Paul HammondHalifax’s Dog Day have got the goods to be a terrific pure pop band, capable of crafting sublime melodies and hooks, but their fondness for the noisier virtues of the indie rock canon of the ’90s ensures that they’ll never be quite so easy to pin down. As such, their 2006 effort Night Group was an incongruous yet perfectly natural bit of doom-pop, all spiky and sweet – heavy and foreboding in intent but eminently hummable in execution.

Their recently-released follow-up Concentration takes those same classic college rock ingredients and brews up something familiar, but still new. It’s less immediate than Night Group, yet somehow smoother and more melodic and textured with Seth Smith’s vocals still distinctively monotone but Nancy Urich’s vox much stronger and expressive on this outing. Some may bemoan the absence of Night Group‘s punchier elements but the dream-pop qualities of Concentration reveal themselves with deeper listens and are just as rewarding.

Touring Night Group to death was a successful strategy for the band last time out, so it’s only logical that they pile into the van yet again for Concentration. Their cross-Canada tour already covered the Maritimes earlier this month but they’re covering all points Quebec and west starting next week, including a date at Lee’s Palace in Toronto on the 28th of May. Courtesy of Against The Grain, I’ve got five pairs of passes to give away for this show which will also feature The Burning Hell, Wild Life and Pacific Trash Vortex and on top of that, courtesy of Pigeon Row, I’ve got two copies of Concentration on vinyl available to give away. I’ll run these contests separately, so to enter both, email me twice – contests AT chromewaves.net – either with “I want to see Dog Day” in the subject line and your full name in the body for the passes, or “I want to hear Dog Day” in the subject line and your full mailing address in the body for the vinyl. Contest closes at midnight, May 26th.

There’s an interview with Dog day at The Coast.

Update: Just announced – Dog Day are also doing an in-store at Soundscapes on May 27 at 6PM.

MP3: Dog Day – “Rome”
Video: Dog Day – “Happiness”
MySpace: Dog Day

I was fortunate enough to receive an advance copy of the new Royal City compilation Royal City, and can tell you it’s a beautiful package – hardcover and bookbound – and oh yeah, the music is pretty terrific too. The limited edition set collects an album’s worth of unreleased material from the departed Guelph outfit and is set for release June 23.

MP3: Royal City – “Can’t You Hear Me Calling”
MP3: Royal City – “A Belly Was Made For Wine”

Royal City guitarist Jim Guthrie’s new project Human Highway was just featured in a session on NPR.

NOW and The Cord talk to Joel Plaskett, who plays Massey Hall tomorrow night.

Metric have rolled out a new video from Fantasies.

Video: Metric – “Sick Muse”

eMusic and The Quietus have typically entertaining interviews with Jarvis Cocker. He also talks to The Guardian about his thespian ambitions in the new Wes Anderson adaptation of Roald Dahl’s The Fantastic Mr Fox.

It’s like a nostalgia trip back to SxSW 2009 at Bandstand Busking as they present a session with Fanfarlo and another with Theoretical Girl.

These days it’s rare that a record of interest is put out without my being bombarded with press releases about it well in advance, so it was a pleasant surprise to discover the existence of Hard To Find – a digital-only collection of American Analog Set rarities which quietly came out in April. Covering the band’s years with Tiger Style and Arts & Crafts, it acts as a companion volume to 2001’s Through The ’90s. Considering that Andrew Kenny is now dedicated to his new project The Wooden Birds, this set could act as the final whirr and click in the quietly lovely story of AmAnSet.

MP3: The American Analog Set – “Stoney Chariots”
MP3: The American Analog Set – “Make It Take It”

Exclaim reports on the copyright clusterfuck that will essentially prevent the Danger Mouse/Sparklehorse collaboration Dark Night Of The Soul from seeing any “legal” release.

Nick Zinner of Yeah Yeah Yeahs talks to Billlboard. They’re releasing a remix EP for “Zero” on June 9 on vinyl – it’s available digitally now.

Artrocker interviews School Of Seven Bells. They’ve also got a new video. A trippy new video.

Video: School Of Seven Bells – “My Cabal”

The Line Of Best Fit, The Sun, The Georgia Straight and The Village Voice have features on Grizzly Bear. They’ll release Veckatimest next Tuesday, May 26, and have a show at the Phoenix on June 5. There’s also an in-studio performance at WNYC streaming at NPR.

Decider and Rolling Stone interview St Vincent’s Annie Clark. She will be at Lee’s Palace on August 8, and has just made available another MP3 from Actor.

MP3: St. Vincent – “Actor Out Of Work”

Paste and Decider have interviews with John Vanderslice, while I Pick My Nose has an interview AND a tour of the ‘Slice’s garden. He will be at the Horseshoe on July 10.

Good Times, Metro Santa Cruz and Santa Cruz Sentinel talk to Jenny Lewis.

My contest to give away copies of Dean Wareham’s memoirs Black Postcards wraps up tomorrow night, but if you don’t win a copy – and let me just say that the response to the contest has been overwhelmingly good and I wish I could give you all books – take heart, the folks at Ear Farm are also giving copies away AND they’ve got an interview with Wareham to go with it. So head on over and hedge your bets.

Other commitments keep me from partaking in this year’s Over The Top Fest, which began last night, but if you’re around this weekend and are looking to partake in some music and/or film, it’s really your best bet for discovering something new. There’s previews of some of the acts at this week’s NOW and eye.

Ottawa’s I Heart Music has been a tireless promoter of independent Canadian music for some years now, introducing both myself and countless others to great up-and-coming domestic talent via the blog and many, many live showcases. And it appears that no good deed goes unpunished as SOCAN, the national agency tasked to collecting royalties for Canadian songwriters, has gone after Matthew for royalties owed on his live shows, to the tune of a couple thousand dollars. Now if you’re of the inclination to donate to music media types in financial distress, you’ve obviously got a few options these days but Matt is fighting the good fight and deserves some support.

Ingram BarssWhen it comes to rock music, there’s few things that can be said to be asking to fail more than the double album and the concept album. To the former, most artists have trouble coming up with enough quality material to pad out a conventional 10-song set and to the latter… well, I don’t think there’s any explanation needed there. And let’s not even get started on the double- concept album. So the fact that Joel Plaskett’s latest is a triple-album with a running theme should be a recipe for glorious catastrophe… and yet it’s not. Far from it, actually.

But let’s be clear – Three may be ambitious, but it doesn’t overreach. The only real “concept” at work is the number three, which applies to the number of CDs in the set, manifests itself in a number of song titles (“Pine, Pine, Pine”, “Run, Run, Run” for example) and crops up in the lyrics from time to time – hardly a rock opera. And all 27 songs could have easily fit on two compact discs, but that would have spoiled the fun. And besides the numeral three, fun is the prevailing theme of this set – proceedings are dominated by an easy, laid-back vibe that finds Plaskett knocking off the sort of genial, unpretentious roots-pop/rock that has earned him the mantle of one of this country’s most reliable songsmiths.

And that reliability applies across the entire set. By sticking to what he does best and keeping the delivery simple and straightforward, Plaskett manages the remarkable feat of not including a single standout clunker. They’re certainly not all classics – many drift by with just an amiable nod – but anything that does catch jump out and grab the ear does so because it’s exceptional, and there’s no shortage of those, particularly on disc two. Generally, these are the quieter, more thoughtful compositions – a fact that may mark Plaskett’s transition from rocker to balladeer complete, but one that should be celebrated. Unless you still light a candle nightly in hopes of a Thrush Hermit reunion, in which case I cannot help you.

Plaskett has just begun a cross-Canada tour that will place him at Massey Hall on May 23, and courtesy of Maple Music I have a pair of tickets to give away to the show, along with an autographed copy of Three. To get in on this, email me at contests AT chromewaves.net with “I want to see Joel Plaskett” in the subject line and your full name and mailing address in the body, and get that to me by midnight, May 19.

There’s interviews with Plaskett about his reasonings behind crafting a triple-album at The Edmonton Journal, The Gateway, Vue, FFWD and The Vancouver Courier.

MySpace: Joel Plaskett

PopMatters and The Sun talk to Steve Earle about his new album Townes, which you can stream in its entirety right now at Spinner.

Stream: Steve Earle – “Townes”

The Arkansas Times checks in with Richard Buckner. He’s beginning work on his next album which will be out next year.

There’s a new MP3 available from Iron & Wine’s forthcoming rarities collection Around The Well, out next week. You can also stream the whole double-disc collection at their MySpace.

MP3: Iron and Wine – “Belated Promise Ring”
Stream: Iron & Wine / Around The Well

Blurt talks to Andrew Kenny of The Wooden Birds, whose debut Magnolia is out now. Imagine American Analog Set unplugged, sans vibraphone and Farfisa and you’re pretty much there. Check out a track from the album and also their WOXY Lounge Act session from SxSW in March. Muzzle Of Bees and Black Book have interviews.

MP3: The Wooden Birds – “False Alarm”
MP3: The Wooden Birds – “Sugar” (live at WOXY)
MP3: The Wooden Birds – “The Other One” (live at WOXY)
MP3: The Wooden Birds – “Believe In Love” (live at WOXY)

Bowerbirds have released the first MP3 from their new album Upper Air. It’s out July 7 and they’re at Sneaky Dee’s on July 14.

MP3: Bowerbirds – “Northern Lights”

NPR has a session with Vetiver, who will be at the Horseshoe on May 15.

Bob Dylan has a new video.

Video: Bob Dylan – “Beyond Here Lies Nothin'”

Beatroute and Canadian Press interview Grizzly Bear. Veckatimest is out May 26, they’re at the Phoenix June 5.

Wayne Coyne tells Billboard that the next Flaming Lips album, due out later this year and still untitled but possibly to be called Embryonic, is looking like it’ll be a double-album.

Metromix interviews Thao, whom I won’t be seeing in New York tomorrow night because I will instead be hoofing it to Connecticut to see Leonard Cohen. I’d like to think Thao would understand.

Drowned In Sound, Express Night Out and Charleston City Paper interview The Thermals’ Kathy Foster.

KEXP has a session with Telekinesis, in town at the Horseshoe on June 10.

The Bygone Bureau talks to John Vanderslice about Romanian Names, out next week. He plays the Horseshoe July 10.

Ohbijou, who are currently gallivanting around Europe, have set a CD release show for Beacons when it comes out on June 2. The party will be on June 25 at the Opera House, tickets $13.

MP3: Ohbijou – “Black Ice”

The Veils and Foreign Born will be at the Horseshoe on July 27, both with new albums to promote – Sun Gang for the former and Person To Person, out June 23, for the latter. Tickets for that are $13.50.

MP3: The Veils – “The Letter”
MP3: The Veils – “Killed By The Boom”
MP3: Foreign Born – “Vacationing People”

Lykke Li is coming back to town yet again on August 9, and this time she’s playing the Sound Academy. Tickets are $26.50.

Caribou are returning to live action this year and have something special planned for their September 10 show at the Opera House. They’ll be performing as The Caribou Vibration Ensemble and according to Exclaim, that means “Four Tet’s Kieran Hebden, Koushik, John Schmersal, Kathryn Bint and Ahmed Gallab, along with a choir, a horn section and a quartet of drummers”. Um, okay. Bring it.

MP3: Caribou – “Melody Day”

Alissa AndersonIf you’re looking to establish your country-rock credentials, you could do far worse than get tapped to be the backing band for once-and-future Jayhawk Gary Louris on his solo ventures. And it was in that role that San Francisco-based outfit Vetiver came to the attention of many in 2008, even though they were hardly wet behind the ears newcomers, with their 2009 release Tight Knit their fourth long-player.

But if you come to the Vetiverse – their own clever term, not mine – via the Louris connection, you might be a little surprised as their own creative compass tilts in a somewhat different direction from their sometime bandleader’s. Tight Knit could loosely be filed under country but not all under rock – instead, it’s a soft and billowy collection of folk-pop tunes that might have roots in ’70s AM if it were solid enough to have roots. It drifts prettily along, led by Andy Cabic’s gentle vocals and tinged with a dizzy psychedelia of the sort you might experience not by taking illicit pharmaceuticals but by rolling down a tall hill on a sunny day. Though released back in the cold days of February, Tight Knit could be the soundtrack for many a lazy Summer’s afternoon.

Vetiver are currently taking their show on the road and will stopping in at the Horseshoe next Friday, May 15, and courtesy of Against The Grain, I’ve got a couple pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to visit the Vetiverse” in the subject line and your full name in the body. Get that in to me before midnight, May 13.

The Winston-Salem Journal has an interview with Andy Cabic.

MP3: Vetiver – “Everyday”
Video: Vetiver – “Everyday”
MySpace: Vetiver

Billboard has had a listen to Wilco’s next album Wilco (The Album) in advance of its June 30 release and reports its findings. And Paste has info on the $50,000 lawsuit that former Wilco member Jay Bennett has brought against the band for allegedly unpaid royalties.

Pitchfork talks to James Mercer of The Shins about their impending return, with a new self-released album and new lineup. Well not that impending – the record probably won’t be out till next year.

Song, By Toad interviews Jason Lytle, whose solo debut Yours Truly, The Commuter may not be out until May 19 but is currently available to stream at NPR.

Stream: Jason Lytle / Yours Truly, The Commuter

New York Magazine and The New Yorker both devote features to Grizzly Bear, whose Veckatimest will be released on May 26 and who will play the Phoenix on June 5.

Tickets for the free Malajube show at Lee’s June 12 are now available at Soundscapes – probably Rotate, too.

Grand Archives will release their second album Keep in Mind Frankenstein on September 8.

The Tripwire asks five questions of M Ward. The Visalia Times-Delta asks as many questions as it wants.

Blurt talks to Patterson Hood about goings-on in camp Drive-By Trucker, including a rarities and b-side collection due out later this year.

A lifetime (if you’re eight years old) since the release of their first album, Elephant 6 survivors The Circulatory System will return with Signal Morning on August 4.

R.E.M.’s Reckoning will be getting the deluxe, double-disc reissue on June 23 with the original album getting a sonic buff and the package coming with a bonus live disc recorded in Chicago in 1984. Both Murmur and Reckoning will be released on 180-gram vinyl on that date as well.

So playing V fest-spotter has become something of a hobby of mine the last little while, trying to unearth info about the where, when and who with the festivals this year. Well the first official announcement came yesterday, and it was not what I’d expected. There’ll be five V Fests across Canada this year – British Columbia, Alberta, Ontario, Montreal and Nova Scotia – and based on who they’ve rounded up for Montreal next month, it’ll be interesting to see how things shape up if nothing else. I will give them this much – no one will be complaining about the same acts playing that fest as all the others in North America, nor will you be hearing about the indie/classic rock hegemony of music festival lineups. You may hear complaining about other things, but not those. There’s still no hint of when the Toron- sorry, ONTARIO lineup will be unveiled, or any of the others, but rest assured as they are, I’ll be there. And more than likely, incredulous. JAM has a bit of an interview with one of the Virgin PR people about the festivals.

Cuaderno ContableThough Pitchfork’s double-whammy today of a perfect 10.0 score and “Best New Music” laurel certainly don’t hurt, the legend of Serge Gainsbourg’s 1971 album Le histoire de Melody Nelson was well-established. Tremendously influential and infamously lecherous, the musical tale of an affair between an older French gentleman and teenage girl is a notorious one – even if you haven’t heard the record, you’ve heard OF the record.

It’s difficult to come up with words to describe the album. The proper adjectives – seedy, creepy, sleazy, debauched – all seem like negative descriptors but in this context, they imply perfection. It’s all deliberate and perfectly arranged with the orchestral strings, greasy funk guitar and most importantly Gainsbourg and Jane Birkin’s voices – the embodiment of lech and ingenue respectively – bring their story vividly to life. Even if you don’t speak French, and I don’t think that they would have taught me the necessary vocabulary in my 9th grade class, the record gets the message across musically and by the end of its sub-30 minute running time, you’re left feeling not a little bit dirty. Which I suspect is entirely the point.

Though it’s been almost 40 years since the album’s release, it’s only just been released in North America for the first time in deluxe CD form, with extensive liner notes, and heavyweight vinyl. And, courtesy of Light In The Attic, I’ve got a prize pack consisting of both the digital and analog forms of the album, along with a limited-edition poster, to give away. To enter, email me at contests AT chromewaves.net with “Je veux l’histoire de Melody Nelson” in the subject line and your full name and address in the body. Contest is open to residents of North America and notes that though the CD was released this week, the LP has been delayed till mid-May so if you win, that’ll come a bit later. But in the meantime, watch the video clips made for each song on the album by Jean-Christophe Averty. And then wash your hands.

Video: Serge Gainsbourg – “Melody”
Video: Serge Gainsbourg – “Ballade de Melody Nelson”
Video: Serge Gainsbourg – “Valse de Melody”
Video: Serge Gainsbourg – “Ah Melody”
Video: Serge Gainsbourg – “L’Hotel particulier”
Video: Serge Gainsbourg – “En Melody”
Video: Serge Gainsbourg – “Cargo Culte”

There’s an MP3 from the new Grizzly Bear’s forthcoming album Veckatimest. It’s out May 26 and they’re at the Phoenix on June 5.

MP3: Grizzly Bear – “Cheerleader”

Kyle from Information Leafblower interviews Bloc Party for DCist. Express Night Out and Boston Music Spotlight also have interviews.

Explosions In The Sky give Filter their guide to Austin, Texas. Well that would have been handy… a week ago.

NPR profiles Elvis Perkins In Dearland, who will be at the Horseshoe on April 29.

Prefix has an interview with Marissa Nadler, who has a date at the El Mocambo on April 21 as support for The Handsome Family.

MP3: Marissa Nadler – “River Of Dirt”

The National Post interviews Decemberist Colin Meloy.

Thanks to a commenter yesterday for pointing out that the forthcoming Wilco live doc Ashes Of American Flags, out on DVD April 18, will be getting a couple theatrical screenings in Toronto in May as part of Hot Docs. The band have also posted a bit of a news update with regards to the new album, narrowing down the release date to “late June” (which I’m guessing means June 23) and a track listing, though not in sequence.

Bry Webb of Constantines discusses getting older with The Toronto Sun. Here’s hoping his old bones hold up over their three-night stand at the Phoenix on March 31, April 1 and April 2.

Sky Larkin’s The Golden Spike will be getting a North American release on April 14. They’re at the Opera House on April 1 as support for Los Campesinos!.

St Vincent’s Annie Clark discusses her forthcoming album Actor with Spinner. The record is out May 5.

The AV Club gets a Drive-By Truckers update from Patterson Hood, including a progress report on their new album(s).

The Toronto Star and Chart chat with Cut Off Your Hands, in town for a show at the Horseshoe this Monday night.

hour.ca interviews White Lies. They’re at Lee’s Palace on Tuesday night for a sold-out show.

Filter gets to know Love Is All.

Santigold is at the Phoenix with a full band on June 3.

Jim HerringtonSteve Earle has announced details on his next album, and now that he’s done so the real question is why he hadn’t done this sooner? The new record is called Townes, and is a tribute album to his friend, mentor and the man he once declared the “best songwriter in the whole world,” Townes Van Zandt. Van Zandt passed in 1997 and was paid tribute by Earle in the song, “Fort Worth Blues”, but this record should be a much larger love letter to the late singer-songwriter.

Earle has been in political firebrand mode for his past few records so it’s good to see him return to his more introspective works, though I don’t know if this counts as the “chick songs” record he’s promised for a while. I can’t decide if I’d prefer it he play this one straight and reverential and avoid the sonic tomfoolery that permeated Washington Square Serenade or try to push the envelope a little, knowing he’s got such solid songs to work with. From the details at Blurt, it sounds like he’s doing both, enlisting a bluegrass band for some numbers and getting Serenade producer John King to produce and Rage Against The Machine’s Tom Morello to play on another. A couple of new songs – including the aforementioned track with Morello – are streaming at Earle’s MySpace, and I must say – his reading of “Pancho & Lefty” does it for me. Yes it does.

Update: There’s a short interview with Steve at the SteveEarle.com forums about the record.

Townes will be available as a single or double-CD set and will be out May 12.

Video: Steve Earle – “Fort Worth Blues” (live)
MySpace: Steve Earle

Rolling Stone reports that Bob Dylan is almost done work on a new album, set for a late April release.

There’s a new video from Neil Young’s Fork In The Road, out April 7. Are you stoked? ARE YOU STOKED? No? Can’t imagine why not.

Video: Neil Young – “Johnny Magic”

JamBase talks to Mark Olson & Gary Louris.

MP3: Mark Olson & Gary Louris – “Turn Your Pretty Name Around”

JAM and The AV Club talk to Neko Case. She’s got two sold-out shows at Trinity-St Paul’s on April 17 and 18.

JamBase profiles Jason Isbell.

MPR has a session with The Submarines. They’ve released a couple of digital remix EPs creatively titled Honeysuckle Weeks Remixes EP 1 and Honeysuckle Weeks Remixes EP 2, the second of which is available this week.

MP3: The Submarines – “You, Me & The Bourgeoisie” (Tonetiger remix)
MP3: The Submarines – “Submarine Symphonika” (Ra Ra Riot remix)

This Is Fake DIY interviews Ra Ra Riot, who will play the Sound Academy in support of Death Cab on April 7.

One For The Good Days has an interview with Ed Droste of Grizzly Bear. Their new record Veckatimest is out May 26 and they play The Phoenix on June 5.

CMJ talks to Matt Johnson of Matt & Kim. They’re at Circa on March 20 in support of Cut Copy.

Bishop Allen have a new video from Grr…, now out. You Ain’t No Picasso has an interview with his site’s namesake.

Video: Bishop Allen – “Dimmer”

Time Out Chicago and Paste talk Warhol with Dean Wareham of Dean & Britta.

Woodpigeon’s Mark Hamilton gives Anika In London a guide to Calgary.

They may not feature Mark Ronson production or Owen Pallet arrangements, but this Daytrotter session offers the first taste I’ve seen/heard of the new material from The Rumble Strips.

NME reports that Maximo Park are offering a free download of a track from album number three, Quicken The Heart. It’s not an especially remarkable track, but it’s just a taste, not a single. The record is out in May 11 and the offer is only good for a fortnight.

The Yeah Yeah Yeahs are streaming their new album It’s Blitz! on their MySpace in advance of its March 31 release, and goodness this is a sleek and shiny record. Those who loved the band for their unhinged, spiky guitar freak-outs may be disappointed but for those who always thought that they should indulge their potent inner disco-pop band, your ship has come in. And by you, I mean me. They’ve also got a new video. And Karen O gives an interview to Pitchfork about the internets.

Stream: The Yeah Yeah Yeahs / It’s Blitz!
Video: The Yeah Yeah Yeahs – “Zero”

Good news – Sky Larkin are coming to town! Bad news – it’s in support of Los Campesinos!. This isn’t an indictment of the Welsh kiddies – I’m not a big fan but they’ve got an energetic, entertaining show. It’s a complaint because that April 1 show at the Opera House would be my third gig in a row when I expect to still be recovering from SxSW, and I don’t realistically think I can swing that, and I’m planning on seeing them in Austin anyways. But to anyone who is going – get there early and see them! – and to anyone on the fence about attending – do so! BrooklynVegan has full Los Camp dates including which ones feature Sky Larkin support.

The National have made their contribution to the Dark Was The Night AIDS benefit album available to download, and it’s a gem. A sparkly, shiny gem. You can also watch them perform it at PitchforkTV. They – along with Feist, Sharon Jones and other contributors to the album will be playing a special show in New York City at Radio City Music Hall on May 3 that will surely be something to remember. We will have to settle for seeing them at the Kool Haus on May 21.

MP3: The National – “So Far Around The Bend”
Video: The National – “So Far Around The Bend” (live)