Lucky SoulHere’s a little bit of trivia for you. Of the 66 artists who’ve either placed in my year-end lists since I began recording them in 2003 or made my “favourite records of the past seven years” list, 18 of them have or are about to release new records this year, eight more were due to put one out this year, eight have put out solo records or collaborations and five more are currently in the studio. Which is to say that if past history is any indicator, 2010 is going to be an exceptional year for music.

While it’s presumptuous to assume that many or even any of those acts will be making repeat appearances on any list of this year’s favourites, one follow-up that’s pretty much a shoo-in is A Coming Of Age, the sophomore effort from London’s Lucky Soul. Their 2007 debut The Great Unwanted was and remains one of my favourite releases of this century, a pretty much perfect collection of classically-styled, throwback pop built on Andrew Laidlaw’s songwriting and Ali Howard’s sun-kissed vocals. So while I was clearly going to be favourably inclined towards the follow-up, it also had some huge footsteps to follow in – footsteps which it uses not so much as a starting line but a launching pad.

It was already clear from the new material previewed when I went to see Lucky Soul make their live US debut in October 2008 that the band had ambitions beyond the northern soul/girl-group vibe that they had pretty much perfected their first time out, but I was still more than surprised by the range of influences that come into play on A Coming Of Age. There are the disco inflections of the irresistible leadoff track, “Whoa Billy!”, the ’80s indie jangle of “White Russian Doll”, the classic Motown stylings of “Love 3”, the light country twang of “Upon Hilly Fields”… and that’s just the first third of the record. Of course, such ranginess wouldn’t be something to laud if they weren’t able to pull it all off but they certainly do, all without losing any of their own distinct personality – quite the opposite, in fact.

The more they push outwards from what The Great Unwanted defined Lucky Soul as, the more they prove they’re so much more than what that implied. It certainly reinforces their ability to craft a pop hook for the ages, and addition to the greater blend of styles, the material also covers a greater emotional spectrum. The charming girlishness of Ali Howard’s presence, which so perfectly captured the spirit of their debut, has matured and grown more experienced on the follow-up with Howard’s stronger voice proving up to the task of expressing those emotions. The best examples of what Lucky Soul are capable of now come at what would logically be the final tracks of sides A and B – the title track and “Could It Be I Don’t Belong Anywhere” – both of which ride sweeping string sections to dramatic effect but stay just on the right side of tasteful, evoking grandeur rather than excess. The latter, in particular, deftly runs the gamut from daydreamy wistfulness to swirling tumult so naturally, you don’t even notice the storm clouds gather until they’re upon you and it does it in under three-and-a-half minutes, providing a remarkable finale to a remarkable record from a most remarkable band.

Lucky Soul have just released a new puppet-powered video for “Whoa Billy!” which was written, shot, edited entirely by the band. A Coming Of Age is out next Monday in the UK, with no domestic release at the moment but amazon.ca and amazon.com both have it listed as imports. The Von Pip Musical Express talks to songwriter Andrew Laidlaw, who has also taken to the band’s blog to annotate a song from the new record each day over the next twelve days or so. Touring over here is probably far too much to hope for, but if they manage to make it over here for a date or two again, you can bet your sweet bippy I’ll be there.

MP3: Lucky Soul – “A Coming Of Age”
MP3: Lucky Soul – “Whoa Billy!”
Video: Lucky Soul – “Whoa Billy!”
Video: Lucky Soul – “White Russian Doll”
MySpace: Lucky Soul

The New York Times gets a behind-the-scenes look at the fashion and styling of Florence & The Machine; NPR and Blare also have interviews with Florence Welch.

Spinner talks to Doves about their new best-of collection The Places Between, from which they’ve released a video for the one new song.

Video: Doves – “Andalucia”

There’s also a new Lightspeed Champion clip from Life Is Sweet! Nice To Meet You. NME reports that Dev Hynes recently had a bad time with some medical issues, but is feeling better now.

Video: Lightspeed Champion – “Madame Van Damme”

And also one from Emma Pollock, taken from her second solo record The Law Of Large Numbers.

Video: Emma Pollock – “Red Orange Green”

Metro and Love Shack Baby have interviews with members of Fanfarlo.

The Guardian, Los Angeles Times, The Province and The Vancouver Sun have features on and MPR a streaming radio session with The xx. They’re at the Kool Haus on April 20.

Song By Toad has a lovely session with Mumford & Sons available to download.

A first sample of Been Listening, the second album from Johnny Flynn, is now available to download. The record is out June 7.

MP3: Johnny Flynn – “Kentucky Flynn”

The Quietus has details on The Boxer, the debut solo effort from (former?) Bloc Party frontman Kele Okereke. It’s out June 21.

NME reports that Richard Hawley will release a new digital EP on June 8 entitled False Lights From The Land, featuring “Remorse Code” from last year’s Truelove’s Gutter, one new song and two covers.

Fyfe Dangerfield will be playing a handful of North American dates in support of his solo record Fly Yellow Moon, including a May 23 date at the El Mocambo. Leeds Music Scene and The Linc have interviews with the lead singer of The Guillemots.

MP3: Fyfe Dangerfield – “She Needs Me”
Video: Fyfe Dangerfield – “She Needs Me”

Athlete will bring their new record Black Swan to Lee’s PAlace on June 7 – full North American dates at The Music Slut.

Video: Athlete – “Black Swan Song”

The June 1 release of The Futureheads’ new record The Chaos will be accompanied by a North American tour, including a June 10 date at the Mod Club. There’s a feature piece on the band at News Of The World.

MP3: The Futureheads – “Struck Dumb”

The Guardian reports that Supergrass will be calling it a day this Summer, after 17 years of power-pop.

Video: Supergrass – “Richard III”

If you’ve got 90 minutes to kill, then this episode of BBC6’s The Record Producers on Bernard Butler is well worth a listen – it examines his works from Suede through his solo career to his role today as one of the most in-demand producers in the UK, complete with interviews and exclusive audio samples.

The Sun reports that Blur will release their first new single in seven years this Saturday for Record Store Day in the UK. The head of their label Parlophone tells BBC6 he hopes this is just the start of more new music from the band. Of course he does.

Spinner talks to Bernard Sumner about both Bad Lieutenant and New Order.

Drowned In Sound gets to know Chapterhouse, whose May 1 show at the Horseshoe has unfortunately been cancelled.

Roger Waters will kick off the 30th anniversary tour for Pink Floyd’s The Wall on September 15 at the Air Canada Centre in Toronto. The Toronto Star talks to Waters about the tour, which he says will likely be his last.

Eardrums talks to the makers of a documentary currently being made about legendary Sarah Records label. The Story Of Sarah Records isn’t due out until the end of the year, but a teaser trailer is up now and call for stories and memorabilia about the label open.

Trailer: The Story Of Sarah Records

FacebookThere was welcome and unexpected news in the inbox yesterday morning with the announcement that Sarah Harmer was back. It didn’t seem like she’d been away that long, but now that I think about it, the last time I saw her in any context was at Wolfe Island in 2007 with the reunited Weeping Tile, and it’s been almost five years since the release of her last album I’m A Mountain. So June 22, when her latest effort Oh Little Fire arrives, can’t come soon enough.

Harmer has been a musical constant in my life for what seems like ever, right back to 1995’s Weeping Tile debut Eepee – her voice and songwriting are like the ultimate comfort food or like a warm blanket under a clear, starry Canadian night sky though, to my knowledge, I have never lain in a warm blanket under a clear, starry Canadian night. Advance word has it that this record is more aggressive and direct than the bluegrass-y I’m A Mountain, and the first single “Captive”, streaming on her homepage, certainly seems to bear this out – clearly she’s not forgotten how to plug in and (folk-)rock.

Live dates for the Summer are forthcoming, but she’s already been announced as one of the performers at this year’s Osheaga festival in Montreal, which I suppose should have tipped me off that she had something new in the works. There’s an audio interview with Harmer available over at Canadian Living.

MySpace: Sarah Harmer

Another former Polaris shortlister who’s been out of sight a little while but is planning a big 2010 is Kathleen Edwards. Though not away for as long as Harmer, it has been a while – Edwards’ last record Asking For Flowers came out over two years ago. A recent blog post proves she’s not been idle, though – amongst other things, she’s been working with John Roderick of The Long Winters on a project (detailed by Roderick last December in Paste) and is also gearing up to record album number four. To that end, she’s setting up residence at the Drake Underground in Toronto for three weeks to (sort of) road test the new material; she’ll be there for three nights over three weeks – April 20, April 27 and May 4 – and tickets for the intimate shows are $20 and available for sale at Maple Music.

MP3: Kathleen Edwards – “In State”
MP3: Kathleen Edwards – “Back To Me”

Pitchfork talks to Wolf Parade about their third album, now entitled Expo 86 and out June 29. Here and The Coast also talk to the band, who are at the Phoenix tonight, April 7.

Yours Truly has got a terrific video session with Land Of Talk, recorded last Fall on their US tour. They’re at Lee’s Palace on Thursday night.

Filter Q&As Plants & Animals. Their new record La La Land is out April 20 and they play a free show at the Horseshoe that evening.

Caribou’s new record Swim is now streaming in its entiretly at aux.tv, two weeks in advance of its April 20 release date. Caribou play the Phoenix on May 3.

Stream: Caribou / Swim

Head over to Stereogum to download the first MP3 from Stars’ forthcoming The Five Ghosts, due out June 22. They play The Mod Club on May 5, to which I still have passes to give away. And yes, your odds are pretty bad right now (relative to my usual contests), but someone’s gotta win!

Spinner and Chart chat with Weakerthans guitarist Stephen Carroll. They play the Queen Elizabeth Theatre on May 26.

Aquarium Drunkard catches up with Born Ruffians at SxSW. Their new record Say It is out June 1; they play the Horseshoe on May 28.

Crystal Castles are headlining something called the HARD Summer Tour, and will be causing mayhem at the Kool Haus on August 14. Their second album should be out this Summer.

MP3: Crystal Castles – “Untrust Us”

NME gets on board the Diamond Rings bandwagon, offering up an MP3 of his second single for download.

MP3: Diamond Rings – “Wait And See”

FFWD and JAM get to know Think About Life.

Q-Town talks to Mark Hamilton of Woodpigeon.

The Wilderness Of Manitoba have announced some details of their debut full-length album – it’s entitled When You Left the Fire and should be out this Summer.

The New Yorker puts Neil Young and Jonathan Demme together in a room to discuss the Neil Young Trunk Show live film.

The Line Of Best Fit has posted up their ninth “Oh! Canada” downloadable mix.

Bao NguyenEver since I first saw Fanfarlo during SxSW last year – even before, actually – I’ve been waiting for them to come to Toronto. And though a mid-December date was cancelled due to a stolen passport, it appears all systems are go for their debut this Friday night at Lee’s Palace… so why won’t I be there? Well, blame New Jersey’s Titus Andronicus.

After seeing more than a few glowing reviews of their new album The Monitor, I dug up my copy, popped it in the CD player and proceeded to have my ass kicked for the next 60-plus minutes. The American Civil War themes that run through the record and offer context to the spoken word clips that appear throughout make for good talking points, but what’s really important about The Monitor is that it’s an uncompromising rock record that’s as tuneful and honest as it is intense and aggressive and so booze-soaked, you can almost see the fumes coming out of the speakers. And while on paper, that’s what all rock music should be, in reality it’s quite a rare thing and so when you hear it done right – and The Monitor does it right – it’s an eye-opener.

As far as reference points go, Titus Andronicus beats the music writer to the punch via their own bio, pre-emptively stating, “Blah blah blah Springsteen blah blah blah beer blah blah blah beard blah blah blah Shakespeare yadda yadda yadda Seinfeld blah blah blah Conor Oberst in a vat of acid blah blah blah books”. Clever, but if they were being thorough there’d be a few more “blahs” separating references to The Replacements, Whiskeytown and The Hold Steady and truly, The Monitor finds Titus Andronicus following in their same dense, wordy, angst-ridden, despondent and triumphant footsteps. It sprawls and staggers, it stands up and falls down. And gets back up again.

So what’s this got to do with Fanfarlo and their delightful orchestral pop? Well, Titus Andronicus are going to be at Sneaky Dee’s on Friday night as well, and as much as I enjoy the Londoners and hope they have a great show, I kind of want/need to see Titus Andronicus and, if their live reputation is accurate, get my face torn off. Figuratively speaking.

Titus Andronicus frontman Patrick Stickles tells Spinner how he recruited the likes of Craig Finn and Cassie Ramone (Vivian Girls) to provide the dramatic readings interspersed throughout the album. Pitchfork solicits a guest list from the band and Exclaim, eMusic and The Georgia Straight have interviews.

MP3: Titus Andronicus – “A More Perfect Union”
MP3: Titus Andronicus – “Four Score And Seven” (Part One)
MP3: Titus Andronicus – “Four Score And Seven” (Part Two)
Video: Titus Andronicus – “A More Perfect Union”
MySpace: Titus Andronicus

The Weekender talks to Hold Steady frontman Craig Finn about their new album Heaven Is Whenever, due out May 4.

Philadelphia Daily News, The Patriot Ledger, Victoria Advocate and JAM talk to Patterson Hood of Drive-By Truckers, who are in town this week for two nights at Lee’s Palace – April 6 and 7 – as well as an in-store at Sonic Boom at PM on Wednesday night. NYC Taper has a recording of their recent show in New York available to download.

White Rabbits have released a new video from last year’s It’s Frightening. They’re at Lee’s Palace on April 27.

Video: White Rabbits – “They Done Wrong, We Done Wrong”

Beatroute and Spinner talk to Spoon. The band stopped in at CBC last week to record a session for QTV.

Video: Spoon – “The Mystery Zone” (live on QTV)

The Quietus talks to The National’s Matt Berninger and Aaron Dessner about the making of High Violet, due out in just over a month on May 11. They play Massey Hall on June 8 and 9. And I really have to go pick up my tickets for that.

The Line Of Best Fit and Georgia Straight talk to Retribution Gospel Choir’s Alan Sparhawk.

LCD Soundsystem have scheduled a North American tour in support of their new record This Is Happening, out May 18, and it includes a May 25 date at the Kool Haus. Tickets $35 in advance, on sale Friday.

Stream: LCD Soundsystem – “Drunk Girls”

The Music Slut asks eight questions of Steve Drozdt of The Flaming Lips. They’ve announced a July 7 date in Montreal, so can a Toronto date – their first in almost four years – be far off? I imagine not.

Chart, eye and Metro talk to Superchunk’s Mac McCaughan about their contributions to the film Passenger Side, which premieres at the Royal tomorrow night and will be followed by an acoustic set from half of the ‘Chunk – Mac and Jim.

Interview and Under The Radar interview The Drums, whose debut album is due out June 7.

NPR interviews Sam Coomes of Quasi, who are in town at the Horseshoe on April 18.

Sounds Good Ink has a feature on Let’s Wrestle, who will be supporting Quasi on the aforementioned date (and tour).

Broward-Palm Beach New Times and Athens Banner-Herald have conversations with Arctic Monkeys bassist Nick O’Malley while News-Observer chats with guitarist Jamie Cook.

Doves’ guitarist Jez Williams talks to The Guardian about using the moon as a delay pedal and that the band have no plans to split, despite being in the career retrospective phase with the upcoming release of The Places Between: The Best Of Doves, due out April 20. Williams also tells BBC6 that he feels for new bands trying to get their careers started in this day and age.

Spinner and The Times chat with The Futureheads – their new record The Chaos is out in North America on June 1.

eGigs talks to Scott Hutchison of Frightened Rabbit, who are at the Opera House on May 4.

The first single from The Pipettes’ new record Earth Vs Pipettes, out June 28, is now available to download. Wouldn’t it be great if one of the choruses in the song went, “Our love was saved by Dr. Leo Spaceman“? Yes? No? Sorry, been watching a lot of 30 Rock.

MP3: The Pipettes – “Our Love Was Saved By Spacemen”

OPB Music has a video session with The Clientele, The Montreal Miror an interview.

Magnet prepares to hand over the editor’s desk to David Gedge of The Wedding Present for a week with a Q&A. They kicked off their Bizarro 20th anniversary tour last week and will be at the Horseshoe on April 14. The Aquarian Weekly also has an interview.

PopMatters interviews Bernard Sumner of Bad Lieutenant.

Clash lists 12 things you didn’t know about Pet Shop Boys.

The Quietus celebrates the 20th anniversary and defends the legacy of Lush.

Frank YangFull writeup of the night over here.

Grammatics
– Leeds chamber/prog-rock quartet released their self-titled debut last year and are working on album number two. Spinner has an interview.
Photos: Grammatics @ Phoenix – March 20, 2010
MP3: Grammatics – “Double Negative”
Video: Grammatics – “The Vague Archive”
Video: Grammatics – “D.I.L.E.M.M.A.”
Video: Grammatics – “New Franchise”

Gemma Ray
– Throwback rockabilly/torch singer out of the UK just released a new album in Lights Out Zoltar!. Spinner has a chat.
Photos: Gemma Ray @ The Tap Room on 6th – March 20, 2010
MP3: Gemma Ray – “100 MPH (In 2nd Gear)”
Video: Gemma Ray – “Hard Shoulder”
Video: Gemma Ray – “100 MPH (In 2nd Gear)”
Video: Gemma Ray – “Fist Of A Flower”

Class Actress
– New York ’80s-esque electro-glam trio just released their debut EP Journal Of Ardency. Out has an interview with frontwoman Elizabeth Harper.
Photos: Class Actress @ Phoenix – March 20, 2010
MP3: Class Actress – “All The Saints”
Video: Class Actress – “Let Me Take You Out”
MySpace: Class Actress

Eva & The Heartmaker
– Bubbly pop band fronted by husband-and-wife team, half of whom was a former winner of Norwegian Idol. They released their first album in North America last year, Let’s Keep This Up Forever.
Photos: Eva & The Heartmaker @ Prague – March 20, 2010
MP3: Eva & The Heartmaker – “Superhero”
Video: Eva & The Heartmaker – “Superhero”
MySpace: Eva & The Heartmaker

Venice Is Sinking
– Athens, Georgia orch-pop outfit will release the live-off-the-floor Sand & Lines: The Georgia Theatre Sessions on June 15.
Photos: Venice Is Sinking @ The Ale House – March 20, 2010
MP3: Venice Is Sinking – “Falls City”
MP3: Venice Is Sinking – “Okay”
MP3: Venice Is Sinking – “Compass”
MP3: Venice Is Sinking – “Ryan’s Song”
Video: Venice Is Sinking – “Okay”
Video: Venice Is Sinking – “Ryan’s Song”
Video: Venice Is Sinking – “Pulaski Heights”
MySpace: Venice Is Sinking

Forest City Lovers
– Toronto folk-pop up-and-comers have just completed recording their third album, due out in or around July of this year. Spinner has an interview.
Photos: Forest City Lovers @ The Ale House – March 20, 2010
MP3: Forest City Lovers – “If I Were A Tree”
Video: Forest City Lovers – “If I Were A Tree”
Video: Forest City Lovers – “Pirates”
Video: Forest City Lovers – “Song For Morrie”
Video: Forest City Lovers – “Please, Don’t Go”
MySpace: Forest City Lovers

Frank YangFull writeup of the day over here.

Lissie
– Big and raw-voiced Illinois native Lissie Maurus released her debut EP Why You Running last year. Aquarium Drunkard and BBC have interviews.
Photos: Lissie @ Red-Eyed Fly – March 20, 2010
MP3: Lissie – “Little Lovin'”
MySpace: Lissie

Sharon Van Etten
– Brooklyn singer-songwriter who released her spare and beautiful debut in Because I Was In Love last year was recently featured in a Daytrotter session. She plays the Horseshoe on April 5.
Photos: Sharon Van Etten @ Red-Eyed Fly – March 20, 2010
MP3: Sharon Van Etten – “For You”
MP3: Sharon Van Etten – “Consolation Prize”
MP3: Sharon Van Etten – “Love More”
Video: Sharon Van Etten – “For You”
MySpace: Sharon Van Etten

Free Energy
– Philadelphia champions of ’70s-styled, arena-sized power-pop will release their debut Stuck On Nothing on May 4.
Photos: Free Energy @ Red-Eyed Fly – March 20, 2010
MP3: Free Energy – “Free Energy”
MP3: Free Energy – “Hope Child”
Video: Free Energy – “Free Energy”
MySpace: Free Energy

The Middle East
– Dramatically-inclined Australian collective collected more and more accolades with each day of SxSW. Their debut EP The Recordings of The Middle East came out last Fall. They will play The Horseshoe on May 5.
Photos: The Middle East @ Red-Eyed Fly – March 20, 2010
Video: The Middle East – “Blood”
MySpace: The Middle East

Slow Club
– See writeup from a day two.
Photos: Slow Club @ Barbarella – March 20, 2010