength-affiliated ALL CAPS fest has been more then happy to step in for those needing to combine a ferry crossing with live music to make their Summer worthwhile.

Since their inaugural edition in 2009, they’ve put together bills that have showcased a lot of local and a little bit of imported talent, combined with art and film components and as of last year, overnight camping but this year’s lineup – set to take place on August 11 and 12 at Gibraltar Point – has quite surprised me with its all-out aggressiveness.

The first night is headlined by Montreal’s Yamantaka//Sonic Titan, whom I’m not going to try and find new words to describe but were a real highlight of NXNE, with an eclectic undercard consisting of Maylee Todd, Choir! Choir! Choir!, Tyvek, Wet Hair, and Esther Grey. The Sunday night will be closed out by Brooklyn noise-and-strobe freaks A Place To Bury Strangers, following sets from Lioness, OG Melody, Young Mother, and Canadian Winter. Many/most of these acts are only peripherally known to me – if that – so I suggest checking out the Wavelength site for capsule descriptions, but I will say that they won’t be boring. Unless you’re bored of interesting things.

A limited number of two-day passes including camping on the island are available for $65, two-day passes that force you to go home and sleep in your own bed on Saturday night will run you $30 and single-day tickets are a very reasonable $17; ferry tickets are not included in the price. They go on sale on July 12 but you can also get them now via the IndieGogo fundraising site. And while Gibraltar Point is way on the other end of the islands from the residences at Ward’s Island and faces out into the lake, I can’t help but hope that there’s a southwesterly wind that wafts just a little bit of Oliver Ackermann’s sonic armageddon over their cottages. Just a little.

Guitar World, The Fredericksburg Free Lance-Star, and CultureMob talk to Ackermann about the new APTBS album Worship.

MP3: A Place To Bury Strangers – “You Are The One”
MP3: Lioness – “The Night”
MP3: Choir! Choir! Choir! – “I Want It That Way”
Video: Yamanta//Sonic Titan – “Hoshi Neko”
Video: Maylee Todd – “Heart Throb”
Video: OG Melody – “Change Gon Come”

Interview and The Georgia Straight profile Japandroids, who’ve made another couple track from Celebration Rock available to download.

MP3: Japandroids – “The Nights Of Wine And Roses”
MP3: Japandroids – “Younger Us”

Daytrotter has posted a session with Memoryhouse.

Rolling Stone and NPR profile Metric, bringing it home to the Air Canada Centre on November 14.

Brightest Young Things and The AV Club talk to Spencer Krug of Moonface.

Exclaim gets Brian Borcherdt to discuss the state of Holy Fuck even as he focuses on his new project Dusted, whose debut Total Dust is out on Tuesday, is available to stream now at Chart, and they open up for Chad VanGaalen at The Mod Club on July 26.

MP3: Dusted – “(Into The) Atmosphere”
Stream: Dusted / Total Dust

Beatroute and Chart have interviews with Vancouver’s Chains Of Love.

NPR gets into Americana with Neil Young, adding a World Cafe session on top of the Fresh Air interview.

The Mountain Goats celebrate their 40,000th Twitter follower by giving away an old demo track.

MP3: The Mountain Goats – “All Devils All Devils”

That first preview of the new Antlers EP Undersea is now available to download. It’s out July 24.

MP3: The Antlers – “Drift Dive”

DIY and Prefix have features on Dirty Projectors, in town tonight at the Danforth Music Hall.

Spinner talks to Alexis Krauss of Sleigh Bells.