John LondonoI didn’t study a whole lot of history in school – to my regret – and the topics I did cover didn’t include the War Of 1812. I did, however, take a lot of math courses so I am able to calculate that this is the 200th anniversary of said conflict between the then-British territory that would become known as Canada and the newly-independent United States of America.

The precise causes of the war aren’t entirely clear to me but based on the musical events being scheduled at Toronto’s Historic Fort York – the site of the Battle Of York in April 1813 – this Summer, it was about the inalienable right to get one’s dance on. After all – there’s the HARD fest in August where French electro/disco headliners Justice and M83 will presumably be representing the interests of Lower Canada, and just announced this week for July 13 is the first date of the Full Flex Express tour. It will see Canadian electro artist Grimes teaming up with American DJ types Skrillex and Diplo travelling the country by train to celebrate the way in which our two countries were able to overcome our differences and spend the last two centuries coexisting in harmony through the power of dubstep. Or maybe they’re going to don period uniforms, brandish muskets, and have at each other for a few hours. One can only hope.

Tickets go on sale today with a limited number of early birds available for $41.50 and the rest at $51.50. And to top it off, Grimes has released a new video from this year’s Visions that I assume is an accurate recreation of Major General Roger Hale Sheaffe’s retreat from the American forces at Fort York. There’s more nudity than I would have expected, but hey – I’m not the historian here.

MP3: Grimes – “Genesis”
MP3: Diplo – “Express Yourself”
Video: Skrillex – “Bangarang”
Video: Grimes – “Nightmusic”

Chad VanGaalen has made a date at The Mod Club for July 26.

MP3: Chad VanGaalen – “Willow Tree”

The Wilderness of Manitoba are still being coy about the what and when of their second album, but they’re being generous with where. They’ve got a couple shows planned for the Summer – one on June 1 at the Steam Whistle Roundhouse and another on June 30 on the Toronto Islands as part of the New Traditions festival with a goodly number of artists, both musical and visual. Admission for the Steam Whistle thing is $5 and a festival pass for the latter is $20.

MP3: The Wilderness Of Manitoba – “Hermit”

And if you like your festivals on islands, you’ll be pleased to know that Kingston’s Wolfe Island Music Festival has announced their 2012 lineup – Sam Roberts, Zeus, and Yukon Blonde are just a few of the acts playing on August 10 and 11, early bird tickets are $65, include camping and go on sale next week. I went to the fest back in 2007 and it is a great time, well worth the trip up the 401.

NOW makes cover stars of PS I Love You, headlining The Garrison on May 15.

Metro, The Winnipeg Free Press, and Monday talk to Al Spx of Cold Specks, whose debut album I Predict A Graceful Expulsion is out May 22. They play The Music Hall on June 2 opening for Great Lake Swimmers.

And speaking of Great Lake Swimmers, there’s feature interviews with the band at Vancouver Weekly, The Victoria Times Colonist, Exclaim, The Calgary Herald, and The Georgia Straight. In addition to the aforementioned Music Hall show, they’ll be supporting Blue Rodeo at The Molson Amphitheatre on August 18.

Japandroids give Exclaim some background on the title of their new album Celebration Rock, out May 29. They’re at Lee’s Palace on June 23.

With the June 12 release date of Synthetica coming up, Metric gives Rolling Stone an acoustic performance of the first single and tell aux.tv where the “reflection” videos they’re using as promotional teasers came from.

aux.tv gets Plants & Animals to offer commentary for their “Lightshow” video. They play Yonge-Dundas Square on June 15 for NXNE.

Spin gets to know Dan Mangan, who plays a free show as part of LuminaTO at Pecault Square on the afternoon of June 16.

The Guardian gets on board with The Magic. Their debut Ragged Gold is out June 25.

Trust have released a new video from their debut album TRST. They play The Great Hall on July 13.

Video: Trust – “Sulk”

Norman WongWe’re going to close out the week with some new and hopefully interesting stuff to listen to, domestic-style. Unless you’re not Canadian in which case this will all be strange and foreign and exotic. Whoooooo!

Last week, Bruce Peninsula were teasing on their website that something big was coming as of April 24 and they weren’t kidding. And it’s literally big – an epic-sized, three-part, almost 14-minute song cycle entitled “Of Songs” that takes the band’s choral gospel-blues sound in unexpectedly experimental directions. It’s available to stream – as below – or buy. It would be interesting to see them try and recreate this live when they play The Great Hall on May 24, but it’s probably a safer bet that you’ll just hear a lot of last year’s Open Flames. Which is also just fine.

Stream: Bruce Peninsula – “Of Songs”

Also out of Toronto but with a lineup the fraction of the size, Army Girls have debuted a new single over at Exclaim which will be made available for free at their Bandcamp starting May 1. And while you’re there, stream (and buy) their excellent debut EP Close To The Bone. They’re at The Garrison tonight supporting Hot Kid and there again the evening of May 15 opening up for PS I Love You.

Stream: Army Girls – “Twice”

The Elwins released a limited edition CD for Record Store Day containing a remix and their cover of Beyonce’s “Countdown” with Born Ruffians singer Luke Lalonde, and for those who didn’t get one of the copies they also promised to make it available for free online – which they have. Dorkshelf has an interview with Feurd from the band.

MP3: The Elwins with Luke Lalonde – “Countdown” (Beyonce cover)
Video: The Elwins with Luke Lalonde – “Countdown” (Beyonce cover)

Edmonton’s Purity Ring dominated the internet this week with the announcement that their debut album Shrines would be out on July 24 and giving away the first MP3 from it. Exclaim has details on it, including Summer tour dates which include two Toronto dates – June 14 at Wrongbar as part of NXNE and July 6 at The Music Hall opening for Dirty Projectors (Exclaim doesn’t actually note that date but it’s legit).

MP3: Purity Ring – “Obedear”

Speaking of PS I Love You (we were earlier, try to pay attention), Chart has posted a video session, a second Paper Bag Sessions vid has been released and a stream of another new song from Death Dreams, out May 8. And as mentioned, they kick off their Summer tour in support of it May 15 at The Garrison.

Stream: PS I Love You – “Don’t Go”
Video: PS I Love You – “Sentimental Dishes” (Paper Bag Sessions)

Rose Cousins has released a first video from her excellent We Have Made A Spark; she’s at The Rivoli on May 3.

Video: Rose Cousins – “Go First”

Patrick Watson talks to CBC Radio 3 about his new album Adventures In Your Own Backyard, from which he’s just released a video. He plays the Music Hall on May 29.

Video: Patrick Watson – “Into Giants”

Cold Specks has released a new video from I Predict A Graceful Expulsion, out May 22, and the Swans cover she had on a Record Store Day release is up to stream. She plays the Music Hall on June 2 opening up for Great Lake Swimmers.

Stream: Cold Specks – “Reeling The Liars In” (Swans cover)
Video: Cold Specks – “Blank Maps”

NYC Taper has shared a recording of Plants & Animals’ show in New York last week. They’ll be back in Toronto for NXNE on June 15 at Yonge-Dundas Square

It seems to be all about the side-project for Toronto musicians of late; Ohbijou’s Casey Mecija is the latest to do a little moonlighting, adopting the name of Warm Myth for her collaboration with Keiran Adams of Everything All The Time; they’ve got some songs up at Soundcloud. Also keeping Mecija busy of late has been The Blot, a monthly collaborative art-music project that pairs images – see the Tumblr above – with sounds – see the Bandcamp. And Ohbijou is still being tended to; they play a free show at Pecault Square on June 17 for LuminaTO.

Stream: Warm Myth – “Working”

The Star-Tribune and The Republic have interviews with Kathleen Edwards, who is also doing a free LuminaTO show at Pecault Square; she’s there the afternoon of June 16.

Her show is part of a double-bill with Dan Mangan, who has a Daytrotter session that’s just gone live as well as an interview at The Oxford Student.

The National Post and Ottawa Citizen chat with Joel Plaskett, coming to town for two shows at the Queen Elizabeth Theatre on May 18 and 19.

New York Magazine profiles Grimes.

Frank YangIf you were to plot out my appreciation for Patrick Watson on a graph versus time and geography, the salient data points would read something like this:

September 2007, Toronto, Ontario – Watson wins the second Polaris Music Prize with his second album Close To Paradise, an album I was almost wholly unfamiliar with despite the fact that, as a juror, I probably should have been. I generally resent him for this because I was sure that Feist was going to take it with The Reminder and now I felt kid of dumb.

September 2009, Toronto, Ontario – Watson is now riding a two-album Polaris shortlist streak although odds of Wooden Arms repeating are long. And while my interest in his music hasn’t really grown over the past couple years, I admit to being won over some by his performance at the gala as he and his band opt to wander through the audience like steampunk troubadours rather than play on the stage.

October 2011, Reykjavik, Iceland – Even though he’s not even performing at the festival, Watson shows up for Esmerine’s set at the Canadian Blast day show for Iceland Airwaves and sings on a couple of songs from their album La Lechuza, dedicated to the memory of Montreal singer Lhasa de Sela. He sounded great, and geez – who the hell just happens to show up in Iceland?

March 2012, Austin, Texas – Failure to get into The Jesus & Mary Chain’s set at SXSW meant that I needed a fallback plan and thanks to a confluence of timing and geography, I ended up at Watson’s show in a small church where he was showcasing his third album Adventures In Your Own Backyard, still not due out for a month at that point. It was beautiful, and I think I began to finally, properly get Patrick Watson.

It’s strange that it should have taken me so long – after all, it’s not as thought what he does is outside of my wheelhouse at all. Pretty, ornate, classical/jazz-pop that doesn’t go out of its way to be difficult or anything besides what it is, you’d be hard-pressed to find an artist more comfortable in his skin and his sound than Watson. It also helps that Adventures is a beautiful record; sonically dense, intimate in feel, thematically opaque enough to intrigue and with a sly sense of playfulness running throughout. There are points where I do wish it were a little less… airy, but those complaints are as minor as they are irrelevant.

One of the things that made that aforementioned SXSW show so great was how Patrick Watson was able to infuse that Austin church sanctuary with the spirit of an impromptu carnival and its attendant sense of wonder. It wasn’t reasonable to expect them to to do the same with the CBC’s Glenn Gould Studio last Wednesday night where they performed for a radio broadcast to go with Adventures‘ release this week, but that didn’t mean they weren’t going to try. The show opened in pitch blackness with the band playing the new record’s opening track “Lighthouse” guided only by small flashlights affixed to their hands before being lit up by the stage lights at the song’s crescendo. It was a dramatic moment, certainly, but notable in being exactly the sort of grand gesture that they don’t need to make to impress.

What I’ve found in my re-examination of what it is that Patrick Watson (the band) excels at is that they’re at their best when making music on a micro scale. The exquisite detail of their compositions seems best appreciated under a magnifying glass, where you can really take in and appreciate how intricately it’s all assembled. You definitely get a sense of that watching the five-piece band onstage, where the meticulous orchestration and sequencing of the performance – to say nothing of their collective musicianship – is astonishing to behold despite the sort of casual, lassiez faire vibe they like to affect. Along those same lines, Patrick Watson (the man) interjected many amusing and occasionally rambling asides and anecdotes into the hour-long set that were both charming and disarming.

They played almost all of the new record and a couple from Wooden Arms that offered a little more punch amidst Adventures‘ dreamier tone, and really if there were any more reservations I had about coming around on Patrick Watson, they were gone by the time they were done. Will this earn them a place on my Polaris ballot? Hard to say, but I also get the feeling that they won’t need my help making a third shortlist appearance.

The entire concert is already available to stream at CBC Music and the whole of Adventures In Your Own Backyard is also available to stream, along with some videos of the performance. If that’s not enough, there’s a studio session for Q available to stream at and “Blackwind” from the new record is available to download for free at iTunes.

The Globe & Mail, hour.ca, The National Post, The Edmonton Journal, JAM, The Ottawa Citizen, The Montreal Mirror, and CBC Radio 3 have interviews with Watson.

Adventures In Your Own Backyard is out today in Canada, April 30 in most other territories and May 1 in the USA. They’ll be back in Toronto for a show at the Music Hall on May 29.

Photos: Patrick Watson @ The Glenn Gould Studio – April 11, 2012
MP3: Patrick Watson – “Into Giants”
Video: Patrick Watson – “Fireweed”
Video: Patrick Watson – “The Storm”
Video: Patrick Watson – “Drifters”
Video: Patrick Watson – “The Great Escape”
Stream: Patrick Watson / Adventures In Your Own Backyard

Paste has premiered the new, Strangeglove-saluting video from Dan Mangan’s Oh Fortune. He’s doing a free show the afternoon of June 16 at Pecault Square as part of Luminato.

Video: Dan Mangan – “Post-War Blues”

McGill Tribune talks to Cold Specks, whose debut I Predict A Graceful Expulsion is out May 22; i-D also has a video session and interview. They play June 2 at the Music Hall opening up for Great Lake Swimmers.

The first Paper Bag Session video for PS I Love You’s forthcoming Death Dreams is now up to watch. They’re at The Garrison on May 15.

Video: PS I Love You – “Princess Towers” (Paper Bag Sessions)

I’d speculated that following his show in support of Metronomy earlier this month that Sandro Perri would be announced as support for Destroyer at The Opera House on June 23 since he was doing so for the other Canadian dates on the tour. That might yet happen, but not before Perri plays a couple shows of his own – he’s at The Tranzac on May 14 and 15.

MP3: Sandro Perri – “Love And Light”

The countdown timer on the Bruce Peninsula website implies that something is coming on April 24 – their Facebook also confirms as much – but it’s not a concert announcement; that’s already here. They’ve slated a May 24 show at The Great Hall, tickets $12 in advance.

MP3: Bruce Peninsula – “In Your Light”

There’s still no precise details on the second Wilderness Of Manitoba record besides that it exists and should be out this Summer, but their next local show will be June 30 on the Toronto Islands as part of the New Traditions Festival… no precise details on that, either.

MP3: The Wilderness Of Manitoba – “Hermit”

Local artist Maggie MacDonald may be better known for her tenure in The Hidden Cameras and fronting Betty Burke, but she also works in theatre and her latest endeavour is a musical collaboration with Stevie Jackson of Belle & Sebastian, and he’ll be on hand – along with a number of other local artists – for their performance of Paper Laced with Gold at Harbourfront Centre on April 28; tickets $15.

Frank YangWhat’s better than hearing a new album on the day that it’s released? How about hearing it live? Okay, the former might have carried a little more weight a decade ago when records weren’t consistently available to stream online well before they were available to buy, but there’s still something special about the latter. So it was pretty nice of Great Lake Swimmers to mark the release of their fifth album New Wild Everywhere this past Tuesday with a full-band, plugged-in in-store performance at Sonic Boom where they showcased ten of the record’s twelve tracks with a one-song encore from their back catalog.

Even if you hadn’t heard the recorded versions, it was pretty clear from the new material that this was far from the same band that recorded their spare, almost spectral self-titled debut in an abandoned grain silo a decade earlier. Each subsequent record has fleshed out their sound a little more, certainly, and Tony Dekker’s songwriting hasn’t changed dramatically over that time but with New Wild Everywhere – the band’s first album recorded in a proper studio – it feels as though the reverberations of that grain silo have finally faded to silence and the fields that surrounded it have been gradually built up to the point that the landscape is no longer recognizable. There’ve been subtle changes from record to record, certainly, but for a band who deals in subtleties it doesn’t necessarily take a lot to effect a dramatic change.

In specifics beyond just the aesthetic, Everywhere seems to complete the transformation into a folk-pop band that their past releases had just flirted with; tempos are zippier and choruses bigger and live, there’s considerably more electric guitar in play. This shift was more pronounced live as there just seemed to be more everything – guitar, banjo, fiddle, vocals – in the mix; whereas previously the space left open was as much a part of their sound as what they played, now it sounded busy almost to the point of distraction. Which is not to say it sounded bad – though initial impressions are that this batch of songs don’t quite measure up to Dekker’s best compositions, they’re solid and the players behind them skilled – but for those who’d followed the band since those early recordings, it’s hard not to feel like something of what made them unique has been buried or left out in a field.

The band performed the whole of the new album for CBC Music and that recording should be available to stream in whole later today; currently they’ve got one song available. NOW has video of one of Tuesday evening’s performances, while aux.tv, The Vancouver Sun, The Montreal Gazette, and The Toronto Star all have features on the band. After touring North America and Europe, they return home for a show at The Music Hall on June 2.

Photos: Great Lake Swimmers @ Sonic Boom – April 3, 2012
MP3: Great Lake Swimmers – “Pulling On A Line”
MP3: Great Lake Swimmers – “Your Rocky Spine”
MP3: Great Lake Swimmers – “I Am A Part Of A Large Family”
Video: Great Lake Swimmers – “Easy Come Easy Go”
Video: Great Lake Swimmers – “River’s Edge”
Video: Great Lake Swimmers – “Stealing Tomorrow”
Video: Great Lake Swimmers – “Palmistry”
Video: Great Lake Swimmers – “Pulling On A Line”
Video: Great Lake Swimmers – “Still”
Video: Great Lake Swimmers – “Back Stage With The Modern Dancers”
Video: Great Lake Swimmers – “Your Rocky Spine”
Video: Great Lake Swimmers – “To Leave It All Behind”
Video: Great Lake Swimmers – “Bodies & Minds”

The Line Of Best Fit is streaming a new track from Cold Specks’ debut album I Predict A Graceful Expulsion, due out May 22, and The Guardian a profile piece. She opens up the aforementioned Great Lake Swimmers show on June 2 at the Music Hall.

Stream: Cold Specks – “Blank Maps”

No longer timely, but prior to last weekend’s Juno awards Spinner ran a number of interviews with nominees – there was this piece with Coeur de Pirate about her appreciation for Drake and The Weeknd, this one with Patrick Pentland and Jay Ferguson of Sloan about their odds of winning and this chat with The Rural Alberta Advantage about what their roles at the awards ceremony might be as well as this one, post-awards. For the record, none of the three won – maybe they should have made a Christmas album.

Rolling Stone has posted up a video session with Patrick Watson recorded at SXSW. His new album Adventures In Your Own Backyard comes out April 17 and they’ve a gig at The Music Hall on May 29, but before that is a special show at the CBC’s Glenn Gould Studio on April 11 which you can win tickets for at CBC Music.

NPR has premiered a video for the title track of Plants & Animals’ latest effort The End Of That. They’re at Lee’s Palace on April 21.

Video: Plants & Animals – “The End Of That”

Tiny Mix Tapes interviews Claire Boucher of Grimes.

Cheers to Herohill, who’s assembled a tribute album to Leonard Cohen featuring artists such as Kathryn Calder and Woodpigeon. The Bard Of Montreal is available to download for freesies.

Frank YangDespite only seeing four bands, I like to think that I covered a fair bit of ground – stylistically, geographically, exploratorily (?), what have you – on the first night of Canadian Musicfest. The Friday night stuck slightly closer to home on all fronts but yielded much better and consistent results.

The evening kicked off at Rancho Relaxo with Neufovin in all the way from Finland (I mistakenly called them Norwegian in my festival preview and apologize profusely). Besides having an affinity for anything Scandinavian, the foursome impressed me with the samples posted online – they’ve yet to release a debut album but already sound like a tight and creative unit only somewhat all over the place with respect to what they want to sound like. But based on their set, they were leaning towards a low-level orbit brand of space-rock, propelled by their nimble drummer whose work reminded me of The National’s Bryan Devendorf and that’s basically the highest praise I can give a drummer; I could have just sat and listened to him play all night. The vocals could use a little more expressiveness but hearing their confident transitions from sonic grace to chaos and back again, I would definitely like to hear that debut whenever it’s done.

Photos: Neufvoin @ Rancho Relaxo – March 23, 2012
MP3: Neufvoin – “Drunken Captain”
MP3: Neufvoin – “Polar Song”
MP3: Neufvoin – “Villasukka”
MP3: Neufvoin – “Mouse On Mars”
Video: Neufvoin – “Polar Song”

I’m not sure who booked New York’s The Big Sleep into The Painted Lady, but it was a weird venue for them, being better suited to singer-songwriter acts than heavy, lumbering rock acts – to wit, they kept getting asked to turn down their amps through their set. But while the band had a track record, their third album Nature Experiments had just come out in January and was their first in four years; they probably had to work to get back onto peoples’ radars. I for one had lost track of them after seeing them at Pop Montreal 2006 circa their debut Son Of The Tiger, but remembered them well enough to know I wanted to see/hear them again, given the chance. Happily, time hadn’t messed with my memory and they were as good as I recalled, coming across equal parts intense and cool and heavy all around. Sonya Balchandani and Danny Barria have distinct vocal styles but maintain a similarly detached personality, offering a nice balance to their decidedly pummelling guitar-bass-keys instrumental groove. I imagine it’d make great car chase music.

Photos: The Big Sleep @ The Painted Lady – March 23, 2012
MP3: The Big Sleep – “Ace”
MP3: The Big Sleep – “Bad Blood”
MP3: The Big Sleep – “Pinkies”
MP3: The Big Sleep – “Murder”
MP3: The Big Sleep – “You Can’t Touch The Untouchable”
Video: The Big Sleep – “Ace”
Video: The Big Sleep – “Valentine”
Video: The Big Sleep – “Murder”

At this point, the best laid plans kind of fell apart as catching a streetcar across College from Ossington to Spadina turned into walking across College from Ossington to Spadina, an exercise that took quite a bit longer than intended (it wasn’t by choice). But being late for an 11PM showcase means you’re early for an 11:30 one, so I managed to slip into the El Mocambo between sets and get in position for one of the festival’s hotter acts, Vancouver’s retro-soul revivalists Chains of Love. They’d been a highlight of last year’s NXNE and their just-released debut Strange Grey Days was a solid one, so I was pretty content with this plan B. This show was somewhat less gleefully chaotic than that Silver Dollar show – the ElMo stage affording enough space that the band weren’t falling over each other up there – but while that was part of the fun last time, its loss was mitigated by the fact that the band were more polished and all-around better sounding than last time, and the extra space allowed for frontwoman Nathalia Pizarro’s dance moves and tambourine workout. They wisely stuck to their uptempo material for the set and while that meant that it was all over extra fast – I don’t think it even clocked in at half an hour – they definitely proved that NXNE show wasn’t any kind of fluke. Spinner has an interview with the band.

Photos: Chains Of Love @ The El Mocambo – March 23, 2012
MP3: Chains Of Love – “In Between”
MP3: Chains Of Love – “Breaking My Heart”
MP3: Chains Of Love – “You Got It”

And if Chains Of Love were going to pass on their title of “best new discovery at The Silver Dollar during a music festival” – it’s a real thing, look it up – then across the street July Talk were ready to take it. I didn’t know a thing about them ahead of time, but The Silver Dollar is usually a pretty safe bet during either CMF or NXNE – at the very least, whatever you see will be loud and rocking and at the very most, it’ll be amazing. That might be overselling July Talk a bit, but they were definitely one of the most entertaining sets I’d see all week. Fronted by the duo of Peter Dreimanis and Leah Fay, they offered a sort of rowdy, sleazy blues punkabilly take on June & Johnny/Gram & Emmylou with not a little Sailor & Lula/Mickey & Mallory dynamic thrown into the mix. They two were electric onstage, whether playfully shoving, biting or rubbing up against each other or working the audience – Fay graciously put lipstick on more than a few members of the crowd – all the while leading their band through some foot-stomping, ass-shaking tunes that were almost as tuneful as they were theatrical. Tremendously fun, and I don’t know what is says about me that I assumed they were an out-of-town act from Los Angeles or the like… and not from right here in Toronto. Who knew we had it in us?

Photos: July Talk @ The Silver Dollar – March 23, 2012
M4A: July Talk – “Paper Girl”
M4A: July Talk – “The Garden”

PS I Love You are gearing up for the May 8 release of Death Dreams with a second MP3 and a set of tour dates that includes a May 15 date at The Garrison.

MP3: PS I Love You – “Princess Towers”

The AV Club gets to know Army Girls; they’re opening up some of those PS I Love You dates, no word if they’re going to be doing so in Toronto but one can hope. Update: Yup, they’re opening the Garrison show.

And not to give up the title of pre-eminent loud Canadian rock duo, Japandroids will release their new one Celebration Rock on June 5 and have plotted their own Summer tour which brings them to The Horseshoe on June 23. A stream from the new record is available now.

Stream: Japandroids – “The House That Heaven Built”

It almost goes without saying that the just-announced Fucked Up show at The Power Plant art gallery space at Harbourfront on May 1 will be something more than just a concert, but they haven’t said what yet. But if you’re looking to get some Fucked Up in you life, keep the date open.

MP3: Fucked Up – “Queen Of Hearts”

The Wooden Sky have released the third instalment of their “Grace On A Hill” video session series at Chart. They play The Opera House on April 20.

Exclaim and The Awl talk to Tony Dekker of Great Lake Swimmers, whose new album New Wild Everywhere is out next week and streaming in full over at aux.tv. They’re at The Music Hall on June 2 and have just announced an in-store at Sonic Boom for April 3 at 6PM.

Stream: Great Lake Swimmers / New Wild Everywhere

Opening up that Great Lake Swimmers show will be Cold Specks, who was profiled by NOW and The Globe & Mail. I Predict A Graceful Explosion will be out May 22.

The Globe & Mail, Willamette Weekly, Edmonton Journal, and NOW talk to John K Samson.

Exclaim and aux.tv talk to Joel Plaskett about his new record Scrappy Happiness. He’s at The Queen Elizabeth Theatre on May 18 and 19.

The National Post and Spinner chat with John O’Regan of Diamond Rings about his second album and how it feels to be a Juno nominee.

Also up for a Juno is Dan Mangan; The Vancouver Sun has an interview with the singer-songwriter.

Spin points to a stream if another of Arcade Fire’s contributions to the Hunger Games soundtrack.

Stream: Arcade Fire – “Horn Of Plenty”

Pitchfork reports that Caribou’s performance at the 2009 ATP festival as the Caribou Vibration Ensemble is available to watch in its entirety at Vimeo. Caribou opens up for Radiohead at Downsview Park on June 16.

A track from Moonface’s new album With Sinai: Heartbreaking Bravery is now available to download. It’s out April 17.

MP3: Moonface – “Headed For The Door”

DIY interviews Claire Boucher of Grimes.