FacebookI am going to go out on a limb and say that Fetus Dreams, the debut full-length from Toronto’s Heartbeat Hotel, is the best free complete album you can and should download today. And not just because all it’ll cost you is 78 MB of hard disk space and a half hour of your time

The ambient/electro psychedelic pop of Fetus Dreams has got some of that meandering Grizzly Projector Collective vibe that the kids are so into these days – probably a selling point for some but not really for me – but they maintain focus sufficiently to make sure that the pop side of things doesn’t take a back seat to the trippy. There’s a few punchy guitar rock moments that speak to the shoegazer in me but what I find most compelling is how they manage to so effortlessly evoke the golden era of Elephant 6, particularly the Olivia Tremor Control camp, without sounding like they’re trying. In fact I would be surprised if asking them whether they preferred the songs of Will Cullen Hart or Bill Doss was met with a blank stare (though I also wouldn’t be surprised if the had a shrine erected to them in their rehearsal space).

Point being, while they don’t necessarily transcend their influences, they use them well while hanging onto their own personalities. They’re on to something and that something is good. There’s no local dates on the horizon but I’ll be keeping an eye out.

MP3: Heartbeat Hotel – “Fins Of A Shark”
MP3: Heartbeat Hotel – “Walls Of Dry Clouds”
MP3: Heartbeat Hotel – “The Hello Barrel”
Album: Heartbeat Hotel / Fetus Dreams
MySpace: Heartbeat Hotel

The Georgia Straight profiles Wolf Parade.

Radio Free Canuckistan offers some ruminations on hanging out with Arcade Fire on the (figurative) eve of release of The Suburbs while The New York Times has a feature and Exclaim talks to bassist Tim Kinsbury. The official release date is this coming Tuesday but local retailers appear to have the go-ahead to start selling the double-vinyl this weekend. Arcade Fire play the Toronto Islands on August 14 and their show at Madison Square Garden next Thursday will be streamed live on YouTube starting at 10PM EDT, and the show will be directed by Terry Gilliam – which means you can expect a giant foot to come down and crush the band at the climax of “Power Out”.

The Sadies have released a new video from Darker Circles. They join Arcade Fire on the Island on August 14.

Video: The Sadies – “Cut Corners”

Sarah Harmer has released a new video from Oh Little Fire

Video: Sarah Harmer – “Captive”

FFWD profiles Dan Mangan.

Chart talks to Mark Hamilton of Woodpigeon about his upcoming record(s). The vinyl edition of Balladeer, which was originally released as a companion disc to this year’s Die Stadt Muzikanten, now exists and will be available for sale soon. Woodpigeon play a noon-hour show at Yonge-Dundas Square on October 6.

Jason Collett will make up for his cancelled show at Mod which was supposed to happen last week with a solo acoustic date at the Church Of The Redeemer on November 11, part of his coast-to-coast “Undressed Tour”.

MP3: Jason Collett – “Love Is A Dirty Word”

Spin asks Metric where they got their name. Metric explains.

They were originally supposed to unveil a new video from Forgiveness Rock Record, but Broken Social Scene have decided to keep that under wraps until next week. PitchforkTV has your BSS video fix, though, as the band is featured in the debut of a new interactive multi-camera video session series called POV.

The Line Of Best Fit and A Pocket Full Of Seeds talk to Tokyo Police Club. There’s also a video session with the band at Baeble Music.

Born Ruffians tell Chart that they dig Bill Murray. And if you do too, then this interview at GQ and this bit of satire (yes) at Christwire. Because they’re funny.

Black Mountain are sharing a couple MP3s from the forthcoming Wilderness Heart, out September 14.

MP3: Black Mountain – “Hair Song”
MP3: Black Mountain – “Old Fangs”

Boise Weekly talks to The New Pornographers’ Carl Newman.

Caribou talks to aux.tv whilst dropping a new video from Swim.

Video: Caribou – “Sun”

Spinner talks to Holy Fuck.

Pitchfork is streaming Fucked Up’s new epic-length single “The Year Of The Ox”, which will be out on 12″ come September 28.

The Toronto Star talks to Daniel Lanois about the new Neil Young record, which he is producing. He intends to premiere some of the new songs at Nuit Blanche in October. The Guardian also has some details on the forthcoming Archives : Volume Two due out… oh let’s not even play that game.

Scott Pilgrim Vs The World director Edgar Wright is the cover story in this month’s Exclaim and CTV has a feature piece on the comic. And head over here for a sweet Google Maps mashup of Scott Pilgrim’s Toronto.

J J BullockHave we officially christened a “song of the Summer” for 2010 yet? Do we even have enough of a monoculture anymore that a consensus on such a thing is even possible? If so – or if not – I would like to nominate “Zorbing”, the lead track and single from Beachcomber’s Windowsill, the debut album from Oxford, England’s Stornoway. It’s a simple but instantly catchy tune about the metaphorical joys of rolling around London in a giant hamster ball – I think – that’s elevated from good to great with a couple of key flourishes: the low “whoaaa” harmonies in the chorus and the jubilant horns in the bridge that hearken to Belle & Sebastian’s finest moments.

And said Scots aren’t a bad reference point for Stornoway in general, at least as far as articulating the aesthetic of their orchestrally-appointed folk-pop. But while they’re clearly capable of wide-eyed upbeatness, as “Zorbing” and the follow-up single “I Saw You Blink” clearly evidence, Stornoway’s hearts are inherently heavier and Brian Briggs’ vocals more inclined to drama – so maybe it’s to their benefit that Briggs doesn’t seem to have much luck in love; it makes for great lyrical fodder. His bandmates back him up with all the standard pop band accouterments, but close listening shows there’s a lot of detail hidden in the nooks and crannies of their seemingly austere sound – pianos, kazoos, strings, Morse code, church bells… and it’s these touches, like those aforementioned little details in “Zorbing”, that elevate Stornoway above the pack. If your Summer consists of getting your heart broken or wishing you were getting your heart broken whilst lounging on grassy hills (and maybe watching people roll down said hills in giant plastic balls) then Stornoway should be, if not your soundtrack, then at least in your playlist.

Drowned In Sound has a feature interview with the band. Beachcomber’s Windowsill is out in the UK right now and digitally in North America. It will be out in physical form on this continent on August 10. So far their American itinerary has consisted of an expeditionary gig in New York earlier this month, but promises are being made of a full incursion this Fall. Update: The album is now up to stream at Spinner.

MP3: Stornoway – “Zorbing”
Video: Stornoway – “Zorbing”
Video: Stornoway – “I Saw You Blink”
Stream: Stornoway / Beachcomber’s Windowsill

Shonen Knife have a date at the Horseshoe on October 1, tickets $15.50. Their new album Free Time will be out on August 31.

Video: Shonen Knife – “Perfect Freedom”

Justin Townes Earle will follow up the September 14 release of his new record Harlem River Blues with a Fall tour that includes an October 15 date at the Horseshoe. Jessica Lea Mayfield supports.

Video: Justin Townes Earle – “Midnight At The Movies”

Kentucky.com interviews Tift Merritt.

Sharon Van Etten records a Takeaway Show for Le Blogotheque. Her new record Epic is released on October 5.

Examiner.com profiles Oakland dream-pop band Minipop

Daytrotter has served up a session with Rogue Wave. They’re at the Opera House on September 24.

Billboard talks to Dean & Britta about the release tomorrow of their 13 Most Beautiful soundtrack album which is out tomorrow.

Spinner talks to Ra Ra Riot about the making of their new record The Orchard, out August 24. They’ll be at the Molson Amphitheatre on August 28 supporting Tegan & Sara and City & Colour.

The Omaha World-Herald talks to Spoon bassist Rob Pope.

Lazy-i interviews Jim Wilbur of Superchunk. Their new record Majesty Shredding is out on September 14.

Las Vegas Weekly tries to squeeze more information about Matador 21, going down October 1 to 3 at the Palms in Las Vegas, out of label head Gerard Cosloy.

VirginThe short list of nominees for the 2010 Mercury Prize – awarded to what is deemed the best British or Irish album of the past year – was announced this week and somewhat surprisingly, I didn’t find myself immediately hitting up Wikipedia to see who half the nominees were the way I have the last few years. Not only did I know who pretty much all the artists nominated were, but I’d even heard fully half of the records. Come on, Mercury judges, you’re clearly not trying hard enough to be obscure.

I was particularly pleased to see Laura Marling’s sophomore effort I Speak Because I Can get a nod, making her two for two in Mercury nominations in her short but impressive career so far. I was pleased, but not surprised, as the new record is arguably superior to her 2008 debut Alas, I Cannot Swim, and I thought that record was superb. Whereas the debut contrasted Marling’s wise yet youthful words and voice with a folk-pop accompaniment that often tilted toward the jaunty, the follow-up is somewhat starker and with a more traditional folk/Americana aesthetic that might be more conventional, but is perfectly executed and consequently more powerful. By way of example, the opening track “Devil’s Spoke” is darker and more driving than anything on Swim ever hinted at, but it’s offset by the exceptionally gentle and pensive, “Goodbye England (Covered In Snow)”.

Some of the change in tone between records can be attributed to the change in producers from the effective but relatively green Charlie Fink of Noah & The Whale to veteran Ethan Johns, but most of the credit goes to Marling’s growth as a singer and songwriter. On Speak, she taps into a place of even greater emotional depth and honesty, and articulates it with a sort of conversational poeticism that some artists couldn’t even conceive of, let alone practice. And though it’s been said many times, it really does bear repeating: she is just 20 years old, and the amount of talent she’s already been able to harness is staggering. I don’t think that Speak will win the Mercury – it’s probably too traditional for their tastes – but I do believe that every record she releases should and will be nominated. Because they’ll be that good.

Though it seems the Laura Marling tour itinerary checked Toronto off its list with the show at Lee’s back in February, she is in the area right now, appearing tonight at the Hillside Festival in Guelph. She also talks to NME about a 7″ single consisting of Neil Young and Jackson Frank covers that will be due out on Jack White’s Third Man Records on August 9. It’s unclear if plans to release a second album recorded with Ethan Johns this year are still on the front burner – I can’t imagine they’d want to dilute the attention that Speak continues to get.

Video: Laura Marling – “Rambling Man”
Video: Laura Marling – “Devil’s Spoke”

So if I don’t think Marling will take the Mercury, who will? Foals’ Total Life Forever grows on me more with each listen, but I get the sense that The xx are an inevitability. Their momentum has been growing steadily all year and shows no signs of abating. Their Fall North American tour, which sees them booked into some pretty massive halls, including Massey Hall on September 29, won’t seem quite so overambitious if they can bill them as “Mercury Prize winners The xx”. Not that most North Americans know what the Mercury Prize is. And if you don’t even know who The xx are, The Telegraph has an introductory profile.

For Folk’s Sake reports that Emmy The Great is nearly done writing her second album and will soon be headed into the studio to record. Those who sign up for her mailing list at Pledge Music can get an MP3 of “First Love” done live and mariachi style for free.

Spin offers a guide to understanding M.I.A..

Marina & Diamonds’ September 8 Toronto debut appearance has been moved from the El Mocambo to The Opera House. Tickets are $16.50 and all ducats for the El Mo show will be honoured in Leslieville.

With the start of his North American tour postponed by visa issues, Kele has rescheduled the date at the Mod Club which was supposed to happen next week for September 3, same venue. Tickets $20. And to make it up to fans, he’s released a new video.

Video: Kele – “Everything You Wanted”

The Charlatans have released a video for the first single from their new record Who We Touch, getting a North American release on September 14. Look for them at Lee’s Palace shortly thereafter on September 17.

Video: The Charlatans – “Love Is Ending”

Adam Franklin of Swervedriver and Toshack Highway has been driving the Magnet website all week.

Spinner and Spin talk to Spiritualized main man Jason Pierce about the upcoming and final recital of the complete Ladies & Gentlemen We Are Floating In Space happening at New York’s Radio City Music Hall next week.

The Guardian and Clash profile The Vaselines, whose Sex With An X is out on September 14 and will play The Horseshoe on October 30.

Paste catches up with Fanfarlo.

Pieter van HattemSo all manner of things have been piling up over the past week while I’ve been reminiscing about warm Summer sojourns to Chicago. Let’s get to them.

San Francisco’s Morning Benders are no strangers to Toronto this year, having already come through town twice – once in April for their own show just after their latest album Big Echo was released, and again in June opening up for Broken Bells. They’re back in a couple weeks supporting both Black Keys dates at the Kool Haus on August 3 and 4, but in addition to those performances, they’ve announced they’ll be playing a free acoustic show at the corner of College and Manning in Little Italy on August 4 at 5:30PM in what probably would have been a Soundscapes in-store had the weather not been so nice (or so everyone is hoping). There are rumours that there will be free BBQ and ice cream, but even without refreshments it’ll be a fine, free afternoon of pop music.

MP3: The Morning Benders – “Promises”
Video: The Morning Benders – “Promises”

At long last, after watching her Lilith Fair, Of Montreal and own dates skip us over, Toronto has a date with soul/r&b superstar-in-waiting Janelle Monáe – she is joining The Sadies in supporting Arcade Fire on the Toronto Islands on August 14. Why yes, that is a wacky-ass bill, how good of you to notice. But also an excellent one. Watch this video and tell me that Arcade Fire doesn’t run a real risk of being upstaged by her.

Video: Janelle Monáe – “Tightrope”

Unpronouncable Californian dance-punk outfit !!! (chk chk chk to their friends) have slated a North America tour in support of their forthcoming album Strange Weather Isn’t It?, due out on August 24. Grab an MP3 from their website and look for them at Lee’s Palace on September 26, tickets $16.50 in advance.

MP3: !!! – “Must Be The Moon”
Video: !!! – “AM/FM”

The Dears look to be about done with the follow up to 2008’s Missiles as they’ve scheduled a three-night stand at the Garrison from October 13 to 15 where they’ll surely be previewing new material; tickets on sale Friday (via Singing Lamb). Update: Their label reports that they’ll play the entire new album at the shows and the record isn’t due out till early 2011.

MP3: The Dears – “Disclaimer”

Only in town last month, Swedish sister act First Aid Kit are coming back to North America and will be at the El Mocambo in Toronto on October 15.

MP3: First Aid Kit – “I Met Up With The King”

Blonde Redhead have plotted a North American tour in support of their forthcoming album Penny Sparkle, due September 14. They’ll be at the Phoenix on October 17 with Pantha Du Prince as support; tickets $24.

MP3: Blonde Redhead – “Here Sometimes”
MP3: Pantha Du Prince – “The Splendour”

Helmet are still around and will be at Lee’s Palace on October 17 in support of a new album, Seeing Eye Dog, out September 7.

Video: Helmet – “Unsung”

There are apparently still enough people who want to see The Dandy Warhols live that they can not only book The Phoenix for them, but charge $30 a head. They’re there November 1.

Video: The Dandy Warhols – “Bohemian Like You”

Delorean are back on November 18 for a date at the Mod Club with Lemonade as support.

MP3: Delorean – “Real Love”
Video: Lemonade – “Big Weekend”

Blitzen Trapper tell Spinner that even though Destroyer Of The Void only came out last month, they’re already writing its follow-up. Look for them at the Opera House on August 3.

If it ever looks like Ben Curtis of School Of Seven Bells is sleepwalking through a show, it’s because he may very well be. Hopefully their new live drummer will keep him on his toes when they play the Mod Club on September 15. He also chats with New York Magazine.

Chart has a chat with Beach House; they’re at the Molson Amphitheatre on September 27.

Spinner serves up an Interface session with Stars. They play Massey Hall on October 23.

NPR has a World Cafe session with The National.

Jeff Tweedy talks to Billboard about Wilco’s future as an independent band.

Their own major label experiment come to an ignoble end, Margot & The Nuclear So And So’s will release Buzzard on September 21 on their own.

Paste catches up with John Roderick of The Long Winters, who are so overdue for a new album it’s not funny.

Interview talks to She & Him’s Matt Ward and Zooey Deschanel.

Spinner interviews Holly Miranda.

Rest in peace, Andy Hummel of Big Star.

The final volume of Scott Pilgrim came out this week – The Toronto Star and National Post look at the comic book phenomenon and the film that will be released on August 13, while Exclaim looks at the movie’s soundtrack.

Phil HarderI was going to skip posting today entirely but a few choice bits came up on the radar that merited a quick mention – most notably, the announcement of Bettie Serveert’s Autumn North American tour that had been promised since their latest album – the surprisingly rowdy Pharmacy Of Love – was released back in march.

Amongst those dates is a September 28 appearance in Toronto at the Drake Underground, the Dutch rockers’ first visit since a barn-burner of a set at the Horseshoe back in February 2005. It’s a bit surprising that their tour routing doesn’t take them through Vegas for Matador 21 – they released three terrific college rock-defining records on the seminal label back in the ’90s and I thought for sure that their Fall visit would be timed to coincide with the anniversary festivities, but hey, I’m perfectly happy to see them closer to home.

MP3: Bettie Serveert – “Semaphore”
MP3: Bettie Serveert – “The Pharmacy”
Video: Bettie Serveert – “Deny All”

The Sadies have been added as support for Arcade Fire’s August 14 show on the Toronto Islands. It’s unclear if anyone else is being added or if that’s going to be it.

The Globe & Mail profiles Shad. He plays the Kool Haus on August 1.

Paste catches up with Tokyo Police Club.

The Deli features Fang Island.

Band Of Horses have released a new video from Infinite Arms; they’re at the Kool Haus on October 21.

Video: Band Of Horses – “Laredo”

The Los Angeles Times gets She & Him to compile a musical mixtape dedicated to California.

The Posies will release a new album entitled Blood/Candy on September 28. Blurt has details.

Tim Burgess of The Charlatans talks to NME about their forthcoming album Who We Touch, out in North America on September 14. They’re at Lee’s Palace on September 17.

Spinner continues to talk to The Joy Formidable.