Posts Tagged ‘Anais Mitchell’

Friday, October 8th, 2010

Four Night Rider

The Rural Alberta Advantage make it home for the holidays

Photo by Joe FudaJoe FudaAnd now, a bunch of stuff that has nothing to do with a certain record label that is now old enough to drink in the US.

Starting locally, with The Rural Alberta Advantage. After one of the best and busiest 2009s on record, the trio has been relatively quiet through most of this year working on the follow-up to their debut Hometowns, as these photos (sort of) attest. But you can only keep road warriors in one place for so long and they’ll be on the road again starting at the end of this month with a pretty extensive Fall tour that takes them out across the prairies to the west coast of Canada, across the Atlantic for a slew of European and UK dates and then, finally, back home to Toronto for a show at Lee’s Palace on December 16 – their first proper local show in over a year. It’ll be good to hear some of the new material that will appear on album number two when it hits sometime next year, but mostly it’ll just be nice to see them again. Tickets for the show are $15 in advance.

MP3: The Rural Alberta Advantage – “Frank, AB”
MP3: The Rural Alberta Advantage – “Don’t Haunt This Place”

And more to the show announcements from the past week or so – Avi Buffalo will precede their October 18 show at the Horseshoe with an in-store at Soundscapes on October 17 at 7PM. It’ll be interesting to see if Avigdor Zahner-Isenberg can tear it up as fiercely on acoustic as he does electric. I am guessing yes.

MP3: Avi Buffalo – “Remember Last Time”
MP3: Avi Buffalo – “What’s In It For?”

Also doing it free for the kids is PS I Love You, whose just-released debut Meet Me At The Muster Station has been getting some impressive Pitchfork-love. They’ll be at Soundscapes on October 26 at 7PM before heading down to The Garrison to open up for Diamond Rings. The duo are profiled in The Province, National Post, Chart and Exclaim.

MP3: PS I Love You – “2012”
MP3: PS I Love You – “Butterflies & Boners”
MP3: PS I Love You – “Facelove”

Forest City Lovers have set a date at The Horseshoe for November 5, amidst a smattering of Fall dates. They’ve also just put out a new pensive-to-party video from Carriage.

MP3: Forest City Lovers – “Light You Up”
Video: Forest City Lovers – “Tell Me Cancer”

Horse Feathers and Anaïs Mitchell will team up for a show at the Drake Underground on November 8.

MP3: Horse Feathers – “Curs In The Weeds”
MP3: Anaïs Mitchell – “Flowers (Eurydice’s Song)”

The Balconies, who like The RAA were omni-present in 2009 but relatively quiet in 2010, are back for a show at The Horseshoe on November 9 – hopefully as a precursor to a second album.

MP3: The Balconies – “Serious Bedtime”

The Meligrove Band have put together both a North American tour for and a video from their just-released new record Shimmering Lights. They’re at The Great Hall on November 12 and there’s interviews at The National Post and dose.

MP3: The Meligrove Band – “Bones Attack!!!”
MP3: The Meligrove Band – “Halflight”
Video: The Meligrove Band – “Racing To Shimmering Lights”

Rufus Wainwright has a date at Massey Hall on December 4.

Video: Rufus Wainwright – “Zebulon”

Damon Gough, aka Badly Drawn Boy, has slated a North American tour in support of his new record It’s What I’m Thinking Pt.1 — Photographing Snowflakes. The record is out next Tuesday and will be available in a variety of deluxe and standard packages, as detailed at Exclaim. The Toronto date of the aforementioned tour is December 8 at The Great Hall, tickets $27.50 in advance.

Video: Badly Drawn Boy – “Too Many Miracles”

Interpol will be making good on the support slot for U2 this past Summer which was canceled along with the entire tour when Bono realized he was an old man. They’ll be at the Air Canada Centre on July 11 of next year.

MP3: Interpol – “Lights”

BeatRoute discusses The Age Of Adz with Sufjan Stevens. The record is out October 12 and he plays Massey Hall on October 13.

Murray Lightburn of The Dears talks to eye in advance of the band’s three-night residency at The Garrison next week, October 13 through 15, where they’ll play all of their new, as-yet untitled and release date-less album, start to finish.

The Oklahoma Daily and Austinist talk to members of Local Natives, who’ve put out a new video and have a sold-out show at the Mod Club on October 19.

Video: Local Natives – “Wide Eyes”

Spinner has an interview with Lissie, who brings her full-length debut Catching A Tiger to the El Mocambo on October 19. There’s also a new video from said record.

Video: Lissie – “Everywhere I Go”

Uptown and The Ottawa Citizen profile Rae Spoon, in town for a show at the Gladstone on October 21.

Stars, who are playing Massey Hall on October 26, are interviewed by BeatRoute and The Huffington Post.

Spinner talks to Black Mountain. They’ll be dressing up as a band playing The Phoenix on Hallowe’en.

Thanks Captain Obvious, The Village Voice and Spinner talk to Sharon Van Etten about her new record Epic. She is at Lee’s Palace on November 5 supporting Junip.

The Wooden Sky, who’ve got a date at Lee’s Palace on November 6, have just been featured in a Daytrotter session and a Gateway interview.

Wolf Parade have rolled out a new video from Expo 86. They’ll be at the Sound Academy on November 26.

Video: Wolf Parade – “Yulia”

NPR has a World Cafe session with Ra Ra Riot, in town for a show at the Mod Club on December 1. There’s also interviews at The Omaha World-Herald and Wall Street Journal.

Kevin Drew tells Spin why Broken Social Scene are called Broken Social Scene while Brendan Canning talks to The Georgia Straight and Andrew Whiteman to The Gateway. They are at the Sound Academy on December 9.

BeatRoute chats with Owen Pallett.

Pitchfork interviews Arcade Fire.

Spinner, The Gateway, See and BeatRoute talk to Holy Fuck.

Over at YouTube, Daniel Lanois offers a track-by-track analysis of Neil Young’s Le Noise from the view of the producer’s chair.

Didn’t The Flaming Lips just release a video from Embryonic last week? Yes they did. But here’s another one anyways.

Video: The Flaming Lips – “The Sparrow Looks Up At The Machine”

How do you know Of Montreal were just in the UK? Interviews with Kevin Barnes at Drowned In Sound, The Quietus and The Line Of Best Fit.

The Fly talks to the ladies of Warpaint about their forthcoming debut The Fool, hitting the streets on October 26.

MOVE talks to Mountain Goat Peter Hughes.

Craig Finn of The Hold Steady discusses the benefits of getting older with The Boston Globe.

And seriously, this isn’t even nearly everything I’ve had backlogged to post over the past week.

Monday, June 21st, 2010

NXNE 2010 Day One

Warpaint, Free Energy, Anaïs Mitchell and more at NXNE

Photo By Frank YangFrank YangNitpickers may choose to point out that this year’s edition of NXNE began on Wednesday with a handful of official shows, and even though I didn’t hit the streets until the following night, calling this post “NXNE Day 1” is factually incorrect. To those people, I say: silence, monkeys. Thursday was the first night of the festival with a full and proper schedule of events and, anticipating what would be my most intensive NXNE yet, not leaving the house until absolutely necessary seemed like a good idea.

But Thursday night eventually came as Thursday nights are wont to do and it was off to the first stop of the weekend, ye olde Legendary Horseshoe Tavern, where locals Dinosaur Bones were kicking off the evening’s programming. I’d seen them in Summer 2008 and while they were pretty raw then, I heard a lot of potential in their moody and atmospheric alt-rock sound. Fast forward a couple years and a goodly amount of local hype, and rather disappointingly that potential doesn’t seem to have been fulfilled. Their musicianship and on-stage presence is still commendable, but the songs just didn’t have the hooks or melodies to stand out. None of which is to say they couldn’t still come out and impress – they’ve still yet to release an album – but I didn’t come away with the same sense of anticipation that I did last time. Dinosaur Bones open for Plants & Animals at the Opera House on June 24.

Photos: Dinosaur Bones @ The Horseshoe – June 17, 2010
MP3: Dinosaur Bones – “NYE”
MP3: Dinosaur Bones – “Life In Trees”
Video: Dinosaur Bones – “Ice Hotels”

Philadelphia’s Free Energy didn’t have any trouble bringing the hooks – their debut Stuck On Nothing is all about the vintage-hued power pop, and the energy of the record translates perfectly on stage. Led by lanky frontman Paul Spangers, the quintet wore their classic rock affections on their sleeves (which were attached to Neal Adams-art Batman and Styx tour t-shirts) with a set that was full of big riffs and solos and wholly dedicated to having a good time. They’re like the Hold Steady if they were more interested in actually partying instead of just documenting the party. All that said, I didn’t find it quite as exhilarating as when I saw them the last day of SxSW but they clearly won over the rapidly growing crowd.

Photos: Free Energy @ The Horseshoe – June 17, 2010
MP3: Free Energy – “Free Energy”
MP3: Free Energy – “Hope Child”
Video: Free Energy – “Bang Pop”
Video: Free Energy – “Free Energy”
MySpace: Free Energy

The ‘Shoe was pretty much jammed by the time Los Angeles’ Warpaint took the stage, proving that I wasn’t the only one fully excited to see them perform. While the one show of theirs I caught at SxSW was intriguing but inconclusive, I’ve no such ambiguity about their Exquisite Corpse EP. It’s a hypnotic blend of dreampop textures and grooves that comes with just the right amount of unsettling, and on this night – perhaps helpfully far from the bright Austin afternoon sun – Warpaint delivered a set that captured all of the magic of the record and then some. Vocalists Emily Kokal and Theresa Wayman led things with their mesmerizing vocals and intertwined, dreamwalking guitars lines, but it was really the thundering rhythm section – Jenny Lee Lindberg on bass and Stella Mozgawa on drums – who propelled things ahead. Interestingly, their original drummer was actress Shannyn Sossamon (who is also Lindberg’s sister – double trivia!) and while her work on Exquisite Corpse was terrific, the sheer power of Mozgawa’s style brings so much more to the table. It’s as though the record floats on the surface of their sound, and the live show dives in deep. The result is intoxicating. After their set, anticipation for their full-length debut, due out this Fall, increased exponentially. Update: Warpaint will be back in town on August 11 at Wrongbar. Update 2: They will also be opening up for The xx at Massey Hall on September 29.

Photos: Warpaint @ The Horseshoe – June 17, 2010
MP3: Warpaint – “Elephants”
Video: Warpaint – “Stars”
Video: Warpaint – “Elephants”
MySpace: Warpaint

That marked the end of my tenure at the ‘Shoe, and then it was up to The Boat in Kensington for Sleepy Vikings. The six-piece arrived with practically no hype (except here) and played to maybe a dozen people but still made quite an impression. And not for their live show – it was sleepy to say the least, but they get a bye on account of having driven 26 hours straight from Tampa for the show – but for the strength of their songcraft and musicianship which even brink-of-death exhaustion couldn’t hide. They’re a big band but with a focused sound and sharp pop instincts that warrant dream, jangle and power descriptors and elicit comparisons to a moodier Velocity Girl (which explains my affection right there). They also gave away copies of their Ghost EP demo, which only contains three songs but more than confirms that these kids are on to something real and great.

Photos: Sleepy Vikings @ The Boat – June 17, 2010
MP3: Sleepy Vikings – “Calm”
MP3: Sleepy Vikings – “Flashlight Tag”

It was obviously too much to hope that Anaïs Mitchell might bring along either Justin Vernon or Ani DiFranco along to support her live they way they did on her last studio record Hadestown, the post-apocalyptic folk opera retelling of the tale of Orpheus and Eurydice, but even solo Mitchell proved to be a more than captivating performer. Her set in the back room of Czehoski on Queen West only included a handful of songs from Hadestown but even without knowing the material, her delivery and charisma – not to mention the evocativeness of her songwriting – made it a wholly enjoyable performance. And a good way close out the night.

Photos: Anaïs Mitchell @ Czehoski – June 17, 2010
MP3: Anaïs Mitchell – “Flowers (Eurydice’s Song)”
MP3: Anaïs Mitchell – “Wait For Me”
MySpace: Anaïs Mitchell

Ed O’Brien tells BBC6 that the new Radiohead album is almost done. That there is the sound of the internet getting ready to break.

Shockhound and The Chronicle-Herald interview The xx. They’re at Massey Hall on September 29. Yeah, that’s still so weird to type.

Clash and Spinner interview Kele. The Boxer is out tomorrow and he’s at the Mod Club on July 29.

Spin profiles The Joy Formidable.

The itinerary for Teenage Fanclub’s Fall tour in support of Shadows has been made public and while the dream double-bill of them at Belle & Sebastian isn’t happening, Toronto still has plenty of reason to be excited – the tour kicks off here on September 22 and 23 with two dates at the Horseshoe! Spinner talks to Raymond McGinley about the band’s songwriting process.

MP3: Teenage Fanclub – “Baby Lee”

The Clientele have announced that they’ll be releasing a new mini-album entitled Minotaur on September 6. One of the new tracks is streaming on their MySpace.

Let’s Wrestle have a new video for a tune which doesn’t appear on their debut In The Court Of The Wrestling Let’s, but a Record Store Day split 7″ with The Love Language.

Video: Let’s Wrestle – “I’m So Lazy”

Le Blogotheque Take-Away Shows with Mumford & Sons.

NPR has a World Cafe session with Frightened Rabbit.

NME checks in with Glasvegas on the status of album number two.

Drowned In Sound sends Emmy The Great to meet David Cross, who has just released a new comedy album in Black & Blackerer.

MP3: David Cross – “I Can’t Get Beer In Me”

Thursday, June 17th, 2010

Flashlight Tag

NXNE 2010 preview and recommendations

Photo By Death Trap PhotographyDeath Trap PhotographyIf it’s mid-June and my lanyard collection has grown by one, it can only mean one thing – NXNE is again upon us. And that means this is yet another weekend I won’t get to indulge my fondest fantasy – to sit around and do nothing – and that it’s time for another dog’s breakfast of a festival preview post. It’s a little bit of my own schedule, a bit of what my schedule might be if not for what my schedule actually is, a bit of what’s piqued my curiosity and a bit of what I know will be worth seeing. Some of the more obvious big names are omitted – I am assuming everyone’s aware of the super-stacked, old school punk free shows at the Yonge-Dundas Square – so hopefully there’ll be something that people attending the festival might feel compelled to check out and people who aren’t going to be at the festival might also investigate.

Note that I didn’t include Wednesday or Sunday, which despite now feeling more like proper days of the festival rather than prologue and epilogue, still don’t offer enough choice to require choosing. If you’re going out either of those days, you know where you’re going. And previewing Wednesday on Thursday would just be silly. So for the next three nights, here’s some thoughts.

Thursday, June 17 2010

Old World Vulture (Rancho Relaxo @ 8PM) – I recommended seeing these rising local purveyors of surging instrumental post-rock back during Canadian Musicfest, and having heard their just-released self-titled debut EP, that endorsement goes double.
MP3: Old World Vulture – “Benny”

Free Energy (The Horseshoe @ 10PM) – A lot of the talking points around these Philly boys concern the fact that their debut Stuck On Nothing was produced by LCD Soundsystem’s James Murphy, but what really matters is that it’s ’70s-styled arena-sized power pop with hooks to spare. They also play earlier in the evening at Yonge-Dundas Square at 6PM. The Line Of Best Fit has an interview and NPR is streaming a live show.
MP3: Free Energy – “Hope Child”

Zeus (The Rivoli @ 10PM) – also all about the vintage-tint power pop, these local boys have steadily grown their following and their debut Say Us has them playing much larger rooms than the Rivoli – this could be your last chance to see them in such cozy environs.
MP3: Zeus – “Marching Through Your Head”

Olenka & The Autumn Lovers (The Gladstone @ 10PM) – one of the acts I most sad to be missing, this London Ontario, Balkan-inflected folk-pop band thoroughly impressed when I saw them in November. I take solace in the fact that with their new album recorded, that more shows will be coming in the near future.
MP3: Olenka & The Autumn Lovers – “Eggshells”

CALLmeKAT (NOW Lounge @ 11PM) – Spare and delicate electro-pop from Denmark courtesy of Katerine Ottoson, whom you can apparently just call Kat. Check out her NPR Tiny Desk Concert and video session for CALLmeKAT as well as this interview at Interview. She also plays Czehoski on Friday at 11PM.
MP3: CALLmeKAT – “Flower In The Night”

Warpaint (The Horseshoe @ 11PM) – one of my must-sees for the fest, I saw this LA quartet at SxSW and was intrigued, but quality time with the hypnotic dream-pop of their debut EP Exquisite Corpse has sealed the deal. Their debut full-length is due in the Fall.
MP3: Warpaint – “Elephants”

Sleepy Vikings (The Boat @ 12AM) – proof that randomly clicking on NXNE MySpace links can be fruitful (though it’s still mostly frustrating). This band, who is trekking up here all the way from Tampa, Florida, seems to be made up of all kind of stuff I like – jangly guitars that sometimes get noisy, sweet vocals and hooks a-plenty. Plus they’re playing when I had nothing else pencilled in – if that’s not fate, I don’t know what is.
MP3: Sleepy Vikings – “Calm”

Anaïs Mitchell (Czehoski @ 1AM) – Her latest album Hadestown is a folk-opera that translates the story of Orpheus and Eurydice to a modern setting and it’s actually kind of great. Very curious to see how she’ll render it live, though I’m not expecting Justin Vernon to show up to reprise his parts.
MP3: Anais Mitchell – “Flowers (Eurydice’s Song)”

Friday, June 18 2010

Christopher Smith (Bread & Circus @ 8PM) – His name might be eminently forgettable but his pure, clear voice and wistful songwriting make a lasting impression. His debut album The Beckon Call came out in May.
MP3: Christopher Smith – “Gently, Gently”

Neutral Uke Hotel (The Painted Lady @ 9PM) – Pretty much what the name implies – the songs of Neutral Milk Hotel re-interpreted on ukulele. I suspect it’s actually better than/less gimmicky than it sounds, not least of all because Shawn Fogel, who is behind this project, is also behind Golden Bloom and they’re great.
MP3: Neutral Uke Hotel – “King Of Carrot Flowers Pt 1”

The Happy Hollows (Lee’s Palace @ 10PM) – Slightly off-kilter but always smiling indie rock from Los Angeles. It sounds like the kind of loudness and brashness I’d need to make it through the night. Their debut Spells was released back in January.
MP3: The Happy Hollows – “Faces”

Best Coast (The Garrison @ 11PM) – One of the buzz bands of the fest, they’ve got the garage-sounding hook-heavy pop sounds of Summer that the kids like and will release their debut album Crazy For You on July 27. In addition to this show, they’re playing the Great Hall on Thursday night at 11PM and Wrongbar on Saturday at 2AM and if that’s not enough, their just-announced Fall tour brings them back to town for a September 25 show at Lee’s Palace.
MP3: Best Coast – “When I’m With You”

Rah Rah (Bread & Circus @ 12AM) – This Saskatchewan collective released their new record Breaking Hearts a couple weeks ago, and while the big boisterous band thing is getting a bit played out, it’s hard not to dig it when it’s done this well. They’ll also plan an in-store at Sunrise Records on Saturday at 5PM and at the El Mocambo on Sunday night.
Video: Rah Rah – “My Guarantee”

Rich Aucoin (The El Mocambo @ 12AM) – Rumour has it this Haligonian popsmith’s show here at the end of January made the blind able to see technicolours and the lame able to dance. Excessively high expectations? Maybe, but that’s what big pop ambitions like Aucoin’s will get you.
MP3: Rich Aucoin – “10,342 Cuts For The US”

Evening Hymns (The Dakota Tavern @ 12AM) – Spirit Guides was one of my favourites of 2009 and while I haven’t revisited it lately, the wooden-walled environs of the Dakota would be the perfect place to get reacquainted. NOW has an interview.
MP3: Evening Hymns – “Broken Rifle”

PS I Love You (Lee’s Palace @ 1AM) – I meant to catch this Kingston duo at Canadian Musicfest in March, but didn’t, and with their self-titled debut EP ready to drop on July 13 I better take them in before they blow up because what they do is exactly what the kids like. At the moment, at least. NOW has a feature piece.
MP3: PS I Love You – “Facelove”

Gramercy Riffs (Bread & Circus @ 1AM) – Polished and punchy co-ed jangle-pop from Newfoundland – nothing especially groundbreaking but tuneful in a way that will always be welcome. They also play an acoustic set in Trinity-Bellwoods earlier in the day – exact time to be determined. Ask around.
MP3: Gramercy Riffs – “Call Me”

Murder Ford Monument (The Silver Dollar @ 3AM) – These Montrealers still sound a bit rough around the edges and wet behind the ears, but they’ve got the right combination of moodiness and drama to make the right impression. A shame that their late-night evocativeness has been taken too literally as far as their set time goes… maybe next time.

Saturday, June 19 2010

Valleys (The Drake Underground @ 8PM) – Atmospheric yet jagged folk-pop from Montreal that wanders into the dark parts of the woods that you were told never to go into – I’m going to miss this set but they’re already on my “see them the next time they’re here” list. Their debut album is Sometimes Water Kills People.
MP3: Valleys – “Silent Woods”

Savoir Adore (Sneaky Dee’s @ 10PM) – Despite the rustic overtones of the title of their debut In The Wooded Forest, this Brooklyn co-ed duo’s synth-pop feels entirely made for the city; specifically going out and dancing.
MP3: Savoir Adore – “Bodies”

The Grates (Wrongbar @ 10PM) – This Aussie power pop trio led by the hyperactive Patience Hodgson are as close to a sure thing for a good time as you’re going to find anywhere. When I saw them at SxSW 2009 they had a rhythmic gymnastics demonstration in the middle of their set. For example.
MP3: The Grates – “Burn Bridges”

The Hoof & The Heel (The Drake Underground @ 10PM) – This Montreal pop outfit’s name is familiar enough that I’m sure someone has told me that I need to hear them at some point in the not-too distant past. And now that I have, well that list that I added Valleys to a few entries above? It just got one longer. Something tells me I’m going to regret not being at this showcase.
Video: The Hoof & The Heel – “Fireworks”

Golden Bloom (Czehoski @ 11PM) – Shawn Fogel of Neutral Uke Hotel’s main gig is splendid power pop reminiscent of golden age, Bennett-powered Wilco. I got to their last album Fan The Flames too late to see them at NXNE last year. Hope to not repeat that mistake this year.
MP3: Golden Bloom – “Doomsday Devices”

Jane Vain (The Drake Underground @ 11PM) – Apparenyly Jamie Fooks has dropped “The Dark Matter” from her band name, but as long as she’s still making smoke-filled pop noir, then it doesn’t really matter what she calls herself. As long as she puts out a new record soon.
MP3: Jane Vain & The Dark Matter – “C’mon Baby Say Bang Bang”

The Craft Economy (Neutral Lounge @ 11PM) – It’s been a few years since I saw The Craft Economy but there’s no reason to think they’re not still keeping the flame of fun and dancey New Wave synth-pop burning bright. All their recordings are available for free via torrent on their website.
Video: The Craft Economy – “The Crash, The Wagons, The Dying Horses”

Avi Buffalo (Lee’s Palace @ 12AM) – The absurdly young and absurdly talented crew from Southern California will give Toronto plenty of chances to discover them and their self-titled debut, which is definitely worth discovering. In addition to this full-band gig, songwriter Avigdor Zahner-Isenberg will play a solo set at the Great Hall on Friday at 9PM and they’ll be back on August 3 supporting Blitzen Trapper at the Opera House.
MP3: Avi Buffalo – “Remember Last Time”

The Gin Riots (The El Mocambo @ 1AM) – And since it wouldn’t be a music festival for me without at least a little Brit-rock in the equation, these Londoners owe more than a little to The Libertines and Arctic Monkeys, but when you’re coming from this school it’s less about originality and more about attitude and these guys have enough of that to be worth a look.
MP3: The Gin Riots – “In The Bedroom”

Some other NXNE lists and guides are available from JAM, who have a list of acts to see, Chart has list of strange acts and another of best bets, Paste tries to make their American readers wish they were in Canada, Spinner, who itemize other things to do in Toronto beyond live music and NOW a general guide to how to do the festival. Spinner also talks to festival organizers about the event’s 16-year history.

Zunior is offering a free downloadable sampler of the artists playing the NXEW showcase at the Gladstone tonight.

And while I deliberately left out most of the acts playing Yonge-Dundas Square this weekend, they’re obviously getting a lot of the media attention. Case(s) in point: Spinner, CTV and NOW catch up with John Doe and Exene Cervenka of X, whose Thursday night show at Yonge-Dundas Square will mark the LA punk legends’ first show in Toronto in some 20 years.

NOW talks to Jay Ferguson of Sloan, who are headlining the Friday night programme at Yonge-Dundas Square.

The National Post and NOW Q&A The Raveonettes, who are the penultimate act at Yonge-Dundas on Saturday.

Hellbound talks to the legendary Mike Watt about handling bass duties in the even more legendary Iggy & The Stooges, who are headlining Yonge-Dundas Square on Saturday night, while NOW scores an interview with Iggy himself.

The Phenomenal Handclap Band, who are playing Yonge-Dundas on Sunday at 7PM, will play an in-store at Criminal Records that afternoon at 4PM.

And oh my god that took much longer to write up than I was expecting. And now I’m pretty much too tired to do any of the festival.