Frank YangEven though I was able to wax effusive about UZU, the second album from Yamantaka//Sonic Titan, a few weeks ago, the fact is that was only half the story. Because for Yamantaka, arguably more than most bands, the live presentation is as much a part of what they do as the music itself. It’s one thing to hear the confluence of opera, prog, punk, and metal influences in their music, but it’s another to see them in Japanese Noh costume and face paint, with their stage dressings and lighting effects; it may not be a lavish production, but adds an invaluable dimension to the experience. And so I was pleased to be back at The Garrison on Wednesday night, in the same room where I first saw the Montreal-Toronto collective during NXNE 2012, just as their debut YT//ST was really catching fire and put them on a trajectory that landed them on the 2012 Polaris Prize short list.

Support on this night came from Jef Barbara, who despite coming from a decidedly different place musically with his latest album Soft To The Touch, also understood the value of visuals – hence the impressively sequin-laden jumpsuit and sneakers and flamboyant stage moves the Montrealer wore and executed onstage. Sonically, he and his band offered a very considered and finely-crafted sound akin to early ’80s Bowie/Smiths/Cure trying their hand at R&B and funk and having it come out glam; ingredients you’ve heard before but combined in a way that sounded as fresh as it did familiar. Not everything worked equally well – the extended jam that closed out the eight-song set wasn’t interesting enough to be either a set closer or extended jam – but when it came together, which was frequently, it was quite impressive.

Anyone looking for a material example of how success had changed Yamantaka needed look no further than their stage dressing; rather than the handmade cardboard cut-outs that flanked them for the YT//ST shows, they now had sturdy corrugated plastic sheets with the UZU artwork professionally affixed. But aside from that indulgence, their show was largely unchanged; which is to say it was still great. Vocalists Ruby Kato Attwood and Ange Loft started out circulating in the packed room while their bandmates played an extended overture of “Atalanta”, before taking the stage and kicking off an impressive, straight-through reading of their new album.

And though I wasn’t expecting a full-album recital, it really is the only thing that makes sense. UZU is such a cohesive, integrated work that picking individual songs would be not only difficult, it’d be a disservice to the whole. Only once, early on, did they break the fourth wall and chat with the audience and that was to allow Attwood to warn us that she was feeling ill and would be nursing on 7-11 tea through the show. And while she did audibly pull back with her voice at a few points, it wasn’t at all to the detriment of the show and the power of Loft’s voice more than made up for it. Though it’s Attwood and drummer Alaska B who are the band’s principals, Loft is their secret weapon both vocally and visually.

They could have called it a job well done after the final notes of album and set closer “Saturn’s Return” rang out, the dust from the thundering “One” that preceded it still hanging in the air. But they returned for a four-song encore of YT//ST material that was appropriately more primal-sounding and acted as further confirmation that even though the band had grown immensely on the new record, they still started from a place of remarkable assuredness and achievement. And just as it’s hard to separate the band’s sound and visuals, it’s hard to say if it would be harder to capture their live sound on record or reproduce their recordings on stage. It’s probably a good thing they’re astonishing at both.

The Montreal Gazette has an interview with Jef Barbara.

Photos: Yamantaka//Sonic Titan, Jef Barbara @ The Garrison – November 6, 2013
Video: Yamantaka//Sonic Titan – “One”
Video: Yamantaka//Sonic Titan – “Hoshi Neko”
Video: Jef Barbara – “Song For The Loveshy”
Video: Jef Barbara – “I Know I’m Late”
Video: Jef Barbara – “Sébastien”
Video: Jef Barbara – “Wild Boys”
Video: Jef Barbara – “Les Homosexuelles”
Video: Jef Barbara – “Cocaïne Love”
Video: Jef Barbara – “Larmes de Crocodiles”
Video: Jef Barbara – “Flight 777”

I’ve been waiting most of this year for news of Toronto indie-pop outfit Alvvays’ debut album, and it’s finally here. Well, the news – not the album. Exclaim reports that their self-titled, Chad VanGaalen-produced debut will be out next year, but they’re sharing the first single from it with a video premiered at Nylon. They’ll play it and other lovely songs at The Hoxton when they open for Young Galaxy on November 22.

Video: Alvvays – “Adult Diversion”

Stereogum has premiered the new video from Born Ruffians, taken from their latest album Birthmarks. They’re at The Danforth Music Hall on November 22.

Video: Born Ruffians – “Permanent Hesitation”

A little late to this one but I think this Spike Jonze-directed, live thing from the YouTube Music Awards last weekend is counting as the new video from Arcade Fire’s Reflektor. And if it’s not, oh well.

Video: Arcade Fire – “Afterlife”

NPR has a World Cafe session with Basia Bulat.

Exclaim and The 405 talk to Spencer Krug of Moonface.

The Georgia Straight talks inspiration with The Darcys.

Frank YangMy Bloody Valentine’s last visit to Toronto in September 2008 was a singular event on a few levels. Besides being their first visit in over a decade and a half, it was in-the-flesh proof that one of the most improbable returns to active duty in recent years was actually happening; considering that the seemingly simple task of reissuing Isn’t Anything and Loveless was already months overdue at the time and would actually take another three and half years to come out, only the most optimistic would have expected them to get their act together enough to pull off a North American tour. But they did, and it was glorious.

And so Tuesday night’s show – again at the Kool Haus – in support of their long-promised third album mbv came without some of that weight of expectation that surrounded their previous visit, but was still cause for excitement – these were still legends, after all… But even legends are still human. Unexpected for a band as epically amplified as they, both Kevin Shields and drummer Colm Ó Cíosóig started off with acoustic guitars and Belinda Butcher on keyboards for a reading of “Sometimes” that kept drifting out of synch with itself, the basic click track underpinning it not quite up to the job of keeping everyone in time. Shields would comment, “We really fucked that up” when it was over and he wasn’t wrong.

But a few more missteps aside – most notably “Thorn” getting two false starts before being abandoned midway through a third shot, Shields blaming a guitar “in the wrong key” – it was another immensely satisfying show. For being expectedly and incredibly loud, the mix was surprisingly clear with drums, keys, and most importantly vocals being sufficiently audible over the six-string din (a third guitarist beefed things up even further when not covering on keys). That they achieved this in a room that can be unforgiving to less proficient sound techs was remarkable, and it allowed the beauty of their softer moments – like mbv‘s “New You” – to come through and allowed the more violent numbers to do their work with surgical elegance rather than just as blunt instruments.

The set list drew fairly evenly from their three albums and b-sides, showcasing both their elegant and aggressive sides, with highlights including a deliciously bent “Only Shallow”, an impressive “Wonder 2” that again brought Ó Cíosóig from behind the kit to add a guitar while a drum track kept time, and the still-irresistibly dancey “Soon”, to say nothing of the endless parade of offset-body Fender guitars. The usually silent Shields was a bit chattier than normal, if just to explain and apologize for their technical hiccups, with Butcher adding a polite “thank you” before their closing salvo of “Feed Me With Your Kiss” and the scorched-earth “You Made Me Realize”, though rather than try to top the 23-minute ‘holocaust’ section from 2008, they capped it at a reasonable nine. There’s not many bands that you’d actually feel some disappointment that they didn’t apply the aural equivalent of a dental cleaning with a space shuttle booster rocket for the length of a network sitcom, but there’s not many bands like My Bloody Valentine. Or any.

The Toronto Star, National Post, NOW, and Exclaim also have reviews of the show. The attached photo is from the 2008 photoset; no photography was permitted this time around.

Video: My Bloody Valentine – “Only Shallow”
Video: My Bloody Valentine- “Soon”
Video: My Bloody Valentine – “To Here Knows When”
Video: My Bloody Valentine – “Swallow”
Video: My Bloody Valentine – “You Made Me Realise”
Video: My Bloody Valentine – “Feed Me With Your Kiss”
Stream: My Bloody Valentine / mbv

DIY, Consequence Of Sound, Paper, and FasterLouder talk to Cut Copy about their just-released new album, Free Your Mind. They’re in town November 15 at The Danforth Music Hall.

Blood Orange is streaming the whole of his new album Cupid Deluxe, which will be available digitally next week on November 12 before coming out in physical formats on November 19.

Stream: Blood Orange / Cupid Deluxe

Artist Direct, The Telegraph, and Yahoo talk to Shane Meadows about directing the Made Of Stone documentary on The Stone Roses. It gets a Toronto premiere at both The Bloor and Cineplex Yonge-Dundas on November 22, and continues screening at YDS from November 24 to 28.

Drowned In Sound talks to Cate Le Bon about her new record Mug Museum, out November 12. She’ll be at The Drake Underground on January 21.

When it was announced that Until The Colours Run – the new record from Lanterns On The Lake – wasn’t getting a North American release until January 14 despite coming out in the UK in October, I hoped it meant that the record would get a much-deserved proper promotional push over here. And indeed, they’ve announced a North American tour for next year that brings them to the Drake Underground on February 1. Under The Radar has the full itinerary as well as a stream of a new song, but you can hear the whole thing via a link in my review of the record last month.

Stream: Lanterns On The Lake – “The Buffalo Days”

Johnny Flynn has released a new video from Country Mile as well as some North American tour dates in the first part of next year. Interestingly, there’s no Toronto date but there is a Montreal one on January 21 and several days off around it, so I’m guessing it will be announced sooner or later.

Video: Johnny Flynn – “Gypsy Hymn”

Drowned In Sound, The Jakarta Post, and The Star find out what Danish prog-rockers Mew are up to, besides working on a new album.

The Line Of Best Fit checks in with The Raveonettes, who will begin recording a new record in the new year.

The Sydney Morning Herald talks to Anna Calvi, who has released a video for the opening track of her new record, One Breath.

Video: Anna Calvi – “Suddenly”

Patrick Wolf has released a new video for the Sundark & Riverlight version of “The Libertine”, premiered at artforfreedom.com in support of LGBT rights at the Sochi Olympics.

Video: Patrick Wolf – “The Libertine”

Exclaim talks to Neil Halstead about Black Hearted Brother and the band, as a unit, list some of their most influential albums for MusicOmh.

DIY talks to Foals.

PopMatters has an interview with Los Campesinos!.

Ted BoisYup, quiet as hell up here. Though I heard from somewhere that people have been waiting for a video of some kind to surface…? Well here’s five new ones.

Stereogum has premiered the new chicken farm-set clip from Destroyer, taken from Dan Bejar’s forthcoming Five Spanish Songs EP which will be out on November 25. He’ll be on stage at The Opera House – not The Great Hall, as originally scheduled – all by his Bejar-ness, on November 9.

Video: Destroyer – “Bye Bye”

Or there’s the new video from Metric, for the title track of last year’s Synthetica, which got unveiled to the world via Rolling Stone.

Video: Metric – “Synthetica”

Young Galaxy also have a new video, squeezed out of the new tracks on the Ultramarine Deluxe reissue. They play The Hoxton on November 22.

Video: Young Galaxy – “Privileged Poor”

Islands have a new video from their latest release Ski Mask. There’s also interviews at The Coast, The Chronicle-Herald, and The Aquarian.

Video: Islands – “Wave Forms”

And Vancouver’s Brasstronaut have a new clip from last year’s Mean Sun.

Video: Brasstronaut – “The Grove”

And in non-video/crack-related news, Kashka is marking the release of Bound – her debut album as Kashka – by streaming the whole thing, and it’s lovely. Anyone who was sad about the end of Forest City Lovers will have reason to be happy again. There’ll be a record release show at The Great Hall on December 5.

Stream: Kashka / Bound

No Joy have just released their Pastel And Pass Out EP and are streaming another song from it for your enjoyment. They’ll play The Garrison on December 6.

Stream: No Joy – “Second Spine”

Exclaim has an advance stream of the new Misery Makers Vol. 1 EP from Chains Of Love, out as of this week.

Stream: Chains Of Love / Misery Makers Vol. 1

Exclaim talks to Yamantaka//Sonic Titan, whose Alaska B lists off her favourite video game soundtracks for Chart. They’re celebrating the release of Uzu tonight at The Garrison.

Beatroute talks to Shad; he’s back in town at The Danforth Music Hall on January 31.

Vancouver electronic-industrial pioneers Skinny Puppy have announced a date at The Sound Academy on February 18 in support of their latest release, Weapon, released earlier this year.

Stream: Skinny Puppy / Weeapon

The Quietus, aux.tv, and Beatroute talk to Spencer Krug of Moonface.

NOW has an interview with Braids.

Vue profiles The Darcys.

Magnet interviews Basia Bulat as a precursor to her taking over their website for the week.

Altar TV has a video session and The Calgary Herald an interview with The Belle Game.

Steve GullickI’m sure they meant it at the time, what with keeping up a heavy slate of performances worldwide for as long as anyone can remember and the added complications of drummer Martin Bulloch’s health issues and visa problems forcing cancellations in the past few years, but when Mogwai prefaced their second round of touring in support of Hardcore Will Never Die, But You Will last year with a promise/warning that it would be “the last extensive touring we do for some time”, some who might have fallen into a habit of taking them for granted were spurred into getting off their asses and having their eardrums blasted by the Scottish post-rock masters (maybe) one last time – myself included.

Well, apparently “for some time” actually means “as long as it takes us to record a new record”, because hot on the heels of last week’s announcement of their eighth studio album Rave Tapes – coming out January 21 – they’ve announced a month-plus long North American tour for next Spring. And perhaps it was the promise of playing a different room that enticed them, because the Toronto date on May 13 will take place at the Danforth Music Hall – tickets $25.50 to $29.50 – instead of The Phoenix where they’ve played (I believe) every local show since a face-melting detour to Lee’s Palace in May 2002. They were supposed to play The Kool Haus in Fall 2008 circa The Hawk Is Howling but that show was one of the casualties of Bulloch’s medical issues, and the make-up show the following May was scheduled for – you got it – The Phoenix.

To be clear, there’s no word of complaint in the band NOT taking a proper hiatus from touring. Their shows may not surprise much, but they never disappoint. And hey, maybe getting to eat somewhere new pre-show will inspire them to even greater heights? It could happen.

MP3: Mogwai – “Remurdered”

With her new album finally out this week, M.I.A. has made Matangi available to stream via Consequence Of Sound; she’s also interviewed by Billboard and NPR about it.

Stream: M.I.A. / Matangi

Noisey chats with Charli XCX, in town November 5 at Wrongbar.

NPR has an advance stream of Cate Le Bon’s forthcoming album Mug Museum, out November 12. She’ll be at The Drake Underground on January 21 in the new year.

Stream: Cate Le Bon / Mug Museum

Rolling Stone are offering one of the tracks off Stornoway’s new EP You Don’t Know Anything for free download. The whole thing comes out on November 12.

MP3: Stornoway – “Tumbling Bay”

Peggy Sue have made a new EP available to download for free via Noisetrade, leading up to the release of their new album Choir of Echoes on January 27

White Lies have announced a return date in support of their latest Big TV – they’ll be at The Mod Club on February 27, tickets $35. Opening up will be Frankie Rose, who released Herein Wild earlier this Fall.

MP3: Frankie Rose – “Know Me”
Video: White Lies – “There Goes Our Love”

NME have premiered a new, self-described David Lynch-inspired video from Fanfarlo’s The Sea EP; a full-length will follow in the new year.

Video: Fanfarlo – “A Distance”

DIY has details on how you can hear Metronomy’s new song, which is a convoluted process involving smartphones, apps, credit cards, and outer space.

CHVRCHES have released a new video from their debug The Bones Of What You Believe.

Video: CHVRCHES – “Lies”

BrooklynVegan has videos from the recent Neil Halstead solo shows where he was joined by Rachel Goswell, sending the hearts of Slowdive and Mojave 3 fans a-flutter. And over at Under The Radar, Halstead and his Black Hearted Brother compadres offer a track-by-track guide to their debut Stars Are Our Home… which they’ve technically already done with MusicOmh but who’s counting?

Katie Harkin of Sky Larkin takes Drowned In Sound on a guided tour of her pedalboard.

NPR has a World Cafe session and The Georgia Straight an interview with Laura Marling.

Under The Radar got some Hallowe’en-themed questions answered by Still Corners.

James OrlandoOf all the throwback, garage-rock bands that surfaced over the last few years, it’s been Los Angeles’ Dum Dum Girls who’ve been most likely to both break away from the pack and out of the stylistic pigeonhole. Besides having by far the best visual aesthetic, formidable melodic sensibilities, and Dee Dee Penny’s uncanny Chrissie Hynde-alike vocals, they had songs that were more sophisticated than their peers’ by half. Penny made no efforts to hide her fondness for classic British indie rock or prevent their influence from imbuing her own compositions, and by doing so her slow, melancholic numbers are as stirring as the rockers.

As a result, the breadth of the Dum Dum Girls sound has grown immensely over the course of two full-lengths and a handful of EPs without ever abandoning their girl group in a garage roots and so the announcement of their third album, alluded to in a Stereogum interview last week, is exciting news to those curious what they’ll do next. The new full-length will be called Too True and be released on January 28 of the new year. Pitchfork has all the specifics that there are to be had right now, and there’s a first video available to watch.

Video: Dum Dum Girls – “Lost Boys And Girls Club”

Stereogum and NPR talk to Eric Pulido about stepping up to become Midlake’s new frontman. Their new album Antiphon is out this week and they’ve got a new video for the title track.

Video: Midlake – “Antiphon”

Wall Street Journal is streaming The Coincidentalist, the latest album from king of the desert Howe Gelb, which is out as of this week.

Stream: Howe Gelb / The Coincidentalist

NYC Taper is sharing a recording of Sebadoh’s stop in New York last week; the band have also offered an interview to The Village Voice and made a new b-side available to stream via Stereogum. They’re going to be at The Horseshoe on November 8.

Stream: Sebadoh – “No Wound”

Albert Hammond Jr talks to PopMatters ahead of his solo show at The Phoenix on November 10. He’s also released a new video from the AHJ EP via Complex.

Video: Albert Hammond Jr – “Carnal Cruise”

Grizzly Bear are streaming another of the bonus tracks that will appear on the Shields: Expanded edition coming out November 12.

Stream: Grizzly Bear – “Listen and Wait”

Stereogum and Rolling Stone talk to Wayne Coyne of The Flaming Lips about their new Peace Sword EP, out digitally now and physically on November 29. You can hear one of the new songs via Rolling Stone and check out an in-studio Tame Impala cover for good measure.

Stream: The Flaming Lips – “”
Video: The Flaming Lips – “Elephant” (Tame Impala cover)

Detroit duo Dale Earnhardt Jr. Jr. are coming back to town for a headlining show in support of their new record The Speed Of Things on March 14 at The Hoxton; English electronic artist Chad Valley will open up.

MP3: Dale Earnhardt Jr Jr – “Vocal Chords”
MP3: Chad Valley – “Fast Challenges”

Wye Oak talks to Spin about the directions their third album, coming in 2014, is taking. Apparently that includes less guitars, which makes perfect sense since Jenn Wasner is such a terrible guitarist </sarcasm>.

Neko Case and company got in the seasonal spirit when recording a Hallowe’en Tiny Desk Concert for NPR; she’s also interviewed by The Boston Globe.

Rhett Miller talks to Rolling Stone about keeping it loud and loose on the next Old 97’s record and teaming up with some Decemberists for his next solo record. He also chats with Jambands.

And as for The Decemberists, Colin Meloy tells Rolling Stone he’s been writing new material for the band while attending to his solo pursuits.

Will Sheff of Okkervil River chats with Drowned In Sound.

The Rumpus interviews Dean Wareham.

Merge Records has announced details of their 25th anniversary subscription series, which will run throughout 2014 as the Or Thousands Of Prizes box set. And to mark the occasion (as well as the occasion of Hallowe’en last week), Superchunk have released a new Misfits cover.

Stream: Superchunk – “Children In Heat”