Frank YangIn normal circumstances, seeing an artist live twice in a six-month span will yield pretty similar shows. Sure, set lists can change to some degree, but to be able to completely change the context and experience in such short order is a rare thing – but then Patti Smith is a rare artist. Her show at the Queen Elizabeth Theatre in March – her first proper Toronto show in 13 years – was presented as “An evening of words and music, in memory of Robert Mapplethorpe” and while the song selection covered all the bases one could hope for, with Smith backed by her children on guitar and piano and songs interspersed with readings and anecdotes, it felt intimate and informal though no less powerful for it. Friday night’s show at Massey Hall, by comparison, was billed as “Patti Smith and Her Band” and while for other artists, the crediting of a full band might seem an unnecessary and presumptive detail, for Smith it made a world of difference; it meant that she’d be performing with drummer Jay Dee Daugherty and guitarist Lenny Kaye, and it meant that she was going to rock.

If you assumed the assemblage of the bandmates who’d been with her since her landmark debut album Horses almost 40 years ago – bassist Tony Shanahan, who’d also been along in March, and guitarist Jack Petruzzelli rounded out the ensemble – meant that there’d be more vintage material on offer, then you’d have been correct. Though the kick drum said “Banga” and the show could have been considered the Toronto stop of the tour for Smith’s last album, the set list tilted very heavily towards Smith’s ’70s output. They opened the show with “Dancing Barefoot” and “Redondo Beach”, and and though their collective influence on punk and garage rock can’t be overstated, Smith’s band performed with plenty of polish and refinement; even restraint. But it was pretty punk when towards the end of a sprawling “Birdland” – and not for the last time – Smith turned and spit onstage; not sure how many times that’s happened at Massey Hall.

But it should not have been taken as any mark of disrespect for the hallowed venue. Indeed, Smith was most excited to be playing the room again for the first time in 37 years, mentioning how excited she was in 1976 to be playing on the same stage that Maria Callas had once sang on. Hers was one of many ghosts evoked throughout the show, alongside Jim Morrison (“Break It Up”), Amy Winehouse (“This Is The Girl”), John Lennon (an unplanned cover of “Beautiful Boy”), and Fred ‘Sonic’ Smith (“Because The Night”). Still, unlike the Queen Elizabeth show, the theme of the show would be rebellion rather than remembrances, the tone more electrifying than elegiac.

Though the front half of the show had many highlights – an impromptu ode to Nicole Kidman as a nod to the TIFF festivities going on around the city prefaced “My Blakean Year” – it was after Smith left the band in Kaye’s hands for a medley saluting Toronto’s garage rock roots to dance in the audience that things really kicked into high gear. A smouldering “Ain’t It Strange” lit the match, a Television/CBGBs-saluting “We Three” fanned the flames, and “Because The Night”, “Pissing In A River”, and raging “Horses”/”Gloria” absolutely blew the place up, punctuated by Smith’s declaration, “This is not a movie – this is real life!”. The encore kept the intensity up, with Smith passing guitar duties on “Banga” to an audience member (he was basically tasked with playing a D chord ad infinitum) but taking possession of a Strat at the tail end of a searing, show-closing “Rock’n’Roll Nigger” for the express purpose of feeding back and then tearing off every one of the strings. A majestic finish to the show and to a year where Smith more than made up for years of 416 neglect.

NOW, Radio Free Canuckistan, and Digital Journal also have reviews of the show.

Photos: Patti Smith @ Massey Hall – September 6, 2013
MP3: Patti Smith – “Wing”
Video: Patti Smith – “Smells Like Teen Spirit”
Video: Patti Smith – “People Have The Power”
Video: Patti Smith – “Summer Cannibals”
Video: Patti Smith – “Rock’N’Roll Nigger”

With The Electric Lady finally out tomorrow, Pitchfork, Stereogum, and Spin all have feature pieces on the inimitable Janelle Monáe. Advance streams of the album have been pretty tightly geoblocked, but Canadians can hear it via Exclaim; Americans can try VH1. She plays The Kool Haus on October 19.

Stream: Janelle Monáe / The Electric Lady

Portland’s Blouse are streaming their new record Imperium at Hype Machine until it officially comes out on September 17. Noisey also has an interview with the band.

Stream: Blouse / Imperium

NPR has got the new Sebadoh record Defend Yourself on stream before it comes out September 17. They’ll play it at The Horseshoe on November 8.

Stream: Sebadoh / Defend Yourself

The New York Times has a feature on Okkervil River while Interview sends frontman Will Sheff to talk to their album cover artist William Schaff and co.create finds out about the thinking behind the marketing campaign for the album. Okkervil River plays The Phoenix on September 28.

Clash talks to Explosions In The Sky. They play The Air Canada Centre on October 4 in support of Nine Inch Nails.

Still no album info, but Rolling Stone has premiered a new video from TV On The Radio.

Video: TV On The Radio – “Mercy”

Patrick Stickles details to The Missoulian his plans for the next Titus Andronicus album, which of course will be a rock opera.

Salon, The Chicago Tribune, Metro, and Noisey chat with Mac McCaughan of Superchunk.

Elle talks to Caitlin Rose about her wonderful cover of The National’s “Pink Rabbits”; State just talks to her about whatever.

Video: Caitlin Rose – “Pink Rabbits”

The National Post, NOW, and The AV Club have interviews with Neko Case.

The Fly interviews Zachary Cole Smith of DIIV.

The New York Times talks to Black Francis about the post-Kim Deal Pixies v2.0.

Yo La Tengo stops in at Daytrotter for a session.

Marc BaptisteWhile the awesomeness of Janelle Monáe as a live performer is a matter of public record, she’s not necessarily been a road warrior in building that reputation, at least not from a Torontonian’s perspective. Yeah, the unclassifiable-but-let’s-say-R&B star was here twice last year, but the Toronto Jazz Festival show was a very dear $70 ticket and the Elton John-powered Fashion Cares event was inherently exclusive, so it’s not unreasonable to say that her fanbase didn’t have much chance to see her. And her two previous visits – Canadian Musicfest 2011 and as part of the Arcade Fire’s 2010 Olympic Island jamboree – were parts of festival bills, so also not exactly conventional shows. All of which is to say that it’s kind of impressive that Monáe has gotten where she is without having really ever played a conventional show here.

Until now, anyways. With the September 10 release of her hotly-anticipated new record The Electric Lady almost upon us, Monáe has put together what may be her most comprehensive North American tour to date and it includes a Toronto date at The Kool Haus on October 19. And while it can be argued that Monáe’s live show is worth it at any price, that tickets for this one are a most reasonable $25 is good news. Pitchfork has the full itinerary and another new track, this one featuring nu-R&B star Miguel, has been made available to stream.

Video: Janelle Monáe – “Dance Apocalyptic”
Stream: Janelle Monáe featuring Miguel – “Primetime”

Because sometimes advance notice isn’t all it’s cracked up to be and even though their album probably won’t be out until next year, The New Mendicants – that’s Joe Pernice of Pernice Brothers, Norman Blake of Teenage Fanclub, and Mike Belitsky of The Sadies – have announced a show at The Dakota Tavern for next Monday, August 26, just because. Tickets are $12 in advance and it’s an early show – 8:15 start – because Joe wants to watch the Red Sox game that night. Yeah. Anyone who was at the first Pernice/Blake show at the same room last June knows that it will be fun and hilarious, so get on that.

Stream: The New Mendicants – “This Time”

Stars are headlining a free show at Nathan Philips Square on September 1 as part of Unifest, intended to inaugurate the formation of a new workers union, so if you’re a fan of romantic synth-pop but also a die-hard right-wing conservative, I feel for you. But not that much.

MP3: Stars – “The Theory Of Relativity”

American electro-r&b artist How To Dress Well is in town at The Garrison on November 2 behind last year’s Total Loss; tickets for that are $15.

MP3: How To Dress Well – “Ready For The World”

Sebadoh have announced a Fall tour in support of Defend Yourself, their first new record in almost a decade and a half, coming September 17. Lou Barlow and company will be at The Horseshoe on November 8, tickets $20 in advance. Rolling Stone talks to Lou Barlow about the release.

Video: Sebadoh – “All Kinds”

While they’ve not yet completed the follow-up to last year’s For My Parents – epic Japanese post-rock doesn’t come quick, you know – Mono have announced a North American tour that brings them back to The Horseshoe on November 15. Tickets for that are $15.

MP3: Mono – “Dream Odyssey”

It’s kind of hit-or-miss which buzzy British independent acts choose to tour North America – no inexpensive proposition – but English retro-psychedelics Temples are taking the plunge, even without a debut album to push. Full dates are still to come but they will be at The Horseshoe on November 20, tickets $11.50. Drowned In Sound had a feature on the band back in the Spring.

Video: Temples – “Colours To Life”
Video: Temples – “Shelter Song”

And in the debits column of this week’s concert news, Charli XCX has cancelled her Fall North American tour in order to support Paramore in the UK. That includes her September 16 show at The Hoxton, which will be rescheduled with all the others.

Rolling Stone talks to Laura Ballance and Exclaim to Jon Wurster of Superchunk about their just-released new record I Hate Music, from which they’ve just released a new video. And over at Spin, there’s a piece about what Superchunk and Merge Records have meant for their hometown of Durham, North Carolina.

Video: Superchunk – “Me & You & Jackie Mitoo”

David Roback of Mazzy Star talks to Rolling Stone about their new record Seasons Of Your Day, out September 24, and others that may or may not have already been recorded and may or may not be released.

The Guitar Magazine talks shop with Steve Earle. He and The Dukes play Massey Hall on October 29.

Grantland gets Charles Bissell of The Wrens to update them on the state of their next record – a decade in coming – and comment on why its taking so damn long.

Pitchfork goes lightning round in questions for John Darnielle of The Mountain Goats.

DIY checks in with Zachary Cole Smith of DIIV.

Olivia MaloneSome weeks, the inbox is a veritable cornucopia of interesting concert announcements for acts big and small. Compiling the blog posts that collect those up is a genuine delight. And easy. Generally so easy. This was not one of those weeks. Indeed, most of the news was of the “support announced” variety, which isn’t necessarily uninteresting – sometimes it’s more interesting than the headliner – but it is less easy.

Anyways, we’ll kick off with New York’s Guards, who will be supporting Palma Violets at Lee’s Palace on May 3. They’re fronted by one Richie Follin, whose did time in Cults with sister Madelin and also worked with Caroline Polachek of Chairlift, and while either of those reference points are probably enough to garner attention, the sun-kissed, retro-styled power pop of their debut album In Guards We Trust, released in February, are far more in line with the former than the latter. It’s not revolutionary by any measure, but it is well-executed and likeable.

The Bay Bridged has an interview with Richie Follin.

MP3: Guards – “Silver Lining”
MP3: Guards – “Crystal Truth”
Video: Guards – “Ready To Go”
Video: Guards – “Silver Lining”

It’s a bit of an odd pairing, but throwback jangle-poppers DIIV will be supporting Trent Reznor’s How To Destroy Angels at The Sound Academy on April 25. They were also here in December supporting Japandroids, but I’m sure there’s enough fans of Oshin that a headlining show – which they last did in September – would also be welcome.

MP3: DIIV – “Sometime”

Not that Titus Andronicus need any help drawing a crowd, but their May 2 date at Lee’s Palace announced last week just got a boost regardless with the announcement that they’re being joined by Brooklyn’s So So Glos for what they’re calling the “Bring Back The Dudes” tour – which will be a pretty apt description of the demographic at the show. Their new record Blowout is out April 23 and there’s an interview at The L.

Video: So So Glos – “My Block”

Some bands worry about announcing multiple upcoming dates in a given market out of fear that one show may cannibalize ticket sales from the other; Ra Ra Riot clearly do not. They spent most of the lead up to their early March headlining show for Beta Love with their name also on posters for the Arts & Crafts Field Trip festival at Garrison Common on June 8, and now they’ve also announced that they’ll also be in town a couple weeks prior to that supporting The Shins at The Sound Academy on May 22. I don’t know if there are Ra Ra Riot fans so dedicated to hit up every one of their local shows, but if so, they’re probably pretty happy.

MP3: Ra Ra Riot – “Beta Love”
MP3: Ra Ra Riot – “Dance With Me”

Ra Ra Riot will also be opening up some of the dates on the upcoming Postal Service tour, but not Toronto – according to the itinerary released yesterday, we’ll have Mates Of State opening up at the Air Canada Centre on June 11 and that’s a-ok with me, though I can’t say I wouldn’t love to see peoples’ faces when Big Freedia shakes what she’s got on those west coast dates.

MP3: Mates Of State – “Maracas”
MP3: Mates Of State – “My Only Offer”

And in headlining announcements – Spencer Krug will appear as Moonface in a solo piano context on May 12 at The Great Hall in something called The Conversation Room. I don’t know what/where that is, but I kind of hope it’s like The Champagne Room. Tickets are $16.50 and there is probably no sex.

MP3: Moonface – “Teary Eyes and Bloody Lips”
MP3: Moonface – “Headed For The Door”

One of the buzzier bads at CMF this year were German electro-pop duo BOY, and those who missed out on their shows will be pleased to know they’re back in town at The Great Hall on May 16 in support of their debut Mutual Friend. Tickets for that are $17.50.

Video: BOY – “Little Numbers”

I could be wrong but I don’t think Richard Buckner has been to Toronto since the “two really big dudes with gravelly voices” tour with Eric Bachmann in September 2006. In any case, the upcoming release of Surrounded – about which there’s no other information besides that it exists and will be called Surrounded – will bring him back to The Horseshoe on May 23, tickets $13.50.

MP3: Richard Buckner – “Escape”

One of the unfortunate casualties of the canceled Efterklang show during CMF last month was the local debut of Philadelphia’s Nightlands, who were supposed to open up. They’ll make that show up at The Drake Underground on June 3, playing songs from their debut Oak Island, from which they’ve just released a new video. The Concordian also has an interview with band principal Dave Hartley.

MP3: Nightlands – “300 Clouds”
MP3: Nightlands – “Suzerain (A Letter To The Judge)”
Video: Nightlands – “Born To Love”

Brooklyn’s Yeasayer will circle back behind their third album Fragrant World with a show at The Phoenix on July 2.

MP3: Yeasayer – “Henrietta”
MP3: Yeasayer – “Longevity”

Two-tone legends The Specials are coming back to town, slating a July 9 date at The Kool Haus, tickets $39.50.

Video: The Specials – “Message To You Rudy”

“Edge” certainly doesn’t mean what it used to. Traditionally the region’s premier bro-fest, the CFNY-sponsored Edgefest has gone acoustic and plaid for 2013, taking advantage of Lollapalooza weekend to present a lineup headlined by The Lumineers and Band Of Horses at Downsview Park on July 31. Quite an about face from past editions of the festival, which has in the past been closed out by the likes of Billy Talent, A Perfect Circle, Stone Temple Pilots, and Our Lady Peace. Tickets for the day are $49.50 plus fees.

MP3: Band Of Horses – “No One’s Gonna Love You”
Video: The Lumineers – “Hey Ho”

Okay, so as it turns out there was more announced this week than I thought. Elsewhere…

Philly.com talks to Redd Kross’ Steve McDonald, who will tear things up at The Horseshoe tomorrow night, April 11.

The Thermals are streaming their new super-short but super-intense new album Desperate Ground at Pitchfork before its out on Apri l6. They play The Horseshoe on May 21.

Stream: The Thermals / Desperate Ground

Another new track from Steve Earle’s Low Highway – out April 16 – has been made available to stream.

Stream: Steve Earle & The Dukes (and Duchesses) – “Calico County”

DIY talks to Flaming Lips frontman Wayne Coyne ahead of next week’s release of The Terror.

Under The Radar interviews Black Rebel Motorcycle Club, in town at The Kool Haus on May 9.

NPR has a Mountain Stage session with Calexico, coming to Toronto for a NXNE show at the Mod Club on June 12.

Exclaim, The Village Voice, Pitchfork, and Consequence Of Sound all want to talk to Kurt Vile about his latest album Wakin’ On A Pretty Daze, out now. He plays the Toronto Urban Roots Fest at Garrison Common on July 7.

Lissie has rolled out a lyric video fro the first sample of her second album, due out this September.

Lyric Video: Lissie – “Shameless”

NPR has a World Cafe session with Caitlin Rose.

Amanda MarsalisCognizant, perhaps, of the fact that Other Worlds, her third album as Taken By Trees, comes out the exact same day that her North American tour supporting both it and Jens Lekman begins – that’d be next Tuesday, October 2 – Victoria Bergsman has thoughtfully made the album available to stream in its entirety; you can hear it over at Prefix.

It’s a record that keeps the wanderlust feel of its predecessor, East Of Eden, as filtered through Bergsman’s signature shy, sleepy vocals. But where that album immersed itself in the sounds and spirit of Pakistan, Worlds draws influences from a variety of places, from the Mediterranean to Caribbean to South Pacific, to create a gentle, yet danceable aural vacation.

Taken By Trees are at The Phoenix on October 4. Work has a brief Q&A with Bergsman.

Stream: Taken By Trees / Other Worlds

Room 205 has poste the third and final video from their session with I Break Horses. You can also just stream the audio of the session via Soundcloud if you don’t want to deal with the… interesting camera work.

Video: I Break Horses – “Load Your Eyes”
Stream: I Break Horses @ Room 205

Stereogum and The Toronto Star have interviews with First Aid Kit.

DIY gets to know Icona Pop.

Sigur Rós have released another instalment from their Valtari “Mystery Film Experiment” series.

Video: Sigur Rós – “Ekki múkk”

In conversation with Drowned In Sound, Andy Bell discusses what’s next for Beady Eye, what was for Ride and Oasis, and what probably should never have been with Hurricane #1.

DIY, Cool Hunting, and Drowned In Sound talk to Efterklang.

Still Corners have released a new single to precede a Fall European tour. It’s pretty.

MP3: Still Corners – “Fireflies”

CBC Music talks to Beth Orton, in town at the Mod Club on Sunday night in support of Sugaring Season, out Tuesday.

Paste is streaming Don’t Be A Stranger, the new album from Mark Eitzel, ahead of its official release date next Tuesday. He’s at The Rivoli on November 28 and another career advice video is up at SF Weekly.

MP3: Mark Eitzel – “I Love You But You’re Dead”
Stream: Mark Eitzel / Don’t Be A Stranger

Exclaim and The National Post have features on Grizzly Bear, who’ve released a new video and download from Shields.

MP3: Grizzly Bear – “Speak In Rounds”
Video: Grizzly Bear – “Yet Again”

Annie Clark of St. Vincent submits to an Exclaim questionnaire.

CBC Music and SF Weekly talk to Victoria Legrand and The Georgia Straight to Alex Scally of Beach House; they’re at The Kool Haus on October 13.

A couple of noteworthy support acts announced this week – Jason Lytle will be peddling his new solo record Dept. Of Disappearance at Massey Hall on December 5 before Band Of Horses take the stage. The album is out October 16, and a new song is available to stream.

Stream: Jason Lytle – “Get Up And Go”

And DIIV are back again, warming up for Japandroids at The Phoenix on December 11.

MP3: DIIV – “Sometime”

Frank YangIt would have been nice to think that the many well-dressed folks milling about on King West Saturday evening were winding their way to The Hoxton, where New Zealand’s Pip Browne – aka Ladyhawke – was set to make her first Toronto appearance in almost three years exactly. But no, they were probably just out taking in the final night of TIFF, because The Hoxton was basically empty when I got there.

Being an early show with a curfew, waiting around for the more fashionably late wasn’t an option to Computer Magic got to play for a mere handful of people. The project of Brooklyite Danielle Johnson, they played as a two-piece with Johnson on keys and vox and a drummer. It wasn’t much and their on-stage mobility was decidedly limited, but they more than made do. Johnson’s synth-pop melodies were both hooky and interesting, and while her drummer favoured the pads on his hybrid acoustic/electronic drum kit, the fact that he could hit the conventional drums and hit them hard gave it all a lot more power and presence than you would have expected. My understanding is that some live versions of the band have guitar and bass to fill things out, and while I don’t doubt the extra bodies make for a more compelling live show, Computer Magic as a duo had all they really needed to make a good impression – namely, solid tunes.

For reasons entirely not her fault, Ladyhawke’s first Toronto show in September 2009 was something of a clusterfuck. It was part of a seemingly-cursed tour presented by celebrity blogger Perez Hilton, beset by low attendance, a patchwork bill, and a self-destructing headliner in Ida Maria who bailed from the tour entirely the day of the Toronto show. Ladyhawke’s first set as the de facto sole headliner of the tour was actually fine, showcasing the ridiculously catchy ’80s-styled pop of her self-titled debut, but it’s hard to separate the performance in memory from the circus that surrounded it.

This outing came without the sideshow, thankfully, but also without the degree of buzz that was there the first time around. Her second album Anxiety has been rather unjustly dismissed for being built more on guitars than synths, but the electro-pop movement that she was lumped into back in 2009 was no longer fashionable anyways and if she’d stuck with the same formula, the complaints would probably be that she was sounding dated. Fact is, the change in instrumentation is more cosmetic than fundamental; the songs on Anxiety are less immediate than those on Ladyhawke, but also less obvious. Pip Browne’s melodic instincts are still more than intact, though, and it’s a solid work that will age quite nicely.

It also meant that the couple hundred people in attendance – the room had thankfully filled in some – were genuine fans, else three years behind on hearing what was supposed to be hip. Fronting a five-piece band where, perhaps fittingly given their shift in direction, the massive drum sounds and big, fuzzy guitars often drowned out the keyboardist, the Ladyhawke live experience hadn’t necessarily become more exciting. Though friendly, they’re still very businesslike on stage, having evidently drawn on plenty of glittery/glammy ’80s sonic influence but not the excess of presentation. Browne’s vintage Bryan Adams t-shirt got the most audience approval and the guitarist Danny Blanco provided most of the on-stage animation, which wasn’t really much. But the low-key presentation meant that they were able to power through an extensive set list, cramming eighteen songs into an hour and change including an unexpected cover of Jefferson Airplane’s “White Rabbit” to open the encore. See, she knows her ’60s as well! And she knows how to write great songs that don’t need the benefit of a gossip blogger patron or fleeting musical fashionability to impress.

Computer Magic has a bunch of EPs available for free download.

Photos: Ladyhawke, Computer Magic @ The Hoxton – September 15, 2012
MP3: Ladyhawke – “Sunday Drive”
MP3: Ladyhawke – “Sunday Drive” (acoustic)
MP3: Ladyhawke – “Black White & Blue” (acoustic)
MP3: Computer Magic – “Grand Junction”
MP3: Computer Magic – “Electric Fences”
Video: Ladyhawke – “Blue Eyes”
Video: Ladyhawke – “Sunday Drive”
Video: Ladyhawke – “Black White & Blue”
Video: Ladyhawke – “Magic”
Video: Ladyhawke – “Paris Is Burning”
Video: Ladyhawke – “My Delirium”
Video: Ladyhawke – “Dusk Till Dawn”
Video: Ladyhawke – “Back Of The Van”
Video: Computer Magic – “Trinity”
Video: Computer Magic – “The End Of Time”

Evidently with a little time to kill before hitting the stage at The Great Hall on the evening of September 18, DIIV will be setting up at Sonic Boom’s Kensington location for an in-store on Tuesday afternoon at 5PM. They just released a new video from their debut Oshin last week.

MP3: DIIV – “Sometime”
Video: DIIV – “Doused”

Australian folkies Husky have a date at The Drake Underground on November 12 in support of their debut Forever So. They were here back during Canadian Musicfest, if you think you might had seen or heard them before. A Daytrotter session with the band also just went up.

MP3: Husky – “Tidal Wave”
MP3: Husky – “History’s Door”

NPR’s big-deal advance album stream this week is Piramida, the latest from Denmark’s Efterklang. It’s out September 25.

MP3: Efterklang – “Apples”
Stream: Efterklang / Pirmada

Even though their latest Observator just came out, Sune Rose Wagner of The Raveonettes tells Paste he’s already compiling ideas for their next album. They’re at The Phoenix on October 2.

Interview has an interview and I Love Sweden a video session with Amanda Mair.

The Quietus has an exit interview with the retiring Soundtrack Of Our Lives.

Interview talks to ascendent Swedish electro-pop duo Icona Pop.

PopMatters poses twenty questions to múm.

Rolling Stone has premiered a new video from Of Monsters & Men’s debut My Head Is An Animal.

Video: Of Monsters & Men – “Mountain Sound”

Dash Shaw and John Cameron Mitchell offer more a short film than video as their contribution to Sigur Rós’ Valtari “Mystery Film Experiment”, using both “Rembihnútur” and “Ekki múkk” as a soundtrack to their clip.

Video: Sigur Rós – “Seraph”

Laetitia Sadier has premiered a new video from Silencio. She plays The Drake on September 18 and Laetitia Sadier – “Find Me The Pulse Of The Universe”

NPR is streaming M83’s recent concert at the 9:30 Club in Washington, D.C.