Frank YangThough generally referred to as a reunion, the return this year of The Postal Service to active duty is unlike most others in that it’s to mark a very specific occasion – the 10th anniversary and reissue of their only album Give Up – and comes with absolutely no promise or expectation of carrying on after the occasion is past. And as much as people might think they want a second Postal Service record, I suspect that the truth is they don’t.

Much of the magic of Give Up is that it exists as a single specific point in space and time, and not just as the album where indie, emo, and electronica converged and created a template for countless artists to follow. It’s also special because it was the soundtrack for so many lives in 2003, and by not releasing a follow-up or even having The Postal Service really exist outside of the recordings, remained a snapshot of a moment trapped in amber. No one grew up with this band, or risked being disappointed by a subsequent effort that didn’t make them feel the way Give Up did. And by that same token, it’s a safe bet that no one who piled into the Air Canada Centre a decade later to finally hear these songs played live were remotely the same person they were when they fell in love with the band. And yet they came – not in nearly enough number to fill the theatre-configured arena, but enough to create a time-warped sense of community fuelled by excitement and nostalgia.

It would have been pretty funny and entertaining had Toronto drawn the Big Freedia card in the opening band rotation – the looks on passers by’s faces as they were introduced to the Sissy Bounce when she played Yonge-Dundas at NXNE 2010 is a fond memory – but I was more than happy to get Mates Of State’s first date of the tour. I hadn’t seen them since they kicked off Virgin Fest 2009, and while it’s unfortunate that there were about as many people on hand to see them this time as then – which is to say not a lot – they still put on a wholly enjoyable set, at least after getting over the shock of them playing as a four-piece, though there’s no denying that the extra dimension added by the supporting keys and guitar sounded nice, particularly the trumpet on “Rearrange Us” and “My Only Offer”. But the heart of Mates Of State remain Kori Gardner and Jason Hammell’s keys-and-drums-and-harmonies-and-adorableness, and though their recent work isn’t quite as sugar-giddy as the early stuff, it’s still got plenty of sweetness and remains delightful. I mean, how can you not love banter like, “That’s Kori, isn’t she hot?”. You can’t.

Given that The Postal Service didn’t even record Give Up as a proper band – their name refers to how Ben Gibbard and Jimmy Tamborello traded musical ideas via physical DAT – getting a guy on a laptop and another on guitar to translate live in as large a venue as an arena was surely no small task. So to fill things out, they promoted Jenny Lewis from backing vocalist to almost co-frontperson with guitar and keyboard duties, and enlisted Laura Burhenn of The Mynabirds on glock and vox – certainly a fine ensemble, augmented by an acoustic drum kit on the stage for those moments when canned beats just wouldn’t do. And as to the problem of having only two sides of material to draw from, they naturally played the whole of Give Up, opening with “The District Sleeps Alone Tonight”, as well as the four new/unreleased tracks from the anniversary edition, a Beat Happening cover, and the proto-Postal Dntel track “(This Is) The Dream of Evan and Chan” – making for a respectable-length set, all things considered.

So that was the what it was; what about the how it was? In all, pretty good. They certainly did all they could to make it a visually engaging show, with Gibbard dipping into his Death Cab dance moves, Lewis strutting around like she owned the stage – and really, she did, in front of some slickly-lit stage sets and glowing backdrops. And even though he was restricted to his podium at the back of the stage dropping beats, Tamborello got to contribute vocals to “Sleeping In” – not great vocals, but whatever – and again Daft Punk vocoder-styled at the end of “Recycled Air”. The showiness of the performance worked on the upbeat numbers, but for my personal Give Up high point – the Ben Gibbard-Jen Wood duet “Nothing Better” – it felt to its detriment and out of character. On record, the singalong melody belies the dark sentiments of the lyrics, and the whole feels like a incredibly personal conversation you can’t help be eavesdrop in. Live though, with Lewis’ big sassy vocals in place of Wood’s weary originals, it felt more like a work of broad theatre rather than the intimate moment it should have been. This may be my complaint alone, but there it is.

Still, one down point amongst many high points isn’t bad at all. High points like Lewis’ big rock guitar solo to close out “This Place Is A Prison”, the nearly-deafening shoegaze treatment of “Natural Anthem” to close out the main set, the being reminded that the simple guitar line in “Such Great Heights” may well be one of the riffs of the century so far. By the time the show’s hour and fifteen running time was up, it was clear that this wasn’t a reunion meant to help you recapture your youth, or wherever you were in 2003 the first time you first heard “District” or “Heights”; it was intended to celebrate where you’ve gone in the ten years that have followed. Not for nothing, I think, was “Brand New Colony” the show closer and the final lyrics uttered, “Everything will change”. Because you can’t go back, but you can remember.

The Toronto Star, Huffington Post, and Exclaim also have reviews of the show, and The Toronto Star also has a show previewing interview.

Photos: The Postal Service, Mates Of State @ The Air Canada Centre – June 11, 2013
MP3: The Postal Service – “The District Sleeps Alone Tonight”
MP3: The Postal Service – “Such Great Heights”
MP3: Dntel – “(This Is) The Dream Of Evan And Chan”
MP3: Mates Of State – “Palomino”
MP3: Mates Of State – “Maracas”
MP3: Mates Of State – “My Only Offer”
MP3: Mates Of State – “Think Long”
MP3: Mates Of State – “Hoarding It For Home”
Video: The Postal Service – “Against All Odds”
Video: The Postal Service – “The District Sleeps Alone Tonight”
Video: The Postal Service – “Such Great Heights”
Video: The Postal Service – “We Will Become Silhouettes”
Video: Mates Of State – “Unless I’m Led”
Video: Mates Of State – “Palomino”
Video: Mates Of State – “Sway”
Video: Mates Of State – “Maracas”
Video: Mates Of State – “True Love Will Find You In The End”
Video: Mates Of State – “I Am A Scientist”
Video: Mates Of State – “My Only Offer”
Video: Mates Of State – “Get Better”
Video: Mates Of State – “Like U Crazy”
Video: Mates Of State – “Fraud In The 80s”
Video: Mates Of State – “Goods (All In Your Head)”
Video: Mates Of State – “Fluke”
Video: Mates Of State – “Gotta Get A Problem”

NPR has an interview and a Tiny Desk Concert with The National, who are at Yonge-Dundas Square for a free show tomorrow night, June 14. The Globe & Mail also has an interview with Matt Berninger.

Nylon is streaming Beach Day’s debut album Trip Trap Attack ahead of its release next Tuesday. As mentioned earlier this week, Beach Day are all over NXNE, playing Urban Outfitters Friday afternoon at 2, Handlebar Saturday night at 11, and a Kops instore Sunday at 6:30.

Stream: Beach Day / Trip Trap Attack

Kurt Vile has released a new video from Wakin’ On A Pretty Daze. He and his Violators play the final day of TURF at Garrison Common on July 4.

Video: Kurt Vile – “KV Crimes”

Neko Case has confirmed details of her new new album The Worse Things Get, the Harder I Fight, The Harder I Fight, The More I Love You, due out September 3. The first M Ward-powered taste is available to stream, there’s a sweet trailer to watch, and further details can be had at Pitchfork. She also plays the Toronto Urban Roots Fest at Garrison Common on July 4.

Stream: Neko Case – “Man”
Trailer: Neko Case / The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You

The Village Voice talks to Yo La Tengo about the imminent closing of their Hoboken home away from home, Maxwell’s; The Province and Denver Post also have features. They’re here for TURF on July 4 as well.

PopMatters and NPR talk to Jason Isbell, in town at Lee’s Palace on August 2.

Beatroute has a quick word with Superchunk, whose new record I Hate Music is out August 20.

Stereogum has a video session with Wild Nothing. They open up for Local Natives at The Kool Haus on September 21.

Billboard gets some more info from Janelle Monáe about her new album The Electric Lady, coming in September.

Tiny Mix Tapes has an interview with Charles Bradley.

Dungeonesse have a new video from Dungeonesse; it is not called “Dungeonesse”.

Video: Dungeonesse – “Nightlight”

Sharon Van Etten has released a stream of a new old song, originally released as part of a compilation CD for Esopus magazine in 2010.

Stream: Sharon Van Etten – “Esao Andrews”

Tiny Mix Tapes gets to know Caitlin Rose.

The National Post talks NXNE with Calexico; they were here last night.

And a couple noteworthy show announcements that missed yesterday’s cutoff – first, Blonde Redhead may not have the follow-up to 2010’s Penny Sparkle ready for release until early 2014, but they’re still doing some touring this year. They’ll be at The Adelaide Music Hall on July 15, tickets $22.50 in advance.

MP3: Blonde Redhead – “Here Sometimes”

And also, Riot Fest announced their 2013 lineup last night, and it’s a doozy. We’ll ignore the August 24 acts for the moment because I have no idea who any of them are, but Sunday, August 25 will be headlined by the first Replacements show in 22 years. That’s right – Paul Westerberg and Tommy Stinson back together again as The Mats. And if that wasn’t worth your $50 ticket, the lineup ALSO includes Iggy & The Stooges, The Weakerthans, Rocket From The Crypt, Dinosaur Jr, Best Coast, and more. That goes down at, of course, Garrison Common. The Replacements, people. The Replacements.

MP3: The Weakerthans – “Night Windows”
MP3: Dinosaur Jr – “Freak Scene”
Video: The Replacements – “Bastards Of Young”
Video: Iggy & The Stooges – “Search & Destroy”
Video: Rocket From The Crypt – “On A Rope”
Video: Best Coast – “When I’m With You”

Robert SemmerOn the list of ideal days on which to announce a tour itinerary, there’s not many occasions better than the day the album you’re actually going to promote goes on sale. And so yesterday, with the official release of their latest full-length Monomania, Atlanta’s Deerhunter have announced the itinerary for their Fall tour behind it. It’s an outing that brings them to The Phoenix in Toronto on September 12, and that leg of the tour also includes support from Marnie Stern, who herself released The Chronicles Of Marnia in March. Tickets for the show will run $20 in advance.

Also good to run on or around the release date of an album are feature pieces on them. And so, peruse these interviews with the ever-quotable Bradford Cox at The Salt Lake Tribune, MTV Hive, Pitchfork, and Interview. Marnie Stern is interviewed by The Washington Examiner, Soundcheck WNYC, MTV Hive, and Heeb.

Video: Deerhunter – “Monomania”
Video: Marnie Stern – “Immortals”

Also coming to town – chiptune champtions Anamanaguchi are going to be at The Hoxton on May 23, tickets $12. Their Kickstarted new album Endless Fantasy is out May 14.

MP3: Anamanaguchi – “Meow”

Los Angeles indie-R&B sibling duo Inc. have announced a North American tour that brings them to The Garrison on June 4. Their debut No World came out back in February.

MP3: Inc. – “5 Days”
MP3: Inc. – “The Place”

Also from LA but working a more electro-pop yet still soulful angle are Superhumanoids, who will be in town at The Drake on June 18. Yours Truly recently posted a video session with the band.

MP3: Superhumanoids – “Simple Severin”

Bear In Heaven have been announced as support for Wire for their July 10 date at Lee’s Palace.

MP3: Bear In Heaven – “The Reflection Of You”

Following her triumphant local debut in February, there wasn’t much question that Solange would be back sooner rather than later. And just like that, she’s made a date at The Kool Haus on July 13, tickets $26.50.

Video: Solange – “Losing You”

Also subscribing to the Deerhunter model of “announce your tour the day your record comes out” are Savages, who accompanied yesterday’s release of their debut Silence Yourself with a brace of North American dates announced via Matablog; they’ll be back in Toronto on July 16 for a show at The Mod Club, tickets $16.50. Interview has a brief feature on the band.

Video: Savages – “Shut Up”

Australian songstress Lenka – she did that adorable song in Moneyball, that Aaron Sorkin film about baseball that you of course would remember adorable songs from – will be at The Drake on July 24, tickets $15. Her new album Shadows will be out on June 4.

Video: Lenka – “The Show”

Brooklyn’s Oberhofer haven’t released a full-length follow-up to last year’s Time Capsules II yet, but the Nostalgia EP that came out last month seems to be enough pretence to hit the road; they’re at The Garrison on August 1, tickets $11.50.

MP3: Oberhofer – “Dontneedya”

We’ve only just started gotten to enjoy Spring and/or Summer, but if you need a reason to look forward to Autumn, perhaps the double-bill of Toro Y Moi and The Sea & Cake – the former touring this year’s Anything In Return and the latter last year’s Runner – will do it. The solid double-bill will be at The Phoenix on October 27, tickets $20. The Independent has an interview with Toro Y Moi’s Chaz Bundick.

MP3: Toro Y Moi – “Saturday Love”
MP3: The Sea & Cake – “On And On”

That star-studded yet endlessly contentious Great Gatsby OST came out this week and has also been streaming at NPR. So if you want to hear what next year’s CD dollar bin – if such a thing still existed – sounds like, head on over.

Stream: The Great Gatsby original soundtrack

Pitchfork has an advance stream of the self-titled debut from Dungeonesse, due out next week on May 14.

MP3: Dungeonesse – “Nightlight”
Stream: Dungeonesse / Dungeonesse

Vampire Weekend are a week out from the release of their new record Modern Vampires Of The City, and so of course it must be streaming. And so it is, at iTunes. They’re at the Sony Centre on May 16 and are the subject of feature interviews at Pitchfork and The New York Times.

Stream: Vampire Weekend / Modern Vampires Of The City

FVCKTHEMEDIA and CMJ have interviews with Laura Stevenson about her new record Wheel, which she’s in town to promote at The Drake Underground on May 21.

aux.tv, Blurt, Georgia Straight, and The Fly talk to Hutch Harris of The Thermals, coming to town to play The Horseshoe on May 21.

Paste has an advance stream of the new Saturday Looks Good To Me record One Kiss Ends It All, out May 21.

Stream: Saturday Looks Good To Me / One Kiss Ends It All

NPR has premiered the first video from Kurt Vile’s latest, Wakin’ On A Pretty Daze. He and his Violators play the Toronto Urban Roots Fest at Garrison Commons on July 7.

Video: Kurt Vile – “Never Run Away”

Yeah Yeah Yeahs have released a video for the title track of their latest, Mosquito.

Video: Yeah Yeah Yeahs – “Mosquito”

The Flaming Lips have a new video from The Terror – the NSFW caveat pretty much goes without saying, doesn’t it? – and there’s interviews at Stereogum, Loud & Quiet, and Bon Appetit.

Video: The Flaming Lips – “You Lust”

Janelle Monáe has released the first video from her next album The Electric Lady, due out later this year.

Video: Janelle Monáe w Erykah Badu – “Q.U.E.E.N.”

NPR, Seattle Weekly, and Aquarium Drunkard talk to Caitlin Rose.

Blurt profiles The Men.

NPR has a World Cafe session with Low.

Pitchfork gets an update from the studio from Spoon. Who are in the studio.

Will WestbrookGuys, in case it wasn’t obvious, running a music blog that tries to update daily is hard work. So when something comes down the wire like, oh, a Neutral Milk Hotel reunion, it’s not the sort of low-hanging fruit one passes up, even if everyone and their mother is reporting it. And so even though you’ve surely already heard, Jeff Mangum – having confirmed via his 2011 solo tour that people do indeed still care about his old band – has gotten Scott Spillane, Julian Koster, and Jeremy Barnes to reform the In The Aeroplane Over The Sea lineup and commit to tour dates this Fall.

Presently, those tour dates number only five – two predictably at the 40 Watt Club in the band’s hometown of Athens, Georgia, one reasonably in Asheville, North Carolina, and two more bizarrely in Tokyo and Taipei. More will surely follow – one doesn’t open the door to something of this magnitude to just immediately shut it – but certainly not before those Athens dates in late October. And might this be paving the way for some new recordings…? Hey, one internet-breaking announcement at a time, alright?

MP3: Neutral Milk Hotel – “Holland 1945”
MP3: Neutral Milk Hotel – “Song Against Sex”

PopMatters talks to Tobin Sprout of Guided By Voices about their fourth post-reunion full-length English Little League, out as of today.

She & Him have let NPR stream their new album, the cryptically-titled Volume 3, a week before it comes out on May 7. They kick off the Toronto Urban Roots Fest at Garrison Commons on July 4.

Stream: She & Him / Volume 3

Spinner has a feature interview with Charles Bradley, who leads his Extraordinaires into The Phoenix on May 11.

Consequence Of Sound has details on a new Wild Nothing EP entitled Empty Estate due out May 14, a video from which has been made and released into the wild.

Video: Wild Nothing – “A Dancing Shell”

Spinner talks to the Berninger family about the Mistaken For Strangers documentary about The National, which features and was directed by brothers Matt and Tom. The new National album Trouble Will Find Me is out May 21 and they play Yonge-Dundas Square for NXNE on June 14.

Though he’s mainly focusing on his new record The Low Highway, as in this interview with Spinner, Steve Earle talks to Billboard about revisiting his past with the release of a box set collecting Train A Comin’, I Feel Alright, and El Corazon – the albums that got me obsessed with Earle in the first place – as well as a live album in Live at the Polk Theater and a live DVD in To Hell and Back, circa 1995 and 1996 respectively. The five-disc Steve Earle: The Warner Bros. Years set will be out June 25 and you can stream one of the Polk Theatre tracks below.

Stream: Steve Earle – “The Devil’s Right Hand”

The Fly has a feature interview with Parquet Courts, coming to town for a gig at The Horseshoe on July 17.

Of Montreal took to Kevin Barnes’ Tumblr to announce the completion of their new album Lousy With Sylvainbriar, scheduled for release this Fall.

Janelle Monáe talks fashion with MTV Hive. Her new album The Electric Lady is due out sometime this year.

In conversation with Spin, TV On The Radio reveal they’re working on a new album and it won’t be for Interscope.

NPR has a video stream of The Flaming Lips performing Yoshimi live, in its entirety, back at SXSW in March.

Yours Truly has a video session with Caitlin Rose.

The Black Angels stop in at The Alternate Side for a video session and interview.

NPR chats with Sam Beam of Iron & Wine.

John ShearerThe era of the touring festival has by and large given way to massive destination and regional festivals – it seemingly being easier to bring a bunch of bands and tens of thousands of fans to one place than it is to bring a bunch of bands to hundreds of thousands of fans in a bunch of places – but sometimes a touring bill is so impressive that it warrants a fancy name of its own. And the bill of Bob Dylan, Wilco, My Morning Jacket, and Richard Thompson which will be hitting amphitheatres across North America this Summer is one of those bills; ergo “AmericanaramA”.

Even though he’s the headliner and by far the biggest act – though if there was justice in the world, Thompson wouldn’t be far behind – Dylan is also the biggest question mark on the lineup. As I mentioned last Summer when the Fall tour in support of his latest album Tempest, Dylan is not someone who suffers nostalgiasts lightly and based on the tweets I saw the night of that Air Canada Show about people walking out after just a few songs, his penchant for rendering his songs nigh unrecognizable live remains undiminished. So caveat emptor, but also know that each of Wilco, My Morning Jacket, and Richard Thompson are also absolute known quantities at the other end of the spectrum – they’re incapable of putting on a bad show, even if they’ll most likely be allotted much less than their usual marathon set times.

So whether that math is persuasive enough to convince you to shell out the $49.50, $69.50, or $89.50 for reserved seats or $35.50 for lawns to see them at The Molson Amphitheatre on July 15 is between you and your accountant. But don’t forget to factor in the cost of an “AmericanaramA” t-shirt. The presale goes Saturday, April 27 Tuesday, April 30, at 10AM, with the regular onsale following on Friday, May 3, at 10AM.

MP3: Bob Dylan – “The Times They Are A-Changin'”
MP3: Wilco – “Whole Love”
MP3: My Morning Jacket – “Heartbreakin’ Man”
MP3: Richard Thompson – “The Sights & Sounds Of London Town”

Austin shoegaze aficionados Ringo Deathstarr have made a date at The Shop Under Parts & Labour for June 3 in support of their second album, last year’s Mauve. Tickets for the show are $7 in advance.

MP3: Ringo Deathstarr – “Imagine Hearts”

Aussie-fronted Swedish electro-pop up-and-comers Kate Boy have slated a short North American tour that includes a Toronto stop at Wrongbar on June 9. Tickets are $12.50 and if you need to catch up on some of the buzz behind them, there are these features at Pitchfork and Billboard.

MP3: Kate Boy – “Northern Lights”
Video: Kate Boy – “In Your Eyes”
Video: Kate Boy – “Northern Lights”

There was both curiosity and concern when London’s Still Corners canceled their North American tour in support of the forthcoming Strange Pleasures, out May 7, and the reasons for the itinerary change was made clear yesterday – instead of headlining their own Summer tour, they will supporting CHVRCHES on theirs. Exclaim has the new dates, which still include a Toronto date – June 12 at The Hoxton – but raises questions about their participation in NXNE. On one hand, even though that CHVRCHES date falls on the first night of the festival, there’s no sign that it will be associated with it at all – get your $16 ticket while you can – but on the other hand, they’ve got two off days before they need to be in Montreal so there’s technically no reason that their previously-announced June 14 NXNE showcase can’t still happen. Anyways.

MP3: Still Corners – “Berlin Lovers”

With a new album out in Change Becomes Us, British post-punk legends Wire will be at Lee’s Palace on July 10, tickets $25. There’s interviews with the band at Rolling Stone, PopMatters, and Rock Cellar.

MP3: Wire – “Dot Dash” (live)

Born Ruffians will be playing a presumably free show at Harbourfront Centre on July 13 as part of their Sound Clash festival thing.

MP3: Born Ruffians – “Sole Brother”

Guelph’s Hillside Festival announced their 2013 lineup this year, and if you were interested in seeing the likes of Fucked Up, Colin Stetson, Diamond Rings, Hayden, Jim Guthrie, Lee Ranaldo, METZ, The Sadies, Yamantaka//Sonic Titan, or World Party (!) with easy access to swimming, camping, and drum circles, then Guelph Lake the weekend of July 26 to 28 is probably where you want to be. If you hate hippies, you may want to reconsider.

Further cementing the possibility that he might just be homeless, Josh Tillman will bring Father John Misty back to town for his fifth show in 15 months, this time headlining the Danforth Music Hall on August 3 with Minneapolis’ Night Moves as support. Tickets will run from $15.50 to $19.50, depending on floors or balcony.

MP3: Father John Misty – “Nancy From Now On”
MP3: Night Moves – “Headlights”

With the new Guided By Voices album English Little League out next week, April 30, the five lead-up 7″ singles have been conveniently collected into a single Soundcloud playlist, and while The Quietus has collected all of the b-sides, as well.

Stream: Guided By Voices / English Little League sampler
Stream: Guided By Voices / English Little League b-sides

Deerhunter have put their new album Monomania up on NPR to stream before it comes out May 7.

Stream: Deerhunter / Monomania

MTV Hive talks to Robert Levon Been of Black Rebel Motorcycle Club about his relationship with his late father. BRMC are at The Kool Haus on May 9.

Exclaim, Creative Loafing, The Island Packet, and Charleston City Paper interview Charles Bradley, in town at The Phoenix on May 11.

Mudkiss checks in with Nicole Atkins, who continues work on her third album Slow Phaser, due out later this year.

Janelle Monáe has made the first track from her new album The Electric Lady available to stream, and Erykah Badu has helped her do it. The record is due out later this year.

Stream: Janelle Monáe (featuring Erykah Badu) – “Q.U.E.E.N.”

CBC Music and Exclaim have interviews with Steve Earle about his new album, The Low Highway.

Sam Beam of Iron & Wine discusses his new album Ghost On Ghost with Clash.

Elle profiles Kim Gordon of Sonic Youth, covering topics including her brush with breast cancer, the end of her marriage to Thurston Moore, and what’s next.

Chan Marshall of Cat Power discusses her personal style with MTV Style.

As much as I love Galaxie 500, they’ve never struck me as a band that required multiple books to be written about them. Of course, Dean Wareham’s Black Postcards obviously had its bias, so maybe Temperature’s Rising – Galaxie 500: an oral and visual history – released last week and featuring input from all three members – will be more balanced and accurate. And if not, it will at least be larger and offer more pictures.

Frank YangObjectively speaking, there’s not a world of difference between Widowspeak’s 2011 self-titled debut or the follow-up Almanac, released in January of this year. You can file them both quite comfortably under “the soundtrack to dreams of dusty country roads”, not too far from lazy but not inaccurate reference points Mazzy Star and Cat Power, but something about Almanac grabs me the way that Widowspeak, as much as I dug it, didn’t. And it’s not something as simple as they’re getting more dynamic or rocking out harder, as refresher listens to their debut confirm there’s no shortage of volume spikes amidst the sleepiness. There’s just something more present, more assured, in Almanac‘s grooves – like lucid dreaming versus wake-walking. Whatever it is, I love it, and so their show at The Garrison on Monday night – their first non-festival headline date in Toronto – was a must-go on my calendar.

Local support came from The Auras, signed to Toronto’s Optical Sounds and labelmates with B-17, whom I’d just seen just a few days earlier; if there’s some sort of shadow conspiracy to get me more attuned with the city’s psych-pop scene… then it’s working. Mind you, The Auras didn’t impress the same way that B-17 did, but they’re not really built to. Comprised of fresh-faced youngsters rather than scene veterans, they were a bit of a mish-mash visually – a mass of paisley, headbands, shaggy hair, tassels, and with half the six-piece band in sunglasses, all bathed in their a bring-your-own light show. Sonically, they felt more like a a psychedelic jam session, rotating through four lead vocalists and possessing more of vague mandate to sound like a more shambolic, polite Black Angels than a firm mission statement. Understand that this is not a complaint, but actually more a point of envy. Having a group of like-minded players to jam, gig, and record with sounds like the best thing ever, actually.

I saw Widowspeak twice last year – in the same room at NXNE and a few months earlier at SXSW – but this time there was a new rhythm section in place and a fifth member in the fold on guitar and keys. The heart of the band, however – Molly Hamilton and Robert Earl Thomas – were still there, ever front and centre. Opening with Almanac leadoff “Perennials”, the template for the show was quickly established – Hamilton serenely cooing into the mic while Thomas got to play the role of guitar hero, although he would have been more effective at it had his guitar not been the quietest of the three on stage; a little more volume would have helped his leads achieve the prominence they deserved and might also have quieted the reasonably-sized if disproportionately chatty crowd audience.

As the show progressed, the chatter either diminished or the genuinely interested moved up to the front – in either case, they were drawn in by the performance, which maintained the same basic rhythm through the better part of an hour, offering a good mix of Almanac and Widowspeak material though sadly omitting two of my favourite new songs, “Devil Knows” and “Spirit Is Willing”. They did shift gears slightly towards the end with a cover of Chris Isaak’s “Wicked Game” – yeah, having Hamilton wrap her voice around it is a bit on the nose, but still gorgeous – and a keyboard-led “Thick As Thieves”, before closing with a relatively raucous “Ballad Of The Golden Hour” and “Harsh Realm”. An encore wasn’t a foregone conclusion, but Hamilton was enticed to come back out for a final number, a reading of “Limbs” done solo because the rest of the band didn’t know how to play it, and were also busy selling merch off to the side. A modest finale to a modest yet wholly enjoyable show.

Iamnosuperman and Good Times have interviews with Robert Earl Thomas and The Riverfront Times chats with Molly Hamilton while El Paso What’s Up talks to both.

Photos: Widowspeak, The Auras @ The Garrison – April 16, 2013
MP3: Widowspeak – “Ballad Of The Golden Hour”
MP3: Widowspeak – “Sore Eyes”
MP3: Widowspeak – “Gun Shy”
MP3: Widowspeak – “In The Pines”
MP3: Widowspeak – “Devil Knows”
MP3: Widowspeak – “Harsh Realm”
Video: Widowspeak – “Locusts”
Stream: The Auras / The Auras

Not necessarily enough show announcements this week to devote a post, but still a few things of note. Seattle’s Cave Singers will bring their new album Naomi – released last month – to town for a show at The Horseshoe on June 17, tickets $15. There’s a feature on the band at 85-26.

MP3: The Cave Singers – “Black Leaf”
MP3: The Cave Singers – “Swim Club”

California’s Rogue Wave are back with a new record in Nightingale Floors coming out on June 4, and are teaming up with Brooklyn’s Caveman, who just released their second self-titled album, for a Summer tour that hits The Mod Club on June 25, tickets $18.50/.

MP3: Caveman – “Easy Water”
Stream: Rogue Wave – “College”

Another bi-coastal bill will team Californian psych-pop outfit Woods, still working last Fall’s Bend Beyond, with New York ’90s indie rock revivalists Parquet Courts and their debut Light Up Gold for a date at The Horseshoe on July 17, tickets $15.50.

MP3: Woods – “Wind Was The Wine”
MP3: Parquet Courts – “Borrowed Time”

Los Angeles’ Julia Holter brings last year’s Ekstasis to The Drake on July 17, tickets $16.50.

MP3: Julia Holter – “In The Same Room”

Consequence Of Sound, Spinner, Vulture, and Spin talk to Thermals frontman Hutch Harris and PopMatters to drummer Westin Glass about their just-released new record Desperate Ground, and they also talk to The AV Club and Clash respectively about action movies. The Thermals are at The Horseshoe on May 21.

MTV Hive and Stereogum have features on The Yeah Yeah Yeahs, whose new record Mosquito arrived this week.

Interview and The Victoria Times-Colonist talk to Sam Beam about the new Iron & Wine album Ghost On Ghost.

PopMatters, eMusic, Forbes, and Spin have features on The Flaming Lips and their new album The Terror.

The National Post talks to Steve Earle about his latest The Low Highway.

Ra Ra Riot is streaming the single they’ll be releasing for Record Store Day this Saturday via T Magazine. The Alternate Side also has a session with the band, who are here on May 25 at The Sound Academy supporting The Shins, then back for the Field Trip fest at Garrison Commons on June 8.

Stream: Ra Ra Riot – “All I Fear”

Stereogum has a stream of The Hold Steady’s contribution to this week’s Game Of Thrones closing credits, while Wired examines the intersection of the kingdoms of Westeros and the world of indie rock. The Hold Steady are here as part of the Toronto Urban Roots Fest on July 6 at Garrison Commons.

Stream: The Hold Steady – “The Bear & The Maiden Fair”

NPR has a Tiny Desk Concert concert with Yo La Tengo, one of the names at the final day of the Toronto Urban Roots Fest at Garrison Commons on July 7.

Kurt Vile is also playing TURF Sunday; Noisey has an interview with him about being a rocker parent rocker.

Janelle Monáe dishes a bit to Billboard about her long-awaited second album The Electric Lady, due out later this year.

Stereogum have premiered the new video from Low’s The Invisible Way.

Video: Low – “Just Make It Stop”

Okkervil River’s Will Sheff has squeezed another video out of his Lovestreams side-project.

Video: Lovestreams – “There’s Video”

NPR welcomes Local Natives for a World Cafe session.