Frank YangEven before setting foot in the Opera House on Tuesday night, you knew it wasn’t going to be a typical evening – security wasn’t bothering to check anyone’s ID, as the odds of someone underage wanting to sneak into a Tindersticks were pretty much slim to none. The audience for the veteran Brits, on their first North American tour in half a decade in support of their first album in just as long – last year’s The Hungry Saw – skewed older to say the least.

Support on the Canadian dates were Montreal’s Elfin Saddle, a duo expanded to trio for live performance and whose principals set up seated behind small fortresses of unusual musical instruments. They sounded like what you might expect to hear if you were traversing the hills of medieval England and just happened to stumble across a Japanese temple built into a Gregorian monastery – a strange and fascinating combination of Eastern and Western sounds from long ago, not so much blended as tied together with wire and string. Definitely unique.

I’ve fully admitted to being a Tindersticks neophyte, but after their show I can also declare myself a total convert. They began with each player taking the stage one by one as they built up “Introduction”, the instrumental opener from The Hungry Saw, from nothing to perfection and thus set the tone for the night and that tone was one of effortless elegance. The seven-piece band of guitar, bass, drums, keys, horns and of course Stuart Staples’ inimitable croon were the very definition of class up there, grand yet understated, in creating an atmosphere like a suspended breath or the very last dance of the evening – like one of those fleeting moments you want to last forever.

And while not forever, their 90-minute set still felt like a gift, one which the enraptured crowd didn’t take for granted if their almost utter silence throughout the show was any indication (enthusiastic applause aside). Though Staples’ interaction with the audience was minimal – we got a “hello” and an “I already said hello” – it was obvious from the looks on he and founding guitarist Neil Fraser that they were fully enjoying this return to action after so long away. The setlist – punctuated with lovely instrumental interludes throughout – drew heavily on The Hungry Saw, so even though my knowledge of their catalog was limited the show still felt warm and enveloping. And as for the songs I didn’t know, while their words and melodies may have been unfamiliar, their language of sumptuous melancholy was one I’m quite fluent in and nothing was lost in translation. Simply a stunning show, top to bottom.

eye also has a review of the performance. The San Francisco Examiner has an interview with Stuart Staples, hour.ca talks to Elfin Saddle.

Photos: Tindersticks, Elfin Saddle @ The Opera House – March 10, 2009
MP3: Tindersticks – “The Hungry Saw”
MP3: Elfin Saddle – “Temple Daughter”
Video: Tindersticks – “Can Our Love…”
Video: Tindersticks – “Traveling Light”
Video: Tindersticks – “The Art Of Lovemaking”
Video: Tindersticks – “Rented Rooms”
Video: Tindersticks – “Dying Slowly”
Video: Tindersticks – “Can We Start Again?”
Video: Tindersticks – “No More Affairs”
Video: Tindersticks – “City Sickness”
MySpace: Tindersticks

Beirut have made a date for the Phoenix on July 9 with The Dodos as support. Tickets are on sale Saturday at 10AM, and will cost $25.

Matador continues to build the mythology of Yo La Tengo the Condo Fucks with a short documentary film entitled Straight Outta Connecticut. The Fuckbook album is out March 24.

MP3: Condo Fucks – “Whathca Gonna Do About It?”

The Tripwire and Newsweek have conversations with Bob Mould about his new album The Life & Times, out April 7. You can stream the first single over at Anti-blog.

NPR has an acoustic session with School Of Seven Bells.

The Pains Of Being Pure At Heart are releasing a new 7″ on March 31, the a-side of which you can download below, perhaps as an excuse to continue touring – they’re at Lee’s Palace on April 28. They’re also playing every show and showcase at SxSW next week. I was going to play a little game called “Try not to see POBPAH in Austin” but that would pretty much require me to not leave my hotel, and even then I don’t think I’d be safe.

MP3: The Pains Of Being Pure At Heart – “Young Adult Friction”

Filter has posted online their recent cover story featuring a meeting of the minds between Elvis Costello and Jenny Lewis.

Clash talks to Colin Meloy of The Decemberists about their new album The Hazards Of Love, out March 24.

The Boston Herald and The Varsity interview AC Newman while Philadelphia Weekly gets him to review some of his reviews.

Forest City Lovers say hello with both a new download, a live acoustic track from a few years back, and a lovely new video. Kat Burns is playing a solo show at Rolly’s Garage on April 4 before the band heads out on a European tour (!). Their next local show is June 27 at the Tranzac for the Zunior anniversary. Burns gives Anika In London her guide to Toronto.

MP3: Forest City Lovers – “Oh Humility” (live)
Video: Forest City Lovers – “Song For Morrie”

NOW talks to Handsome Furs’ Dan Boeckner. They’re at the Horseshoe tomorrow night.

eye interviews Malajube, who play the El Mocambo tonight.

The Playlist rounds up some of the musical developments in the Scott Pilgrim film.

Autumn de WildeAsk yourself, “what is the smoothest record I’ve heard this year?” Now if the answer is anything except The Bird & The Bee’s new record Ray Guns Are Not Just The Future, then you simply haven’t heard Ray Guns Are Not Just The Future. The sophomore effort from the duo of Inara George and Greg Kurstin is effortlessly stylish and slick, in the very best sense of the word, blending lounge, jazz, tropicalia and, most importantly, Bacharachian pop into a blend that’s unabashedly retro in spirit but still very contemporary. After all – true cool doesn’t go out of fashion.

The Bird – that’d be George – has the sort of gorgeous coo that was made to go with berets and huge sunglasses but most importantly, perfectly suited to the sort of divine melodies that you’ll find in tracks such as “My Love” and “Birthday”. The Bee – Kurstin, of course – surrounds that voice with the perfect musical shimmer and shine and vintage beats of the sort you might have gotten had modern computers existed in the ’60s. And together, they create the sort of tunes that’d perfectly soundtrack the act of driving a convertible down from the Hollywood Hills and straight into a downtown penthouse lounge. Don’t question the physics of such an act – if you’re cool enough, it’s no problem. Sure, it’s all decidedly saccharine and breezy, but when you look and sound this good, who needs depth? Just sit back and go with it.

Ray Guns Are Not Just The Future is the sort of record that, by rights, should probably only ever be played on a proper vintage turntable, and so to that end, courtesy of Toolshed Marketing, I’ve got two copies of Ray Guns Are Not Just The Future to give away in lovely double-LP form. If you’d like one of them, email me at contests AT chromewaves.net with “I want to hear about The Bird & The Bee” in the subject line and your full mailing address in the body. The contest open to residents of North America and will close at midnight, March 6.

Culture Bully and The Seattle Times have interviews with The Bird & The Bee.

Video: The Bird & The Bee – “Love Letter To Japan”
Video: The Bird & The Bee – “Polite Dance Song”
MySpace: The Bird & The Bee

The Walker Art Center and Artinfo.com ask some questions of Dean & Britta in advance of their performances with screenings of Warhol’s 13 Most Beautiful…Songs for Andy Warhol’s Screen Tests. The DVD of the film will be out March 24.

Pitchfork talks to Kyp Malone of TV On The Radio. They play the Sound Academy on June 2.

Brendan Canning discusses revenue streams with Blurt.

Filter has a feature on Andrew Bird. He plays the Queen Elizabeth Theatre on April 3.

Exclaim talks to M Ward.

PitchforkTV has a video session with Alela Diane.

The release date for the new album from Wilco has narrowed from “Spring” to “June”.

Zach Condon talks to The AV Club about bringing Beirut to Mexico for the recording of March Of The Zapotec.

eye talks to Asobi Seksu about their decision to tone it down and go it as a duo on Hush. They play the El Mocambo next Tuesday, March 3. Bell supports.

Pitchfork gets a list of their favourite things from The Pains Of Being Pure At Heart.

PitchforkTV goes into the studio with Dinosaur Jr, who have just signed with Jagjaguwar and will release their new album this Summer.

The Daily Swarm talks to Bob Mould about his forthcoming autobiography and new album The Life & Times, due out April 7.

Tommy Stinson tells Billboard that the recent round of reissues may well close the book for good on The Replacements – a reunion does not appear to be in the cards. Magnet, in the meantime, lists of the Mats’ top five overrated and underrated songs.

NPR has a session and interview with Robyn Hitchcock. He’s at the Mod Club on April 16 with the Venus 3.

Jon BergmanThe story surrounding The Submarines’ debut album Declare A New State was the stuff of romantic-comedy writer fantasy – boy musician meets girl musician, boy joins girl’s band, girl joins boy’s band. Boy and girl lose each other. Boy and girl write songs about each other. Boy and girl record songs together. Boy and girl get back together. Brings a tear to the eye, does it not?

The fact that State was also a sublime bit of pop that managed to capture and convey all the emotions surrounding its genesis just made it all that sweeter. But it also raised the question of how John Dragonetti and Blake Hazard (the aforementioned boy and girl, respectively) would follow it up? You certainly couldn’t ask them to go back to the creative wellspring that fueled the first record. There’s a reason rom-coms rarely have sequels. As it happens, The Submarines didn’t have too much trouble with the question, returning last year with Honeysuckle Weeks.

Though the backstory no doubt informed the specialness of State, one musn’t forget that both Dragonetti and Hazard were (and are) also seasoned songsmiths and were cranking out records before coming together as The Submarines and though the forlorn tenor of the debut is appropriately dialed down on Weeks, the pop smarts are certainly not. Beautifully overcast heartbreak has given way to a sprightlier approach, a broader, more colourful sonic palette, though it’d be going to far to say that things have gotten sunny. While The Submarines’ songs may have the spring in their step of those who’ve known love, they also tread with the caution of those who’ve lost it.

The Submarines are on tour alongside The Morning Benders and play the Drake Underground this coming Sunday, February 15 and even though it’s technically the day after Valentine’s Day, expect it to still be a heart-melting affair. And courtesy of Against The Grain, I’ve got a pair of passes to the sold-out show to give away. To enter, email me at contests AT chromewaves.net with “I want The Submarines to be my Valentine” in the subject line with your full name in the body. Contest closes at midnight, February 12.

The OC Register and The Washington Post have features on the band.

MP3: The Submarines – “You, Me And The Bourgeoisie”
Video: The Submarines – “You, Me And The Bourgeoisie”
MySpace: The Submarines

There’s a new video from Fleet Foxes taken from their Sun Giant EP.

Video: Fleet Foxes – “Mykonos”

Ra Ra Riot have also released a new clip from The Rhumb Line. The Smith College Sophian has an interview with guitarist Milo Bonacci and bassist Matt Santos.

Video: Ra Ra Riot – “Can You Tell?”

The new Sloan video features the band frolicking in the snow with pretty girls. But not in the way you might think. They appear to be playing two nights at the Mod Club on March 11 and 12 as part of CMW.

Video: Sloan – “Witch’s Wand”

Blurt profiles Mercury Rev.

NPR has an interview with Antony Hegarty of Antony & The Johnsons. They’re at the Queen Elizabeth Theatre on February 17.

Scotland On Sunday talks to Asobi Seksu’s Yuki Cikudate about their forthcoming album Hush, due out next Tuesday. They play the El Mocambo on March 3.

Le Blogotheque discusses inspiration with Zach Condon of Beirut. Billboard also have an interview. Their March Of the Zapotec/Holland double-EP set is out on February 17.

Billboard reports that the forthcoming Wilco live DVD Ashes Of American Flags will get its release on April 18 to coincide with this year’s edition of Record Store Day, but only be available at independent retailers. Corporate outlets won’t get it until two weeks later.

Pitchfork interviews Stephen Malkmus.

MPR welcomes Mark Olson & Gary Louris to their studios for a session. The Boston Globe also has an interview.

Kind of an awful concept for a site, but Rock’N’Roll Dating redeems itself with a good interview with Mark Eitzel of American Music Club, where they talk about everything including his forthcoming solo EP and musical (!) but not dating, rock’n’roll or otherwise.

eMusic, however, has polled a great number of musicians about their first crushes. Extensive, sweet and kind of hilarious.

Annie PowersFor those inclined to do so, it’s not difficult to criticize the self-titled debut from The Pains Of Being Pure At Heart. It’s true that the New York quartet are unabashed about wearing their influences – all things C86 and Sarah are obviously held in high regard – and in that sense, bring little new to the table. But rather than try to refute these arguments in any debate, I encourage those who’d want to defend the band to pose the following question to any detractors: Why do you hate fun?

Because more than anything, more than the layers of fuzz guitar that envelop the songs like cardigans, more than the sugary boy-girl harmonies, more than the undistilled pop wonder of the songs, The Pains Of Being Pure At Heart are fun. Whimsical, heartfelt, unadulterated fun. This, of course, assumes that you have a warm place in your heart for all things twee and that the idea of The Field Mice borrowing The Jesus & Mary Chain’s gear sounds like your idea of heaven. Other common name-drops include Velocity Girl, My Bloody Valentine, Teenage Fanclub… the list could go on and on, and the thing is – these comparisons are being made by those who hold these acts in the highest regard, and are really the highest form of compliment.

Though I was alive for it, I didn’t live through the original wave of jangle-and-feedback indiepop that arose on both sides of the Atlantic in the late ’80s and early ’90s. I came to it somewhat later, but The Pains Of Being Pure At Heart gives me a sense of how fresh and exciting it must have been at the time. How can you be nostalgic for something you never actually experienced? I don’t know, but I kind of like the feeling. And I love this record.

The Pains Of Being Pure At Heart are playing Lee’s Palace next Thursday, February 12, with The Depreciation Guild, who were praised earlier this week. To say I’m excited about this show is just a smidge of an understatement. Tickets are $10 in advance, and considering the show is now at a venue about 150% larger than its original home at Neutral, there’s plenty to be had. Do yourself a favour and get one.

There’s features on the band at Exclaim, The Village Voice and New York Press.

MP3: The Pains Of Being Pure At Heart – “Everything With You”
MP3: The Pains Of Being Pure At Heart – “Come Saturday”
Video: The Pains Of Being Pure At Heart – “Everything With You”
MySpace: The Pains Of Being Pure At Heart

The Skinny talks to Benjamin Curtis of School Of Seven Bells

Though he just paid us a visit in November, Neil Halstead is coming back to the Drake Hotel on March 21 as part of a North American tour. CBC Radio 3 points out that the show is part of the Drake Hotel’s month-long fifth anniversary celebrations, at least some of which are invite-only. I myself will still be at SxSW when this show goes down but any information or conditions about it that come to light beforehand, I will dutifully inform you all of.

Blurt has an in-depth conversation with M Ward, who releases his new album Hold Time on February 17.

Pitchfork reports that Okkervil River will release “Pop Lie” as a single from The Stand-Ins come April 21.

The Asheville Citizen-Times Q&A’s Patterson Hood of Drive-By Truckers.

The Hold Steady have a new release in the form of a live album/documentary DVD coming April 7. It’s called A Positive Rage and full details are to be had over at Paste.

Bob Mould discusses his forthcoming album The Life & Times, due April 7, with Spinner.

Metromix talks to Beirut’s Zach Condon. They release their new double EP March Of The Zapotec/Holland and having heard it, I understand why the latter half is presented under the “Realpeople” name… it’s out February 17.

John Vanderslice will release his new album Romanian Names on May 19.

Director Wes Anderson reminisces about making his first film, Bottle Rocket, with Filter.

Catherine LosingFor The Records pointed out a curious concert listing for UK indie-dance act Friendly Fires at the website for Beggars Canada – it puts the St Alban’s trio in town on March 31, but only narrows the venue down to two possibilities – Mod Club or Lee’s Palace. So all I can accurately say is that they’ll be in Toronto at an approximately 500-capacity venue on that date. And wherever they are, odds of a dance party breaking out are pretty much one to one. Personally, I think that Mod would be a much more suitable venue – the ass-shaking, slick and scratchy new wave/disco goodness of their self-titled debut demands spectacle, which Mod’s famously over-the-top lighting system is equipped to provide. Lee’s doesn’t even have a disco ball.

MP3: Friendly Fires – “Jump In The Pool”
MP3: Friendly Fires – “Paris” (Aeroplane Remix)
Video: Friendly Fires – “Skeleton Boy”
Video: Friendly Fires – “Paris”
Video: Friendly Fires – “Jump In The Pool”
Video: Friendly Fires – “On Board”
MySpace: Friendly Fires

Toronto vibraphone mavens The Hylozoists will release their new album L’ile de Sept Villes on February 3 and showcase it at the Mod Club on February 21. Update: They’re also playing a Soundscapes instore on February 10 at 7PM. Here’s some older stuff.

MP3: The Hylozoists – “Smiley Smiley”
MP3: The Hylozoists – “Strait Is the Gate”

Marissa Nadler, whom I believe ended up cancelling her last scheduled date here last Summer, will try and pay us a visit again on April 21 at the El Mocambo. She has a new album due out early this year. Here’s some older stuff.

MP3: Marissa Nadler – “Diamond Heart”
MP3: Marissa Nadler – “Thinking Of You”

Sebastien Grainger & The Mountains are doing an in-store at Sonic Boom on January 29 at 7PM.

MP3: Sebastien Grainger & The Mountains – “American Names”
MP3: Sebastien Grainger & The Mountains – “By Cover Of Night (Fire Fight)”

Putting lie to the notion that bands can only play larger venues as they get bigger, Born Ruffians and Akron/Family have a date at Sneaky Dee’s on March 24. Tickets are $13 and on sale now.

Earlier yesterday Uncut speculated that the release of that Neil Young video for “Fork In The Road” implied not only the impending release of a new album with the same name, which may well be true, but to also mean that the Archives set has been pushed back indefinitely to accommodate. They’ve since been corrected with the same information that one of the official Archive-ists left on a post at Thrasher’s Wheat – “NYA Vol 1 has been completed in BD, DVD, CD and Digital Download editions. The only thing remaining is announcement of a street date”. Which is good news, though it does put lie to the February 24 release date that most had been clinging to. In short, there’s lots of material coming from Neil this year. Only no one knows what and when.

The Seattle Post-Intelligencer interviews Kathleen Edwards, who is at Trinity-St Paul’s on February 13.

MP3: Kathleen Edwards – “Asking For Flowers”

The Quietus talks politics with Death Cab’s Nick Harmer.

Beirut have released a video from their forthcoming EP March Of The Zapotec, out February 17.

Video: Beirut – “La Llorona”

The Village Voice profiles Antony & The Johnsons. The Crying Light is out Tuesday and they play the Queen Elizabeth Theatre on February 17.

Muzzle Of Bees asks five questions of Los Campesinos!

The Decemberists are giving away a track from their forthcoming album The Hazards Of Love, out March 24. All you have to do is sign up to their mailing list. Colin Meloy was also on NPR’s World Cafe yesterday for an interview.

Clash talks to Kathy Foster of The Thermals, who will release Now We Can See on April 7.

The previously-mentioned untitled Bob Mould album also set for an April 7 release now has a title – Life And Times.

Filter talks to Ra Ra Riot, Daytrotter videotapes them playing in a park.

Pitchfork has an MP3 from M Ward’s Hold Time, out February 17. This track features the She to his Him, Zoey Deschanel, on vocals.

MP3: M Ward – “Never Had Nobody Like You”

Drowned In Sound solicits a mixtape from The Pains Of Being Pure At Heart, the buzz around whom is growing at a pace that’s considerably larger than Neutral, the room they’re slated to play here in town on February 12. If you’re curious, an advance ticket may be a good idea. Their self-titled full-length is out February 3.

NPR has an acoustic session with The Hold Steady while Wireless Bollinger has an interview.

Former Grandaddy frontman Jason Lytle will return to active musical duty on May 19 with the release of his first solo record, Yours Truly, the Commuter.