Korey RicheyBlah blah Arcade Fire blah blah? Blah blah Reflektor blah blah, double album blah blah Rodin’s Orpheus and Eurydice blah blah October 29. Blah blah “Reflektor” blah blah first single blah blah 9/9/9:00 blah blah – weekend leak blah blah David Bowie blah blah James Murphy – blah blah disco-riffic.

Blah blah video premieres blah blah Anton Corbijn blah blah conventional video blah blah Vincent Morriset blah blah Google Creative Lab blah blah interactive video blah blah Creators Project blah blah boombox collaboration.

Blah blah Win Butler blah blah interview blah blah BBC1’s Zane Lowe; blah blah summaries blah blah Pitchfork, blah blah CBC Music, blah blah Spin.

Blah! Blah blah semi-secret shows blah blah Salsatheque in Montreal blah blah world tour coming. Blah blah promotional machine, blah blah blah. Blah, blah Saturday Night Live blah season premiere blah Tina Fey blah September 28.

Whew.

Video: Arcade Fire – “Reflektor”
Video: Arcade Fire – “Reflektor” (interactive)

With their new 7″ out this week, Stars have deemed it safe to stream the b-side over at Under The Radar.

Stream: Stars – “The Light”

The Weeknd has put out a new video from the just-released Kiss Land. He plays three nights at Massey Hall on October 17, 19, and 20.

Video: The Weeknd – “Live For”

Bullett got to premiere another new track from The Darcys’ new album Warring, but the fact that CBC Music now has the entire record available to stream ahead of its release next week, September 17, makes it kind of moot. For those outside Canada and geoblocked, KCRW also has a stream. The Darcys play Adelaide Hall on October 11.

Stream: The Darcys – “Horses Fell”
Stream: The Darcys / Warring

Also out September 17 and available to stream is Internal Sounds, the latest effort from The Sadies and you can hear that at Exclaim as well as read an interview with the band about the new album.

Stream: The Sadies / Internal Sounds

Beatroute has an interview with Young Galaxy, who’ve made another new track from the Ultramarine deluxe edition coming out September 24 available to stream.

Stream: Young Galaxy – “Sea Drug”

Hear Nebraska and NOW talk to Basia Bulat about her new album Tall Tall Shadow, coming out October 1. She plays The Polish Combatants Hall on October 10, 11, and 12 to celebrate its release and if you’re thinking that’s one extra date than the last time you checked, you are correct – they’ve added a third show on the 12th, which makes this less a concert than a veritable Basia-fest. Tickets for that show, like the others, are $20.

Video: Basia Bulat – “It Can’t Be You”

Exclaim has got the video for the title track of Great Lake Swimmer Tony Dekker’s solo debut, Prayer Of The Woods. It’s out October 8.

Video: Tony Dekker – “Prayer Of The Woods”

NOW catches a quick word with Shad, whose new album Flying Colours is out October 15 and who plays The Opera House on October 19.

Montreal’s Suuns have slated an October 19 show at the Adelaide Hall in support of this year’s Images du Futur; tickets for that are $15.

MP3: Suuns – “Edie’s Dream”

Vancouver’s excellent Belle Game will be at The Drake Underground on October 25 behind their equally excellent debut Ritual Tradition Habit, tickets an eminently reasonable $12.50 in advance.

MP3: The Belle Game – “Blame Fiction”

Because he really doesn’t need a particular reason, Joel Plaskett will be at The Danforth Music Hall on November 2 to play some songs accompanied by his father Bill. They’ll do two sets that night and tickets run $29.50 in advance.

MP3: Joel Plaskett – “When I Go”

Former Forest City Lovers frontwoman Kat Burns has announced details of her full-length debut as the electro-pop act Kashka; Bound will be out November 5 and details can be found at Exclaim and a super-brief trailer below.

Trailer: Kashka / Bound

Beatroute has a feature on Braids, who play The Great Hall on November 10.

Hayden has announced a Fall tour which wraps up with a hometown show at the Danforth Music Hall on November 30, tickets running from $32.50 to $39.50 in advance. He’s also released a new video from his latest effort, Us Alone.

Video: Hayden – “Blurry Nights”

Mechanical Forest Sound is sharing a recording of Ohbijou’s farewell show at The Great Hall last weekend.

Zach SlootskyConsidering how much of the narrative around The Darcys’ first two records were focused squarely on the past – the band’s self-title inexorably tied to the band’s own turbulent history and their Aja cover album to their affection for Steely Dan’s work – it’s understandable that the promotional lead-up to the September 17 release of their new record Warring would be so eyes forward, full steam ahead.

Since its initial announcement at the end of July, they’ve released streams of two new songs and crowdsourced remixes, and last week they premiered a first video at Esquire followed yesterday by another new stream via Tumblr. A full album stream should surface next week sometime, but it’s already a sure thing that Warring is a dark and dramatic work that balances the progressive and accessible.

Further, they’ve announced a first batch of live dates in support of Warring and it includes a hometown record release show at the Adelaide Music Hall on October 11. Tickets for that are $20 and some are bundled with early release LPs available at stores around Toronto now – details here.

Stream: The Darcys – “Hunting”
Video: The Darcys – “The River”

Panic Manual conducts an exit interview with Ohbijou, who go on indefinite hiatus following a farewell show at The Great Hall on September 7.

NPR has an advance stream of The Weeknd’s new album Kiss Land, which is officially out on September 10. He plays three nights at Massey Hall on October 17, 19, and 20.

Stream: The Weeknd / Kiss Land

Southern Souls has a video session with Austra. They play The Phoenix on September 26.

Flare gets fashion spread-y with Carmen Elle of Diana and Basia Bulat, amongst other Toronto musicians. The former plays The Great Hall on September 26, the latter releases Tall Tall Shadow on October 1 and plays The Polish Combatants Hall on October 10 and 11.

Dears frontman Murray Lightburn will bring his just-released solo record Mass:Light to the stage at Adelaide Hall on October 12, tickets $15 in advance with a number of 2-for-1 packages improving the value proposition. The Take has an interview with Lightburn about the new record.

MP3: Murray Lightburn – “Motherfuckers”

Shad has released a new video from his forthcoming Flying Colours, which you can watch below and read (the lyrics) over at Rap Genius. The album is out October 15 and he plays The Opera House on October 19.

Video: Shad – “Fam Jam (Fe Sum Immigrins)”

Maritime singer-songwriter Rose Cousins has announced a North American tour behind last year’s still-wonderful We Have Made A Spark; she’s at The Dakota Tavern on October 17.

MP3: Rose Cousins – “The Darkness”

Exclaim reports that The Elwins are aiming to have their second album out by the middle of next year, but in the meantime are doing what they do second-best – the best being writing super-poppy tunes – and that’s touring their butts off. Amidst dates in Europe, the US, and the rest of Canada, they’ll play a hometown show at The Horseshoe on October 19.

Video: The Elwins – “Helpful Assistance”

Pitchfork talks to Yamantaka//Sonic Titan about their new album Uzu, coming out October 29.

Spencer Krug will release a new album as Moonface on October 29; the first song from Julia with Blue Jeans On is now available to stream.

Stream: Moonface – “Everyone Is Noah, Everyone Is The Ark”

Arcade Fire has posted a trailer for their next album Reflektor, which people are assuming they’ll hear a first and proper sample from on September 9 at 9PM, as per their marketing campaign. Pitchfork has specifics on what is known thus far. The album is out proper on October 29. Update: Consequence Of Sound has the dirt – “Reflektor” is the first single, the video is directed by Anton Corbijn, and the 12″ single of it will go on sale on September 9 at 9PM if you can find a record store that is open then.

Trailer: Arcade Fire / Reflektor

Having had to cancel his June 30 show at The Hoxton, Mac DeMarco has announced the make-up date for that show at the same venue on November 24. The Music has an interview with DeMarco.

MP3: Mac DeMarco – “Freaking Out The Neighbourhood”

After way too long, The Balconies have gotten their second album Fast Motions together and will have it out later this Fall; Ion Magazine has premiered the first video from it.

Video: The Balconies – “The Slo”

Evening Hymns have premiered a new video from last year’s Spectral Dusk at Clash.

Video: Evening Hymns – “Arrows”

Baeble Music has a videos session with Stars.

Noisey talks to Valleys.

Frank YangI don’t spend nearly as much time in the clubs scouting out new local acts as I used to – and relative to some who do this, I never spent that much time on that beat anyways – but last Thursday night at The Boat, I was reminded of what I liked and disliked about it. The “dislike” basically comes down to set times that always run at least a half hour and more likely an hour behind and thus being out far later than I’d like, the generally terrible venue lighting, and the greater than usual odds of seeing music that just doesn’t do anything for you. And under “like”, you’ve really only got one point – the prospect of seeing something great emerge before your eyes and ears.

That wasn’t really the case with Mimico, whom I arrived in time to see but would have missed had things been running on time. The stuff I’d listened to from their self-titled EP wasn’t bad in a rough, Kraftwerk-y post-punk sort of way but they couldn’t translate it live. Perhaps if they’d had their MIA drummer, it’d have been more engaging but as a two-piece synth-guitar duo playing over tinny drum machine patterns, it was far more meandering and failed to come together. But the recordings are pretty good for what they are, so I’ll not write them off yet.

I actually shouldn’t pretend that I was simply out scouting for new blood on this night; I’d covered Fresh Snow in this year’s NXNE coverage and had seen them play a couple times in Spring 2012, when they were a much greener act – so decidedly known quantities. But the occasion of the release of their debut album I merited another writeup because a) the album is really quite good, and b) I needed something to blog about.

To the former point, the shorthand on Fresh Snow is that they’re an instrumental, kinda post-Krautrock band – and it’s true that they like the drone and the noise in equal measure. But sandwiched between I‘s bookends of “French Horse Hall Of Fame” and “Saturation Complete” – which amount to almost 30 minutes of the a glorious combination thereof – they also get positively pop (“Helix Pass”) and show off a deft touch for dreamy ambience (“Los Vientos Del Tempo”) en route to a solid initial statement. It’s made up of a lot of things you’ve heard before, but taken as the big picture, there’s enough dynamics and ideas that the Fresh Snow ethos feels remarkably original.

As for the show, it wasn’t far removed from the NXNE performance. Their instrumental intro took too long to coalesce into something coherent, but once they got their feet under them it was full steam ahead. For the numbers of synths they had on stage, they spent much of the show in a decidedly conventional guitar-bass-drums (plus violin) configuration that offered all the loud and driving rockists could want and made for a solid wrestling match of control and chaos. A few interruptions in the flow of the show – though nothing like the power outages in June – kept it from becoming the fully hypnotic experience it could have and should been, but as a record release and coming out party, it was an impressive one.

Photos: Fresh Snow, Mimico @ The Boat – August 8, 2013
MP3: Fresh Snow – “Saturation Complete”
MP3: Fresh Snow – “BMX Based Tactics”
Video: Fresh Snow – “Saturation Complete”
Stream: Mimico / Mimico

Snowblink reveals to NOW that their next release will be a death-themed covers EP called I Am a Hall Of Fame; Post City also has an interview. They play BLK BOX as part of the Summerworks music series on August 14.

MTV is streaming four tracks from Mass:Light, the new solo record from Murray Lightburn; it’ll be out August 20. EastScene also has an interview with the Dears frontman.

Braids are streaming another track from Flourish//Perish, though with its August 20 release date just around the corner, expect the whole thing to start streaming any moment now. They play BLK BOX on November 10.

Stream: Braids – “Freund”

NME introduces their readers to Diana, just in time for the August 20 release of Perpetual Surrender. They play The Great Hall on September 26.

Fucked Up have been announced as the musical guests for the September 5 edition of First Thursdays at the Art Gallery Of Ontario, an event which will also feature a live video chat with artist Ai Wei Wei.

MP3: Fucked Up – “A Little Death”

NPR is streaming one of two new Stars songs which will be released as a 7″ single on September 10.

Stream: Stars – “Wishful”

aux.tv and Beatroute have interviews with Louise Burns, who supports Lightning Dust at The Drake Underground on September 10.

The Chicago Tribune and Metro get to know Devon Welsh of Majical Cloudz. They play Wrongbar on September 17.

Islands have premiered a second taste of their new album Ski Mask via Spin ahead of its September 17 release, while Chart also has a video session. They play The Garrison on October 10.

Stream: Islands – “Becoming The Gunship”

Folks looking for an excuse to hang out in the park before Autumn well and truly rolls around should know about the Bloor Ossington Folk Festival, happening on September 21 and 22 at Christie Pits and featuring live music from the likes of The Golden Dogs, Memoryhouse, and Beams and two special secret headliners who – let’s face it – are almost sure to be Arcade Fire and Broken Social Scene. Unless they’re not.

MP3: The Golden Dogs – “Travel Time”
MP3: Memoryhouse – “Quiet America”

Stereogum has an interview with Katie Stelmanis of Austra. They play The Phoenix on September 27.

Run Riot talks to Basia Bulat about her new record Tall Tall Shadow; it’s out October 1 and she plays The Polish Combatants Hall on October 10.

Yamantaka//Sonic Titan has announced details of their second album as well as sharing the first track, and Pitchfork is on it. Uzu will be out on October 29.

Stream: Yamantaka//Sonic Titan – “One”

Arcade Fire haven’t announced the title of their new album, out October 29, but the internet rumour mill is saying Reflektor and this website is certainly Arcade Fire-y in its crypticness. They’re less coy about the fact that they’re also scoring the new Spike Jonze film Her, because Pitchfork said so.

Dan Bejar is taking Destroyer back on the road this Fall with Pink Mountaintops as support but without a band. He’ll be exploring his songbook in solo style and also promises some new songs in the mix. Exclaim has full dates and details, including a November 9 date at The Great Hall.

MP3: Destroyer – “Chinatown”
MP3: Pink Mountaintops – “Vampire”

Spin has premiered the new (and first?) video from Born Ruffians’ latest album Birthmarks. They play The Danforth Music Hall on November 22.

Video: Born Ruffians – “Needle”

Rose Cousins has released a new video from last year’s wonderful We Have Made A Spark.

Video: Rose Cousins – “For The Best”

Evening Hymns have posted a complete livestream of a show in Kelowna, British Columbia last week. There’s also interviews with Jonas Bonetta at The Gate and The Edmonton Journal.

Chad VanGaalen fills in Exclaim on what he’s been up to.

Jim Guthrie road trips down to NPR to play a Tiny Desk Concert.

Earshot interviews Gold & Youth.

Dan Boeckner talks to Exclaim about his new project Operators, which he’ll presumably be more focused on once Britt Daniel puts Divine Fits on the back burner to concentrate on the next Spoon record.

Anna Groth-ShiveOver the course of her first two records, Toronto’s Basia Bulat has crafted a musical persona built around folk-pop that can be as bare and affecting with the best of them, but really wins hearts when it’s upbeat and joyous and feels like a warm ray of aural sunshine. Assuming that her just-announced third album Tall Tall Shadow will simply offer more of the same, however, may be premature.

She’s not going electronic or anything – well, maybe a bit but not so much that the Canadian indie-rock rulebook demands she assume a new identity – but advance word is that Shadow still represents a significant change in modus operandi. Howard Bilerman, who produced the first two records, has stepped aside for Arcade Fire’s Tim Kingsbury and Mark Lawson, who engineered The Suburbs; the piano was adopted as a primary composition instrument alongside or even over the guitar; a personal tragedy altered and informed the songwriting; and most importantly, Bulat challenged her own expectations about what she should or could sound like.

The fruits of this creative process can be heard in full when Tall Tall Shadow is released October 1, but the first of the new songs – the album’s title track – is available to stream now. Exclaim has more album details and an expanded Fall itinerary, with more North American dates being added to the already-announced hometown show at the Polish Combatants Hall on October 10.

Stream: Basia Bulat – “Tall Tall Shadow”

CBC Music has premiered the new video from Two Hours Traffic’s latest Foolish Blood. They have an in-store at Sonic Boom in The Annex tomorrow afternoon, July 27, at 5PM.

Video: Two Hours Traffic – “Magic”

NOW and CBC talk to the Peter Dreimanis half of July Talk while The Halifax Chronicle-Herald gets a word with creative foil Leah Fay. Their next local show is up at Downsview Park as part of Edgefest next week, on July 31.

Fractured Air interviews Tim Condon of Toronto’s new (neu?) Krautrock heroes Fresh Snow, who hold a record release show for their debut LP I at The Boat on August 8.

In conversation with Billboard, Neko Case offers an update on the next New Pornographers record, which is apparently almost done. You probably shouldn’t expect either her or Dan Bejar to be on hand when they play a show at the CNE Bandshell on August 17, though. Just in case you were.

American Songwriter has premiered the stream of another new track from the new Sadies record Internal Sounds, out September 17.

Stream: The Sadies – “Another Tomorrow Again”

The Daily Swarm and Sydney Morning Herald talk to Devon Walsh of Majical Cloudz, back in town on September 17 at Wrongbar.

Having made their mark over the last couple of years with one album far too long in the can before being let loose and another covering a ’70s prog-rock classic, Toronto’s Darcys are finally able to announce the release of an album that might actually represent where they are today. That record will be called Warring, it will be out on September 17, and courtesy of Spin, you can stream the first track from it right now or get it to download from the band’s website in exchange for a little social media juice.

Stream: The Darcys – “The River”

In conversation with Billboard, James Murphy offers his thoughts, as sorta producer, on the new Arcade Fire record. It’s out October 29 and Murphy, incidentally, is doing a DJ set at The Hoxton on September 6. If watching guys DJ is your bag.

Chris Murphy tells Exclaim that the next Sloan record will be that long-awaited, presumed-inevitable thing – a double-album with each side essentially a solo record for each member. There’s no firm release plans yet, but what is known is that Jay Ferguson’s side will be getting worn out first. No question.

Bronson Island have posted a video session dating to who knows when with the now on-hiatus Broken Social Scene performing a previously-unreleased song.

Video: Broken Social Scene – “Where’s Your Heart, Where’s Your Mind” (live on Bronson Island)

Damian Abraham of Fucked Up talks to Clash about his approach to performing live.

CBC Music has a Summer check-in chat with Sarah Harmer.

Colin MedleyThe prevailing trend that I saw amongst Polaris Music Prize-spotters as yesterday’s short list announcement drew close was that there was hardly any consensus as to which of the 40 long list albums would make the cut. This wasn’t especially surprising since as I observed last month when the long list was revealed, the nominees were all over the place without a lot of big names or obvious picks; with absolutely nothing to back this up, I would speculate that this year’s ballots were the most diverse in the history of the prize.

But whether one point or a thousand separate first place from last, the math is the math and we now have the 2013 Polaris Prize short list. And it looks like this:

A Tribe Called Red / Nation II Nation (Pirate’s Blend)
Video: A Tribe Called Red – “Electric Pow Wow Drum”

Godspeed You! Black Emperor / ‘Allelujah! Don’t Bend! Ascend! (Constellation)
Stream: Godspeed You! Black Emperor – “Mladic”

Zaki Ibrahim / Every Opposite (Motif)
Video: Zaki Ibrahim – “Go Widdit”

Metric / Synthetica (Metric Music International)
MP3: Metric – “Clone”

METZ / METZ (Sub Pop)
MP3: METZ – “Wet Blanket”

Purity Ring / Shrines (Last Gang)
MP3: Purity Ring – “Obedear”

Colin Stetson / New History Warfare Vol. 3: To See More Light (Constellation)
MP3: Colin Stetson – “High Above A Grey Green Sea”

Tegan and Sara / Heartthrob (Warner Music)
Video: Tegan & Sara – “Closer”

Whitehorse / The Fate of the World Depends On This Kiss (Six Shooter)
Video: Whitehorse – “Achilles’ Desire”

Young Galaxy / Ultramarine (Paper Bag)
Video: Young Galaxy – “New Summer”

Even though three of my five picks made the short list, I’m personally disappointed that my numbers one and two, Evening Hymns and Jim Guthrie, didn’t make the cut. I genuinely thought they’d make it and in my more fanciful moments, could even envision a win if the stars aligned. Shows how much I know. Well, I know enough to not speculate on who’ll win come September 23 at The Carlu in Toronto. Even in a year with strong/obvious frontrunners, the prize has been predictably unpredictable and while at the moment I’d like to see METZ, whom I swapped for Rachel Zeffira on my second ballot, take it, I’m also really curious if and how Godspeed would respond to a win. What I do know that with two two-time almost-winners in Shad and Kathleen Edwards hosting the gala – did Susan Lucci ever host the Daytime Emmys? Martin Scorcese ever hand out the Best Director Oscar? – it’ll be entertaining. And for the first time, they’ll be selling tickets to the gala, if you want to see it in person – they’ll be $50 and go on sale July 22.

The Fly talks to Raphaelle Standel-Preston of Braids, whose new full-length Flourish//Perish is out August 20.

The Line Of Best Fit talks to Diana drummer Kieran Adams about their debut album their debut album Perpetual Surrender, out August 20. They play The Great Hall on September 26.

Beatroute talks to Lightning Dust about their new album Fantasy. They play The Drake Underground on September 10.

Dazed & Confused has an interview with Daniel Woodhead of Moon King, who’ve announced their series of Obsession EPs will be released in the UK as a single volume on September 16. I would hope that a similar edition is made available domestically, for those of us who’re a little more space-conscious with their record collections.

Austra have released the second video from their second album, Olympia. They play The Phoenix on September 27.

Video: Austra – “Painful Like”

Arcade Fire have announced, via Twitter, that their fourth album will be out October 29. I like to think that somewhere in Montreal, as soon as they hit the send button on that tweet, quietly said, “boom”.

Complex has posted a cover story interview with Abel Tesfaye of The Weeknd, whose album Kiss Land is due out this Fall, probably around the time he plays three nights at Massey Hall – October 17, 19, and 20. He also released a new video from the album, the sample of which was not cleared by Portishead, and Geoff Barrow’s not happy about it.

Video: The Weeknd – “Belong To The World”

KEXP welcomes METZ for a video session.

Beatroute talks briefly with Al Spx of Cold Specks.

CBC Music asks the likes of The National’s Matt Berninger, amongst others, why On The Beach is their favourite Neil Young album. It’s mine as well, but no one asked me why.