Sabine ScheckelWith all due respect to Mark Van Hoen and Nick Holton and their works with Seefeel and Holton’s Opulant Oog, respectively, it’s entirely reasonable to discuss Stars Are Our Home, the debut album from England’s Black Hearted Brother, almost entirely in terms of Neil Halstead. Because not only is it Halstead’s work in Slowdive, Mojave 3, and as a solo artist that’s going to sell this record, it’s his past work which offers the strongest reference points. And yet what fans of the aforementioned will get out of this record depends entirely on the expectations they come into it with, for despite a return to electric instruments, a band context, and the unapologetically cosmic allusions of the record, Stars occupies an orbit all its own that promises no return to Souvlaki Space Station.

In fact, for all the echoes of Halstead’s past work that inhabit Stars, there’s little that’s reminiscent of Slowdive at their most beloved. The downbeat “Take Heart” comes closest to recreating a Souvlaki-esque sigh, but for the most part guitars have more psych and bite than swell and bloom, and the electronics at play leave little of the space that defined Pygmalion. The songwriting at its best captures the brighter, poppier side of Mojave 3 as well as the laid-back melodicism of solo Halstead – both “This Is How it Feels” and “UFO” combine these marvellously – and even when it’s not quite as refined – some of it feels jammier than you’d have ever found on a M3 or Slowdive record – the palpable enjoyment these long-time mates get out of playing together still carries it through.

As I mentioned the last time he came through town, Halstead’s gift for musical reinvention while remaining wholly himself is quite remarkable, and with Black Hearted Brother – who use their own past as influences, but still create something all-new – this continues.

Stars Are Our Home is out today, and MusicOmh gets a track-by-track walkthrough of the album from the band. Meanwhile, Exclaim! has an extensive interview with Halstead about not just Black Hearted Brother, but the plausibility of a Slowdive reunion (the door he opened last year remains reluctantly wide open) and the upcoming solo gigs at which Rachel Goswell will guest on vocals for a planned live record.

And further to the Halstead singularity in which we now find ourselves, a limited-edition 7″ featuring solo versions of “Alison” and “Yer Feet” will be made available for sale online this Friday, providing they don’t sell out at the London gigs. Which they really should.

Update: Also fun – the band have put out an introduction video for those not familiar with the principals.

MP3: Black Hearted Brother – “This Is How It Feels”
Video: Black Hearted Brother – “This Is How It Feels”

The Boston Herald, Boston Globe, and Metro profile Franz Ferdinand, coming to town for a show at The Kool Haus on October 24.

The 405 talks to Los Campesinos! about their new record No Blues, coming out next wek on October 29.

With the November 5 release of her new album Matangi a couple weeks away, Pitchfork, The Fader, and The Guardian all want to talk to M.I.A..

Clash has a stream of another new tune from Rose Elinor Dougall, who will release the Future Vanishes EP on November 18.

Stream: Rose Elinor Dougall – “Poison Ivy”

Toy have released a video for the title track of their new record Join The Dots, coming out December 9.

Video: Toy – “Join The Dots”

Slate The Disco and Leeds Music Scene talk to Lanterns On The Lake about their new album Until The Colours Run, which gets a North American release on January 14.

Thom Yorke’s Atoms For Peace has rolled out another video from AMOK and a making-of video for said video, viewable at Pitchfork.

Video: Atoms For Peace – “Before Your Very Eyes”

When Scottish rockers Idlewild announced a hiatus following 2010’s Post-Electric Blues, it certainly seemed like the permanent sort but this photo posted yesterday to their Facebook implies that they’re feeling it again, which is good news. Or they’re just messing around with the emotions of their Facebook page fans.

Guitar World talks to Noah & The Whale guitarist Tom Hobden about his world of guitars.

The Line Of Best Fit reports that Manic Street Preachers have unearthed some new Holy Bible-era material – not music, but archival material – and may include it in a 20th anniversary release.

Editors have a new video from The Weight Of Your Love.

Video: Editors – “Honesty”

The Fly chats with Yuck 2.0.

David Gedge of The Wedding Present discusses the return to Hit Parade with The Glasgow Evening Times and lists off the soundtrack of his life for High 50

NPR welcomes Daughter for a Tiny Desk Concert, while The List and Refinery 29 have interviews with frontwoman Elena Tonra.

Arctic Monkeys describe to Rolling Stone how they went reinvented themselves from being a chart-topping rock band to a chart-topping rock band.

And since this is where my head has been at lately, know that the 1993 Suede live concert film Love and Poison is available to watch in its entirety on YouTube; the VHS-transfered visuals aren’t amazing but the soundtrack is quite acceptable.

Video: Suede / Love And Pain

thecharlatans.netSad, sad news out of the UK yesterday when it was announced that Jon Brookes, drummer and founding member of The Charlatans, had passed away of brain cancer. The condition first surfaced during a 2010 North American tour that forced the cancellation of a number of dates, but until recently appeared to have been successfully treated, allowing Brookes to continue playing and recording with the band as recently as this Summer, with the band working on new material. Brookes was 44.

It’s not the first tragedy to befall the band – original keyboardist Rob Collins was killed in a car crash in 1996 – but in the almost 25 years of the band’s existence they’ve proven to be amazingly resilient, outlasting pretty much all of their Madchester and Britpop peers while building a really remarkable catalog of albums and singles. If any outfit could find the strength to carry on after such a loss – should they choose to – it’d be The Charlatans.

I feel fortunate to have caught them live at The Kool Haus in early 2002 circa Wonderland, their second-to-last visit (I believe) before a 2006 show at The Phoenix for Simpatico. It wasn’t supposed to be so, but the band were snakebit in their attempts to come back to support 2008’s You Cross My Path and 2010’s Who We Touch; for the former, they scheduled, cancelled, rescheduled, and re-cancelled a date at The Mod Club in Fall of 2009, eventually nixing the tour to allow Brookes to have shoulder surgery and their last attempt in September 2010 – which would have brought them to Lee’s Palace – was scrubbed after Brookes had a seizure in Philadelphia two nights before the show.

I’d been largely nonplussed about the band’s output this century, but those last couple records were genuinely solid and I had been quite excited to see them live again – especially in such small rooms – so those cancellations were extra disappointing. For that last Lee’s show, I’d already gone ahead and done the legwork of linking up their entire videography as I try to do for live reviews, and have actually had all of that HTML saved in a draft post for the past three years in hopes that they’d finally return and I could use it. Whatever happens with the future of the band, that return seems unlikely in the near term so I’ll instead post them as a tribute to Brookes and the band. Rest in peace, sir, and thanks for the music.

Video: The Charlatans – “My Foolish Pride”
Video: The Charlatans – “Love Is Ending”
Video: The Charlatans – “Mis-Takes”
Video: The Charlatans – “The Misbegotten”
Video: The Charlatans – “Oh Vanity”
Video: The Charlatans – “You Cross My Path”
Video: The Charlatans – “You’re So Pretty, We’re So Pretty”
Video: The Charlatans – “NYC (There’s No Need To Stop)”
Video: The Charlatans – “Blackened Blue Eyes”
Video: The Charlatans – “Try Again Today”
Video: The Charlatans – “Up At The Lake”
Video: The Charlatans – “A Man Needs To Be Told”
Video: The Charlatans – “Love Is The Key”
Video: The Charlatans – “Impossible”
Video: The Charlatans – “How High”
Video: The Charlatans – “North Country Boy”
Video: The Charlatans – “One To Another”
Video: The Charlatans – “Just When You’re Thinkin’ Things Over”
Video: The Charlatans – “Just Lookin'”
Video: The Charlatans – “Crashin’ In”
Video: The Charlatans – “Jesus Hairdo”
Video: The Charlatans – “I Never Want an Easy Life If Me and He Were Ever to Get There”
Video: The Charlatans – “Cant Get Out Of Bed”
Video: The Charlatans – “Tremolo Song”
Video: The Charlatans – “Weirdo”
Video: The Charlatans – “Me. In Time”
Video: The Charlatans – “Over Rising”
Video: The Charlatans – “Then”
Video: The Charlatans – “Sproston Green”
Video: The Charlatans – “The Only One I Know”

Travis have let Rolling Stone host the advance stream of their new record Where You Stand, which comes out August 19. Fran Healy talks to Metro, The Daily Mail, The Daily Record, and The Arbroath Herald about the new album, which they bring to The Sound Academy on September 25.

Stream: Travis / Where You Stand

DIY has both an album stream and track-by-track walkthrough of Absolute Zero, the debut album from Dublin’s Little Green Cars. It came out in North America back in the Spring but is only getting a European release next week, if you were wondering why they’re only getting around to it now.

Stream: Little Green Cars / Absolute Zero

The Fly and The Belfast Telegraph interview members of The Vaccines, who are streaming one of the tracks from their just-released Melody Calling EP via NME. They open up for Mumford & Sons at the Molson Amphitheatre on August 26.

Stream: The Vaccines – “Do You Want A Man” (John Hill + Rich Costey Remix)

Premier Guitar sits down with Alex Kapranos and Nick McCarthy of Franz Ferdinand to talk about their new record Right Thoughts, Right Words, Right Action with particular interest in – wait for it – their guitars, while The Age settles for a broader-interest feature piece. The record is out August 27 and they play The Kool Haus October 24.

Stereogum has premiered the lead video for Summer Camp’s self-titled second album, due out September 9.

Video: Summer Camp – “Fresh”

Alex Turner of Arctic Monkeys talks to Rolling Stone about the new single and video from their forthcoming AM, which comes out September 10. They’re at The Kool Haus on September 15.

Video: Arctic Monkeys – “Why’d You Only Call Me When You’re High?”

DIY have premiered the first video from Motto, the forthcoming record from Sky Larkin and Oxford Student also has an interview with the band. The new album is out September 16.

Video: Sky Larkin – “Loom”

Even though you’ve already seen her play it live at an in-store, The AV Club has posted the “proper” version of Charli XCX’s cover of The Backstreet Boys’ “I Want It That Way”, as she learned the song for her contribution to their Undercover series. She also lists her five favourites songs for The Week. Charli XCX plays The Hoxton on September 16.

Peter Hook recounts to The Guardian what he sees when he looks in the mirror, which includes a guy who’s going to play Movement and Power, Corruption & Lies at The Hoxton on September 18; he talks to This Is Nottingham about how the live performance will work. And if you want to see what he looks like when he’s trying to teach you to play “Ceremony”, head over to Slicing Up Eyeballs for the video lesson.

Spin is streaming another new track from Johnny Flynn’s forthcoming Country Mile, due out September 30.

Stream: Johnny Flynn – “After Eliot”

Billboard has a video session and interview with Kate Nash. She plays The Phoenix on November 5.

After threatening to leak it herself, M.I.A. has been given a November 5 release date for her eternally-delayed new record Matangi.

Over at Noisey, Emmy The Great explains how she came to write the soundtrack for the film Austenland.

Editors have released another video from their latest album The Weight Of Your Love; Artrocker also has a quick interview with the band.

Video: Editors – “Formaldehyde”

MTV Iggy interviews Camera Obscura.

Mat Osman of Suede tells The Quietus what he’s been listening to lately.

In conversation with The Daily Star Alex James is simultaneously optimistic and hazy about the future of Blur.

Pitchfork has what I believe is the first extensive post-m b v interview with Kevin Shields of My Bloody Valentine, including outtakes.

In conversation with The Japan Times, Johnny Marr dumps a whole load of cold, harsh reality on those holding out hope for a Smiths reunion.

Richard Round TurnerYou know what’s awful? Even though London quartet Arthur Beatrice have been on my radar for a little while now, I didn’t make the connection between their name and the late, great Golden Girl until about half an hour before writing this sentence. Not that it’s relevant in any way, I’m just amazed that I didn’t see it earlier.

Assumptions that the cheekiness of their name would imply a jokey band are sorely misplaced, though. Although evidence of their first two singles – “Midland” and “Charity”, released last year – have curiously been stricken from the internet, their just-released debut EP Carter, which is available to stream via Under The Radar, makes a strong first impression. It offers just three songs and a remix but strongly establishes their aesthetic, which evokes the danceability of ’90s British house but rendered with the instruments of vintage soul and the sultry boy-girl vocals reminiscent of The xx, though forgoing their icy detachment for something much more warm-blooded. There’s no such thing as a guaranteed formula for success, but if you were to try and come up with one, you could do much worse than theirs.

One assumes that a full-length album is in the works. Maybe those two redacted songs will resurface there?

Video: Arthur Beatrice – “Carter”
Stream: Arthur Beatrice / Carter

Under The Radar talks to Palma Violets, who’re back in town August 3 as part of The Grove Festival lineup.

The Vaccines are streaming another new tune from their forthcoming Melody Calling EP over at NME. That comes out August 12 and they support Mumford & Sons at The Molson Amphitheatre on August 26.

Stream: The Vaccines – “Everybody’s Gonna Let You Down”

NME gets Bloc Party bassist Gordon Moakes to chime in on the whole hiatus/no hiatus thing following the release of their new EP Nextwave Sessions on August 13.

Stereogum have got the whole video of a show Franz Ferdinand played for David Letterman’s audience when they were on last week, and they’ve also released a new official video from the new record Right Thoughts, Right Words, Right Action. It’s out August 27 and they play The Kool Haus October 24.

Video: Franz Ferdinand – “Love Illumination”

Rolling Stone declares Scotland’s synth-pop heroes CHVRCHES a band to watch and offers a live performance video as proof, while Gigwise has a two-part interview with the band. Their debut The Bones of What You Believe is out September 24 and they play the Danforth Music Hall on September 15.

Manic Street Preachers have made another track from their forthcoming album Rewind The Film available to stream; it’s out September 16.

Stream: Manic Street Preachers – “Show Me The Wonder”

Filter gets to know English newcomers Peace, who will support Two Door Cinema Club at the Danforth Music Hall on October 15.

Elvis Costello and The Roots have offered up the first official sample of their collaborative album Wise Up Ghost by way of video; the record is out September 17.

Video: Elvis Costello & The Roots – “Walk Us Uptown”

Slicing Up Eyeballs reports that The House Of Love will be playing a couple of intimate London shows in November for the purpose of releasing a live CD/DVD set next year.

Tone Deaf talks to Tom Smith of Editors.

Beady Eye hope to sway some of the generally unfavourable response to their second album BE with a new video full of nudity. Because everyone likes nudity, right?

Video: Beady Eye – “Shine A Light”

Alphabet Pony chats with Victoria Hesketh of Little Boots.

Interview talks to Johnny Marr.

The Daily Swarm has words with Savages guitarist Gemma Thompson.

Eleanor McDowallHaving gone high concept with their ’80s teen movie-evoking, fictional California community-set debut album Welcome To Condale, English retro-lectro-pop duo Summer Camp have been keeping relatively mum about what to expect from their forthcoming second album. It’s self-titled, so there’s not much to be gleaned there, and the trailer unveiled last month also didn’t do much besides offer a look around Jeremy Warmsley and Elizabeth Sankey’s flat, set to a surprisingly funky soundtrack.

That song has just been released as the first official sample of the new record by way of an uncommonly fun lyric video premiered at Gorilla Vs Bear. It’s a sweet disco-flavoured tune that happily and hopefully allays the reservations I had about Condale, specifically that all the ’80s-referencing would become more distraction than inspiration – they’ve got some ’70s in there now as well! I’ll happily take an album of great pop songs that aren’t necessarily about anything in particular; here’s hoping. Summer Camp is out on September 9.

Lyric Video: Summer Camp – “Fresh”

NME reports that The Vaccines will put out a new EP around the recently-released non-album single “Melody Calling”; it’s out August 12 and they play The Molson Amphitheatre supporting Mumford & Sons on August 26.

DIY and The Guardian talk to Kele Okereke about life in Bloc Party, with the former finding him dismissing the severity of the indefinite hiatus talk surrounding the release of their Nextwave Sessions EP on August 13.

Le Blogotheque has an Empty Spaces session and The Guardian a studio session with Franz Ferdinand, wherein they perform two of the songs from Right Thoughts, Right Words, Right Action. The album comes out August 27 and they play The Kool Haus October 24.

Under The Radar talks to Stuart Murdoch and Stevie Jackson of Belle & Sebastian about their forthcoming rarities compilation The Third Eye Centre, out August 27.

Good news and bad news for those hoping Bat For Lashes would schedule some of her own headlining shows amongst the support dates for Depeche Mode this Summer; the good news is that yes she is, the bad news is that Toronto doesn’t get one – but Buffalo does, if you’re up for a road trip. She’s at the Town Ballroom on August 31 before opening up for Depeche Mode at the Molson Amphitheatre on September 1. And yeah, there is still an off day between Toronto and Montreal, so if you’re the finger-crossing type, commence or continue crossing fingers.

Despite having a new album in AM coming on September 10 that their fans would surely love to hear more from, Arctic Monkeys are doing a bit of trolling by streaming a new track that will not appear on the record. They play The Kool Haus on September 15.

Stream: Arctic Monkeys – “2013”

Under The Radar and Sticky talk to Lauren Mayberry of CHVRCHES, whose debut album The Bones of What You Believe is out September 24 and who are at the Danforth Music Hall on September 15.

Elvis Costello talks a bit about Wise Up Ghost, his collaboration with The Roots coming out September 17, with Mojo.

Spin has got the backstory on a new Kate Nash song that’s been made available to stream; listen, read, help if you can. Nash plays The Phoenix on November 5.

Stream: Kate Nash – “Pink Limo Ride”

While they’ve not offered any specifics besides the fact that it’s done, Fanfarlo have made a track from their forthcoming third album available to download. DIY has the statement from the band about it.

MP3: Fanfarlo – “Myth Of Myself (A Ruse To Exploit Our Weaknesses)”

Daytrotter has a session with Sky Larkin, who’ve got a new record ready to go sometime this Summer, or so they claim.

Despite having lost frontman Daniel Blumberg to a solo career as Hebronix, Yuck have offered a track from their second album which will be out later this Fall, and you know what? It’s pretty good.

MP3: Yuck – “Rebirth”

DIY talks to The Maccabees, who’re working on album number for with an eye towards an early 2014 release date.

David Bowie gets simple and a bit scary for the next video from The Next Day, and if you like your Bowie a little more vintage, Aquarium Drunkard points to a BBC documentary about the inception of Ziggy Stardust.

Video: David Bowie – “Valentine’s Day”

Johnny Marr has put out another video from The Messenger and is streaming a new, non-album track at Pitchfork for good measure.

Video: Johnny Marr – “New Town Velocity”
Stream: Johnny Marr – “The It-Switch”

Rolling Stone has premiered the newest video from The Joy Formidable’s latest Wolf’s Law.

Video: The Joy Formidable – “Silent Treatment”

Little Boots is giving away a track from Nocturnes in exchange for an email and offering a live acoustic video of that same tune.

Video: Little Boots – “All For You” (acoustic)

Rolling Stone welcomes Editors to their studios for an unplugged video session. There’s also interviews with the band at The Sun, Digital Spy, Burton Mail, Londonist, and The Scotsman.

Fractured Air and Elle talk to Tracyanne Campbell and The News Observer to Gavin Dunbar, both of Camera Obscura.

Daytrotter welcomes Stornoway to their studios for a session.

In an interview with Under The Radar, Brett Anderson reveals why Suede are so reluctant to do any touring in North America and to which I say there’s no “London” here in Canada so get your skinny ass over here.

Interview sends Daniel Craig – yes, that Daniel Craig – to interview about Atoms For Peace and Radiohead.

The Independent talks to Noel Gallagher about his one-time sneaker addiction. Which apparently was a real thing.

Force Field PRIf there was any bright side to be gleaned from I Break Horses abruptly cancelling their North American tour last Fall, it’s that the Swedish duo of Maria Lindén and Fredrik Balck would be able to get to work on the follow-up to their debut Hearts, hands-down my favourite record of 2011. And unsurprisingly, given their reclusive natures, there’s been little in the way of status update since the went off the road and fans have had to take it on faith that they were hard at work. Encouragement came by way of Twitter with a, “Mixing songs for the next album!” tweet in April, but there’s been nothing tangible to nourish our Scandi-synth-gaze appetites – until now.

A new song and remix b-side will appear on a limited edition 12″ for the Independent Label Market happening at London’s Spitalfields Market tomorrow and while one would hope that any leftover copies would be made available to the internet at wide… there almost certainly won’t be any copies left over. Instead, we’ll have to make do with a stream of the new song – which happily still pushes all my right buttons – via Pitchfork and anxiously await the October release of their second album. Which, while it seems like ages away, is actually sooner than I had expected to get new music from them so no complaints here.

Stream: I Break Horses – “Denial”

Under The Radar talks to the Dreijer siblings of The Knife.

The Alternate Side has a session and interview with Junip.

Up-and-coming Swedish electro-pop artist Elliphant has released a new video for her latest single.

Video: Elliphant – “Music Is Life”

Kate Boy stop in at Daytrotter for a session.

Spanish Balearic-pop purveyors Delorean have announced the September 10 release of their second album Apar – along with a stream of a new song – and a corresponding North American tour that hits The Horseshoe on October 17.

Stream: Delorean – “Spirit”

German industrial-rock mainstays KMFDM will be at The Phoenix on October 28, tickets $27.50.

Video: KMFDM – “Juke Joint Jezebel”

Neil Tennant and Chris Lowe of Pet Shop Boys run down their favourite dance music songs for The Guardian. Their new album of dance music – Electric – is out on Tuesday, July 16, and they play The Sony Centre on September 25.

Editors have offered up a stream of the next single from their latest, The Weight Of Your Love.

Stream: Editors – “Formaldehyde”

Consequence Of Sound welcomes The Joy Formidable for an Off The Avenue video session. The Huffington Post and Boston Globe also have interviews.

The Scotsman and Glasgow Evening Times chat with Norman Blake about his partnership with Joe Pernice as The New Mendicants, but that Scotsman headline about being “Ex”-Teenage Fanclub? Nope. Nope. Nope.