Stefano GiovanniniIt seems counter-intuitive to not look forward to hearing an artist’s first album of new material in half a decade – the follow-up to arguably her best work, no less – but then things are rarely straightforward when you’re talking about Cat Power. With all respect to those who’d bestow the honour on You Are Free or Moon Pix, but The Greatest was as good as its title as far as I was concerned. It may not have been as musically adventurous or emotionally bare as some of her other works, but I found the document of an artist trying something new with the Memphis soul style and sounding so in her element irresistible.

So why fear for the follow-up? Well, there was 2008’s Jukebox, which took the aesthetic of The Greatest and applied it to a selection of classic songs and somehow ended up feeling utterly bloodless, with Chan Marshall seemingly falling into the diva trap of now being an impressive voice overemoting the words of others; it was like the feeling of comfort that permeated The Greatest had turned into complacency. Further, while the two shows I saw in 2006 in support of The Greatest were, with a few hiccups, outstanding shows that seemed to put Marshall’s reputation as a shaky live bet to bed, her appearance at the 2007 Rogers Picnic was uneven and uncomfortable and while she was certainly more together at Matador at 21 in 2010, that set didn’t really point to her leaving her Dirty Delta comfort zone anytime soon. In other words, my greatest fear for Sun, promised as far back as 2007 but only arriving next Tuesday, would that it would be an overworked, underwhelming rock’n’soul pastiche that showcased Marshall’s voice but shortchanged her songwriting. And I didn’t want to hear that happen.

Well as it turns out, there was nothing to fear. Nothing. At. All. Marshall’s soulful rasp is as rich as it ever was, but there’s little trace of the gospel-blues singer that she wore a little too well. Sun is a wildly eclectic record, and even those who’ve kept up with Cat Power through her various creative phases may be taken aback by the introduction of electronic textures, programmed beats, and even some autotuning effects, but no one would dare dismiss this as genre tourism. It’s more as if Cat Power has been captured through a prism and refracted into a spectrum of musical colours – perhaps new and unfamiliar when taken in bits, but all still very much parts of the whole.

As tempting as it would be to make the new sonic direction the story of the record, or dwell on the remarkable fact that it was not only self-produced but that Marshall played virtually every instrument on the record, to do so would be to not focus on the most crucial aspect of Sun and that the songs are fantastic. The frailties of her early work have given way to a swaggering confidence that permeates everything; Marshall is focused, confident, and not only willing to take on anything, but determined to succeed. A closer examination of the lyrics reveals as much emotional honesty as she’s ever offered – after all, you can’t raise the sun without casting some shadows – but the darkness only adds depth, it never defines. Sun is an astonishing statement from Chan Marshall that shows that rather than banish the demons of her earlier work as The Greatest might have inferred, she’s utterly made them her bitches and put them to work.

The New York Times, News.com.au, and Spin have feature pieces on Cat Power and NPR is streaming Sun ahead of its release next week. She plays The Kool Haus on October 20.

MP3: Cat Power – “Cherokee”
MP3: Cat Power – “Ruin”
Stream: Cat Power / Sun

Another stellar effort from a veteran performer out next week is Silver Age from Bob Mould; it’s also now available to stream along with an interview at Rolling Stone. The first video from said record also surfaced last week.

Video: Bob Mould – “The Descent”
Stream: Bob Mould / Silver Age

To mark the release of the Divine Fits debut long-player A Thing Called Divine Fits this week, there’s feature interviews with Britt Daniel and/or Dan Boeckner at Consequence Of Sound, The 405, Interview, 680 News, Seattle Weekly, Pitchfork, The AV Club, and The National Post. Divine Fits play Lee’s Palace on September 5.

Also out this week was Nocturne, the second album from Wild Nothing. Accompanying that were features at eMusic, The Fader, Clash, DIY, Austinist, The Line Of Best Fit, and Paste. They’re at The Great Hall on September 18.

A goodly number of show announcements to get through. We’ll start with The Killers, because statistically speaking some of you must be fans, just as some of your must be human and others dancer. Their new record Battle Born is out September 18 and they’re at The Sound Academy on September 22, tickets $54.50. That seems undersized for them so I figure this counts as the “intimate club gig” before they return in a few months at the arena level.

Video: The Killers – “Runaways”

Presumably having sorted themselves out following the departure of bassist Jen Turner, Here We Go Magic will be at The Garrison on September 23 as part of a tour support of their latest record A Different Ship. Tickets for that are $12.50 in advance. Spin has a feature on the band.

MP3: Here We Go Magic – “Casual”

Having been through for festivals and as support, Exitmusic finally have their own proper headlining show in support of their debut Passage. They’re at The Horseshoe on October 1, tickets $10.50.

MP3: Exitmusic – “The Sea”

Californian psych-poppers Woods will have a new record in Bend Beyond out on September 18, and they’d like to play some of it for you. Be at The Garrison on October 2 if you’ld like that too; tickets are $12.50 in advance.

MP3: Woods – “Wind Was The Wine”

There’s no measure by which this isn’t a strange tour, but it must make sense to someone. That’d be The Psychedelic Furs, The Lemonheads, and Juliana Hatfield, who will also be reprising her Ray-era bass duties in The Lemonheads. She’ll sort of have a new record to push in her self-titled cover album, a sort of companion piece to The Lemonheads’ last release, the all-cover Varshons. Wouldn’t it be weird if both their sets were all covers? Or maybe all Psychedelic Furs covers? Yeah I have no idea what this is, besides at The Danforth Music Hall on October 16. Ticket info still forthcoming.

Video: The Psychedelic Furs – “Love My Way”
Video: The Lemonheads – “It’s A Shame About Ray”
Video: Juliana Hatfield Three – “My Sister”

They are from Brooklyn, they are seventeen members strong, they are disco, they are Escort, their 2011 debut album was also Escort, I hear they were awesome at SXSW, and they’re at The Horseshoe on November 10. Tickets are $16.50 – that’s less than a dollar a band member!

MP3: Escort – “Starlight”

Yellow Ostrich are at The Garrison on November 12 in support of their second album Strange Land. $12 gets you in the door, full dates at Plug In Music.

MP3: Yellow Ostrich – “The Shakedown”

San Diego’s Pinback return with their first album in five years in Information Retrieved, and are touring in support. Said tour wraps up at Lee’s Palace on November 21, tickets $16.50.

MP3: Pinback – “From Nothing To Nowhere”

Rolling Stone has premiered the surprisingly dark new video from Bob Dylan’s forthcoming Tempest. It’s out September 11 and the man hits the Air Canada Centre on November 14.

Video: Bob Dylan – “Duquesne Whistle”

Exclaimtalks to Lou Barlow about the new Dinosaur Jr album I Bet On Sky, out September 18. They play three nights at Lee’s Palace from September 24 to 26.

The first video from Band Of Horses’ forthcoming Mirage Rock is now available to watch. It’s out September 18.

Video: Band Of Horses – “Knock Knock”

Stereogum chats with John Darnielle of The Mountain Goats. Their new record Transcendental Youth is out October 2, they play The Phoenix on October 20.

Benjamin Gibbard – you may know him as just Ben – has released the first sample of his forthcoming solo record Former Lives, out October 16. He plays The Danforth Music Hall on October 14.

MP3: Benjamin Gibbard – “Teardrop Windows”

Exclaim has details on a new release from Andrew Bird, a companion piece to this year’s Break It Yourself. Hands Of Glory is out October 30.

Sleigh Bells’ Reign Of Terror has yielded another new video.

Video: Sleigh Bells – “End Of The Line”

NPR welcomes Beachwood Sparks for a video session. LA Weekly also has a feature on the band.

The Rock & Roll Hall Of Fame, SF Weekly, The Pitch, Colorado Daily, and Boulder Weekly have interviews with Sharon Van Etten.

Norman Wong/Jules SchillIt’s a real puzzle to me why Toronto’s Snowblink aren’t huge, and I mean huge in relative Canadian indie terms, not absolute household name terms, I’m not delusional. Their 2011 debut Long Live was an unqualified art-folk jewel, as simple and homespun as it was rich and complex, and not content to simply let the record speak for itself, they also toured it across North America and Europe, supporting not only some A-list Canadian talent but Wilco’s Jeff Tweedy on his Spring 2011 solo tour. All of which is to say that people saw them, and they’re not difficult to fall for, so why aren’t the duo of Daniela Gesundheit and Dan Goldman discussed with the same breathless enthusiasm as some of their peers?

Perhaps all that effort should be considered set up, and their forthcoming sophomore effort Inner Classics will be the record that knocks everyone down. I’ve not yet heard the record but based on the two tracks from the album already offered as a preview – “Black & White Mountain” was teased back in June and “Unsurfed Waves” was made available yesterday – it’s reasonable to say that this record will take everything that was great about Long Live and make it even better. Gesundheit’s voice is as delicate and crystalline as ever, but sounds more musically forceful and demanding of your attention without losing the laid-back vibe that come with Gesundheit’s Californian roots.

Inner Classics is out September 11, and while Snowblink have already offered a hometown preview of the new album in opening up for Cold Specks last week and will do so again as part of the Bicycle Music Festival at Trinity-Bellwoods on September 15 at 6PM, the proper release show for the new album will come on September 27 at the perfectly suited Music Gallery. It’s part of a series of shows that covers various points around the continent – full dates are available at Filter. Post City has an interview with Gesundheit about the new record.

MP3: Snowblink – “Unsurfed Waves”
MP3: Snowblink – “Black & White Mountains”

Canadian indie rock icon Ian Blurton has reformed his first and most famous band – Change Of Heart – for a handful of live dates in support of their long-overdue compilation album There You Go ’82-’97. It’s out September 18 and they play The Horseshoe on October 5, tickets a far too reasonable $12.

Stream: Change Of Heart – “There You Go”

If you were ever wondering what garage-pop from Vermont sounded like, King Tuff and their self-titled debut debut is the answer, and if you wanted to know what they looked like in person, then The Garrison on October 12 is the place to be. Tickets for that are $13.50 in advance. The San Francisco Examiner, Weekly Alibi, and LA Weekly talk to frontman Kyle Thomas.

MP3: King Tuff – “Keep On Movin'”
MP3: King Tuff – “Bad Thing”

Paste has the full tour itinerary for Death Cab frontman gone solo Benjamin Gibbard – not Ben, notice – and it curiously contains an isolated October 14 date at the Danforth Music Hall in Toronto, just a couple days before Former Lives is released on October 16. Tickets for that range from $25.50 to $35 in advance.

MP3: Death Cab For Cutie – “The Employment Pages”

The Flying Lotus show originally scheduled for October 13 at the Hoxton has moved through both space and time and will now take place on October 15 at the Danforth Music Hall. Complex and Spin have interviews with the producer.

MP3: Flying Lotus – “Between Friends”

The Heartless Bastards are back in town at Lee’s Palace on October 24 in support of their latest effort Arrow. Tickets for that are $18 in advance. News OK, News Journal, and Spokesman Review have features on the band.

MP3: Heartless Bastards – “Parted Ways”

Rose Cousins, last seen in these parts in May celebrating her third album We Have Made A Spark, will be back on November 3 for a performance at the Glenn Gould Theatre, tickets $29.50. The Boston Globe has an interview with Cousins.

MP3: Rose Cousins – “The Darkness”

In further proof that The Weeknd has gotten over his crippling shyness – he seemed mighty comfortable onstage at Osheaga – he’s scheduled not one but two dates at the Sound Academy for November 2 and 3, tickets $34.50 for general admission and $75 for VIP.

MP3: The Weeknd – “Wicked Games”

Though the biggest room they’d played in Toronto to date, Japandroids proved in June that they were already too big for Lee’s Palace so for their return engagement, they’ll be at the much bigger Phoenix on December 12, tickets $18.50 in advance. Pitchfork has the rest of their end-of-year tour dates and also have premiered the new video from Celebration Rock.

MP3: Japandroids – “The House That Heaven Built”
Video: Japandroids – “The House That Heaven Built”

Spinner and Exclaim talk to Britt Daniel and Dan Boeckner of Divine Fits about their debut album A Thing Called Divine Fits, out August 28. They’re at Lee’s Palace on September 5.

Exclaim examines the career of Cat Power, whose new record Sun is out September 4. She is at The Kool Haus on October 20.

Hitfix talks to Bob Mould about his new album The Silver Age, out September 4.

Aimee Mann has released a video for the title track of her new album Charmer, which is out September 18 and behind which she’ll be at the Danforth Music Hall on November 6. Rolling Stone talks to her about the new record.

Video: Aimee Mann – “Charmer”

MTV gets to know The Rural Alberta Advantage just a little bit; they’re at the Great Hall on September 28 and The Danforth Music Hall on October 25.

CBC Music has some video clips of a session Diamond Rings – now a band and not just a man – performed for KCRW, previewing material from Free Dimensional well ahead of its October 23 release date.

Under The Radar, Tone Deaf, and The Age interview Josh Tillman of Father John Misty, in town at Lee’s Palace on October 27.

A release date has been given to the third part of the Guided By Voices 2012 reunion trilogy; The Bears For Lunch will be out on November 12.

Rolling Stone talks to Frank “Poncho” Sampedro of Neil Young & Crazy Horse, who as it turns out didn’t spend all their recent time in the studio jamming out the standards that would become Americana – an album of original material built on the trademark Crazy Horse sprawl should be out in October under the title of Psychedelic Pill, meaning that they’ll be able to draw on both when they play the Air Canada Centre on November 24.

Exclaim talks to Purity Ring.

Malajube have released a video for the title track of last year’s La Caverne.

Video: Malajube – “La Caverne”

Blurt talks to Steven MacDonald of Redd Kross.

Billboard checks in with My Morning Jacket to see how crowdsourcing the set lists on their current tour is working out.

Zuzana HudackovaIt’s shaping up to be an Autumn of Can-rock double bills high on value. Folks thought that it was a pretty impressive pairing of talent when it was announced last month that Dan Mangan and The Rural Alberta Advantage were teaming up to cross the country in October, or the June announcement that Metric and Stars were hitting the country’s arenas together, but that were just the first of a number of impressive double-bills looking to share driving duties across Canada this Fall.

First, you’ve got Toronto’s Cuff The Duke teaming up with Halifax’s Jenn Grant teaming up for a tour that stretches from BC out to Montreal, and while the Toronto venue isn’t officially announced, the date is confirmed as November 24 and the rumoured venue is the fancy-pants Winter Garden Theatre. Both artists have new records coming out, hence the road trip. Cuff The Duke will release Union October 2 and from the first taste of the new material via a live Paper Bag Session, it sounds like it’ll be more tuneful country-rock of the sort that they’ve built their following on. Grant, on the other hand, looks to be shifting gears again with The Beautiful Wild, out September 25. Following the effervescent pop of Honeymoon Punch, Exclaim reports that Wild will pursue a more mature and musically adventurous direction. The first single from said record is streamable below. Update: Winter Garden Theatre is confirmed, tickets on sale August 20.

Cuff The Duke have a couple of local shows before the Grant tour – there’s a free show at Yonge-Dundas Square the evening of August 31 and they’re part of the Paper Bag Records 10th anniversary show at The Great Hall on September 27.

Stream: Jenn Grant – “In The Belly Of A Dragon”
Video: Cuff The Duke – “Side By Side” (Paper Bag Sessions)

Elliott Brood are also playing that PBR10 show on September 27, but will be back on a Toronto stage on October 21 at The Danforth Music Hall as part of their Marvel Team-Up almost cross-Canada tour – no BC dates at the moment – with Halifax’s Wintersleep; tickets for that one are $25.50. Both released new records earlier this year – Days Into Years for the Brood, Hello Hum for the ‘Sleep. Chronicle Herald and The Montreal Gazette have Wintersleep features.

MP3: Elliott Brood – “Norther Air”
MP3: Wintersleep – “Resuscitate”

METZ will celebrate the release of the debut self-titled album with a hometown show at The Horseshoe on October 12, ticket $12 in advance.

MP3: METZ – “Headache”

After a couple visits in a supporting role, Cadence Weapon has scheduled a headlining gig of his own in support of the Polaris shortlisted Hope In Dirt City at Wrongbar for October 12, tickets $12.

MP3: Cadence Weapon – “Conditioning”

CBC Music talked to The Magic ahead of their Summerworks record release show for Ragged Gold this past weekend. Counteract also has a short feature piece.

Evening Hymns have released the first official video from Spectral Dusk, which is out next Tuesday but gets its live public unveiling this Friday night at Summerworks. The album, however, is unveiled as of right now courtesy of the stream at The Line Of Best Fit, which also comes with song-by-song annotations from Jonas Bonnetta.

Video: Evening Hymns – “Family Tree”
Stream: Evening Hymns / Spectral Dusk

Bry Webb talks to NOW about his plans for his own Summerworks show on August 18.

Exclaim and Stereogum talk to Dan Boeckner about his new outfit Divine Fits, while Britt Daniel does the same for Mountain X-Press. A Thing Called Divine Fits is out August 28 – though it’s available to stream now – and they play Lee’s Palace on September 5.

Stream: Divine Fits / A Thing Called Divine Fits

And Boeckner’s former bandmate Spencer Krug talks to The Quietus about his current project, Moonface.

Two Hours Traffic have announced a new EP Siren Spell, due out September 11, which not only offers a sneak preview of what their new lineup sounds like, but also gives the band a chance to indulge in their favourite pastime – touring across the country. Dates are coming this week but in the meantime, check out a track from the new EP.

MP3: Two Hours Traffic – “Amour Than Amis”

After a couple of non-album teases, The Wilderness Of Manitoba have finally offered an official first taste of their second album Island Of Echoes. It’s out September 18.

MP3: The Wilderness Of Manitoba – “Morning Sun”

NPR is streaming a new song from the forthcoming Stars album The North. It’s out September 4 and they support Metric at The Air Canada Centre on November 24. But I think I already said that.

Stream: Stars – “Backlines”

Hot on the heels of her Feistodon interactive clip, Feist has released a more conventional, less metal video from Metals.

Video: Feist – “Anti-Pioneer”

The Luyas have released a preview track from their new record Animator, out October 18. They’re at The Great Hall on September 29 for the PBR10 show.

MP3: The Luyas – “Fifty Fifty”

The AV Club welcomes Destroyer to AV Undercover and they choose to cover Gorky’s Zygotic Mynci. Of course.

DIY interviews Purity Ring.

NOW and The Montreal Gazette talk to Al Spx of Cold Specks.

John O’Regan talks to Spin about the new Diamond Rings record Free Dimensional, due out October 23.

Sloan have announced their super-fancy Twice Removed 20th anniversary package will be out on September 4; Exclaim has rounded up exactly what your $90 plus shipping gets you besides a public declaration that you really like “Pen Pals”.

Yamantaka // Sonic Titan drummer Alaska B lists her favourite albums of the last 20 years for CBC Music.

Beatroute checks in with Black Mountain.

Ben and Jonah of Fucked Up give Exclaim a progress report on their next album. They play Fort York on September 9 as part of Riot Fest.

Frank YangMy writeup of day one of Osheaga mentioned a few times how hot it was, but it bears repeating: it was hot. 40 Celsius with the humidity – that’s 104 Fahrenheit, my American friends – and not even much relief in the shade. Why is Friday’s heat relevant to Saturday’s recap? Because Saturday felt even hotter. And why is the heat relevant? I guess it’s not, really, but even days on I still feel like complaining about it. It was damn hot. But even though any rational person would have opted to stay indoors and air conditioned, tens of thousands still headed back onto Parc Jean-Drapeau in the middle of the St. Lawrence River for another day of music. In the heat.

And the earliest or most masochistic of those – your call – were there in time to see The Dø, arguably the best French/Finnish band going, do their thing to kick off the day. Having seen them on their previous to last visit to Toronto in Fall 2010 – their most recent visit being the night before – I remembered that their live experience was a much less eclectic one than you got from their records, focused more on their pop side. But there’s only so much smoothing out you can do for an outfit as artistically restless as they and throughout their set, their odder/proggier tendencies would manifest themselves in outros, jams, what have you. Singer Olivia Merilahti’s charisma works better as slinky than sweaty, but you take what you can get.

Photos: The Dø @ Scène de la rivière – August 4, 2012
MP3: The Dø – “Slippery Slope”
MP3: The Dø – “At Last”
MP3: The Dø – “Tammie”
Video: The Dø – “The Wicked & The Blind”
Video: The Dø – “Gonna Be Sick”
Video: The Dø – “Too Insistent”
Video: The Dø – “Slippery Slope”
Video: The Dø – “At Last”
Video: The Dø – “On My Shoulders”
Video: The Dø – “Playground Hustle”
Video: The Dø – “The Bridge Is Broken”

Immediately following on the Mountain stage and way at the opposite end of eccentric was Canada’s sweetheart 2012, Kathleen Edwards, with the first set of the weekend that came with a simple, “yeah it’s hot so why not lay back and soak it in” vibe. Indeed, looked at it from a different perspective, it was rather the perfect place for Edwards’ earnest and genial sort of roots-rock, bolstered by the fact that she’s pretty hellaciously funny – case in point, her comment to the stage hand turning the fire hose onto the audience: “hey, hose guy you and me have a date in 20 minutes”. I don’t see her live enough to not need to be reminded of this, but I did have enough of a reference point to notice that Edwards seemed happier and more content up there than I’d ever seen her, particularly in her older material which was represented by the singles though she did turn to her breakout Voyageur for some deep cuts. I don’t usually expect happiness to translate into great art, but Edwards wears and uses it well.

Huffington Post Music has a feature piece on Edwards.

Photos: Kathleen Edwards @ Scène de la montagne – August 4, 2012
MP3: Kathleen Edwards – “Change The Sheets”
MP3: Kathleen Edwards – “Asking For Flowers”
MP3: Kathleen Edwards – “In State”
MP3: Kathleen Edwards – “Back To Me”
MP3: Kathleen Edwards – “Copied Keys”
MP3: Kathleen Edwards – “One More Song The Radio Won’t Like”
MP3: Kathleen Edwards – “National Steel”
MP3: Kathleen Edwards – “Six O’Clock News”
Video: Kathleen Edwards – “Change The Sheets”
Video: Kathleen Edwards – “I Make The Dough, You Get The Glory”
Video: Kathleen Edwards – “The Cheapest Key”
Video: Kathleen Edwards – “In State”
Video: Kathleen Edwards – “Back To Me”
Video: Kathleen Edwards – “Hockey Skates”
Video: Kathleen Edwards – “One More Song The Radio Won’t Like”
Video: Kathleen Edwards – “Six O’Clock News”

Following Edwards – though with enough of a break between to allow a water run – was Calexico, who thanks to their Arizona roots probably didn’t even notice the heat, and if they had something to say about the humidity, they politely refrained from doing so. And indeed, if any artist on the lineup made music that sounded beaten down and bleached by the sun, it was Calexico. The usually workaholic band had been relatively quiet since 2008’s Carried To Dust, focusing on some archival reissues before getting around to making a new record in Algiers, due out September 11. But their set didn’t worry too much about proving they’d been making new music – opening with “Crystal Frontier” circa 2001’s Even My Sure Things Fall Through, they were much more about creating a deliciously parched, mariachi-tinged atmosphere and maybe getting people thinking, “hey, this heat thing isn’t so bad”. Methinks they succeeded.

Photos: Calxico @ Scène de la montagne – August 4, 2012
MP3: Calexico – “Para”
MP3: Calexico – “Two Silver Trees”
MP3: Calexico – “History Of Lovers”
MP3: Calexico – “Cruel”
MP3: Calexico – “Alone Again Or”
MP3: Calexico – “Black Heart”
MP3: Calexico – “Quattro (World Drifts In)”
MP3: Calexico – “Crystal Frontier”
MP3: Calexico – “Ballad Of Cable Hogue”
MP3: Calexico – “Service And Repair”
MP3: Calexico – “Frontera”
MP3: Calexico – “Spokes”
Video: Calexico – “Para”
Video: Calexico – “Two Silver Trees”
Video: Calexico – “Cruel”

Considering they were a local band whose last album Shapeshifter had been a real breakout record – it certainly got me onside after years of indifference – I was a little surprised that Young Galaxy had drawn a mid-day time slot on the festival’s smallest stage. But considering they’d spent much of 2012 writing and recording the follow-up to said record in Sweden – though their Rockethub campaign didn’t reach its target, they made it over anyways? – perhaps they wanted to ease back into the live thing. In any case, they weren’t helped out by the fact that the technical difficulties that plagued the acts I saw on the Forest stage on Friday persisted, the overall mix rather shoddy, or the fact that Young Galaxy have never been the best live act, but the vibrancy of the Shapeshifter material still came through. Interestingly, their live sound seemed more built on conventional instruments and less reliant on electronics than I remembered; it remains to be seen if this was just happenstance for this performance or if it marks another change in direction… the one new song they offered up didn’t stray far from the Shapeshifter formula but I wouldn’t assume what was heard onstage necessarily resembles that which came out of Dan Lissvik’s Gothenburg studio. I look forward to hearing it.

Daytrotter recently posted up a session with the band.

Photos: Young Galaxy @ Scène des arbes – August 4, 2012
MP3: Young Galaxy – “Youth Is Wasted On The Young”
MP3: Young Galaxy – “Peripheral Visionaries”
MP3: Young Galaxy – “We Have Everything”
MP3: Young Galaxy – “Cover Your Tracks”
MP3: Young Galaxy – “Outside The City”
MP3: Young Galaxy – “Come And See”
MP3: Young Galaxy – “Swing Your Heartache”
Video: Young Galaxy – “Phantoms”
Video: Young Galaxy – “Peripheral Visionaries”
Video: Young Galaxy – “Blown Minded”
Video: Young Galaxy – “We Have Everything”
Video: Young Galaxy – “The Alchemy Between Us”
Video: Young Galaxy – “Outside The City”
Video: Young Galaxy – “Come And See”

Back at the mainstage, it was soon time for Garbage. As much as I hate people who equate bands falling off their own radar with having ceased to exist at all, I have to admit that I had completely forgotten they’d released two albums this century; I thought this year’s Not Your Kind Of People had been their first record in much more than seven years. I wasn’t even really a fan back in the ’90s and had not paid any attention to the Toronto stop of their tour earlier this year, but festival math is different and in this setting, Garbage were a must-see for me if for no other reason than I never had before and I’d surely know a lot of the songs. After all, they weren’t a cult band by any measure, but genuinely successful across their first two albums and ubiquitous across radio and television. Not that any of that necessarily meant anything to much of the Osheaga demographic, who were probably in primary school when Garbage were at their apex, but I digress.

Boasting surely the most spartan stage setup of anyone at the festival – there was almost no gear onstage – they turned in a thoroughly polished performance befitting the 3/4 of the band who’re studio perfectionists and with frontwoman Shirley Manson responsible for providing any and all rawness, which she did with aplomb. Looking as fierce and confrontational as ever – and probably thankful they had an early evening timeslot for even SPF10000 sunblock couldn’t have prevented her paleness from spontaneously combusting at high noon – Manson prowled and strutted around the stage like she owned it; time hasn’t diminished her charisma, that’s for certain. Their tunes have also aged surprisingly well; though their electro-grunge pop sound is inseparable from its era, the hooks and melodies are forever. And I appreciated their seeing the Pretenders’ “Talk Of The Town” quote in the outro of “Special” – probably my all-time favourite Garbage moment alongside the hard-panned guitars on “Vow” – and raising it an extra few lines from “I Go To Sleep”. A nice moment in one of my unexpectedly favourite sets of the weekend.

The Montreal Gazette and Huffington Post have interviews with Shirley Manson and Rolling Stone analyzes her distinctive fashion sense over the years.

Photos: Garbage @ Scène de la rivière – August 4, 2012
Video: Garbage – “Blood For Poppies”
Video: Garbage – “Tell Me Where It Hurts”
Video: Garbage – “Run Baby Run”
Video: Garbage – “Sex Is Not The Enemy”
Video: Garbage – “Bleed Like Me”
Video: Garbage – “Why Do You Love Me”
Video: Garbage – “Shut Your Mouth”
Video: Garbage – “Breaking Up The Girl”
Video: Garbage – “Cherry Lips”
Video: Garbage – “Androgyny”
Video: Garbage – “You Look So Fine”
Video: Garbage – “The Trick Is To Keep Breathing”
Video: Garbage – “When I Grow Up”
Video: Garbage – “Special”
Video: Garbage – “I Think I’m Paranoid”
Video: Garbage – “Push It”
Video: Garbage – “Milk”
Video: Garbage – “Stupid Girl”
Video: Garbage – “Only Happy When It Rains”
Video: Garbage – “Queer”
Video: Garbage – “Vow”

En route from the mainstages to the far end of the festival grounds, I made my first and only stop at Osheaga’s electronic stage in order to see Sweden’s Little Dragon. I was there well in time but the band were extra-late in getting set up and underway, thus limiting my time to get acquainted with them. I hadn’t really heard much from them before, but an elevator pitch of three Swedes fronted by a little Japanese girl while cranking out beat-heavy electro-soul was enough to get me interested. For the few songs I was able to stick around and with frontwoman Yukimi Nagano was all over the stage, dancing and going to town on her tambourine, they certainly delivered what I’d hoped for and did with a good deal more energy and ferocity than I expected. As I said, I’d have liked to stay and watch more, but I had a long-standing appointment to keep.

Fuse and Rolling Stone have feature pieces on Little Dragon.

Photos: Little Dragon @ Scène Piknick Électronik – August 4, 2012
Video: Little Dragon – “Crystalfilm”
Video: Little Dragon – “Brush The Heat”
Video: Little Dragon – “When I Go Out”
Video: Little Dragon – “Fortune”
Video: Little Dragon – “My Step”
Video: Little Dragon – “Never Never”
Video: Little Dragon – “After The Rain”
Video: Little Dragon – “Twice”
Video: Little Dragon – “Constant Surprises”

An appointment that dated back to March, when I got to within ten people or so of seeing The Jesus & Mary Chain in Austin at SXSW, but no closer. This was before they made it clear that they’d be on the road for much of 2012, mind, so being shut out and listening to them from the street felt extra painful at the time; needless to say, missing them again was simply not in the cards. Though if I had any fears about the Green stage being jammed before I got there, they were unfounded – the band may have been legends to many, but there weren’t more than a few hundred people gathered to see them close out the night, most of a certain generation and more than a few with kids in tow. No doubt a club show, as they’d sold out in Toronto the night before, would have better suited but this was what it was, and what it was was pretty great.

If you were to drop someone from the ’80s in front of the stage, they probably wouldn’t have had any idea who they were looking at – William Reid may have looked similar to how he did back then, albeit heavier-set, but Jim Reid’s wild shock of hair has long been traded for a rather office-looking cut and it’s hard to imagine the younger him wearing a red Flying Burrito Brothers t-shirt onstage as he did. The time-traveler might also ask why Phil King of Lush was there on bass. And just as they didn’t look like they once did, they didn’t entirely sound like they did either – but that’s not necessarily a bad thing. While still exceptionally loud, the white noise screech that was their signature circa Psychocandy was localized mainly to Reid’s guitar as opposed to across the entire sonic spectrum and the melodic pop polish that they’d achieved by the end of their recording career (1999’s Munki) was applied to all of their career-spanning set. And while the younger Reid may have looked rather more proper than he once did, his voice still had that Glaswegian sneer and the misanthropic spirit of his lyrics remained – it’s hard to sugarcoat a song like “Reverence”, after all.

We didn’t get to hear Jim Reid berate his brother for messing up at all as I’ve heard he’s done at other shows – some things never change – but he did apologize to the audience for forgetting the words to “Happy When It Rains” and forcing a start-over (the second time that day I’d heard a Scottish person sing about how they enjoy the rain, coincidentally). And while I’m sure they intended having Mad Men actress and Montréal native Jessica Paré come out to sing backups on “Just Like Honey” and cover Hope Sandoval’s parts on “Sometimes Always” as a surprise, the fact that she’d done the same at the previous Buffalo and Toronto shows kind of took some of the wow factor out of it. Unsurprisingly, that’s what most of the reviews of the show focused on but the real important take-away was that even if they never make a new record – and maybe we don’t even want one – The Jesus & Mary Chain still sound amazing and still don’t give a fuck. All hail.

Photos: The Jesus & Mary Chain @ Scène verte – August 4, 2012
Video: The Jesus & Mary Chain – “I Love Rock’N’Roll”
Video: The Jesus & Mary Chain – “Cracking Up”
Video: The Jesus & Mary Chain – “I Hate Rock’N’Roll”
Video: The Jesus & Mary Chain – “Come On”
Video: The Jesus & Mary Chain – “Sometimes Always”
Video: The Jesus & Mary Chain – “Almost Gold”
Video: The Jesus & Mary Chain – “Something I Can Have”
Video: The Jesus & Mary Chain – “Far Gone And Out”
Video: The Jesus & Mary Chain – “Teenage Lust”
Video: The Jesus & Mary Chain – “Reverence”
Video: The Jesus & Mary Chain – “Head On”
Video: The Jesus & Mary Chain – “Blues From A Gun”
Video: The Jesus & Mary Chain – “Darklands”
Video: The Jesus & Mary Chain – “Happy When It Rains”
Video: The Jesus & Mary Chain – “Some Candy Talking”
Video: The Jesus & Mary Chain – “April Skies”
Video: The Jesus & Mary Chain – “Just Like Honey”
Video: The Jesus & Mary Chain – “You Trip Me Up”

Some other things that you may want to know about… Cat Power has announced the North American tour dates in support of Sun, out September 4. She’ll be at The Kool Haus on October 20, tickets $34.50 in advance, and a second track from the new record is now available to download.

MP3: Cat Power – “Cherokee”

Bob Mould is streaming the first single from his new one The Silver Age, out September 4. It sounds like going through those Sugar reissues reinspired him in the very best way, and if you’re unfamiliar with Mould’s extensive body of song but want to start investigating, The AV Club has a helpful beginner’s guide.

Stream: Bob Mould – “The Descent”

Rolling Stone has some details on the 25th anniversary reissue of R.E.M.’s Document, due out on September 25.

Paste, LA Weekly, and The Village Voice talk to Jeff McDonald of Redd Kross, who’ve just released a new video and download from their excellent new record Researching The Blues.

MP3: Redd Kross – “Stay Away From Downtown”
Video: Redd Kross – “Stay Away From Downtown”

Circuital may be over a year old, but that doesn’t mean that My Morning Jacket can’t release a new animated, Galifianakis-powered video from it to coincide with their tour which brings them to Echo Beach next Wednesday, August 15.

Video: My Morning Jacket – “Outta My System”

Lower Dens also have a new video from Nootropics. There’s also interviews at DCist and The Village Voice.

Video: Lower Dens – “Candy”

Tom Waits had everyone convinced last week that he’d be announcing his first tour in forever this week. He didn’t, he just released a new video from Bad Like Me. Never before has such a cool video been met with so much disappointment.

Video: Tom Waits – “Hell Broke Luce”

Rolling Stone talks to John Darnielle of The Mountain Goats about their new record Transcendental Youth. It’s out October 2 and brings them to The Phoenix on October 20.

Britt Daniel chats with Exclaim about his new band Divine Fits, his old band Spoon, and about his other new band, Spl:t S:ngle. A Thing Called Divine Fits is out August 28 and they’re at Lee’s Palace September 5.

Fang Island gives aux.tv a track-by-track walkthrough of their latest Major.

FacebookIt would seem to be a mathematical and scientific fact that Divine Fits – the band meticulously assembled from the Britt Daniel quarter of Spoon, the Dan Boeckner half of Handsome Furs/quarter of Wold Parade, and Sam Brown quarter of New Bomb Turks – would be a swaggering rock juggernaut, but what works on paper or even in a lab setting doesn’t necessarily translate to real world settings.

So with the August 28 release of their debut album A Thing Called Divine Fits still a few weeks off, the world got its first taste of Divine Fits the other night when in advance of their first announced gigs – one in the hometown of each of the three principals of the band – they hit the Continental Club in Austin and by all accounts, it went over like gangbusters. Ultra8201 has got some videos of their inaugural performance, while Spin, Columbus Alive, and Donewaiting have interviews with the band about who they are and how they came to be.

And in addition to those hometown performances, the band have begun booking shows in other cities – including Toronto. They’ll be at Lee’s Palace on September 5, tickets $20 and on sale now.

Stream: Divine Fits – “My Love Is Real”
Stream: Divine Fits – “Would That Not Be Nice”

Quite pleased to see that LA’s Tashaki Miyaki are finally coming to town, but not so happy that it’s tonight as a last-minute-ish support act for Florence & The Machine at The Molson Amphitheatre (it was originally supposed to be the UK’s Spector but I guess that didn’t end up happening). I saw them at SXSW and their dreamy, Mazzy Star-ish garage pop went down real good, yes it did. I don’t expect their presence to sell any tickets but if you’re already going, I would suggest showing up early enough to see them – they’re on at 8. Spin has a stream of a new song and Spoonfed an interview. Update: Thanks to Mechanical Forest Sound for pointing out that they’ve also got their own show at The Garrison on Saturday night. THAT you should go to.

MP3: Tashaki Miyaki – “Somethin’ Is Better Than Nothin'”
Stream: Tashaki Miyaki – “Paisley Spangled Jangler”

James Mercer of The Shins talks to Spinner about the joys of analog recording; they’re at The Molson Amphitheatre on August 4 opening up for The Black Keys.

Interview and The Village Voice talk to Al Spx of Cold Specks. They play The Great Hall on August 8.

Chan Marshall of Cat Power discusses the heartbreak that led to her new record Sun with Exclaim. It’s out September 4.

Drowned In Sound conversates with J Mascis of Dinosaur Jr. Their new album I Bet On Sky is out September 18 and they’re at Lee’s Palace on September 24, 25, and 26.

San Francisco’s Fresh & Onlys have made a date at The Shop Under Parts & Labour for November 14. Their new record Long Slow Dance is out September 4. The Bay Bridged has an interview and DIY a video session.

MP3: The Fresh & Onlys – “Waterfall”
MP3: The Fresh & Onlys – “Do You Believe In Destiny?”

The Line Of Best Fit, Macleans, The Sydney Morning Herald, and The Age interview Metric. They play The Air Canada Centre on November 14.

The Skinny gets School Of Seven Bells to put on their reviewer hats for a batch of recent singles.