Leigh RightonVancouver fuzz-merchant duo Japandroids chose an interesting way to celebrate the release of their new album Post-Nothing and the attendant “Best New Music” laurels bestowed upon it by Pitchfork – they cancelled nearly their entire scheduled Spring tour.

Okay “chose” is probably the wrong word, as singer-guitarist Brian King probably didn’t decide this was the perfect time to suffer a perforated ulcer and go in for emergency surgery. But that’s what happened, and so nearly a month’s worth of dates were scrapped but almost immediately rescheduled – Pitchfork has the new dates, including a July 16 date at the El Mocambo in Toronto to make up for the nixed May 9 date.

In the meantime, they can try and keep up with the increased media interest that this record is sure to generate – witness them already on the cover of the latest Exclaim. There’s also interviews with them at JAM and View, while Metro talks to them in the context of what it identifies as a new trend of “lo-fi” bands.

MP3: Japandroids – “Young Hearts Spark Fire”
Video: Japandroids – “Heart Sweats”
MySpace: Japandroids

Exclaim! and Chart talk to Dog Day about new album Concentration. They’re at Lee’s on May 28.

Metric week continues at Drowned In Sound as the band plays tour guide – bassist Josh Winstead relates his favourite things about New York City and guitarist Jimmy Shaw does the same for Toronto.

NOW features The Dears, kicking of their North American tour at the Mod Club tonight.

Fucked Up will be hosting a night of what’s sure to be musical mayhem at the Phoenix on July 16 with a bill that will include Women and Vivian Girls amongst others still to be announced. There’s features on the band at Vue and Uptown.

MP3: Fucked Up – “No Epiphany” (No Age remix)
MP3: Fucked Up – “No Epiphany”
MP3: Fucked Up – “Twice Born”

The Los Angeles Record gets the boys from No Age to interview Bob Mould. No Age will be in town in June for NxNE – specifics still forthcoming.

Aquarium Drunkard interviews James McNew of Condo Fucks.

NPR has a World Cafe session with School Of Seven Bells.

The Guardian profiles St Vincent’s Annie Clark. Her new record Actor is out next week.

John Vanderslice has let loose another MP3 from Romanian Names, out May 19.

MP3: John Vanderslice – “Too Much Time”

M Ward stops by MPR for a session. Metro also offers up an interview.

Magnet offers an over/under analysis of The Hold Steady’s five most over- and underrated songs. Some of those songs make an appearance in the band’s session recorded for Daytrotter during SxSW, which is now available to download (or will be later today – will link when it’s up). Update: There we go.

Paste goes Bob Dylan-crazy on the occasion of his new album’s release. Together Through Life came out earlier this week and is streaming at Spinner.

Stream: Bob Dylan / Together Through Life

Metromix talks to Stephin Merritt about his score for the stage version of Neil Gaiman’s Coraline.

I like how much I’ve been able to swear in today’s post, and none if it was me being profane.

Annie MusselmanPrior to last year, M Ward’s career path was one of fairly slow and steady growth. His earlier works cultivated a mysterious, almost baroque tone and largely showcased his instrumental virtuosity and occasionally his world-worn rasp. Subsequent works found him acting as a sort of musical time capsule, an archivist for music of bygone eras of Americana country and folk whose increasingly confident singing and songwriting allowed him to not only pay tribute to, but contribute to that canon.

She & Him, his 2008 collaboration with singer-actress Zooey Deschanel, was probably intended as a diversion but perhaps predictably blew up into the highest-profile project Ward has been involved in, their debut album Volume One garnering no small amount of praise – much (but not all) of it deserved. The musicality was pure Ward, but Deschanel’s bright vocals and direct, simple songwriting gave it a sunnier disposition than you’d usually associate with him.

And judging from his latest record, it’s rubbed off on him. Hold Time finds a jauntier Matt Ward than on past works, still laid back and in no real rush to get anywhere besides the back porch but with a bit more spring in the step nonetheless. Though things still get evocatively sad and nostalgic where necessary – the duet with Lucinda Williams on “Oh Lonesome Me” and the title track, for example – there’s a sense of fun that runs through much of the album and makes it feel extra fresh – Ward has mastered and assimilated classic pop idioms into his fearsome musical repertoire, and the world is a better place for it. Those who long for his fearsome solo guitar pieces or transformative cover songs may find things a bit too straight for their liking, but for the rest of us who know you can throw Transfiguration Of Vincent on anytime, it’s another great effort from an artist who manages to constantly move forward by staying rooted in the past.

Ward is currently on the road and will be at the Phoenix in Toronto on Monday, April 27 and courtesy of Against The Grain, I’ve got a couple pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to hold time” in the subject line and your full name in the body. Contest closes at midnight, April 23.

The Fort Wayne Journal-Gazette and CNN have interviews with Ward.

MP3: M Ward – “Never Had Nobody Like You”
MP3: M Ward – “Rave On”
Video: M Ward – “Hold Time”
Video: M Ward – “Rave On”
MySpace: M Ward

The Independent lists off 20 things you probably didn’t know about Bob Dylan. His new album Together Through Life is out next week and there’s now a video for one of the songs.

Video: Bob Dylan – “Beyond Here Lies Nothin'”

Filter profiles Andrew Bird.

Paste hangs out with The Decemberists. They’re at the Kool Haus on August 3.

Aquarium Drunkard talks to Jason Lytle about his new record Yours Truly, The Commuter. The record is out May 19 and Spinner has the title track to download.

MP3: Jason Lytle – “Yours Truly, The Commuter”

Originally supposed to be out yesterday, Ohbijou’s sophomore album Beacons appears to have a new release date set for June 2.

MP3: Ohbijou – “Black Ice”

Ohbijou’s Casey Mecija has also begun organizing a new music series in town entitled “Heavy Vessel”, which is intended to feature local bands playing in a sandbox in a schoolyard, but inclimate weather forced the inaugural edition to be held indoors instead. Chart has a review of the first show and some video footage has also surfaced – Sucking A Lemon with a clip featuring a scaled-down Bruce Peninsula and Colin Medley capturing a performance by The Acorn’s Rolf Klausener.

JAM talks to Gentleman Reg. He’s at the Mod Club June 1 opening for A Camp.

To mark the start of their upcoming tour, which begins April 30 at the Mod Club in Toronto, The Dears will be releasing a new b-side or unreleased track to download every week, the first of which can be grabbed below. Also check out an interview with Natalia Yanchak at Singing Lamb.

MP3: The Dears – “Halfmast”

Prefix interviews Metric.

Decider talks to Ida Maria.

The Washington Post, Duke Chronicle and Decider talk to Thao Ngyuen of Thao with The Get Down Stay Down. I’ve failed to see them every time they’ve come to Toronto and also missed every one of their shows at SxSW, but they’re playing The Bowery Ballroom in New York the evening I get there next month. I think I should make the effort to out and see them. They’ve made a puppet-powered video for a Lovin’ spoonful cover they recorded for a split 7″ for Record Store Day.

Video: Thao with The Get Down Stay Down – “Did You Ever Have To Make Up Your Mind”

Having just released their self-titled debut, The Mt St Helen’s Vietnam Band have a date at the Horseshoe on June 2. Decider has an interview with the band.

MP3: The Mt St Helen’s Vietnam Band – “Cheer For Fate”
MP3: The Mt St Helen’s Vietnam Band – “Anchors Dropped”
Video: The Mt St Helen’s Vietnam Band – “Cheer For Fate”

City Pages and Black Book Q&A Chairlift, who just reissued their 2008 album Does You Inspire You in remastered form and with a couple of bonus tracks, one of which you can hear over at Stereogum. Chairlift are in town this Saturday, April 25, at the Phoenix opening up for Peter Bjorn & John, with whom JAM and Metromix have interviews and MPR a session.

SubPopMy head is kind of, uh, fried right now on account of my powering through and processing all of my SxSW photos this weekend, as those who are unfortunate enough to be RSS subscribers or Twitter followers and been deluged with update notices can attest. But the good news for everyone is that I am done and there are 46-odd photo galleries of artists I saw a couple weeks ago along with as many MP3 and video links for each as I could find. I’m pretty happy with how everything turned out – please have a boo, or check out the Flickr set for a high-level view. And with what remains of my grey matter, I will try to cobble together some sort of blog post.

Starting with The Vaselines. You may know them as the Scottish band who existed just long enough to release a couple of EPs, one album, and exert a huge influence on one Kurt Cobain. I actually knew them better as the band that Eugene Kelly was in before Eugenius, but that’s neither here nor there. For many years, the The Way Of The Vaselines: A Complete History compilation from SubPop has been the first (and last) stop for those seeking to learn more about the outfit, but come May 5 there’s going to be a new final word. That’s the day they’ll replace the venerable compilation with Enter The Vaselines, a new double-CD/triple-LP collection that remixes much of and remasters all of Way and throws in a pile of unreleased extra material. Full tracklisting at Exclaim!.

But wait, there’s more! The band reunited last Summer for a few one-off and festival gigs, but appear to be ready to do more in order to promote the collection. Though they didn’t make it over for SxSW as they’d initially intended, they do still have their eyes on North America, or at least Toronto – they’ve got a date set for May 15 at Lee’s Palace, for which tickets will run $29.50. That’s pretty exciting, and I assume other dates for some sort of tour will be forthcoming soon.

Also on the reissue tip, dearly departed Guelphies Royal City are set to be compiled by the good folks at Asthmatic Kitty They’ll release Royal City on June 23, a collection of a dozen previously unreleased tracks that has been rumoured for over four years. Better late than never though, right? Magnet is also on board with the nostalgia, paying tribute to their second album Alone At The Microphone. Here’s one of the songs from the new comp, and a few older album tracks to remind of how good they were.

MP3: Royal City – “A Belly Was Made For Wine”
MP3: Royal City – “Bring My Father A Gift”
MP3: Royal City – “My Brother Is The Meatman”
MP3: Royal City – “Bad Luck”
MP3: Royal City – “I’m Taking The Train”
MP3: Royal City – “At Rush Hour The Cars”

Exclaim! reports that R.E.M. are giving the deluxe reissue treatment to their sophomore album Reckoning, planning a live release of their 2007 “Dublin working rehearsals” which preceded the release of Accelerate and getting to work on the follow-up to said record. No timelines for any of the releases has been provided, though.

A track from the new Bob Dylan album Together Through Life is available to download from his website through midnight (Eastern Daylight time) tonight. The album is out April 28.

Chart and See talk to Hylozoists frontman Paul Aucoin.

There’s an MP3 available from the new Super Furry Animals album Dark Days/Light Years, available digitally now and on CD April 21.

MP3: Super Furry Animals – “Inaugural Trams”

The California Chronicle talks to Dean Wareham.

Isis have a date at the Phoenix on June 7 in support of their new album Wavering Radiant, out May 5.

A few radio sessions available to stream – NPR with M Ward, who is at the Phoenix on April 27, and MPR welcomes AC Newman and another one with The Broken West.

BrooklynVegan has unveiled the lineup to this year’s All Points West festival, taking place just across the Hudson from Manhattan. It’s interesting to me mainly to give a better idea of what acts are doing the festival circuit this year and perhaps who we might expect at V Fest this year. This, of course, presumes that there will BE a V Fest in Toronto this year. The past three years, the headliners and first wave of acts had all been announced by now, and this year there’s been nary a peep – the website doesn’t acknowledge that it’s 2009 or try to build any sort anticipation and their social network pages are similarly silent. It’s almost like they’re trying to keep a low profile and hope no one notices they’re not there. I’ve asked around a bit and while no one has heard anything about V Toronto being cancelled, no one has heard anything about it actually happening either and I know just enough about goings-on on the business end of the fest to not take for granted that it’s happening. I hope I’m just being paranoid and they’re just hammering out some details to bring, oh, Blur and The Yeah Yeah Yeahs to town but each day that goes by without an effusively-worded press release showing up in my inbox is, well, another day. But if anyone out there knows something, even a cryptically-worded message along the lines of, “Stop fearmongering! The rock is en route!” or “At least you’ll be able to see more films at TIFF this year”, one way or the other would be appreciated.

Update: And this is related-interesting – Montreal’s Osheaga Festival, which was branded last year as “presented by Virgin Mobile”, has confirmed dates for 2009 – July 30 and 31 “in they city” (presumably club gigs) and August 1 and 2 “on the island” (at Parc Jean-Drapeau). Perhaps they’ll siphon off some acts from APW? Perhaps I’m going to Montreal for the August long weekend? It seems Coldplay – and thus Elbow – are a lock for that one…

Frank YangSo yes, I sort of wimped out on the first couple days of Canadian Musicfest, but like to think I made up for it with Saturday, hitting up something from the evening’s start to the very end although I did skip out on a couple of very attractive pre- and post-showcase events. But anyways.

Scottish septet We See Lights were making the most of their visit to Canada, playing three shows in the week – this one at Bread & Circus in Kensington being the last – though from what I’d heard from others, they weren’t what you’d call the best-attended performances. And that’s a shame because they have a lot to recommend and really, an overabundance of talent. Boasting four more than capable lead singers, they crafted lush and beautifully open-hearted alt.country-pop whose sentimentality and earnestness was extra endearing given the youthfulness of the band – like a teenager absolutely convinced that they’re the first ones to have ever had their heart broken. They’re like the melancholic, mirror universe version of Los Campesinos! and by god they deserved to have people hear them. Dear We See Lights, please don’t hold our city’s indifference against us – please visit again.

Photos: We See Lights @ Bread & Circus – March 14, 2009
MySpace: We See Lights

After the Scots cleared out all their gear, Swedish singer-songwriter Sofia Talvik took the stage with her decidedly more stripped-down band, made up of one cellist, one percussionist and one fellow tapping out synth notes on an iPhone. The spare but thoughtful accouterments worked well at accenting Talvik’s fairly straightforward singer-songwriter fare, which was a bit disappointing in that it didn’t seem to exhibit the sort of sunny exterior/dark subtext that a lot of Swedish acts seem to imbue their work with. I thought I got whiffs of that on her latest album Jonestown, but she also didn’t play some of my favourite tracks from that record so perhaps she was just smoothing out the set list for the audience. Either way, a lovely voice and a lovely girl – hard to complain too much about that.

Photos: Sofia Talvik @ Bread & Circus – March 14, 2009
MP3: Sofia Talvik – “My James Dean”
Video: Sofia Talvik – “It’s Just Love” (with Bernard Butler)
MySpace: Sofia Talvik

At this point the plan was to again hoof it up to the Tranzac for The Morning After Girls but after seeing two streetcars zip by while walking to the stop, the transit line seemed to dry up and there was nothing else in sight. At this point it was obvious that I’d be 10-15 minutes late for their set at best and I bailed – just as well, too, as I’ve heard that their set was cut short due to technical difficulties.

Instead, plan B became the El Mocambo and Regina’s Library Voices and goodness, all consolation prizes should be so satisfying. I should say that at this point, I’m utterly skeptical about bands whose rosters could also be fielded as a baseball team, but Library Voices – nine members strong – won me over. Yes they indulged in the same sort of antics other big bands do – instrument swapping, raucous on-stage behaviour, general shenanigans – but they did it so well and so infectiously, that my cynicism was melted away within a couple songs. And in more quantitative terms, they may be a big-ass band but their sound is surprisingly focused and the songs are grand and hooky. I’m not sure I could subsist on a diet of what they’re serving, but for one musical meal, at least, it was tasty.

Photos: Library Voices @ The El Mocambo – March 14, 2009
MP3: Library Voices – “Step Off The Map And Float”
MySpace: Library Voices

This was only halfway through the night? Egads. When discussing my CMF schedule with someone, don’t remember who, mention of The Assistants reminded said unknown person that he’d seen them at a Jesus & Mary Chain tribute night once upon a time, whereas my only live experience with them was a few years ago at a shoegaze tribute night. The point of this being that The Assistants really don’t sound anything like shoegaze, so their presence at these shows and ensuing mental associations is erroneous to say the least. What they do sound like, as their set at Neutral confirmed, is good to great ’80s-inflected jangle-pop. A little Go-Betweens and New Order for the hip influences, a dash of Tom Petty and Dire Straits for the not-so-hip though, for the record, I like Tom Petty and Dire Straits and make these comparisons flatteringly. They play next April 11 at the Mod Club.

Photos: The Assistants @ Neutral – March 14, 2009
MP3: The Assistants – “Fiction”
MySpace: The Assistants

I’d originally planned to wrap the night at this point, but I still hadn’t seen the band I had circled before this whole week began, and since they were on at 1 it I had some time to kill – back to Bread & Circus. On stage were Abbey, hailing from Pembrooke, outside Ottawa, and notable for being the new project of Jordan Zadarozny, ex of Blinker The Star, who were almost the next big thing for a moment in the ’90s. And that brief shining moment definitely comes across in the music, which is big, downstroke-heavy guitar rock with just enough pop in it to not be rawk. Not offensive, but the most memorable thing about their set was the band blowing a fuse a couple songs in.

Photos: Abbey @ Bread & Circus – March 14, 2009

And then, finally, it was around the block to the El Mocambo for The Week That Was – an appropriately-named act to finish things off, I think. I’ll tell myself that everyone who wanted to see them had done so Thursday night at the Gladstone because the turnout for this show, hastily scheduled last week after they were removed from the Ting Tings bill, was pretty meagre. The Week That Was, however, are pros and didn’t let something like that dissuade them from putting on a performance that was worth the wait, somehow managing to recreate the breadth and impact of their densely prog-pop self-titled debut with only four players, even though the record was recorded with upwards of ten members. Though not exactly overflowing with stage presence – frontman Peter Brewis spent kept his eyes shut most of the time – the playing was tight and impactful. With Brewis returning to concentrate on Field Music after this North American tour is done, it was possibly the last time these songs would be aired so it’s good that they were done justice.

Photos: The Week That Was @ The El Mocambo – March 14, 2009
MP3: The Week That Was – “Scratch The Surface”
MP3: The Week That Was – “Learn To Learn”
Video: The Week That Was – “Scratch The Surface”
Video: The Week That Was – “Learn To Learn”

And yeah, that’s another CMW/CMF in the can. There’s a crapload of CMF coverage at eye, Chart, The Toronto Star… oh hell, just google the rest.

And here’s a smattering of non-CMF/SxSW stuff to hopefully appease those who have no interest in either.

Billboard profiles Bob Mould, whose The Life & Times is out April 7.

Bob Dylan’s next album will be entitled Together Through Life and be released on April 28. Billboard has more details.

Spin has details on the forthcoming Bloc Party remix album Intimacy Remixed, due out May 11. There’s also a downright disturbing video for for one of the mixes. Egads.

Video: Bloc Party – “Signs” (Armand Van Helden remix)

Swedish rockers The Sounds have a date at the Mod Club on April 28. Their new album is Crossing The Rubicon and due out May 26.

And one to file under “didn’t see that coming” – Charlotte Hatherley has joined Bat For Lashes. She will be guitarist in Natasha Khan’s touring band through the Fall while they promote Two Suns, out April 6. So the good news is that Ms Hatherley will finally be coming to North America on tour, the bad news is she’s not doing any of her own songs. The more good news is she’s still going to be playing some great songs. The more bad news is this means the release of her next solo record Cinnabar City has been pushed back from the Spring to September. The even more good news is that it looks like the record will get a North American release and that proper touring of her own will follow. Oh hell, just read her MySpace blog for details. And be at the Mod Club on April 25 to welcome Charlotte – and Bat For Lashes – to Toronto.

And now if you’ll excuse me, I have a plane to catch.

Jim HerringtonSteve Earle has announced details on his next album, and now that he’s done so the real question is why he hadn’t done this sooner? The new record is called Townes, and is a tribute album to his friend, mentor and the man he once declared the “best songwriter in the whole world,” Townes Van Zandt. Van Zandt passed in 1997 and was paid tribute by Earle in the song, “Fort Worth Blues”, but this record should be a much larger love letter to the late singer-songwriter.

Earle has been in political firebrand mode for his past few records so it’s good to see him return to his more introspective works, though I don’t know if this counts as the “chick songs” record he’s promised for a while. I can’t decide if I’d prefer it he play this one straight and reverential and avoid the sonic tomfoolery that permeated Washington Square Serenade or try to push the envelope a little, knowing he’s got such solid songs to work with. From the details at Blurt, it sounds like he’s doing both, enlisting a bluegrass band for some numbers and getting Serenade producer John King to produce and Rage Against The Machine’s Tom Morello to play on another. A couple of new songs – including the aforementioned track with Morello – are streaming at Earle’s MySpace, and I must say – his reading of “Pancho & Lefty” does it for me. Yes it does.

Update: There’s a short interview with Steve at the SteveEarle.com forums about the record.

Townes will be available as a single or double-CD set and will be out May 12.

Video: Steve Earle – “Fort Worth Blues” (live)
MySpace: Steve Earle

Rolling Stone reports that Bob Dylan is almost done work on a new album, set for a late April release.

There’s a new video from Neil Young’s Fork In The Road, out April 7. Are you stoked? ARE YOU STOKED? No? Can’t imagine why not.

Video: Neil Young – “Johnny Magic”

JamBase talks to Mark Olson & Gary Louris.

MP3: Mark Olson & Gary Louris – “Turn Your Pretty Name Around”

JAM and The AV Club talk to Neko Case. She’s got two sold-out shows at Trinity-St Paul’s on April 17 and 18.

JamBase profiles Jason Isbell.

MPR has a session with The Submarines. They’ve released a couple of digital remix EPs creatively titled Honeysuckle Weeks Remixes EP 1 and Honeysuckle Weeks Remixes EP 2, the second of which is available this week.

MP3: The Submarines – “You, Me & The Bourgeoisie” (Tonetiger remix)
MP3: The Submarines – “Submarine Symphonika” (Ra Ra Riot remix)

This Is Fake DIY interviews Ra Ra Riot, who will play the Sound Academy in support of Death Cab on April 7.

One For The Good Days has an interview with Ed Droste of Grizzly Bear. Their new record Veckatimest is out May 26 and they play The Phoenix on June 5.

CMJ talks to Matt Johnson of Matt & Kim. They’re at Circa on March 20 in support of Cut Copy.

Bishop Allen have a new video from Grr…, now out. You Ain’t No Picasso has an interview with his site’s namesake.

Video: Bishop Allen – “Dimmer”

Time Out Chicago and Paste talk Warhol with Dean Wareham of Dean & Britta.

Woodpigeon’s Mark Hamilton gives Anika In London a guide to Calgary.

They may not feature Mark Ronson production or Owen Pallet arrangements, but this Daytrotter session offers the first taste I’ve seen/heard of the new material from The Rumble Strips.

NME reports that Maximo Park are offering a free download of a track from album number three, Quicken The Heart. It’s not an especially remarkable track, but it’s just a taste, not a single. The record is out in May 11 and the offer is only good for a fortnight.

The Yeah Yeah Yeahs are streaming their new album It’s Blitz! on their MySpace in advance of its March 31 release, and goodness this is a sleek and shiny record. Those who loved the band for their unhinged, spiky guitar freak-outs may be disappointed but for those who always thought that they should indulge their potent inner disco-pop band, your ship has come in. And by you, I mean me. They’ve also got a new video. And Karen O gives an interview to Pitchfork about the internets.

Stream: The Yeah Yeah Yeahs / It’s Blitz!
Video: The Yeah Yeah Yeahs – “Zero”

Good news – Sky Larkin are coming to town! Bad news – it’s in support of Los Campesinos!. This isn’t an indictment of the Welsh kiddies – I’m not a big fan but they’ve got an energetic, entertaining show. It’s a complaint because that April 1 show at the Opera House would be my third gig in a row when I expect to still be recovering from SxSW, and I don’t realistically think I can swing that, and I’m planning on seeing them in Austin anyways. But to anyone who is going – get there early and see them! – and to anyone on the fence about attending – do so! BrooklynVegan has full Los Camp dates including which ones feature Sky Larkin support.

The National have made their contribution to the Dark Was The Night AIDS benefit album available to download, and it’s a gem. A sparkly, shiny gem. You can also watch them perform it at PitchforkTV. They – along with Feist, Sharon Jones and other contributors to the album will be playing a special show in New York City at Radio City Music Hall on May 3 that will surely be something to remember. We will have to settle for seeing them at the Kool Haus on May 21.

MP3: The National – “So Far Around The Bend”
Video: The National – “So Far Around The Bend” (live)