Frank YangWe’ve certainly come a long way since late Summer, 2009 when Diamond Rings was that curious synth-pop side-project from the guy who fronted local garage-rock fixtures The D’Urbervilles (now Matters). That infectious Summer song turned into a breakout debut album in Special Affections that would take John O’Regan, his guitar and laptop and unicorn tapestry, on a glitter-and-eyeshadow-fuelled journey around the world. Quite a tale, and one that had many anxious for the sequel.

That part the second officially arrives with the release of Free Dimensional on October 23, but a small audience of industry types and fans got a sneak preview last Thursday night at the Drake Underground with a showcase that wrapped up a short US tour to road-test the new material and band. Yes, that’s right – the days of Diamond Rings being just O’Regan juggling guitar, vocal, laptop, and dance duties are a thing of the past as he’s recruited a backing band and dressed them up in matching caps, jackets, and sunglasses. The move may dismay those who loved the resolutely DIY solo setup, but it was the logical thing to do – being forced to restrict his songwriting to what he could reasonable recreate onstage on his own would have been creatively limiting and there really doesn’t exist a live act that’s not better with a full band. Fact.

O’Regan really benefitted from being freed up to fully inhabit the frontman role and decked out in an impressively shiny white leather jacket and matching jeans – oh the things you can buy with major label money – was all choreography, guitar riffs, and audience invasions – it might have been a bit familiar to those of us who’d seen The D’Urbs live, but in the Diamond Rings context made for a solid step up in live presentation. Also familiar to D’Uberville followers was Tim Bruton on guitar, though his crossover status was only a temporary one as O’Regan mentioned this would be his last gig with the band. One expects that someone else will don his coat, cap, and shades, though, because in addition to taking some of the workload off of O’Regan’s generously-padded shoulders, they really made the new material sound good – perhaps more conventional with the guitar, synth, and (electronic) drums setup, but more immediate and engaging.

Hearing how the Special Affections material would sound so arranged would have to wait for a more conventional show, as their half-hour set was all about previewing Free Dimensional. And while Diamond Rings fans who were won over by his distinctive baritone, future-first style, and danceable anthems are well attended to, long-time fans might be pleasantly surprised how much O’Regan allows his rock roots – impeccably coiffed and styled they might be – to show. At its best moments, which proudly echo the likes of Pet Shop Boys or New Order in their shine and sparkle, songs like “Runaway Love” and “I’m Just Me” make you wonder what The D’Urbs might have sounded like had O’Regan brought them along on his glam-synth journey rather than taking it solo. We might yet find out, as Matters is still technically an ongoing concern, but it’s hard to imagine O’Regan being able to trade in his Diamond Rings outfits back in for the plaid shirt and Jays cap too soon.

Diamond Rings has another local appearance on September 9 at the Sony Centre as part of Elton John’s Fashion Cares extravaganza, but those waiting for a regular, proper show will have to wait until they’re done supporting Stars across the US in September and October, but the fact that those dates wrap up right before the new record comes out can’t be a coincidence. Hometown record release show, anyone?

Exclaim was also on hand (and enjoying the hors d’oeurves), The Globe & Mail and Seattle Weekly have interviews and Boing Boing just made one of the songs from the new record available to download.

Photos: Diamond Rings @ The Drake Underground – August 23, 2012
MP3: Diamond Rings – “I’m Just Me”
MP3: Diamond Rings – “Mellow Doubt”
MP3: Diamond Rings – “Something Else”
MP3: Diamond Rings – “Wait And See”
MP3: Diamond Rings – “All Yr Songs”
Video: Diamond Rings – “I’m Just Me”
Video: Diamond Rings – “You And Me”
Video: Diamond Rings – “Something Else”
Video: Diamond Rings – “Show Me Your Stuff”
Video: Diamond Rings – “Wait & See”
Video: Diamond Rings – “All Yr Songs”

Speaking of Stars, their new album The North is up to stream over at NPR. It’s out September 4 and they open up for Metric at The Air Canada Centre on November 24.

MP3: Stars – “Hold On When You Get Love And Let Go When You Give It”
MP3: Stars – “The Theory Of Relativity”
Stream: Stars / The North

Pitchfork talks to A.C. Newman about his new solo record Shut Down The Streets. It’s out October 9 and he plays Lee’s Palace on October 21.

Spinner chats with Dan Mangan and The Calgary Herald talks to Nils Edenloff of The Rural Alberta Advantage. The two of them play The Danforth Music Hall on October 25.

Halfway House has a video session with Patrick Watson, back in town at Massey Hall on December 6.

Rolling Stone compiles what is known about the next Neil Young & Crazy Horse album Psychedelic Pill, which is due out sometime in October. They are at The Air Canada Centre on November 24.

And not that you should need extra incentive to support HeroHill in his Ride To Conquer Cancer, but the good people at New Scotland Records are giving away to one donor a prize pack consisting of their full label catalog on CD *and* vinyl and with everything that Joel Plaskett is involved in autographed by the man himself. It’s a hell of a prize and oh yeah, you’re also helping fight cancer. You know, cancer. That thing that sucks incredibly hard.

Liam MaloneyAnd then there were ten.

Yesterday, atop the roof of the Drake Hotel amidst record-breaking heat, the short 2012 Polaris Music Prize short list was announced, dashing the hopes of thirty artists and allowing ten others to begin imagining just what they might do with the $30,000 prize that awaits one of them (the correct answer being: gold plate all of the things). And it’s an interesting group, to be sure.

Some will complain about the lack of a francophone artist – which also surprises me considering the number of strong contenders on the long list – and the heavy 416-ness of the list – 4.5 from Hogtown – but as far as gender and genre splits go, it acquits itself pretty nicely. Usually I can look at the short list and immediately eliminate at least a few of them from serious consideration of winning, but this year it’s a lot tougher to do so – I can envision how many of these records could garner enough support from the grand jury, whomever that ends up being, to have sufficient numbers to come out on top. All of this is speculation, of course, and only those in that creepy-ass Freemason room in the Masonic Temple on September 24 will know exactly how it goes down. But until then, and even though most will save their handicapping until the week before the gala, here’s my thoughts on the short list with points for and against.

Cadence Weapon / Hope In Dirt City (Upper Class Recordings)
Edmonton’s former poet laureate second appearance on the short list comes for a stronger record than Breaking Kayfabe and a higher overall public and critical profile. However, the narratives around the other nominees are almost all stronger and more compelling, and whatever merit Dirt City has, I don’t think it’s going to be front of anyone’s mind including the grand jury.
MP3: Cadence Weapon – “Conditioning

Cold Specks / I Predict A Graceful Expulsion (Arts & Crafts)
That Al Spx is a compelling talent and Expulsion an impressive debut that doesn’t just rest on the power of her voice is unquestionable. But whether it goes far enough in establishing her as having a strong artistic vision of her own rather than just exploring styles of the past, at least at this point in her career, is still up for debate.
Video: Cold Specks – “Blank Maps”

Drake / Take Care (Universal Republic)
By far the “biggest” – at least in terms of mass appeal, record sales, fanbase – artist to make the short list since the Polaris was created, Drake is in rather a unique position, and one that I can’t really argue for or against. Sufficed to say that while I don’t care at all for what he does, millions of others do – and statistically that certainly increases the odds of a sympathetic grand jury. If he does win, I’m pretty sure we won’t be seeing any, “Who the hell is Drake” Tumblrs.
Video: Drake – “Marvin’s Room”

Kathleen Edwards / Voyageur (Maple Music)
There’s no question that Voyageur is the strongest album of Edwards’ career and she’s an eminently likeable artist, but I have trouble arguing it’s the grandest artistic statement our country was able to turn out this year. That said, with the most of the short list decidedly genre there’s a lot of room for something to come up through the middle (of the road) and take it all. If half the jury has gone through a break up recently, then it’s as good as hers.
MP3: Kathleen Edwards – “Change The Sheets”

Feist / Metals (Arts & Crafts)
Many/most assumed that Feist’s latest would at least make the short list even before the album was released – that’s how much people assume that Feist would do something great. So it’s interesting how polarized the response to it has been, with some thinking it’s the deepest record she’s made and others the dullest, but neither side of the argument seems to be that passionate about it.
Video: Feist – “The Bad In Each Other”

Fucked Up / David Comes To Life (Matador)
Despite a few opportunities, we’ve yet to see an artist repeat as Polaris winner and as much as I think Fucked Up are deserving – not for nothing did they top my first ballot and everyone loves the band if not their music – I don’t know if David will have won enough hearts and minds so convincingly to overcome the innate, “they’ve already won!” sentiment that everyone will feel if few will admit.
MP3: Fucked Up – “The Other Shoe”

Grimes / Visions (Artbus)
Perhaps the most heavily-favoured act, at least amongst people I know, there’s not an artist on the list who sounds more absolutely of the moment than Claire Boucher and her chirpy electro-pop. My concerns about this record are that the songwriting is kind of slight and that which is in fashion will, by definition, fall out of fashion and I don’t know that Visions has the sort of weight or timelessness that I’d like to think that the best album our country has to offer would have. However I don’t expect people will hear those concerns as they’ll be too busy dancing. Probably the odds-on favourite to take it all right now.
MP3: Grimes – “Oblivion”

Handsome Furs / Sound Kapital (Sub Pop)
This one’s an interesting entrant, what with the band having announced their dissolution just before the deadline for submission of the first ballots. Not to say that it didn’t have a lot of support before that happened – it almost certainly did – but dominating the news cycle for those few days and reminding every music critic in the country that the band had an eligible record and that it was kind of great certainly didn’t hurt. Now the question is whether or not Dan Boeckner and Alexis Perry can and will put their differences aside to show up at and perform at the gala. Drama!
MP3: Handsome Furs – “Repatriated”

Japandroids / Celebration Rock (Polyvinyl)
There’s a lot of affection for this duo, who went from the verge of splitting up to releasing one of the best pure rock records that this country has seen in a while, and I expect they’ll peel some loud guitar votes from Fucked Up and “if only Springsteen was Canadian” votes from Handsome Furs by being more accessible and immediate than either, but will they be able to sell party as art and get every fist in the grand jury room pumping in unison? I have my reservations.
MP3: Japandroids – “Younger Us”

Yamantaka//Sonic Titan / YT//ST (Psychic Handshake)
I mentioned that Fucked Up topped my first ballot but I should note that by the time second ballots were due, YT/ST had taken the top spot. As Radio Free Canuckistan pointed out in his Polaris preview, a year ago no one had ever heard of this band and now they’ve shortlisted without any appreciable PR effort – just word of mouth from those who’ve heard the record or seen the show – and no label is really unprecedented. They’re certainly not for everyone – if you don’t buy into their “Noh-wave” manifesto, then they probably come off as kind of ridiculous – but despite being the most outside and difficult act on the short list, they’re clearly for more people than anyone might have expected. Certainly, no one can argue they don’t have artistic ambitions or that they’re boring, and they have momentum. So. Much. Momentum.
Video: Yamantaka // Sonic Titan – “Hoshi Neko”

While we’re talking Polaris, aux.tv has an excellent oral history of the prize from organizers, jurists, and nominees, and The National Post got some reactions of shortlisters after discovering that they were. And if you’re interested in seeing some of the nominees live in Toronto, you’re in luck – Cadence Weapon is at Lee’s Palace on July 21 opening up for Liars, Cold Specks is at The Great Hall on August 8, Drake’s annual OVO Fest hits The Molson Amphitheatre on August 5, Fucked Up play Fort York as part of Riot Fest on September 9, Yamantaka//Sonic Titan headline the first day of ALL CAPS! on Toronto Islands on August 11, and Grimes has just announced a date at Lee’s Palace on September 21, tickets $20 in advance.

Some were surprised that Dan Mangan didn’t make the shortlist; he’ll have to drown his sorrows in a cross-Canada tour with The Rural Alberta Advantage that stops in at the Danforth Music Hall on October 25, tickets $32.50 to $39.50. And if you feel inclined to point out that that room isn’t much bigger than the ones that each act has just about filled on their own last year (the Queen Elizabeth Theatre and Phoenix, respectively), I would say that you were correct and point out, in return, that they currently have an off day the following night. You do the math.

MP3: Dan Mangan – “Oh Fortune”
MP3: The Rural Alberta Advantage – “North Star”

Sarah Neufeld, aka violinist for current Polaris champs Arcade Fire, also does a solo thing and she’ll be bringing that thing to The Drake Underground on November 10, tickets $12. Read these pieces at The Georgia Straight and The Province from a west coast tour in May for an idea of what that thing is.

Video: Sarah Neufeld – “Scalpel/Stradivarius”

Pitchfork has details on the new album from Diamond Rings – Free Dimensional will be out October 23.

The Line Of Best Fit has made a new song from The Wilderness Of Manitoba available to download, but it comes not from their new album Island Of Echoes – we continue to have to wait to hear an official sample of that – but from the Delaware House EP they’re releasing overseas to coincide with a European tour. The album is out September 18.

MP3: The Wilderness Of Manitoba – “The Ark”

Exclaim talks to Evan Gordon of The Magic.

The Line Of Best Fit has released a new Oh Canada! downloadable maple-flavoured compilation.

Lane MeyersHave I been waiting for this for a while? You might say that. Ever since Evening Hymns’ debut album of gorgeous folk-pop Spirit Guides made my 2009 year-end list, I’ve been eagerly anticipating its follow-up, following along on their Tumblr as it was recorded in early 2011 and keeping an eye for its expected release date of that Fall. I even had a spot on this year’s Polaris Prize ballot reserved for the record, dubbed Spectral Dusk as early as last January, in expectation of its arrival in the eligibility period. That’ll teach me to be presumptuous.

A Fall 2011 release turned into Spring 2012 and then Summer, and while a first taste of the record was offered up last October in the song “Asleep In The Pews”, it has since been quite effectively redacted from the internet; only a live acoustic video featuring band principals Jonas Bonetta and Sylvie Smith remains. But this week, it finally looks like the wait is ending: a Facebook post declared an August 2012 release for the record – though I’ve been told that it’ll be out the 21st of that month – and a stream of a new song from the record which, based on the Soundcloud information, has been sitting around for a good eight months. Maybe someday it will come out just how/why it’s taken so long to get this record out, but for now all that really matters is that a) it’s almost here and b) based on “Arrows”, it will be a stunner.

Stream: Evening Hymns – “Arrows”
Video: Evening Hymns – “Asleep In The Pews” (live)

A few days after making the b-side available as a download, Young Galaxy are streaming the a-side of their new 7″ single.

Stream: Young Galaxy – “Shoreless Kid”

Billboard interviews Feist.

Earshot has an interview with Joel Plaskett.

A couple of interesting tidbits from camp Sloan: first, come Tuesday they’ll be offering another limited edition live vinyl “bootleg” – this one a soundboard recording from their first Australian tour in 1999. It’s limited to 500 pieces and is available to order as of 12PM on June 12. And to keep an eye out for the Fall – a triple-vinyl Twice Removed deluxe box set and supporting tour.

Spinner talks to Emily Haines about the Lou Reed angle of their new album Synthetica, out next Tuesday.

NPR has a World Cafe session with Kathleen Edwards. She plays a free show at Pecault Square on the afternoon of June 16 for LuminaTO.

Also playing that LuminaTO show is Dan Mangan; Creative Loafing has an interview with the singer-songwriter.

Dan Snaith talks to Exclaim about the new Caribou album. They play Downsview Park on June 16 opening up for Radiohead.

Filter, The Line Of Best Fit, MTV, Clash, eMusic, and CBC Music have interviews with Japandroids – they’re at Lee’s Palace on June 23.

eMusic gets to know Al Spx of Cold Specks while NPR welcomes them for a KUT session. They’re playing the Great Hall on August 8.

NPR and BBC talk Americana with Neil Young. He and Crazy Horse are at the Air Canada Centre on November 19.

And proving the cosmos doesn’t give a damn about my carefully cultivated blog themes, here’s some notable bits that arrived too late to make my, “hey here’s a bunch of show announcements!”, “hey here’s a bunch of new album announcements”, and “hey here’s a bunch of Scandinavian/European stuff!” posts from earlier this week. You notice I do that, right?

First, Beach House have announced the dates for what they’re calling their “Frightened Eyes” tour but what everyone is calling “the long-awaited Fall tour dates in support of their new record Bloom“. Toronto gets them at The Kool Haus on October 13 – smaller than I expected but when you look at the full schedule, it’s hard not to notice that there’s off days on either side of it… mayhap a multi-night stand is in the cards? They’ve also released a new video from the album and there’s a piece at The Wall Street Journal about the whole Volkswagen/ad rip brouhaha that’s been going on the past couple weeks.

MP3: Beach House – “Myth”
Video: Beach House – “Lazuli”

While everyone is rightly excited about the Sugar reissues that are coming July 24, let’s not forget that Bob Mould has a new album coming as well. Consequence Of Sound reports that said new album will be entitled The Silver Age and be out September 4. There are also Fall tour dates that will straddle the Sugar/Silver material, but nothing up this way. Alas.

Finally, Jens Lekman has announced his first new full-length in five years – I Know What Love Isn’t will be out on September 4 and the first taste of it is available to stream below.

Stream: Jens Lekman -“Erica America”

Jim AndersonMy first encounter with Cold Specks wasn’t a terrific one. Though opening up a sold-out show for St. Vincent in one’s hometown as Al Spx did last December would seem as ideal a scenario as one could hope for, the reality was decidedly less so. Despite having already accumulated some overseas buzz with a couple singles, Cold Specks as a seated, two-guitar duo had trouble holding the attention of the audience with her low-key, self-described “doom soul” though those of use close enough to the stage to feel the heaviness of her songs could attest to feeling their gravity. It would have been nice to have been blown away but getting filed under, “keep an ear out for” isn’t bad.

Making a note to pay attention turns out to have not been necessary, as it turnes out, as Cold Specks’ debut album I Predict A Graceful Expulsion – out next Tuesday – does a fine job of demanding attention all on its own. It’s a fully-produced affair – not what I would have expected based on those early impressions – with Spx’s raw yet delicate vocals augmented by a full band, tasteful horns and strings, and even backing choir when necessary. While some may have wished for a more skeletal sound to reinforce the desolate bluesiness inherent in Spx’s voice, the musical dressings never become ostentatious and create a necessary amount of sonic variety and dynamicism across the run of the album.

And most importantly, Spx’s remarkable voice is given a goodly amount of space at all times and remains firmly in the fore, delivering songwriting filled with stark imagery. It’s well-suited to Spx and draws the most direct line to her most obvious musical roots, the gospel spirituals and field hollers of early 20th century. Cold Specks probably would have impressed if it were devoted simply to reviving that sound, goodness knows Spx has the gifts to do so and could easily have gotten away with it, but Expulsion instead channels it through more modern musical filters and it comes out timeless.

Cold Specks is at The Music Hall on June 2 supporting Great Lake Swimmers. DIY and Exclaim have feature while The Guardian is streaming the album in its entirety ahead of its release. And to round things out, Rolling Stone have premiered a new video from the record.

Video: Cold Specks – “Winter Solstice”
Video: Cold Specks – “Holland”
Video: Cold Specks – “Blank Maps”
Stream: Cold Specks / I Predict A Graceful Expulsion

Feist has finally relented to reissue her long-out of print debut album Monarch – but only on vinyl. Which is fine because you all have turntables, right? Of course you do.

Video: Feist – “It’s Cool To Love Your Family”

Neil Young & Crazy Horse have put out another video from Americana, out June 5. Using stock film footage is letting them just churn these things out.

Video: Neil Young & Crazy Horse – “Jesus’ Chariot (She’ll Be Coming ‘Round The Mountain)”

Stereogum talks to Emily Haines of Metric about their new record Synthetica, out June 12.

Uzine chats with Dan Mangan. He plays a free show at Pecault Square the afternoon of June 16 for LuminaTO.

John LondonoI didn’t study a whole lot of history in school – to my regret – and the topics I did cover didn’t include the War Of 1812. I did, however, take a lot of math courses so I am able to calculate that this is the 200th anniversary of said conflict between the then-British territory that would become known as Canada and the newly-independent United States of America.

The precise causes of the war aren’t entirely clear to me but based on the musical events being scheduled at Toronto’s Historic Fort York – the site of the Battle Of York in April 1813 – this Summer, it was about the inalienable right to get one’s dance on. After all – there’s the HARD fest in August where French electro/disco headliners Justice and M83 will presumably be representing the interests of Lower Canada, and just announced this week for July 13 is the first date of the Full Flex Express tour. It will see Canadian electro artist Grimes teaming up with American DJ types Skrillex and Diplo travelling the country by train to celebrate the way in which our two countries were able to overcome our differences and spend the last two centuries coexisting in harmony through the power of dubstep. Or maybe they’re going to don period uniforms, brandish muskets, and have at each other for a few hours. One can only hope.

Tickets go on sale today with a limited number of early birds available for $41.50 and the rest at $51.50. And to top it off, Grimes has released a new video from this year’s Visions that I assume is an accurate recreation of Major General Roger Hale Sheaffe’s retreat from the American forces at Fort York. There’s more nudity than I would have expected, but hey – I’m not the historian here.

MP3: Grimes – “Genesis”
MP3: Diplo – “Express Yourself”
Video: Skrillex – “Bangarang”
Video: Grimes – “Nightmusic”

Chad VanGaalen has made a date at The Mod Club for July 26.

MP3: Chad VanGaalen – “Willow Tree”

The Wilderness of Manitoba are still being coy about the what and when of their second album, but they’re being generous with where. They’ve got a couple shows planned for the Summer – one on June 1 at the Steam Whistle Roundhouse and another on June 30 on the Toronto Islands as part of the New Traditions festival with a goodly number of artists, both musical and visual. Admission for the Steam Whistle thing is $5 and a festival pass for the latter is $20.

MP3: The Wilderness Of Manitoba – “Hermit”

And if you like your festivals on islands, you’ll be pleased to know that Kingston’s Wolfe Island Music Festival has announced their 2012 lineup – Sam Roberts, Zeus, and Yukon Blonde are just a few of the acts playing on August 10 and 11, early bird tickets are $65, include camping and go on sale next week. I went to the fest back in 2007 and it is a great time, well worth the trip up the 401.

NOW makes cover stars of PS I Love You, headlining The Garrison on May 15.

Metro, The Winnipeg Free Press, and Monday talk to Al Spx of Cold Specks, whose debut album I Predict A Graceful Expulsion is out May 22. They play The Music Hall on June 2 opening for Great Lake Swimmers.

And speaking of Great Lake Swimmers, there’s feature interviews with the band at Vancouver Weekly, The Victoria Times Colonist, Exclaim, The Calgary Herald, and The Georgia Straight. In addition to the aforementioned Music Hall show, they’ll be supporting Blue Rodeo at The Molson Amphitheatre on August 18.

Japandroids give Exclaim some background on the title of their new album Celebration Rock, out May 29. They’re at Lee’s Palace on June 23.

With the June 12 release date of Synthetica coming up, Metric gives Rolling Stone an acoustic performance of the first single and tell aux.tv where the “reflection” videos they’re using as promotional teasers came from.

aux.tv gets Plants & Animals to offer commentary for their “Lightshow” video. They play Yonge-Dundas Square on June 15 for NXNE.

Spin gets to know Dan Mangan, who plays a free show as part of LuminaTO at Pecault Square on the afternoon of June 16.

The Guardian gets on board with The Magic. Their debut Ragged Gold is out June 25.

Trust have released a new video from their debut album TRST. They play The Great Hall on July 13.

Video: Trust – “Sulk”