FacebookHaving found their prescription of music, art, film, dance, food, and community to have been wholly effective at warding off the Winter blues, local hardcore heroes and good citizens Fucked Up have announced a second edition of the Long Winter arts series, set to take place monthly from November 2013 through March 2014.

Though Fucked Up themselves headlined three of the five shows of 2012-13, they’re ceding centre stage for the season opener – set to take place November 8 at The Great Hall – to Guelph’s electronic-jazz-funk pioneers King Cobb Steelie, their on-again/off-again status again in the “on” position following the re-release of their 1994 album Project Twinkle last Fall. They’re joined on the musical portion of the bill by Rheostatics spin-off Bidiniband, local post-punkers Ell V Gore, and many more. Admission to the event is pay-what-you-can.

Stream: King Cobb Steelie – “Mano Ponderosa”
Stream: King Cobb Steelie – “Deadbeat”
Stream: King Cobb Steelie – “Home”
Video: King Cobb Steelie – “Rational”

As mentioned, Fucked Up aren’t playing the first edition of this year’s series – although it’s a certainty they will before Spring arrives – but they are playing a local show that same weekend. Those willing to make the trek to Scarborough can see them at Rockpile East on November 9.

MP3: Fucked Up – “Do They Know It’s Christmas?”

The National Post and Vancouver Sun talk Flying Colours with Shad, out now and behind which he has two local area shows scheduled – a sold out gig at The Opera House tomorrow night, October 19, and another at The Danforth Music Hall on January 31.

JAM has an interview with Will Butler of Arcade Fire, whose Reflektor will finally be out on October 29. And if album trailers wasn’t annoying enough, now we’ve got song trailers. Arcade Fire – groundbreaking as ever.

Trailer: Arcade Fire – “Afterlife”

July Talk will be at the Sound Academy on December 3 as support for Frank Turner. Exclaim is streaming their just re-released debut album with the four bonus tracks, so if you haven’t heard it or even if you have, you should probably give a listen.

Stream: July Talk / July Talk

No Joy have made a date at The Garrison for December 6, ostensibly in support of their Pastel And Pass Out EP which is due out November 4, but probably mostly just because.

MP3: No Joy – “Heedless”

Local psych-pop upstarts Moon King will be at The Drake on December 12, perhaps in expectation that the third and final part of their Obsession EP series will finally be out, though they did just release a video from part II so maybe they’re not quite done with that one yet. Either way, hope they don’t burn the place down.

MP3: Moon King – “Appel”
Video: Moon King – “Almost Blue”

Exclaim has details on and a stream from a new tour cassette EP from Austra-adjuncts Tasseomancy, as they spool up for a European tour and a new album next year.

Stream: Tasseomancy – “Braid. Wind Is Coming”

The Winnipeg Free Press, Georgia Straight, and Edmonton Journal talk to Katie Stelmanis of Austra.

Basia Bulat plays a Take-Away Show for Le Blogothèque.

Frank YangWhen you reach a certain age and/or have blogged for a certain amount of time, the years do tend to blur together some. For example, I couldn’t believe that it was just four years between when I first saw a mostly-unknown Basia Bulat playing in a little basement tavern on Rue Saint-Denis at Pop Montreal 2006 and when I saw her last, with two acclaimed albums to her name, performing with the full Symphony Nova Scotia orchestra at Halifax Pop Explosion 2010; that, folks, is some kind of trajectory and velocity. And I also couldn’t believe that that show three years ago was the last time I saw her perform, having seen her more on the streets of Toronto than any stage.

The opportunity to turn that trend around came this past weekend with three intimate shows at the Polish Combatants Hall to mark the release of her third album, Tall Tall Shadow. It’s a record presented as something of a shift, being recorded in a legion hall in Toronto rather than the Hotel 2 Tango studios in Montreal that birthed the first two albums, and incorporating more electronic textures into her heretofore traditionally folk-based sound. None of this constitutes a reinvention and on initial listens, the listener is probably more occupied with welcoming the return of Bulat’s rich vocals delivering her first new material in almost four years than any of the sonic accoutrements. But if you’re listening for them, the shift in production aesthetic does indeed distinguish Shadow from its predecessors, as does the more sophisticated phrasing of her vocals, introducing new emotional shading into her work. Given that her first album came out when she was just 23 years old, a maturing over the course of her records is inevitable but to hear it captured so elegantly without losing the wide-eyed brightness that marked her earlier work is pretty special.

For each of the three nights of these release shows, a local solo artist was tapped to open and on the Friday night I was pleased to be able to see Casey Mecija, until very recently of Ohbijou and also one half of electronic pop project Warm Myth; it was a bill that took me way back to December 2007, where it was Bulat who was opening up for Ohbijou at Lee’s Palace. Opening up with the title track of Ohbijou’s final album Metal Meets, Mecija moved between intricately fingerpicked electric guitar, grand piano, and electronic loops and samplers – her sublime vocals gliding overop them all – and her too-brief set was an excellent reminder of just how good she is in whatever project she’s working on. While it’s sad that Ohbijou are no more, we should be thankful that she continues to make art for our ears.

If there’s any sort of downside to having seen Bulat perform so many times in the early part of her career – nine times from Fall 2006 to Summer 2008, by my Flickr count – it’s that my notions of what to expect from her shows were pretty fixed. So conversely, not seeing her live for a few years ended up being all kinds of great, not least of all because sometime between then and now, she’s started playing the autoharp standing up. Not that she was just standing; she was dancing and swinging as she led her band through the new songs, an impressive vivaciousness in her stage presence to go with her giddy sweetness of old. With her, as always, was brother Bobby on drums, Holly Coish on backing vocals and also now keys, and Alison Stewart on viola; new to the mix was Ben Whiteley of New Country Rehab on bass – hardly a stripped-down lineup but a far cry from some of those early shows where she seemed to have a veritable orchestra at her command (unlike the Halifax gig where she actually did).

In the live setting, the shifts in aesthetic were more pronounced and arrangements bolder, with Bulat spending as much time on keyboards and grand piano as the autoharp and when the picked up the guitar, it was an electric (semi-hollow; thanks) run through an actual pedalboard. This wasn’t in an attempt to “rock” – though I’ve never wished I’d brought earplugs to one of her shows before this one – but to have the tools to properly explore new territory. All little things, maybe, but nigh-unimaginable a few years ago and now perfectly reasonable.

Of the new material, Shadow closer “From Now On” received an especially gorgeous treatment, with Bulat on grand piano and Whiteley and Coish on backing vocals, topped only by the record’s emotional centre – the stark “Never Let Me Go” – in which her powerful voice was lifted by four-part harmonies to close out the main set. Many of the older songs were made fresh with re-arrangements and re-contextualization: on grand piano, “I Was A Daughter” sounded from the perspective of an adult reflecting on the past tense than a girl in the moment, while “Heart Of Mine” was completely re-cast with synths, drum pads, and vocoder for the moving parts. The encore brought things back home, though, with the hammered harp of “The Shore” perfect as is, and joyous “Before I Knew” a sublime show closer. Well, almost – the sight of Bulat standing onstage, wide-eyed and hands over her mouth before a standing ovation, was just that much better.

The Grid, The Globe and Mail, JAM, and The Huffington Post all had conversations with Basia about the new record and release shows.

Photos: Basia Bulat, Warm Myth @ The Polish Combatants Hall – October 11, 2013
MP3: Basia Bulat – “Go On”
MP3: Basia Bulat – “Gold Rush”
MP3: Basia Bulat – “In The Night”
MP3: Ohbijou – “Anser”
MP3: Ohbijou – “Mossy Lungs”
Video: Basia Bulat – “Tall Tall Shadow”
Video: Basia Bulat – “In The Night”
Video: Ohbijou – “Niagara”
Video: Ohbijou – “New Years”
Video: Ohbijou – “The Woods”

With the release of Flying Colours as of today, CBC Music has turned the reins of their website over to Shad who is blogging up a storm with readables. And if you’d rather hang with Shad in meatspace, remember that he’s playing an in-store at Sonic Boom in the Annex tonight at 7PM, has a sold-out show at The Opera House on October 19, and returns to the Danforth Music Hall on January 31.

Yamantaka//Sonic Titan have made another new song from their second album Uzu available to stream via Pitchfork, and also recently stopped in at the CBC for a Q video session. The album is out October 29 and they’ve scheduled a date behind it at The Garrison for November 6.

Stream: Yamantaka//Sonic Titan – “Windflower”

DIY has details on a new EP from No Joy entitled Pastel And Pass Out, which will be out on November 4. One of the new songs from the release is available to stream below.

Stream: No Joy – “Last Boss”

Beatroute and The Ottawa Citizen interview The Sadies about their latest album Internal Sounds. They get external with them at Lee’s Palace on November 15.

Dears frontman Murray Lightburn talks to aux.tv and The Toronto Star about his solo work.

Justin BroadbentOkay, so maybe the build-up hasn’t been that long. The specifics of Shadrach Kobango’s – that’s Shad’s given name, if you didn’t know – new record Flying Colours were only made official two months ago, but since then it’s reasonable to say that anticipation levels have gotten pretty high.

And not that there should have been any doubt, but Flying Colours is pretty great. Like his breakout 2007 album The Old Prince and its equally Polaris-shortlisted 2010 follow-up TSOL, Colours is chock full of fast rhymes, smooth beats, brilliant wordplay, and undeniable fun. One of Shad’s many gifts is how he’s able to rap so specifically about his own personal experiences as a Kenyan-born Rwandan immigrant and make them so universally inclusive. It doesn’t necessarily break any new ground relative to his other albums – at least not one that this not-especially-attuned-to-hip-hop ear can detect – but it’s just as good if not better, and that’s plenty.

An advance stream of the album intertwined with commentary from both Shadrach and CBC’s George Strombolopolous went up available to Canadian audiences at CBC Music, and if you’re not fond of the conversational podcast format a straight stream with accompanying text Q&A went live today. I believe both are geoblocked to Canada, though, so if you live outside the ten provinces and three territories, there had been some talk of a Soundcloud stream so be patient. Maybe read this feature piece at Exclaim in the meantime. Further, with his previously-announced October 19 show at The Opera House well and properly sold out, he’s announced a couple more Toronto-area live appearances in both the near- and long-term; to the former, there’s an in-store at Sonic Boom’s Annex location on the day of release – October 15 – at 7PM, and to the latter, he’s announced his biggest headlining show to date at The Danforth Music Hall on January 31, 2014, tickets ranging from $18.50 to $23.50 in advance. Shad’s going to be everywhere with this record – you may as well join him.

Video: Shad – “Fam Jam (Fe Sum Immigrins)”
Video: Shad featuring Saukrates – “Stylin'”
Stream: Shad / Flying Colours

NOW spends some time with Nick Thorburn of Islands, in town at The Garrison tonight, October 10.

The band themselves still aren’t saying much, but Rolling Stone has gathered quotes from others involved with the recording of Arcade Fire’s new album Reflektor, which comes out October 29.

October 29 will also see the release of Moonface’s new album Julia with Blue Jeans On and so The Quietus is happy to host the first in a series of video sessions with Spencer Krug and a piano.

Bound, the debut from Ex-Forest City Lover leader Kat Burns’ new incarnation as Kashka, is coming November 5 and in addition to sharing an excellent first track from the album, she’s plotted out a Fall tour that has two Toronto dates; a solo record release show at The Dakota Tavern on November 6 and a (presumably) full band affair at BLK BOX come December 5. Update: As Ms Kat Kashka mentions in the comments, the Dakota show is as support for Sunparlour Players; the December 5 gig is the actual coming-out party. Plan accordingly.

Stream: Kashka – “Never Had It”

Pitchfork has a stream of the first sample from Destroyer’s forthcoming Five Spanish Songs and, indeed, it’s a song in Spanish; one of five that will be released on November 29. A solo Dan Bejar plays The Great Hall on November 9.

Stream: Destroyer – “El Rito”

Wes Marskell of The Darcys talks to Exclaim and NOW about their new album Warring and to Impose about having to deal with an unlicensed soundtrack appearance of the pornographic kind. They’re at The Adelaide Music Hall on October 11.

Exclaim has a video session with Basia Bulat, who plays three shows behind her new album Tall Tall Shadow at The Polish Combatants Hall this week, October 10 through 12.

July Talk explains to Exclaim why they’re re-releasing their just-released debut self-titled album on October 15 with four extra bonus tracks inserted into the original running order.

The Hidden Cameras have offered a taste of their new album AGE, due out early 2014, with a new video.

Video: The Hidden Cameras – “Gay Goth Scene”

Sarah Harmer talks activism and a new album with Exclaim while penning an op-ed about the her fight against the line 9 oil pipeline in The Grid.

Noisey has premiered the new video from Odonis Odonis.

Video: Odonis Odonis – “Are We Friends”

The Lowest Of The Low have announced the departure of founding guitarist/vocalist Stephen Stanley; it’s assumed by their not declaring the band is breaking up again that they’ll soldier on with guitarist Ron Hawkins and drummer David Alexander as the remaining original members; original bassist John Arnott left the band back in 2007 or so.

The Georgia Straight talks to Tony Dekker about his new solo record Prayer Of The Woods.

In hounour of the 20th anniversary of Nirvana’s In Utero, Toronto’s Hand Drawn Dracula has compiled a tribute album to the record featuring some of the best and brightest of the local indie scene, including Fresh Snow, Odonis Odonis, Hooded Fang, and more. Stream it or download it in exchange for an email.

Stream: various artists / Milkin’ It

Afie JurvanenHer musical achievements are pretty much beyond reproach – both leading Weeping Tile and as a solo artist – but Sarah Harmer has become as well-known for her activism in recent years. In 2005, she helped form PERL – Protecting Escarpment Rural Land – to fight proposed development on the Niagara Escarpment, work which was reflected musically in her I’m A Mountain album and documented in the Escarpment Blues doc. The movement scored a major victory last Fall when a proposed quarry in the escarpment was denied. Now she’s seeking to draw attention to Line 9, a pipeline which currently carries conventional crude oil across Ontario and Quebec and which may be repurposed to also transport heavy crude oil from Alberta’s tar sands.

To draw public attention to their calls for further environmental assessment of the project, Harmer has organized Rock The Line, a free concert happening at Mel Lastman Square in North York this coming Sunday, October 6, starting at 2PM. Joining her will be Gord Downie & The Sadies – formidable on their own, fearsome together – Hayden and Guelph’s Minotaurs. A great show for any reason and an even better one for the cause behind it.

Video: Sarah Harmer – “Oleander”
Video: Gord Downie & The Sadies – “Search & Destroy”
Video: Hayden – “Rainy Saturday”

Basia Bulat is marking the release of her new album Tall Tall Shadow this week with a track-by-track walkthrough at Port Magazine, a video session at NOW, and a video for the title track premiered over at Bullett. She plays three nights at The Polish Combatants Hall on from October 10 to 12.

Video: Basia Bulat – “Tall Tall Shadow”

Filter has a stream of Prayer Of The Woods, the solo debut from Great Lake Swimmers’ Tony Dekker, out October 8.

Stream: Tony Dekker / Prayer Of The Woods

The Darcys talk to Exclaim about their plans to release a 20-minute, Cormac McCarthy-inspired instrumental track and video series for every track on their latest, Warring. They play The Adelaide Music Hall on October 11.

In advance of his “electronic pop opera” performance at the Adelaide Music Hall that night – The Montreal Gazette saw said show at Pop Montreal last weekend – Murray Lightburn will play an in-store at Sonic Boom’s Annex location on October 12 at 2PM.

MP3: Murray Lightburn – “Motherfuckers”

As the October 27 release date for Reflektor draws ever closer, Arcade Fire have revealed a few more new songs via a short film by The Creators Project.

Video: Arcade Fire / Here comes The Night Time

Loud & Quiet, The Link, The Ottawa Citizen, and The Edmonton Journal interview Braids. They play The Great Hall on November 10.

Under The Radar and The Georgia Straight talk to Catherine McCandless of Young Galaxy, who’ve released a new video from Ultramarine. They play The Hoxton on November 22.

Video: Young Galaxy – “Sleepwalk With Me”

Perhaps conscious that they haven’t actually played Toronto since Until In Excess, Imperceptible UFO came out in early April – their CMF show happened a few weeks prior and their announced NXNE show never actually happened – The Besnard Lakes have announced a November 26 date at Lee’s Palace, tickets $15 in advance.

MP3: The Besnard Lakes – “People Of The Sticks”

Stereogum talk to Fucked Up’s Damien Abraham about their new record and Godspeed’s comments following their Polaris win last week. That seems like ancient history now, but if you wanted to read some well-reasoned responses to the kerfuffle (which align with my thinking, natch), check out pieces at Herohill, A Void, Radio Free Canuckistan, Liisa Ladouceur, and The Toronto Standard.

Dan Mangan drops some pretty high-falutin’ reference points in discussing his plans for his next record with Exclaim.

NOW has an interview and Chart solicits a list of recommended listening from Diana.

The National Post, Culture Map, and Beatroute interview Katie Stelmanis of Austra.

Frank YangWell I certainly didn’t expect that.

Even though Godspeed You! Black Emperor’s surprise comeback record‘Allelujah! Don’t Bend! Ascend! was high on my own ballot and certainly a worthy record by any standard – refer back to my review last October – I had expected that some combination of the band’s own refusal to interact with the media (and thus any of the jury), the relative bleakness/impenetrableness of their music, and just their lack of profile outside of old-school indie circles to stack the odds against them. Apparently not. Proving that predicting the Polaris Music Prize is a tricky, tricky pastime, the name that last year’s winner Leslie Feist read from winner’s envelope wasn’t Zaki Ibrahim or A Tribe Called Red or any of the other acts who were widely expected to walk away with the $30,000 in this unusually wide-open year, but Godspeed.

No one was sure if they’d even acknowledge the nomination though it was a pretty sure thing they wouldn’t show up to the ceremony, and indeed they didn’t. American music journalist Jessica Hopper said a few short words at the gala to acknowledge their nomination and Ian Ilavsky of Constellation Records, Godspeed’s label, said a few words after their win, thanking the jurors and announcing that the winnings would be donated to a program to bring music and instruments to Quebec prisons. There was no giant novelty cheque. And this morning, the band made their own official statement on the win and manage to be entirely gracious while remaining entirely Godspeed.

As to the rest of the gala, it was an eminently enjoyable affair in its fancy new home at The Carlu. Shad and Kathleen Edwards were fine hosts, with the requisite costume skits and making light of the fact that they were both two-time Polaris losers (including both of them in 2008 when my Grand Jury gave the prize to Caribou), as well as leveraging Edwards’ renowned potty mouth towards collecting money for charity via a swear jar on each guest table whenever she cussed. Which was often.

The performances opened with Purity Ring bringing their trademark cocoon lantern stage show to accompany their squelchy electro-pop, followed by and impressive set by R&B artist Zaki Ibrahim with costumes and dancers that was probably revelatory for most in attendance, since she’s hardly if ever performed live in Canada. As they did in 2009, Metric opted to perform acoustic as just the core duo of Emily and James but bringing in a grand piano to fancy things up a bit helped avoid the coffee house vibe of that previous showing.

What with having been sidelined very recently with a broken hand, solo saxophonist Colin Stetson was a surprise performer on the night but showed no ill effects fresh off the DL, turning in the most raw, elemental performance of the night and maybe the history of the Polaris Prize. Tegan & Sara also surprised, not by showing up and performing but by having Toronto’s Choir! Choir! Choir! sub in with a brilliant and buoyant version of “Closer”.

Whitehorse only played one song when they could have easily done two in their allotted time, but that one more than ably showcased their abilities and appeal, with Luke Doucet and Melissa McClelland’s intricately choreographed instrument swapping and looping an impressive demonstration of musicality and chemistry. And it speaks to the diversity of nominees on this year’s short list that Young Galaxy’s set would come across as unusual, what with them being a conventional rock band simply performing a couple of their songs.

A fancy-dress gala might have been an odd first time to see local punk heroes METZ, but their loud and loud and awesome and loud set successfully transformed the Carlu from a storied concert hall that once hosted Frank Sinatra and Glenn Gould into every dirty, grungy basement venue in the world, albeit a really well-lit one. And finally, to wrap the night, A Tribe Called Red added some visual interest to their three-DJ performance with a native break/hoop dancer who, while no Gary the pole dancer, certainly put on a memorable and unique performance.

And then they gave the prize to Godspeed. It’s funny – of all the years the Polaris has been a thing, this was the year I felt least invested in. The couple of records I would have really loved to see make the final round having not, I had a lot of difficulty getting interested in this year’s edition beyond an academic level. And of course, it turns out the album I was pulling for but had basically assumed was out of contention wins, and the gala features some of the very best performances I’ve seen at these things. The Polaris – you just never know. Photos from the gala and a reminder of who the shortlist was below.

Photos: The Polaris Music Prize 2013 Gala @ The Carlu – September 23, 2013

A Tribe Called Red / Nation II Nation (Pirate’s Blend)
Video: A Tribe Called Red – “Electric Pow Wow Drum”

Godspeed You! Black Emperor / ‘Allelujah! Don’t Bend! Ascend! (Constellation)
Stream: Godspeed You! Black Emperor – “Mladic”

Zaki Ibrahim / Every Opposite (Motif)
Video: Zaki Ibrahim – “Go Widdit”

Metric / Synthetica (Metric Music International)
MP3: Metric – “Clone”

METZ / METZ (Sub Pop)
MP3: METZ – “Wet Blanket”

Purity Ring / Shrines (Last Gang)
MP3: Purity Ring – “Obedear”

Colin Stetson / New History Warfare Vol. 3: To See More Light (Constellation)
MP3: Colin Stetson – “High Above A Grey Green Sea”

Tegan & Sara / Heartthrob (Warner Music)
Video: Tegan & Sara – “Closer”

Whitehorse / The Fate of the World Depends On This Kiss (Six Shooter)
Video: Whitehorse – “Achilles’ Desire”

Young Galaxy / Ultramarine (Paper Bag)
Video: Young Galaxy – “New Summer”

Young Galaxy have premiered a stream of another of the new tracks on their Ultramarine deluxe edition, out today, at Stereogum. The Edmonton Journal and Metro have interviews with the band.

Stream: Young Galaxy – “Talk To Her”

The Lab interviews Katie Stelmanis of Austra, who brings their 2014 Polaris-likely second album Olympia to The Phoenix on September 27.

The AV Club is offering an advance stream of Basia Bulat’s new album Tall Tall Shadow before its release next Tuesday, October 1. She plays three nights at the Polish Combatants Hall on October 10 through 12.

Stream: Basia Bulat / Tall Tall Shadow

Beatroute, The Montreal Gazette and CBC Music talk to Nick Thorburn of Islands about their new album Ski Mask. They play The Garrison on October 10.

Noisey have premiered the new video from The Darcys’ new record Warring, while B-Insider has an interview. They play the Adelaide Music Hall on October 11.

Video: The Darcys – “Muzzle Blast”

Shad discusses his new album Flying Colours with Respect. It’s out October 15 and he’s at The Opera House on October 19.

The Weeknd has premiered another video from Kiss Land; his three-night stand at Massey Hall begins October 17.

Video: The Weeknd – “Pretty”

NOW talks to Yamantaka//Sonic Titan, who’ve released a first video from their new record Uzu, coming out October 29.

Video: Yamantaka//Sonic Titan – “One”

Consequence Of Sound reports that Arcade Fire will follow-up their September 27 appearance on Saturday Night Live with a 30-minute concert performance to be shown on NBC – so that’s 1AM EDT, if it was unclear. Elsewhere, Richard Reed Perry tells NME how David Bowie ended up on “Reflektor” and Under The Radar has got a stream of their cover of Peter Gabriel’s “Games Without Frontiers”, appearing on the forthcoming All I’ll Scratch Yours tribute album, out this week. Arcade Fire’s own Reflektor is in stores October 29.

Stream: Arcade Fire – “Games Without Frontiers”

Also streaming from the Peter Gabriel tribute is this track from Feist featuring Timber Timbre; whether you choose to imagine a video featuring Leslie and Taylor clinging to each other for warmth for four minutes is your business.

Stream: Feist with Timber Timbre – “Don’t Give Up”

Destroyer has announced the release of Five Spanish Songs, an EP of songs by Spanish musician Antonio Luque of the band Sr. Chinarro, due out November 29. You may hear some of these songs when Dan Bejar plays The Great Hall solo on November 9. Or you may not.

Stereogum are streaming a new song from Odonis Odonis, presumably from a new album in the works or coming soon or something. They’ve not said.

Stream: Odonis Odonis – “Are We Friends”

Pitchfork welcomes Majical Cloudz for a City Of Music video session.

No Joy have released a new video from their latest, Wait To Pleasure.

Video: No Joy – “Blue Neck Riviera”

aux.tv has an interview with METZ.

Exclaim reports that the limited edition vinyl pressing of the first Super Friendz record Mock Up Scale Down is now a little less limited but more easy to buy, being on sale via murderrecords directly.