Shane MeadowsI didn’t respond terribly enthusiastically when The Stone Roses announced their equally inevitable and improbable reunion in October 2011, my fixation on their reputation as a patchy live band and general cynicism about its prospects of lasting long enough to come to North America overriding any fanboy enthusiasm about maybe getting to see the creators of one of the greatest albums of the past quarter-century in the flesh. And indeed, though the reunion has lasted long enough to traverse the globe and reported new material earmarked for a third album, they’ve still not come any closer to Toronto than Indio, California so short of getting on a plane to some far-flung destination to see them, the second coming of The Stone Roses has remained something of an abstraction.

But a viewing of Made Of Stone, the film by Shane Meadows about the first days of their reunion, make me rather regret that. It’s not really accurate to call it either a documentary or a concert film, because there’s little to no talking head footage or insights into the hows or whys of the reunion – and if there was, it’d probably be incomprehensible without subtitles – and there’s not enough complete live performances to qualify it as the latter.

Instead, it captures Meadows’ perspective as a mega-fan with a video camera invited into follow the band around from their initial press conference confirming the reunion, through their secret rehearsal sessions and their first secret show at Parr Hall in Warrington, England, their European tour, and culminating in their homecoming shows at Heaton Park in Manchester, along with some historical footage. And while frustrating for those looking for inside dirt – though you do get the skinny on Reni’s walking out on the Amsterdam show that many feared was the derailing of the reunion before it’d barely begun – it more than captures the excitement of it all, both within the band and amongst their fans. The scenes of those to get tickets for that first secret show after it was announced that morning are genuinely heart-warming.

And while I’m sure the business end of things was key to getting the band back together, the excitement within The Stone Roses about playing together again is tangible. Okay, John Squire is as stoic as he probably ever was, but Mani and Reni and Ian Brown all seem positively giddy about it. And if there was any question if they still clicked musically, the rehearsal run through of “Waterfall” answers it definitively and unequivocally. Reni’s backing vocals are divine and even Brown stays remarkably in key; he’s not quite as good in the actual live performances where he resorts to shouting, but given the right circumstances – or maybe just some really good monitors – he’s still got it.

For all the things that Made Of Stone isn’t, what matters most is what it is and that’s a love letter to the band from a fan that gets as much love in return. A must-see for fans of the Roses, even those skeptical about the reunion. I’m hoping that 2014 is the year that the Roses finally makes proper landfall in North America, but if not… maybe I’ll get on a plane.

The DVD got a North American release this week. Shane Meadows penned a piece at The Huffington Post about what it meant to be able to make this film.

Trailer: The Stone Roses: Made Of Stone
Video: The Stone Roses – “Waterfall” (from Made Of Stone)

Following in the well-received footsteps of their UK labelmates Temples, London psych-kraut outfit TOY will be undertaking a North American tour behind their second album Join The Dots, due out December 9. They’ll be at The Horseshoe on January 14, tickets a most post-holiday friendly $11.50.

Video: TOY – “Join The Dots”

The Line Of Best Fit has an interview with Lanterns On The Lake, whose Until The Colours Run gets a North American release on January 14. They’re at The Drake Underground on February 1.

Peggy Sue have released a new video from their forthcoming album Choir Of Echoes, due out January 28.

Video: Peggy Sue – “Idle”

Maxïmo Park have announced details of the deluxe version of their new album Too Much Information, due out February 3. It will include a bonus disc including a handful of cover versions, including a Leonard Cohen song they’ve made available to stream. DIY has a quick chat with the band about making the new record.

Stream: Maxïmo Park – “Lover Lover Lover”

The Bernard Butler-powered Trans have released a new video from their debut Red EP – making that a 1:1 clip-to-song ratio – and have targeted a February release for their second volume.

Video: Trans – “Dancing Shoes”

London Grammar have released a new video from their debut, If You Wait for their cover of Kavinsky’s “Nightcall”. They’re at The Phoenix on April 7.

Video: London Grammar – “Nightcall”

Tim Burgess of Charlatans tells BBC that their new album will feature contributions from their late drummer Jon Brookes, who passed away back in August. The record is due out in the new year.
Camera Obscura are featured in the latest 4AD Session videos set.

eMusic gets some recommended listening suggestions from Black Hearted Brother.

Emil SchultWhy yes, it is another deck-clearing, pre-vacation post. Bit of a Euro theme to this one because I am headed over to the Old World tonight, spending the next week and a bit in Berlin and Stockholm – so no, I won’t be anywhere near the autobahn, but I may fly over them en route and anyways as part of my cultural preparation for the trip, I’ve discovered the wonder of Kraftwerk. Anyways, let’s get to it – I still have to pack.

Video: Kraftwerk – “Autobahn” (live)

The Guardian are advance streaming the Belle & Sebastian b-sides compilation The Third Eye Centre ahead of its release next week, and to go along with the listening Under The Radar has a track-by-track commentary from the band.

Stream: Belle & Sebastian / The Third Eye Centre

Spin talks to Alex Kapranos of Franz Ferdinand. Their new record Right Thoughts, Right Words, Right Action is out next week and they’re at The Kool Haus on October 24.

Stereogum sets up a Turntable Interview with Empire Of The Sun. They play The Danforth Music Hall on September 9.

Drowned In Sound talks to Emiliana Torrini about her new record Tookah, due out September 10.

Gorilla Vs Bear is streaming a new track from London Grammar’s debut album If You Wait. It’s out September 10 and their October 4 show at BLK BOX has been moved upstairs to The Great Hall.

Stream: London Grammar – “Interlude”

Frightened Rabbit will release a different, North American version of their Late March, Death March EP on September 10 with a different track listing from the European version which came out back in June; Stereogum has a stream of one of the new songs and Paste an acoustic performance video of the same tune. Frightened Rabbit play The Kool Haus on October 17.

Stream: Frightened Rabbit – “Radio Silence”

Savages have announced their third local show in six months, coming back to town for a date at The Opera House on September 12 – tickets for that are $20.

Video: Savages – “Shut Up”

The Darcys list off five of the albums that influenced their studio time in making their new record Warring for CBC Music. It’s out September 17.

The resuscitated The Dismemberment Plan are streaming another tune from their new record Uncanney Valley, due out October 15.

Stream: The Dismemberment Plan – “Invisible”

Emotive Irish newcomers Kodaline – one of the longlisted bands for the BBC’s Sound of 2013 list way back in January – are staging a North American tour around a CMJ appearance and behind their debut album In A Perfect World; they’ll be at The Garrison on October 20.

Video: Kodaline – “All I Want”

Los Angeles synth-rock trio Sir Sly have made a date at The Horseshoe for October 21.

MP3: Sir Sly – “Ghost”

The Dumbing Of America talks to Mark Van Hoen, one of Neil Halstead’s collaborators in Black Hearted Brother. Their debut Stars Are Our Home is out October 22.

The National Post interviews Raphaelle Standell-Preston of Braids. They play The Great Hall on November 10.

Spin has got the latest video from English psych-rock newcomers Temples as well as confirmation that their debut album won’t be out until 2014, not that that’s stopping them from being here to play The Horseshoe on November 20.

Video: Temples – “Keep It In The Dark”

Under The Radar talks to former Ride frontman Mark Gardener about a new collaborative project he’s working on with former Cocteau Twin guitarist Robin Guthrie. The swirly swirly fruits of that project could see the light of day before the year is out.

Tim Burgess of The Charlatans remembers their late drummer Jon Brookes in a blog post at NME.

Montreal’s Valleys have released a new video from their debut Are You Going To Stand There And Talk Weird All Night?.

Video: Valleys – “Absolutely Everything All The Time”

Toronto’s shoegazing Breeze, whose live show helped kick off this week, have a new video.

Video: Breeze – “Dolls”

Phoenix drop in on NPR to record a World Cafe session, while Pitchfork talks to both Thomas Mars and R. Kelly about their unlikely collaborations.

NPR has a World Cafe session with Shout Out Louds.

Beatroute talks to Icona Pop.

Billboard examines Annie’s impact on Norwegian pop.

Okay, bye for now.

thecharlatans.netSad, sad news out of the UK yesterday when it was announced that Jon Brookes, drummer and founding member of The Charlatans, had passed away of brain cancer. The condition first surfaced during a 2010 North American tour that forced the cancellation of a number of dates, but until recently appeared to have been successfully treated, allowing Brookes to continue playing and recording with the band as recently as this Summer, with the band working on new material. Brookes was 44.

It’s not the first tragedy to befall the band – original keyboardist Rob Collins was killed in a car crash in 1996 – but in the almost 25 years of the band’s existence they’ve proven to be amazingly resilient, outlasting pretty much all of their Madchester and Britpop peers while building a really remarkable catalog of albums and singles. If any outfit could find the strength to carry on after such a loss – should they choose to – it’d be The Charlatans.

I feel fortunate to have caught them live at The Kool Haus in early 2002 circa Wonderland, their second-to-last visit (I believe) before a 2006 show at The Phoenix for Simpatico. It wasn’t supposed to be so, but the band were snakebit in their attempts to come back to support 2008’s You Cross My Path and 2010’s Who We Touch; for the former, they scheduled, cancelled, rescheduled, and re-cancelled a date at The Mod Club in Fall of 2009, eventually nixing the tour to allow Brookes to have shoulder surgery and their last attempt in September 2010 – which would have brought them to Lee’s Palace – was scrubbed after Brookes had a seizure in Philadelphia two nights before the show.

I’d been largely nonplussed about the band’s output this century, but those last couple records were genuinely solid and I had been quite excited to see them live again – especially in such small rooms – so those cancellations were extra disappointing. For that last Lee’s show, I’d already gone ahead and done the legwork of linking up their entire videography as I try to do for live reviews, and have actually had all of that HTML saved in a draft post for the past three years in hopes that they’d finally return and I could use it. Whatever happens with the future of the band, that return seems unlikely in the near term so I’ll instead post them as a tribute to Brookes and the band. Rest in peace, sir, and thanks for the music.

Video: The Charlatans – “My Foolish Pride”
Video: The Charlatans – “Love Is Ending”
Video: The Charlatans – “Mis-Takes”
Video: The Charlatans – “The Misbegotten”
Video: The Charlatans – “Oh Vanity”
Video: The Charlatans – “You Cross My Path”
Video: The Charlatans – “You’re So Pretty, We’re So Pretty”
Video: The Charlatans – “NYC (There’s No Need To Stop)”
Video: The Charlatans – “Blackened Blue Eyes”
Video: The Charlatans – “Try Again Today”
Video: The Charlatans – “Up At The Lake”
Video: The Charlatans – “A Man Needs To Be Told”
Video: The Charlatans – “Love Is The Key”
Video: The Charlatans – “Impossible”
Video: The Charlatans – “How High”
Video: The Charlatans – “North Country Boy”
Video: The Charlatans – “One To Another”
Video: The Charlatans – “Just When You’re Thinkin’ Things Over”
Video: The Charlatans – “Just Lookin'”
Video: The Charlatans – “Crashin’ In”
Video: The Charlatans – “Jesus Hairdo”
Video: The Charlatans – “I Never Want an Easy Life If Me and He Were Ever to Get There”
Video: The Charlatans – “Cant Get Out Of Bed”
Video: The Charlatans – “Tremolo Song”
Video: The Charlatans – “Weirdo”
Video: The Charlatans – “Me. In Time”
Video: The Charlatans – “Over Rising”
Video: The Charlatans – “Then”
Video: The Charlatans – “Sproston Green”
Video: The Charlatans – “The Only One I Know”

Travis have let Rolling Stone host the advance stream of their new record Where You Stand, which comes out August 19. Fran Healy talks to Metro, The Daily Mail, The Daily Record, and The Arbroath Herald about the new album, which they bring to The Sound Academy on September 25.

Stream: Travis / Where You Stand

DIY has both an album stream and track-by-track walkthrough of Absolute Zero, the debut album from Dublin’s Little Green Cars. It came out in North America back in the Spring but is only getting a European release next week, if you were wondering why they’re only getting around to it now.

Stream: Little Green Cars / Absolute Zero

The Fly and The Belfast Telegraph interview members of The Vaccines, who are streaming one of the tracks from their just-released Melody Calling EP via NME. They open up for Mumford & Sons at the Molson Amphitheatre on August 26.

Stream: The Vaccines – “Do You Want A Man” (John Hill + Rich Costey Remix)

Premier Guitar sits down with Alex Kapranos and Nick McCarthy of Franz Ferdinand to talk about their new record Right Thoughts, Right Words, Right Action with particular interest in – wait for it – their guitars, while The Age settles for a broader-interest feature piece. The record is out August 27 and they play The Kool Haus October 24.

Stereogum has premiered the lead video for Summer Camp’s self-titled second album, due out September 9.

Video: Summer Camp – “Fresh”

Alex Turner of Arctic Monkeys talks to Rolling Stone about the new single and video from their forthcoming AM, which comes out September 10. They’re at The Kool Haus on September 15.

Video: Arctic Monkeys – “Why’d You Only Call Me When You’re High?”

DIY have premiered the first video from Motto, the forthcoming record from Sky Larkin and Oxford Student also has an interview with the band. The new album is out September 16.

Video: Sky Larkin – “Loom”

Even though you’ve already seen her play it live at an in-store, The AV Club has posted the “proper” version of Charli XCX’s cover of The Backstreet Boys’ “I Want It That Way”, as she learned the song for her contribution to their Undercover series. She also lists her five favourites songs for The Week. Charli XCX plays The Hoxton on September 16.

Peter Hook recounts to The Guardian what he sees when he looks in the mirror, which includes a guy who’s going to play Movement and Power, Corruption & Lies at The Hoxton on September 18; he talks to This Is Nottingham about how the live performance will work. And if you want to see what he looks like when he’s trying to teach you to play “Ceremony”, head over to Slicing Up Eyeballs for the video lesson.

Spin is streaming another new track from Johnny Flynn’s forthcoming Country Mile, due out September 30.

Stream: Johnny Flynn – “After Eliot”

Billboard has a video session and interview with Kate Nash. She plays The Phoenix on November 5.

After threatening to leak it herself, M.I.A. has been given a November 5 release date for her eternally-delayed new record Matangi.

Over at Noisey, Emmy The Great explains how she came to write the soundtrack for the film Austenland.

Editors have released another video from their latest album The Weight Of Your Love; Artrocker also has a quick interview with the band.

Video: Editors – “Formaldehyde”

MTV Iggy interviews Camera Obscura.

Mat Osman of Suede tells The Quietus what he’s been listening to lately.

In conversation with The Daily Star Alex James is simultaneously optimistic and hazy about the future of Blur.

Pitchfork has what I believe is the first extensive post-m b v interview with Kevin Shields of My Bloody Valentine, including outtakes.

In conversation with The Japan Times, Johnny Marr dumps a whole load of cold, harsh reality on those holding out hope for a Smiths reunion.

FacebookThe twelve album shortlist for the 2012 Mercury Prize, awarded to the best – by whatever standard the judges choose to use – British or Irish album of the past twelve months was announced yesterday, and I was pleased to see that Richard Hawley made the cut because I get to use the clever (by my standards, at least) post title above and use this sharp photo of Mr. Hawley adjusting his specs.

Truth be told, I’m a bit surprised that Standing at the Sky’s Edge made the cut. Hawley shortlisted before with 2006’s Cole’s Corner, which is as perfect example of what he’s come to be known for in his solo career – classically-styled and richly-adorned romantic pop showcasing his deep baritone and twanging guitarwork – so to recognize him again for a record that seeks to distance itself from that stereotype by way of psychedelic rock jams is a touch unexpected. I personally like the record as it really lets Hawley rip on guitar in a way that he doesn’t typically – it’s louder and rawer but still unimpeachably tasteful – but I do hope it’s more a stylistic sidebar rather than new direction because, well, everyone likes the croony Rich.

To hear both sides impeccably presented, I highly recommend cueing up this live performance at the BBC last weekend where Hawley, in his hometown of Sheffield, is accompanied for two career-spanning sets by the BBC Philharmonic. It’s as gorgeous sounding as it would appear on paper, and as BBC doesn’t like to archive their stuff indefinitely, it’s only available to stream for a couple more days. Hopefully eventually it’ll be given a live release because, well, it should. Hop to the 32 minute mark to hear Jarvis Cocker’s introduction – Jarvis should always be heard – or to the 35th minute for the start of the show. And while you’re at it, read these features interviews at Toast, The Sheffield Telegraph, and The Belfast Telegraph. Also, watch this studio session video for his new single.

Video: Richard Hawley – “Seek It” (live at Yellow Arch Studios)

As for the rest of the Mercury nominees, they line up as follows. And as has become a habit, more than a few of them are coming through town in the next few weeks – Alt-J at Wrongbar on September 19, Ben Howard at Sound Academy on September 24, and Django Django at Wrongbar on September 25. Not Hawley though – he hasn’t been back since December 2007, but hey – we can hope.

Billboard and The Quietus collect some nominee reactions. The winner of the 2012 Mercury Prize will be announced on November 1.

Alt-J / An Awesome Wave / MP3: “Tessalate”
Django Django / Django Django / MP3: “Default”
Field Music / Plumb / MP3: “A New Town”
Ben Howard / Every Kingdom / Video: “Keep Your Head Up”
Richard Hawley / Standing at the Sky’s Edge / MP3: “Down In The Woods”
Michael Kiwanuka / Home Again / MP3: “Tell Me A Tale”
Lianne La Havas / Is Your Love Big Enough? / Video: “Lost & Found”
Sam Lee / Ground of its Own / Stream: “George Collins”
The Maccabees / Given To The Wild / MP3: “Go”
Plan B / Ill Manors / Video: “Ill Manors”
Roller Trio / Roller Trio / Video: “R-O-R'”
Jessie Ware / Devotion / Video: “Wildest Moments”

The Guardian has an interview, MTV a bluffer’s guide, and Baeble Music a video session with Alt-J, who’ve just debuted a new video and are presently favoured to win the big prize.

Video: Alt-J – “Fitzpleasure”

Pitchfork has details on Field Music’s forthcoming covers mini-album Playm, due out later this Fall.

Mumford & Sons have released a video from their new album Babel, due out September 25.

Video: Mumford & Sons – “I Will Wait”

Rolling Stone has premiered a track from Tim Burgess of The Charlatans’ new solo record Oh No I Love You, out October 1 in the UK. The Independent also has an interview with Burgess, who reveals that a new Charlatans album will be on the way sometime next year.

MP3: Tim Burgess – “A Case For Vinyl”
Video: Tim Burgess – “White”

Neil Halstead has released a video from his new album Palindrome Hunches, and it gives you a pretty good idea of what his show at The Dakota on October 8 will look like.

Video: Neil Halstead – “Digging Shelters”

Frightened Rabbit are previewing their new State Hospital EP every which way ahead of its release on September 25. The video for the title track was revealed a couple weeks back and now Drowned In Sound has an acoustic video performance of that same tune and DIY has an acoustic demo video of the song, “Boxing Night”. The band are at The Mod Club on October 10 and Mark Grainger writes and Clash have interviews with Scott Hutchison.

Billboard and State talk to Two Door Cinema Club, in town at the Sound Academy on October 11.

The Guardian talks to Natasha Khan of Bat For Lashes. Her new album The Haunted Man is out October 23.

Consequence Of Sound has the full routing of the Saint Etienne Fall North American tour, which kicks off October 24 in Toronto at the Opera House, and adds an interview with singer Sarah Cracknell for good measure.

The Joy Formidable have offered the first video from their new album Wolf’s Law, due out in January. That’s right – the song of the same name for which they released a video last month won’t actually appear on the album.

Video: The Joy Formidable – “Cholla”

Clash meets Hot Chip. Pretty sure they’ve met before, but whatever. Exclaim and The Georgia Straight also have chats.

DIY and Uncut celebrate the 20th anniversary of Ride’s seminal Going Blank Again by talk to Mark Gardener and Andy Bell, respectively.

The Quietus gets an update from Brett Anderson about how recording sessions for that new Suede album are going. How well? Well enough that Brett Anderson is willing to talk about it.

Noel Gallagher gives NME some odds for an Oasis reunion – not good.

Spinner talks to Stevie Jackson about going it solo for a bit.

Wild Peace, the dreampoppy debut from London’s Echo Lake has been out for a while but due to tragic circumstances – drummer Pete Hayes passed away days before it was released in June – so they’re just getting back to doing press for it now. Drowned In Sound has a complete stream of the album along with song-by-song annotations by the band.

Video: Echo Lake – “Wild Peace”
Video: Echo Lake – “In Dreams”
Stream: Echo Lake / Wild Peace

Spinner chats with Florence Welch of Florence & The Machine.

NPR welcomes Bloc Party for a KCRW session.

Elbow bassist Pete Turner talks to NME about their just-released Dead In The Boot b-sides comp, as well as their plans for their next proper studio album.

Under The Radar presents a video session with Anna Calvi comprised of original instrumentals recorded at and inspired by works in the Tate Modern in London.

NPR, The Los Angeles Times, Digital Spy, and PopMatters interview Pet Shop Boys about their new album Elysium.

There’s a video for the first new Dubstar song in forever – it was originally released in time for Record Store Day in the Spring. A new album is allegedly in the works.

Video: Dubstar – “Circle Turns”

State chats with The Futureheads.

The Grid and The National Post talk to The xx.

DIY and Spinner have features on The Vaccines.

Spinner has an interview and The Line Of Best Fit a video session with Charli XCX.

Clash and The Quietus have features on TOY, but don’t use the all-caps presentation so since I presume they’d know better than I, henceforth neither shall I. Toy. There you still. Still a rubbish name.

FacebookIf you accept that Damon Albarn is speaking truth and that these are the end times for Blur, you have to admit they’re doing it right. They’ve got their August 12 date at Hyde Park in London earmarked as the swan song, a lovely new (final) single in “Under The Westway” in the can and ready to surely top the charts one last time, and before they go, they’re clearing out the archival cupboards well and proper.

On July 31, to mark the 21st anniversary of their debut album Leisure and presumably the end of their career, they’ll release Blur 21 – a massive, career-spanning box set that will be made available in two formats. The digital box will contain all seven studio albums in remastered and expanded double-CD format, four discs of rarities not redundant to the material on each album’s bonus disc, three DVDs of live performances and videos, a 7″ of a Seymour-era single, and a fancy hardbound book about the band. The vinyl box will contain all seven albums on vinyl. And for the fans who aren’t insane collectors, each gussied-up album will be available individually in both CD and LP formats.

Yes that is a lot of Blur, but if you’re any degree of fan, try watching the trailer for the set and not thinking, “man I want that set”. If you’re curious, the pricing in Canada comes in at around $320 for either the vinyl box or the digital.

Trailer: Blur 21

If you’re interested in what Albarn will do with himself since he’s bringing the curtain down on both Blur and Gorillaz, then this stream at NPR of his Dr. Dee solo album/opera might offer some idea of his direction.

Stream: Damon Albarn / Dr. Dee

And while on the topic of reissues from seminal British bands from the ’90s, Exclaim points out that Ride are marking the 20th anniversary of Going Blank Again with a deluxe reissue consisting of a remaster of the album and a DVD of their 1992 show at the Brixton Academy (though probably in Region 1 and PAL format). It was also just pointed out to me that Going Blank Again got a vinyl reissue in February of this year thanks to Japanese archival label Obscure Alternatives.

Video: Ride – “Twisterella”

The Guardian and The Independent talk to Tim Burgess of The Charlatans about his forthcoming memoirs Tellin’ Stories, due out May 29. Slicing Up Eyeballs reports that their 1997 album of the same name will get its own 15th anniversary reissue on May 28 in double-disc format.

Video: The Charlatans – “North Country Boy”

Exclaim talks to Jason Pierce of Spiritualized. They’re at The Phoenix on May 5.

Austin City Limits is offering a tease of their recent Radiohead performance which was recorded in March but won’t air until the Fall. They’re at Downsview Park on June 16.

Video: Radiohead – “Lotus Flower” (live on Austin City Limits)

Pitchfork gets Jonny Marr to recount his musical influences through the years.

Clash talks literary influences with Gerard Love of Lightships.

Pitchfork talks to Bob Stanley of Saint Etienne about their new album Words And Music By Saint Etienne, due out on May 21; they’ve also got a stream of a new song from the album.

Stream: Saint Etienne – “Answer Song”

Pitchfork reports that Field Music will be collecting all the covers they’ve recorded over the years and releasing them in album form this Fall. I like Field Music covers. This pleases me.

State and Metro talk to Mystery Jets about their new record Radlands, out May 1, while NME has a stream of the whole thing. They’re at The Sound Academy on June 19 opening up for Keane.

Stream: Mystery Jets / Radlands

The Big Pink have released a new video from Future This.

Video: The Big Pink – “Lose Your Mind”

DIY has both a stream of Europe, the lovely new record from Allo Darlin’, and song-by-song commentary by the band. It’s out on May 1 over here but if you were to get it in the UK via Rough Trade, you could get it with a limited edition bonus CD containing six cover songs including this Go-Betweens tune, which they’re also offering as a stream.

Stream: Allo Darlin’ – “Dive For Your Memory”
Stream: Allo Darlin’ / Europe

We don’t have details on her second album yet, but Little Boots has released a second MP3 from it (“Shake” was offered up as a stream last November).

MP3: Little Boots – “Every Night I Say A Prayer”

Emmy The Great has released the second of her “God Of Loneliess” comics at Drowned In Sound along with another remix; that’s the third, another came out late last week. The Virtue deluxe edition and “God Of Loneliness” single are both out May 7.

MP3: Emmy The Great – “God Of Loneliness” (Dems remix)

Glide has a chat with Dry The River, who’ve released a new video from their debut Shallow Bed.

Video: Dry The River – “No Rest”

Daytrotter has posted a session with Johnny Flynn and The Guardian has an interview.