Phil HarderDid anyone see this coming? I certainly didn’t. This question, of course, is only relevant to those of a certain age/era for whom the name, “Bettie Serveert” still means something. To everyone else: get off my lawn.

Aside for the unfamiliar: the Betties were the Netherlands’ finest rock export since Golden Earring and a staple of ’90s college rock with three albums on Matador full of crunchy guitar pop and Carol Van Dijk’s expressive vocals. Entering the 21st century, they explored side projects and released records less frequently and on a variety of labels. The best of them was 2000’s Private Suit, which seemed to usher in a new era of maturity and elegance for the band – different, sure, but excellent. Subsequent releases were more scattershot affairs, however, with their share of high points but lacking in cohesion and direction. It was a good run, but fans – this one, at least – figured their best was behind them.

At least until their new album Pharmacy Of Love, due out in North American March 23, arrived in my mailbox and promptly knocked me on my ass. Opening track “Deny All” is not the work of a band lacking purpose or phoning it in. Fast, loud and focused, it’s the sound of a band re-energized and rocking harder than they even did in their youth and sets the tone for the rest of the record. And there’s no over-compensation here, no sense they’re trying to prove they can still keep up with the kids – they simply are, and easily. Best of all, as thrilling as Pharmacy is on a visceral level, all of the best Bettie signature moves are in place – Peter Visser’s guitar lines weave, lurch and bite while Van Dijk’s voice has arguably never sounded better nor her melodies more memorable. I didn’t realize how much I missed Bettie Serveert until I got them back.

Pharmacy Of Love was released in January in Europe and is due out on March 23, with rumours of live North American dates to follow. They haven’t been back here since 2005 and that show at The Horseshoe was all kinds of awesome, even in support of a weaker record. Pharmacy Of Love live? Yes, please.

MP3: Bettie Serveert – “Semaphore”
MP3: Bettie Serveert – “The Pharmacy”
Video: Bettie Serveert – “Deny All”
MySpace: Bettie Serveert

Filter talks to Jonsi about his solo ambitions. His album Go is out March 23 and he plays the Sound Academy April 30 and May 1.

Aux.tv Q&As Under Byen about their new album Alt Er Tabt, out April 6.

Features in Time and The Wall Street Journal are a pretty good sign the mainstream has taken note of Joanna Newsom. She plays The Phoenix on March 13.

NPR has a World Cafe session with St. Vincent.

eMusic talks to Holly Miranda.

DCist and Encore have interviews with Patterson Hood of Drive-By Truckers, whose new record The Big To-Do hits next week. “Zip City” showed up on shuffle on my iPhone the other day, and my anticipation for this record increased exponentially. They have two dates at Lee’s Palace on April 6 and 7.

Spinner talks to My Morning Jacket drummer Patrick Hallahan about their M.O. for choosing cover songs.

Pitchfork has details on the new album from Band Of Horses, entitled Infinite Arms and due out May 18. That gives you a month to learn all the songs by heart before they play the Toronto Islands Concert on June 19.

Also playing the Toronto Islands Concert are Beach House, who have a complete show in Brooklyn available to stream at Baeble Music as well as a video interview. CokeMachineGlow also has a chat.

Spinner, The AV Club and The Boston Globe talk to Rogue Wave.

The Line Of Best Fit, American Songwriter and NPR have feature interviews with Spoon. They’re at the Sound Academy on March 29.

Venice Is Sinking have announced details about their next album – Sand & Lines: The Georgia Theatre Sessions is due out June 15 and will showcase the band live, off the floor, with just two mics and no overdubs.

MP3: Venice Is Sinking – “Falls City”

Spinner talks to Minipop.

The Los Angeles Times has an interview and MPR an interview and streamable session with Phantogram. They’re at Supermarket on March 12 as part of Canadian Musicfest.

Also all over Canadian Musicfest are The Uglysuit, with two official festival shows next week – an acoustic gig at the Library Bar in the Royal York on March 11 and a fully plugged-in set at Lee’s Palace on March 12. The Brock Press has an interview with the Oklahoman collective.

Yeah Yeah Yeahs assemble a playlist for The Guardian.

OK Go will be at the Mod Club on April 23, hoping that their fans find them as entertaining live as they do on YouTube.

Video: OK Go – “This Too Shall Pass”

And know what I want for my birthday? High Violet. Yes. Just wait.

Mads PerchI kind of hate for the most apt reference point for a band to be the most obvious one, but if you have to offer an elevator pitch on London trio The Invisible, it’s hard not to want to use the letters T, V, O, T and R. The comparison goes beyond the superficial multi-racial composition of the band, though.

It also applies to their collective musical ability and creativity, both clearly on display but not ostentatiously so, and their aesthetic, which filters rock, rhythm and blues and soul influences through a thoroughly contemporary and frequently electronically-enhanced filter. Where they differ from the Brooklyn outfit is in their approach, which dials down – but doesn’t eliminate – the post-millennial tension and angst that informs much of TV On The Radio’s work in favour of a more chilled-out vibe. There’s still fire beneath the surface, but The Invisible opt to deliver it in a smoother, more soulful and dance-friendly sound.

Their 2009 self-titled debut, still only available in Europe, was a heady enough brew to garner the band a place on last year’s Mercury Prize shortlist, and after a short visit to New York for CMJ last Fall, they’re returning to North America this Spring; first for SxSW and then a proper tour that will allow music writers on this side of the Atlantic to make all kinds of bad puns about the seeing (or not seeing) the band and includes an April 2 date at the Opera House in Toronto. So if you, like me, were having trouble deciding between Serena-Maneesh at the Great Hall and A Sunny Day In Glasgow at The Garrison… your life just got a little more complicated.

MP3: The Invisible – “London Girl”
Video: The Invisible – “Jacob & The Angel”
Video: The Invisible – “London Girl”
MySpace: The Invisible

The Vinyl District gets The Joy Formidable frontwoman Ritzy Bryan to reminisce about her favourite records. They’ve released a new video as a preview of their debut full-length, due out sometime this Summer.

Video: The Joy Formidable – “Popinjay”

Music Snobbery and Spinner have interviews with Kate Nash, whose new record arrives on April 20 and now has a name – Crayon Full Of Color. Pitchfork likes the first giveaway track “I Just Love You More” more than I do. Spin has a stream of the more agreeable first official single, “Do Wah Do”, complete with obnoxious marketing voiceover. Update: The Music Slut says the new record is actually called My Best Friend Is You. I don’t know who to believe anymore.

MP3: Kate Nash – “I Just Love You More”

What better way to celebrate the North American release of Little Boots’ debut Hands than by canceling one of the dates on her North American tour? The April 30 Toronto date at the Phoenix is no longer showing up at either Ticketmaster or Ticketweb and there’s no trace of it on the promoter’s website. Still looking for an official word or reason, but none of the above are good signs. But on the bright side, it does make the question of whether to go see Jonsi at the Sound Academy that much easier to answer. Artist Direct has an interview with Victoria Hesketh.

Spinner talks to Rose Elinor Dougall about making her post-Pipette North American debut at SxSW. Her solo debut Without Why is due out this year. The Pipettes’ new one Earth Vs Pipettes is also due out in 2010.

Drowned In Sound, BBC and Pitchfork have words with Los Campesinos!. They’re at the Phoenix on April 20.

Horrors bassist Rhys Webb talks to Spinner about the band’s preparations for recording album number three.

NPR has an interview with Dev Hynes of Lightspeed Champion.

Doves have announced they’ll release a best-of collection entitled The Places Between: The Best of Doves on April 6, consisting of a CD of their singles, a second disc of rarities and a DVD of their videos. Specifics on the set available at Pitchfork, and if you were wondering only about half the material on Lost Sides is repeated here and there are three all-new songs scattered amongst the two discs.

The Clientele’s Alasdair MacLean submits five recommended hallucinatory children’s books to Owl & Bear, while Baeble Music gets a Guest Apartment video session and video interview. The AV Club also has a chat. The Clientele are at The Horseshoe on March 19.

The Georgia Straight talks to We Were Promised Jetpacks, who will release a new EP on March 9 entitled The Last Place You’ll Look. Head over to Stereogum to grab an MP3 from the short-player.

Get Hampshire talks to Frightened Rabbit frontman Scott Hutchison about their new record The Winter Of Mixed Drinks, due out March 9. They’re at the Opera House on May 4.

The Line Of Best Fit have premiered the new video from The Twilight Sad, who will be at Lee’s Palace on May 26.

Video: The Twilight Sad – “The Room”

JAM talks to Gary Jarman of The Cribs about adding legend Johnny Marr to their lineup.

Clash excerpts their feature piece on Tindersticks, getting guitarist David Boulter to recount tales of his early days.

Blurt has a two–part interview with Andy Partridge of XTC. Okay, technically that should be “formerly of”, but I can’t bring myself to say that. Or type that.

Jason NocitoFolks were justifiably disappointed when last year’s Broken Social Scene/Explosions In The Sky mini-festival on the Toronto Islands were Molson Indy-ed out, but in hindsight it seems to have worked out for the best. First Broken made up for it in July with a free show at Harbourfront that’s pretty much legendary now (or so I’ve been told – I missed it), and now they’ve bolstered this year’s edition of the Toronto Island Concert – already a must-see thanks to the presence of BSS, who will be able to showcase their new record Forgiveness Rock Record after its May 4 release, the reunited Pavement and Band Of Horses – with Beach House.

The Baltimore duo were part of last year’s ill-fated lineup as well, but at the time were positioned in the lineup largely in a supporting role rather than as a big draw. But now coming off the release of Teen Dream this past January and the pretty much universally acclaim that’s followed, Beach House has been elevated from a band to watch to a band that’s arrived. Like most, I’m of the opinion that Teen Dream represents a big leap forward for the duo – it’s far more engaged, awake and interesting a record than either of their previous releases, which I appreciated but only when I was in the mood for something dozy. If this record was a conscious effort by Beach House to reach for the brass ring, then congratulations to them – it worked.

Beach House’s March 30 date at the Opera House is now sold out, so if you procrastinated, your only option is now to head out to the lovely Toronto Islands on June 19 and enjoy their hazy dream-pop under the Summer sun (or torrential rain, one never knows). Life is so hard, I know. Still, quite a difference from their first visit to Toronto back in November 2006 where they played in front of maybe 20 people in the front room of the Tranzac by a roaring fire. I’ll freely admit I fell asleep during the show – I think that was entirely the point. Anyways, tickets for the Island show are $49.50 plus attendant fees and looking at prices for all the other Pavement shows announced so far, I daresay this is the best value of any of them, save for maybe Pitchfork Festival. And that one doesn’t let you ride a BOAT.

Spin and The Irish Times have feature pieces on Beach House and vinylphiles rejoice – not only has their self-titled debut been remastered and reissued on fancy heavy vinyl, they’re releasing a limited-edition 7″ EP for Record Store Day 2010 on April 17. Be the envy of all your friends with a copy of either/each on your phonograph.

MP3: Beach House – “Norway”
Video: Beach House – “Silver Soul”

Also added to the Toronto Islands show yesterday were Timber Timbre, whom I hope will recruit a band of some sort to make his blues-folk ruminations audible on the big stage, and local stalwarts Zeus, Flash Lightnin’ and The Beauties, under the collective banner of “Toronto Revue”. What’s that mean, exactly? I’ll tell you on June 20.

MP3: Timber Timbre – “Demon Ghost”
MP3: Zeus – “Marching Through Your Head”
MP3: The Beauties – “Wastin’ Time”

As for the Island festival headliners, Pavement kicked off their much-anticipated reunion tour the other night in New Zealand. Spin has a report from the show including career-spanning set list, Matablog checks in with Spiral Stairs on how rehearsals for the tour went and GQ sent pop culture essayist Chuck Klosterman to interview Stephen Malkmus. Quarantine The Past, the Pavement best-of, is out next week and let me tell you – hearing songs which had always been presented in the context of their respective albums in a mish-mash running order is weird. Unless you’ve always made Pavement mixes in which case it’ll probably seem perfectly natural.

Elsewhere in the wonderful world of concert announcements, Fucked Up have been announced as one of the kick-off bands for this year’s Canadian Musicfest – they will play the El Mocambo on March 10. Tickets are $15 with limited wristbands admitted. Chaos guaranteed.

MP3: Fucked Up – “No Epiphany”

Former Dead Kennedy leader Jello Biafra will be coming to town with his new musical (not spoken word) project The Guantanamo School Of Medicine for a show at the Opera House on April 4. They released their debut album The Audacity Of Hype last year. This will be Biafra’s first appearance with band in Toronto in some 25-plus years; tickets are $22.50 in advance.

Portland’s Horse Feathers have scheduled a date at the Drake Underground on April 28. Their listed tour dates also indicate they’ll be back in the area in July for Hillside.

MP3: Horse Feathers – “Curs In The Weeds”

Austin’s Harlem have slated a slew of dates in support of their second album Hippies, due out April 6. Look for them on April 28 at the Horseshoe.

MP3: Harlem – “Friendly Ghost”

Everybody Was In The French Resistance… Now!, the new project from Art Brut leader Eddie Argos, has set a date for the El Mocambo on May 8, tickets $10. Their debut album Fixin’ The Charts, Volume One, came out late last year.

Video: Everybody Was In The French Resistance… Now! – “G.I.R.L.F.R.E.N.”

A correction to last week’s a-ha farewell tour announcement – the Toronto show at Massey Hall is scheduled for May 10, not 11. Tickets are $49.50 and $55.50, on sale Saturday at noon.

With their just-announced show a the Queen Elizabeth Theatre on May 26, The Weakerthans will be undertaking that most curious of musical events: a live show in support of a live album. Their CD/DVD set Live At The Burton Cummings Theatre is due out March 23. Tickets for the show are $35.

MP3: The Weakerthans – “Sun In An Empty Room”
MP3: The Weakerthans – “Night Windows”

Todd DuymI can appreciate that relations between Canada and the United States might be a bit strained today, following last night’s Olympic men’s hockey gold medal game – or at least between Canada and the dozen or so Americans who care about hockey – but perhaps this gesture of musical ambassadorship will help ease tensions a little bit.

When I head down to SxSW each year, going to see Canadian acts is usually near the bottom of my list of things to do. Not because it’s not worthy of my attention – far from it – but living in Toronto, I get more than my share of opportunities to see the best of Canadian talent so to fly all the way down to Texas to see those same acts seems… inefficient. But that in no way, shape or form means that I don’t heartily endorse those who aren’t so fortunate as to live in one of the major hubs of Canadian music to take the Sx opportunity to see said acts – so with that in mind, I’m very pleased to be co-presenting the official Paper Bag Records showcase at SxSW this year.

The show will kick off at 8PM with Montreal’s CFCF, though he’ll be handling DJ duties rather than performing pieces from his album Continent. Then it will be the one non-PBR act on the bill, Toronto’s choral-gospel blues choir Bruce Peninsula at 9PM, followed by Montreal electro-pop outfit Winter Gloves at 10PM. Toronto lo-fi rock outfit Little Girls showcases their debut Concepts at 11 and then it’s an all-out electro-rock dance party to wind things out, first with Woodhands and their latest Remorscapade at midnight and Vancouver’s disco-rock heroes You Say Party! We Say Die!, who are finally allowed back into the US following some immigration misunderstandings a few years ago, just in time for them to introduce their latest xxxx to America. Update: Well, my description on how the night will arc won’t be quite right – some set times have moved around, and it will now go: CFCF @ 8, BP @ 9, LG @ 10, WH @ 11, WG @ 12, YSPWSD @ 1. Everything else remains true.

To those headed to Austin in mid-March, the Paper Bag showcase will be taking place on Thursday, March 18 at Speakeasy, located at 412 South Congress Ave at West 5th St. And to those not, some/all of the acts on the bill may be coming to you. YSP!WSD! are making the most of their US visas with dates all over America through March before coming back to Canada including an April 2 date at the Horseshoe. Woodhands are crossing the continent through April, including a hometown show at the Opera House on March 13. Bruce Peninsula are making a couple of US stops en route to Austin and have a handful of Ontario dates in the Spring, including a March 25 show at The Garrison. YSP!WSD! are featured are Blogcritics and Sentimentalist. Uptown and See talk to Woodhands.

MP3: You Say Party! We Say Die! – “Laura Palmer’s Prom”
MP3: Woodhands – “Dissembler”
MP3: Little Girls – “Growing”
MP3: Winter Gloves – “Factories” (alternate)
MP3: Bruce Peninsula – “Crabapples”
MP3: CFCF – “Monolith”

Also noteworthy on the SxSW front is a day show taking place on Thursday, March 18 at the Flamingo Cantina on East 6th St at Red River and co-presented by Team Clermont and my associates at MBV Music. That show, which kicks off at noon, will feature Venice Is Sinking, Jeremy Jay, Collections Of Colonies Of Bees, Jookabox, Dengue Fever and Califone. Plus a special guest headliner whom, if it’s who I’ve heard it might be, will be a hell of a finish. So yeah, drop by. Have a drink. It’ll be a good time.

MP3: Califone – “Funeral Singers”
MP3: Dengue Fever – “Sober Driver”
MP3: Jookabox – “You Cried Me”
MP3: Collections Of Colonies Of Bees – “Flocks 1”
MP3: Jeremy Jay – “Breaking The Ice”
MP3: Venice Is Sinking – “Compass”

Okay, back to now and not Spring Break. There’s a new video available from Love Is All’s forthcoming Two Thousand and Ten Injuries, out March 23. They’re at the Horseshoe on April 3.

Video: Love Is All – “Kungen”

jj have a new video for the first single from No 3, due out March 9. They’re at the Phoenix on April 4.

Video: jj – “Let Go”

To anyone curious as to what Jonsi has in store for his two night stand at the Sound Academy on April 30 and May 1, check out this video about the making of his stage set. His solo debut Go is out March 23.

Ca Va Cool interviews Shout Out Louds. They play The Mod Club on May 8.

The Hamilton Spectator has a feature piece on Owen Pallett, who plays the Queen Elizabeth Theatre on April 8.

Volume 8 of The Line Of Best Fit’s Oh! Canada mixtape series is now up for grabs.