MySpaceIt’s not the firm, 100% release date that you’d want to see before getting excited, but this update from The Radio Dept. declaring that their third record Clinging To A Scheme – constantly rescheduled and delayed since September 2008 – will be available on CD and LP via Labrador in March is the most official thing we’ve seen yet.

Past target dates have come from their label and they’ve had to backpedal on each one, but this one comes from the band, and they’ve sealed it with a stream of a new song, album art and even a tracklisting! It seems the 2008 single “Freddie & The Trojan Horse” didn’t end up making the cut but their entire 2009 output – “David” – did. Either way, I’m allowing myself to hope this time the record will finally become reality and it somehow is worth the almost four-year wait since Pet Grief and year and a half delay from its originally-promised date. And I won’t hold my breath for live dates.

Update: Aaaaand they manage to push it back yet again. But the official new release date is April 20 in North America, April 21 in Europe. EXCITED.

MP3: The Radio Dept. – “David”

And keeping on the theme of reclusive Swedes finally getting into sharing, jj have let slip not only some images of themselves, but a couple new songs via a free digital single – one of which will also appear on their forthcoming album No. 3, out March 9. They’ll be at the Phoenix on April 4, on stage for all to see. Unless they turn off the lights. Which they probably will.

MP3: jj – “Let Go”
MP3: jj – “My Way”

The Line Of Best Fit interviews Philip Ekstrom of The Mary Onettes.

The Raveonettes have made a video for the cryptically-titled new single from In And Out Of Control, “Boys Who Rape (Should All Be Destroyed)”. I think there might be a message here; I’m not sure.

Video: The Raveonettes – “Boys Who Rape (Should All Be Destroyed)”

The Varsity chats with Lee Ranaldo of Sonic Youth.

NOW has words with J Mascis of Dinosaur Jr. They’ve got an in-store at Sonic Boom tonight at 6:30 – be there early with an item of canned food for admission – and a sold-out show at the Phoenix afterward. eye also has an interview with Lou Barlow in the context of solo artist and opener for himself tonight.

Paste talks to Ted Leo, who is preparing his next record with The Pharmacists in The Brutalist Bricks, due out March 9.

Scout Niblett has set a March 17 date at the Horseshoe as part of a Spring tour in support of her new record The Calcination of Scout Niblett, out next week. Tickets for the show are $11.50 in advance.

MP3: Scout Niblett – “The Calcination Of Scout Niblett”

Last week I mentioned the release next week of El May, the debut album from Lara Meyerratken – well an MP3 from the album is now available to grab.

MP3: El May – “Don’t You”

Matablog has announced the next New Pornographers record will be entitled Together and be out May 4. And yes, both Dan and Neko are on board again.

Canadian Press gets some information from Amy Millan about the new Broken Social Scene record, including the fact that all of she, Emily Haines and Leslie Feist are appearing on the album and one track will feature all three singing together. It was reported that the album would be out in May, in time for their big Spinner Canada is streaming Basia Bulat’s new album Heart Of My Own – it’s in stores next Tuesday.

Stream: Basia Bulat / Heart Of My Own

The Hidden Cameras have rolled out a new video from Origin: Orphan.

Video: The Hidden Cameras – “Underage”

Via MySpace blog, Oh No Forest Fires have offered more explanation for their decision to disband, revealed that their doubling their recorded legacy with a second (mini) album that will be made available for free when it’s ready, offered a first track from said album to download (below), and announced that this Saturday’s final show at the Horseshoe will also be a benefit fundraiser for Haiti, with all proceeds from the $7 cover going to Partners In Health to assist the disaster-ridden country.

MP3: Oh No Forest Fires – “Spontaneous Changes In Isolated Systems (Song For Bobby)”

SubPop is giving away a big-ass MP3 mix of their Winter 2010 releases. Go get.

Frank YangIt struck me about mid-way through Basia Bulat’s concert at Trinity-St. Paul’s on Saturday night that though it was an album release show for her eagerly-anticipated new album in Heart Of My Own, the album wasn’t going to be released for another couple of weeks yet – January 26, to be exact – and as such, many/most of the just under 800 people in the sell-out crowd had never heard the new songs. An obvious point, certainly, but one that I had overlooked since I’d been secretly nursing a copy of the record since early last Fall and so the new songs were almost as familiar to my ears as those from her 2007 debut, Oh, My Darling.

And that’s why it was even more remarkable that, contrary to typical concert etiquette which dictates that you sit politely through the new material while waiting for the familiar gems, people were responding to the Heart material almost as enthusiastically as they did the selections from Darling. I’m sure this was as much pent-up enthusiasm for Bulat’s return to her hometown stages, what with her having only played one show in the past year and a half, but also a testament to the quality and immediacy of the new material – it’s worth noting that the folks I was with, at least, were quite genuinely excited about several of the new songs, and continued talking about them after the show was done.

Of course, the delivery of the songs surely had something to do with the impression they made. Trinity-St. Paul’s may well be second only to Massey Hall as far as perfect musical venues in Toronto go, and you couldn’t have asked for a better setting to get re-acquainted with Bulat. She certainly couldn’t, mentioning several times through the night how excited she was to be performing in the space. Fronting a 6-piece band that had a couple of new faces since the last time I saw them, Bulat’s set featured much of the big, harmony-laden orchestral folk-pop that I’d missed the past year and a half, but also a few surprises.

Early on, she took to a grand piano set off to the side of the stage and almost completely out of sight, played “Run” from the new record and “Snakes And Ladders” from Darling, neither of which I’d ever heard on piano. I didn’t even know she could play piano. Similarly, “If Only You”, a jaunty, horn-inflected full-band number on the record, was performed solo with no loss of energy. The performance wasn’t without its stumbles; apparently an autoharp broke on the second song of the evening, a song had to be stopped and re-started because Bulat’s guitar was capo-ed into the wrong key and there were a couple of missed cues. But these minor missteps were handled with such grace and humour that it really became a case of the imperfections that helped make an evening perfect.

As far as show-stoppers went, there were two – the solemn, hammered harp-led “The Shore” was as much a highlight live as on the album, and at the end of the encore which again found Bulat alone onstage, clapping and stomping her feet as she sang the folk standard “Death Come Creeping” unamplified into the church for a stirring finale. I usually find that standing ovations are given out a little too freely at seated shows – they seem almost mandatory – but this one was justly and wholly deserved.

Opening up for the night was Montreal’s The Luyas, whom I’d seen last February and seemed at the time to be a work in progress, trying to find a balance between pop and experimentalism. Well it seems they’ve spent the last year entrenching themselves in that place between styles and their set was an interesting, and sometimes odd, demonstration of trying to make it work. On the plus side, the band – now expanded to a five-piece with violin and keys augmenting the french horn, guitar and drums – sounded quite polished, in an orchestral/post-rock sort of way. On the downside, the musical sophistication made the wavery, childlike vocals of frontwoman Jessie Stein seem much rougher than they were probably intended. Net result? Ambivalence, but not nearly enough to keep the night as a whole from being pure gold.

Narratives and BlogTO also have reviews of the show and Metro and Chart interviews. Also just announced was Bulat’s next show – a free in-store at Soundscapes on February 16 at 7PM. It goes without saying that you should be there and and be there early.

Photos: Basia Bulat, The Luyas @ Trinity-St. Paul’s – January 16, 2010
MP3: Basia Bulat – “Go On”
MP3: Basia Bulat – “Gold Rush”
MP3: Basia Bulat – “In The Night”
MP3: Basia Bulat – “Snakes & Ladders”
Video: Basia Bulat – “In The Night”
MySpace: Basia Bulat

The National Post, Dose, Kelowna.com and The Indie Files have interviews with Mark Hamilton of Woodpigeon. They have a show at the Drake Underground on February 11 and an in-store at Soundscapes on February 14 at 5PM.

The Guardian, Spinner, Clash and Chart have features on Owen Pallett, who offers a track-by-track walkthrough of Heartland to Drowned In Sound. He has a show at the Queen Elizabeth Theatre on April 8 with a pretty excellent guest if rumours are to be believed.

What We See Is What You Get has an on-location video session with The Wilderness Of Manitoba, who are at the Garrison this Thursday evening.

Chart has details on a forthcoming covers compilation that brings together artists like Stars, Dean & Britta and Tanya Donelly to reinterpret songs that are, well, quiet. Kind of a dubious theme but if it offers the opportunity to hear Neil Halstead do Kate Bush’s “Cloudbusting”, I’ll take it. Sing Me To Sleep is due out May 18.

And speaking of Neil Halstead, he quietly released a new video from 2008’s Oh! Mighty Engine late last year.

Video: Neil Halstead – “Witless Or Wise”

Also with a new video is Laura Marling, whose I Speak Because I Can is out March 22 and who plays Lee’s Palace on February 9. For Folk’s Sake has a bit of information on album number two and reveals that album number three is also planned for release this year, targeted for September 2010.

Video: Laura Marling – “Devil’s Spoke”

I mentioned last week how it seemed that Tuesday posts should be set aside for just concert announcements – well there wasn’t nearly the volume of news this week as last, but what there was was quality.

Like the fact that before their sold-out show at the Phoenix on Thursday night, Dinosaur Jr would be playing an in-store at Sonic Boom at 6:30PM. Did I say “.”? I meant, “!!!!!!!”. Dinosaur Jr. In-store. Sonic Boom. January 21. 6:30. Yes. Queen’s Journal has a chat with drummer Murph.

And to follow up last Thursday’s post, Ms Joanna Newsom will indeed be driving through the city, but also pulling off the highway and stopping in for a show at the Phoenix on March 13. Tickets are $22.50 and go on sale Thursday, and though it doesn’t appear to be a Canadian Musicfest-affiliated show, it’s also not in conflict as it’s an early gig – doors at 6, show at 6:30. Her new album Have One On Me is out February 23. Clash has an interview with Newsom about the new record.

And it’s a good thing that Newsom’s show isn’t overlapping the CMF stuff because The Brother Kite announced last week that they’d be playing the festival on Saturday, and I didn’t want to have to choose one or the other. Their new album Isolation is done and awaiting release – Popdose had them in for a living room interview and session last year. Even in such a casual setting, it’s absurd how good they sound.

I’d also mentioned that the April 1Black Rebel Motorcycle Club show had been moved from The Phoenix to the Sound Academy – well it’s now moved back to the Phoenix. To handle the additional demand, a second show has been added a week and a half later on April 11, also at The Phoenix. Their new record Beat The Devil’s Tattoo is out March 29.

The Brian Jonestown Massacre have set a February 23 release date for their new record Who Killed Sgt. Pepper? and will be at The Phoenix on June 2 to support.

Norman WongAfter being out of sight for what seemed like the longest time following the 2004 release of Darby & Joan, Toronto’s Reg Vermue, aka Gentleman Reg, has been nigh-inescapable since the release of fourth album Jet Black just under a year ago. He’s played many shows big and small, toured North America with The Hidden Cameras and late last year, released a new digital EP in Heavy Head. And now, following his set opening up for Tegan & Sara at the Kool Haus next Wednesday, he will set up shop at the Drake Underground for every Wednesday in February, warming Torontonians with his winsome guitar pop and inviting a different pair of choice openers to accompany him each week.

The residency starts on February 3 with the twee power of Hooded Fang and the orchestral goodness of Kite Hill, the 10th will feature local veterans of the scene By Divine Right and rising stars The Balconies, the following week welcomes the self-explanatory stylings of Dance Yourself To Death and all-girl Weezer cover band Sheezer and the final show on the 24th will be with Evening Hymns and another “very special” act to be announced – whether that means they’ve got someone exceptional lined up and are keeping the news back or they’re still looking but are confident they’ll be great is not clear, but whoever they end up being, they’re in good company.

Tickets for each show are $10.00 at Rotate This and Soundscapes or $12.50 online, though online purchases come with a free download of Heavy Head. Win-win, either way.

Reg gave The Toronto Star a list of his favourite albums of 2009.

MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Gentleman Reg – “How We Exit”
MP3: Gentleman Reg – “Plan On Including Me”
Video: Gentleman Reg – “How We Exit”
Video: Gentleman Reg – “Rewind”
Video: Gentleman Reg – “We’re In A Thunderstorm”
MySpace: Gentleman Reg

One-quarter of the aforementioned Sheezer, Laura Barrett, revealed some impressive news via her Twitter yesterday, and that was that she would be opening up for The Magnetic Fields on their upcoming North American tour, presumably including their February 8 date at the Queen Elizabeth Theatre in support of Realism, out January 26, assuming it doesn’t constitute a conflict with her February 12 appearance at Wavelength 500. This is tremendously exciting and I can’t help but think back seven or eight years ago when Laura and I were in a band together, briefly, and recorded a Magnetic Fields cover, linked below. That’s me on guitar, her on backing vox and keys. Ah, memories. Back in the now, Laura’s also got a new video from her full-length debut Victory Garden.

MP3: Laura Barrett – “Decepticon Island Optimists Club”
MP3: Lake Holiday – “Born On A Train”
Video: Laura Barrett – “The Wood Between Worlds”

Dead Sexy has a feature piece on The Balconies.

Jason Collett, Zeus and Bahamas are teaming up for what they’re calling the Bonfire Ball Tour and trekking across Canada starting on March 10 at Lee’s Palace as part of Canadian Musicfest. Collett releases his new one Rat A Tat Tat on March 9 and Zeus’ debut Say Us is out February 23.

Exclaim and altsounds talk to Woodhands, whose second album Remorsecapade is out January 26 and who will also be appearing at Canadian Musicfest with a show at the Opera House on March 11.

MP3: Woodhands – “Pockets”
Video: Woodhands – “CP24”

LAist talks to The Rural Alberta Advantage’s Nils Edenloff. Their new 7″ for “Drain The Blood” b-sided by their cover of “Eye of The Tiger” is out now, and they’re also listed as playing Canadian Musicfest.

Montreal’s Plants & Animals are readying their second album La La Land for an April 20 release and they’re going to be at Lee’s Palace on March 11 for – wait for it – Canadian Musicfest. Man, that’s turning out to be like some kind of festival chock full of Canadian music or something.

MP3: Plants & Animals – “Tom Cruz”

Not playing Canadian Musicfest but arguably the hottest thing in Canadian music right now is Owen Pallett, who this week released the “Best New Music”-ed Heartland and played a sold-out show at the Mod Club to rapturous reviews – expect more of the same when he plays the Queen Elizabeth Theatre on April 8. There were feature pieces on Pallett in Metro, Interview, The National Post, Paste, The Toronto Star, San Francisco Chronicle, two pieces at Spinner, a three-parter at Radio Free Canuckistan and a video piece at Aux.tv. Yeah, Pallett is everywhere – it doesn’t seem losing the “Final Fantasy” moniker has hurt his profile any. And for the curious, the whole of Heartland is streaming on his MySpace right now.

Stream: Owen Pallett / Heartland

Slightly less with the media saturation but still the object of much talk is Basia Bulat, who plays Trinity-St. Paul’s tomorrow night in advance of the January 26 release of Heart Of My Own. Read interviews with her at eye, JAM, dose, NOW, Chart and The Toronto Star. And congratulations to Diana for winning the passes to tomorrow’s show.

Another notable release this week was Woodpigeon’s latest effort Die Stadt Muzikanten – singer/songwriter Mark Hamilton talked about the record with The Georgia Straight and Chart, and in addition to their February 11 show at the Drake Underground, they will also be doing an in-store at Soundscapes on February 14 at 5PM. Make Woodpigeon YOUR Valentine. Yeah, I went there.

Forest City Lovers have released a video for the b-side from their recent “Phodilus and Tyto” 7″. They’re currently in the studio working on album number three and will be playing the Out Of This Spark 3rd anniversary show at The Garrison on January 22.

Video: Forest City Lovers – “If I Were A Tree”

And finally official is the Thursh Hermit reunion tour, which to the dismay of half the country, will only travel as far westwards as southern Ontario. The Toronto dates are, as previously reported, March 26 and 27 at Lee’s Palace with tickets on sale for $17.50 at the usual outlets or online at Maple Music for $44.50 but including an official reunion t-shirt. Is that worth it? Completely up to you.

Paul O’ValleBefore the passing of Jay Reatard on Wednesday – condolences to his friends, family and fans – the topic du jour in the indie nation was what was up with Joanna Newsom. Everyone’s favourite harpist hadn’t released any new music since 2007’s Joanna Newsom & The Ys Street Band EP, itself a chaser for the epic Ys, and while anyone is entitled to a break after putting something like that together, fans were certainly getting anxious for some new material, or even news of new material.

Which finally came this week, first in the form of a cryptic comic strip at her North American label Drag City and then as a confirmation from her Australian handlers at Spunk Records which has since been removed, but too late – the word was out that Newsom’s third album will be entitled Have One On Me and be released on February 23 in North America.

And that timing makes sense, considering the previously-announced tour dates that will take her around North America in March. And while I had previously suggested that the days off between her Grand Rapids date on the 12th and Montreal’s on the 15th were enough that a Toronto show would be a virtual certainty, that window of opportunity has since gotten smaller with the addition of a second Montreal date on the 14th. Which essentially means that if there is going to be a local date for Ms Newsom, it’s going to have to be on March 13 – which happens to be the final day of Canadian Musicfest. So one theory is that the announcement of the show is being held back to coincide with a festival press release. Another is the show is happening independently of the festival and the announcement is just being delayed for one reason or another. Or it’s possible that she’s skipping us entirely and any Torontonians hoping to get a glimpse of her first visit to the 416 since October 2006 will have to do so from a 401 overpass, assuming she travels by car and not on the back of a flying unicorn.

I’ll obviously keep you posted if anything further emerges about either the album or tour. Until then, enjoy the one available piece of official media available online – a video from her 2004 debut The Milk-Eyed Mender.

Video: Joanna Newsom – “The Sprout & The Bean”

Dirty Projectors are giving away both sides of a new 7″ as free MP3 downloads from their website right now.

Muzzle Of Bees asks five questions of Sharon Van Etten, in town on February 6 at Trinity-St. Paul’s opening up for Great Lake Swimmers.

Black Cab Sessions has a session in a cab with Alela Diane, circa SxSW 2009.

Department For Sound interviews Dean & Britta on the occasion of their playing the WOMAD festival in Australia in March.

The Dumbing Of America talks to Lauren Larson of Ume while declaring them, “your new favourite band”.

Check out the first MP3 from The Morning Benders’ new album Big Echo, due out March 9. They play the Drake Underground on April 14. The Fader has an interview.

MP3: The Morning Benders – “Promises”

Magnet solicits an interview from Centro-Matic’s Will Johnson, who is playing guest editor on their site this week.

ABC News has a video interview with Richard Balayut and Fontaine Toups of Versus, who are back together and working on a new record.

Pitchfork reports that Okkervil River’s next recorded appearance will be as psych-rock legend Roky Erickson’s band on his new record True Love Cast Out All Evil,, out April 20.

Stereogum has the first taste of Miles Kurosky’s solo debut The Desert Of Shallow Effects, out March 9. There’s also some tour dates set, though nothing up this way. Hope that’s rectified soon – as I recall, Beulah’s final show here at Lee’s Palace in October 2003 was epic.

Soundproof talks to Dinosaur Jr drummer Murph as the trio finally makes it to Toronto, with a date at the Phoenix next Thursday night, January 21.

Baeble Music has a full concert video from Thao with The Get Down Stay Down at the First Unitarian Church in Philadelphia.

Luxury Wafers has a video and downloadable session and aux.tv an interview with The Dutchess & The Duke.

Record Store Day (which is April 17 this year write it down) has an interview with Britt Daniel of Spoon. Transference is out on Tuesday and they play the Sound Academy on March 29.

Vivian Girls have set a North American tour this Spring in support of last year’s Everything Goes Wrong. The Toronto date is at Wrongbar on March 10, tickets $14.

Video: Vivian Girls – “When I’m Gone”

Dr. Dog’s new record Shame, Shame is out April 6 and they will kick off their North American tour at Lee’s Palace on April 14.

Black Rebel Motorcycle Club’s April 1 show at the Phoenix has been moved from the Phoenix to the Sound Academy.

Dose reports that the Blur documentary No Distance Left To Run will be getting a one-day engagement across Canada next Thursday, January 21. The Toronto showing will be at 7PM at the Scotiabank Theatre – advance tickets go on sale Friday. Since the reunion is apparently done for the foreseeable future, this is as close to Blur in 2010 as we’re going to get. I’ll have to wait for the DVD, though, since that evening is reserved for another reunion – Dinosaur Jr.

Trailer: Blur: No Distance Left To Run

MySpaceWhen I was planning my trip to London back in the Spring of 2008, I was determined to NOT make it a concert-going vacation, Richard Hawley at the Royal Albert aside. But I did pencil in what looked like an interesting little gig at a Notting Hill matinee show presented by Drowned In Sound that I figured would be an opportunity to see some little British acts who’d probably never make it over to this side of the Atlantic. As it turns out, Sky Larkin made it to America sooner than expected, canceling their appearance at the show in order to record their debut The Golden Spike and they’ve returned to tour a times and the second-billed band on the bill, Let’s Wrestle, has just signed with Merge Records to release their debut album In the Court of the Wrestling Let’s over here come March 23.

I grabbed a digital copy of the record when it was released in the UK last Summer as well as its preceding EP In Loving Memory Of… and to say it’s a bit rough around the edges is an understatement, but it’s also deliberate. Musically and lyrically, the trio seek to cultivate an image of youthful insolence and indolence, favouring off-kilter and somewhat soused vocals with buzzsaw guitars to get their clever and sardonic pop culture-referencing points about matters of cosmic import like girls and wrestling across. The snotty punk delivery can’t hide their wicked pop sensibilities, though, nor their musical chops – they may not make a show of it, but they can play – the instrumental title track of the album is proof positive of that.

I’m glad to see that the band is making a stab at North America and that they’ve got good folks like Merge behind them – hopefully there’ll be some touring and I can feel better about ultimately skipping that Notting Hill show completely.

MP3: Let’s Wrestle – “We Are The Men You’ll Grow To Love Soon”
Video: Let’s Wrestle – “I Won’t Lie To You”
Video: Let’s Wrestle – “We Are The Men You’ll Grow To Love Soon”
Video: Let’s Wrestle – “I’m In Fighting Mode”

Paste checks in with Kate Nash, whose second album will be out in Spring of this year.

Little Boots’ Hands will finally get a domestic North American release on March 2.

NME interviews Florence Welch of Florence & The Machine.

BBC6 gets some details on the direction La Roux’s second album.

Cribs bassist and singer Ryan Jarman tells Spinner he’s of the opinion it’s too easy to make music these days. He longs for the old days when you had to go to the trouble of recruiting your siblings and a musical legend to get things done. The Cribs are at the Phoenix this Friday night, January 15.

Tom Smith of Editors talks to Spinner about the surplus of material that came out of the In This Light And On This Evening sessions, five of which will be added to the North American edition of the record when it’s released next Tuesday. They play the Phoenix on February 16.

Pitchfork solicits a list of current obsessions from The xx, who are at the Phoenix on April 4 and the Kool Haus on April 20.

NME reports that Noah And The Whale have recovered all the gear that was stolen from them way back in September.

Lightspeed Champion paid tribute to Elvis Presley’s 75th birthday last week with a cover video – check it out. His next album Life is Sweet! Nice To Meet You is out February 16.

Video: Lightspeed Champion – “Devil In Disguise”

Thanks to A Good Day For Airplay for pointing me to this online issue of Nightshift, music magazine from Oxford, England, which features an interview with all four members of Ride on the occasion of their debut, self-titled EP’s 20th anniversary. And yes, the reunion question is asked and no, it’s not happening. But it’s not dismissed either. So… there. Oh, and that link’s a PDF so forewarned.

The Guardian talks to Danny O’Connor, director of Upside Down – a documentary about the Creation Records story. No release date has been given but a vague Spring target has been mentioned.

Trailer: Upside Down

Pitchfork has premiered the first track from The Ruby Suns’ forthcoming album Fight Softly, due out March 10. They play the Drake Underground on March 30.

MP3: Ruby Suns – “Cranberry”

Ms Lara Meyerratken, aka El May, aka Australian ex-pat in America, aka touring keyboardist for Dean & Britta and Luna and vocal foil for Eric Bachmann on Crooked Fingers’ masterful Dignity & Shame, has completed her first solo record – also entitled El May – and will release it next Tuesday. Physical copies are limited to 500 so if you like the tangible media, pre-order one now.