Frank YangWhen you reach a certain age and/or have blogged for a certain amount of time, the years do tend to blur together some. For example, I couldn’t believe that it was just four years between when I first saw a mostly-unknown Basia Bulat playing in a little basement tavern on Rue Saint-Denis at Pop Montreal 2006 and when I saw her last, with two acclaimed albums to her name, performing with the full Symphony Nova Scotia orchestra at Halifax Pop Explosion 2010; that, folks, is some kind of trajectory and velocity. And I also couldn’t believe that that show three years ago was the last time I saw her perform, having seen her more on the streets of Toronto than any stage.

The opportunity to turn that trend around came this past weekend with three intimate shows at the Polish Combatants Hall to mark the release of her third album, Tall Tall Shadow. It’s a record presented as something of a shift, being recorded in a legion hall in Toronto rather than the Hotel 2 Tango studios in Montreal that birthed the first two albums, and incorporating more electronic textures into her heretofore traditionally folk-based sound. None of this constitutes a reinvention and on initial listens, the listener is probably more occupied with welcoming the return of Bulat’s rich vocals delivering her first new material in almost four years than any of the sonic accoutrements. But if you’re listening for them, the shift in production aesthetic does indeed distinguish Shadow from its predecessors, as does the more sophisticated phrasing of her vocals, introducing new emotional shading into her work. Given that her first album came out when she was just 23 years old, a maturing over the course of her records is inevitable but to hear it captured so elegantly without losing the wide-eyed brightness that marked her earlier work is pretty special.

For each of the three nights of these release shows, a local solo artist was tapped to open and on the Friday night I was pleased to be able to see Casey Mecija, until very recently of Ohbijou and also one half of electronic pop project Warm Myth; it was a bill that took me way back to December 2007, where it was Bulat who was opening up for Ohbijou at Lee’s Palace. Opening up with the title track of Ohbijou’s final album Metal Meets, Mecija moved between intricately fingerpicked electric guitar, grand piano, and electronic loops and samplers – her sublime vocals gliding overop them all – and her too-brief set was an excellent reminder of just how good she is in whatever project she’s working on. While it’s sad that Ohbijou are no more, we should be thankful that she continues to make art for our ears.

If there’s any sort of downside to having seen Bulat perform so many times in the early part of her career – nine times from Fall 2006 to Summer 2008, by my Flickr count – it’s that my notions of what to expect from her shows were pretty fixed. So conversely, not seeing her live for a few years ended up being all kinds of great, not least of all because sometime between then and now, she’s started playing the autoharp standing up. Not that she was just standing; she was dancing and swinging as she led her band through the new songs, an impressive vivaciousness in her stage presence to go with her giddy sweetness of old. With her, as always, was brother Bobby on drums, Holly Coish on backing vocals and also now keys, and Alison Stewart on viola; new to the mix was Ben Whiteley of New Country Rehab on bass – hardly a stripped-down lineup but a far cry from some of those early shows where she seemed to have a veritable orchestra at her command (unlike the Halifax gig where she actually did).

In the live setting, the shifts in aesthetic were more pronounced and arrangements bolder, with Bulat spending as much time on keyboards and grand piano as the autoharp and when the picked up the guitar, it was an electric (semi-hollow; thanks) run through an actual pedalboard. This wasn’t in an attempt to “rock” – though I’ve never wished I’d brought earplugs to one of her shows before this one – but to have the tools to properly explore new territory. All little things, maybe, but nigh-unimaginable a few years ago and now perfectly reasonable.

Of the new material, Shadow closer “From Now On” received an especially gorgeous treatment, with Bulat on grand piano and Whiteley and Coish on backing vocals, topped only by the record’s emotional centre – the stark “Never Let Me Go” – in which her powerful voice was lifted by four-part harmonies to close out the main set. Many of the older songs were made fresh with re-arrangements and re-contextualization: on grand piano, “I Was A Daughter” sounded from the perspective of an adult reflecting on the past tense than a girl in the moment, while “Heart Of Mine” was completely re-cast with synths, drum pads, and vocoder for the moving parts. The encore brought things back home, though, with the hammered harp of “The Shore” perfect as is, and joyous “Before I Knew” a sublime show closer. Well, almost – the sight of Bulat standing onstage, wide-eyed and hands over her mouth before a standing ovation, was just that much better.

The Grid, The Globe and Mail, JAM, and The Huffington Post all had conversations with Basia about the new record and release shows.

Photos: Basia Bulat, Warm Myth @ The Polish Combatants Hall – October 11, 2013
MP3: Basia Bulat – “Go On”
MP3: Basia Bulat – “Gold Rush”
MP3: Basia Bulat – “In The Night”
MP3: Ohbijou – “Anser”
MP3: Ohbijou – “Mossy Lungs”
Video: Basia Bulat – “Tall Tall Shadow”
Video: Basia Bulat – “In The Night”
Video: Ohbijou – “Niagara”
Video: Ohbijou – “New Years”
Video: Ohbijou – “The Woods”

With the release of Flying Colours as of today, CBC Music has turned the reins of their website over to Shad who is blogging up a storm with readables. And if you’d rather hang with Shad in meatspace, remember that he’s playing an in-store at Sonic Boom in the Annex tonight at 7PM, has a sold-out show at The Opera House on October 19, and returns to the Danforth Music Hall on January 31.

Yamantaka//Sonic Titan have made another new song from their second album Uzu available to stream via Pitchfork, and also recently stopped in at the CBC for a Q video session. The album is out October 29 and they’ve scheduled a date behind it at The Garrison for November 6.

Stream: Yamantaka//Sonic Titan – “Windflower”

DIY has details on a new EP from No Joy entitled Pastel And Pass Out, which will be out on November 4. One of the new songs from the release is available to stream below.

Stream: No Joy – “Last Boss”

Beatroute and The Ottawa Citizen interview The Sadies about their latest album Internal Sounds. They get external with them at Lee’s Palace on November 15.

Dears frontman Murray Lightburn talks to aux.tv and The Toronto Star about his solo work.

Frank YangWell I certainly didn’t expect that.

Even though Godspeed You! Black Emperor’s surprise comeback record‘Allelujah! Don’t Bend! Ascend! was high on my own ballot and certainly a worthy record by any standard – refer back to my review last October – I had expected that some combination of the band’s own refusal to interact with the media (and thus any of the jury), the relative bleakness/impenetrableness of their music, and just their lack of profile outside of old-school indie circles to stack the odds against them. Apparently not. Proving that predicting the Polaris Music Prize is a tricky, tricky pastime, the name that last year’s winner Leslie Feist read from winner’s envelope wasn’t Zaki Ibrahim or A Tribe Called Red or any of the other acts who were widely expected to walk away with the $30,000 in this unusually wide-open year, but Godspeed.

No one was sure if they’d even acknowledge the nomination though it was a pretty sure thing they wouldn’t show up to the ceremony, and indeed they didn’t. American music journalist Jessica Hopper said a few short words at the gala to acknowledge their nomination and Ian Ilavsky of Constellation Records, Godspeed’s label, said a few words after their win, thanking the jurors and announcing that the winnings would be donated to a program to bring music and instruments to Quebec prisons. There was no giant novelty cheque. And this morning, the band made their own official statement on the win and manage to be entirely gracious while remaining entirely Godspeed.

As to the rest of the gala, it was an eminently enjoyable affair in its fancy new home at The Carlu. Shad and Kathleen Edwards were fine hosts, with the requisite costume skits and making light of the fact that they were both two-time Polaris losers (including both of them in 2008 when my Grand Jury gave the prize to Caribou), as well as leveraging Edwards’ renowned potty mouth towards collecting money for charity via a swear jar on each guest table whenever she cussed. Which was often.

The performances opened with Purity Ring bringing their trademark cocoon lantern stage show to accompany their squelchy electro-pop, followed by and impressive set by R&B artist Zaki Ibrahim with costumes and dancers that was probably revelatory for most in attendance, since she’s hardly if ever performed live in Canada. As they did in 2009, Metric opted to perform acoustic as just the core duo of Emily and James but bringing in a grand piano to fancy things up a bit helped avoid the coffee house vibe of that previous showing.

What with having been sidelined very recently with a broken hand, solo saxophonist Colin Stetson was a surprise performer on the night but showed no ill effects fresh off the DL, turning in the most raw, elemental performance of the night and maybe the history of the Polaris Prize. Tegan & Sara also surprised, not by showing up and performing but by having Toronto’s Choir! Choir! Choir! sub in with a brilliant and buoyant version of “Closer”.

Whitehorse only played one song when they could have easily done two in their allotted time, but that one more than ably showcased their abilities and appeal, with Luke Doucet and Melissa McClelland’s intricately choreographed instrument swapping and looping an impressive demonstration of musicality and chemistry. And it speaks to the diversity of nominees on this year’s short list that Young Galaxy’s set would come across as unusual, what with them being a conventional rock band simply performing a couple of their songs.

A fancy-dress gala might have been an odd first time to see local punk heroes METZ, but their loud and loud and awesome and loud set successfully transformed the Carlu from a storied concert hall that once hosted Frank Sinatra and Glenn Gould into every dirty, grungy basement venue in the world, albeit a really well-lit one. And finally, to wrap the night, A Tribe Called Red added some visual interest to their three-DJ performance with a native break/hoop dancer who, while no Gary the pole dancer, certainly put on a memorable and unique performance.

And then they gave the prize to Godspeed. It’s funny – of all the years the Polaris has been a thing, this was the year I felt least invested in. The couple of records I would have really loved to see make the final round having not, I had a lot of difficulty getting interested in this year’s edition beyond an academic level. And of course, it turns out the album I was pulling for but had basically assumed was out of contention wins, and the gala features some of the very best performances I’ve seen at these things. The Polaris – you just never know. Photos from the gala and a reminder of who the shortlist was below.

Photos: The Polaris Music Prize 2013 Gala @ The Carlu – September 23, 2013

A Tribe Called Red / Nation II Nation (Pirate’s Blend)
Video: A Tribe Called Red – “Electric Pow Wow Drum”

Godspeed You! Black Emperor / ‘Allelujah! Don’t Bend! Ascend! (Constellation)
Stream: Godspeed You! Black Emperor – “Mladic”

Zaki Ibrahim / Every Opposite (Motif)
Video: Zaki Ibrahim – “Go Widdit”

Metric / Synthetica (Metric Music International)
MP3: Metric – “Clone”

METZ / METZ (Sub Pop)
MP3: METZ – “Wet Blanket”

Purity Ring / Shrines (Last Gang)
MP3: Purity Ring – “Obedear”

Colin Stetson / New History Warfare Vol. 3: To See More Light (Constellation)
MP3: Colin Stetson – “High Above A Grey Green Sea”

Tegan & Sara / Heartthrob (Warner Music)
Video: Tegan & Sara – “Closer”

Whitehorse / The Fate of the World Depends On This Kiss (Six Shooter)
Video: Whitehorse – “Achilles’ Desire”

Young Galaxy / Ultramarine (Paper Bag)
Video: Young Galaxy – “New Summer”

Young Galaxy have premiered a stream of another of the new tracks on their Ultramarine deluxe edition, out today, at Stereogum. The Edmonton Journal and Metro have interviews with the band.

Stream: Young Galaxy – “Talk To Her”

The Lab interviews Katie Stelmanis of Austra, who brings their 2014 Polaris-likely second album Olympia to The Phoenix on September 27.

The AV Club is offering an advance stream of Basia Bulat’s new album Tall Tall Shadow before its release next Tuesday, October 1. She plays three nights at the Polish Combatants Hall on October 10 through 12.

Stream: Basia Bulat / Tall Tall Shadow

Beatroute, The Montreal Gazette and CBC Music talk to Nick Thorburn of Islands about their new album Ski Mask. They play The Garrison on October 10.

Noisey have premiered the new video from The Darcys’ new record Warring, while B-Insider has an interview. They play the Adelaide Music Hall on October 11.

Video: The Darcys – “Muzzle Blast”

Shad discusses his new album Flying Colours with Respect. It’s out October 15 and he’s at The Opera House on October 19.

The Weeknd has premiered another video from Kiss Land; his three-night stand at Massey Hall begins October 17.

Video: The Weeknd – “Pretty”

NOW talks to Yamantaka//Sonic Titan, who’ve released a first video from their new record Uzu, coming out October 29.

Video: Yamantaka//Sonic Titan – “One”

Consequence Of Sound reports that Arcade Fire will follow-up their September 27 appearance on Saturday Night Live with a 30-minute concert performance to be shown on NBC – so that’s 1AM EDT, if it was unclear. Elsewhere, Richard Reed Perry tells NME how David Bowie ended up on “Reflektor” and Under The Radar has got a stream of their cover of Peter Gabriel’s “Games Without Frontiers”, appearing on the forthcoming All I’ll Scratch Yours tribute album, out this week. Arcade Fire’s own Reflektor is in stores October 29.

Stream: Arcade Fire – “Games Without Frontiers”

Also streaming from the Peter Gabriel tribute is this track from Feist featuring Timber Timbre; whether you choose to imagine a video featuring Leslie and Taylor clinging to each other for warmth for four minutes is your business.

Stream: Feist with Timber Timbre – “Don’t Give Up”

Destroyer has announced the release of Five Spanish Songs, an EP of songs by Spanish musician Antonio Luque of the band Sr. Chinarro, due out November 29. You may hear some of these songs when Dan Bejar plays The Great Hall solo on November 9. Or you may not.

Stereogum are streaming a new song from Odonis Odonis, presumably from a new album in the works or coming soon or something. They’ve not said.

Stream: Odonis Odonis – “Are We Friends”

Pitchfork welcomes Majical Cloudz for a City Of Music video session.

No Joy have released a new video from their latest, Wait To Pleasure.

Video: No Joy – “Blue Neck Riviera”

aux.tv has an interview with METZ.

Exclaim reports that the limited edition vinyl pressing of the first Super Friendz record Mock Up Scale Down is now a little less limited but more easy to buy, being on sale via murderrecords directly.

Zach SlootskyConsidering how much of the narrative around The Darcys’ first two records were focused squarely on the past – the band’s self-title inexorably tied to the band’s own turbulent history and their Aja cover album to their affection for Steely Dan’s work – it’s understandable that the promotional lead-up to the September 17 release of their new record Warring would be so eyes forward, full steam ahead.

Since its initial announcement at the end of July, they’ve released streams of two new songs and crowdsourced remixes, and last week they premiered a first video at Esquire followed yesterday by another new stream via Tumblr. A full album stream should surface next week sometime, but it’s already a sure thing that Warring is a dark and dramatic work that balances the progressive and accessible.

Further, they’ve announced a first batch of live dates in support of Warring and it includes a hometown record release show at the Adelaide Music Hall on October 11. Tickets for that are $20 and some are bundled with early release LPs available at stores around Toronto now – details here.

Stream: The Darcys – “Hunting”
Video: The Darcys – “The River”

Panic Manual conducts an exit interview with Ohbijou, who go on indefinite hiatus following a farewell show at The Great Hall on September 7.

NPR has an advance stream of The Weeknd’s new album Kiss Land, which is officially out on September 10. He plays three nights at Massey Hall on October 17, 19, and 20.

Stream: The Weeknd / Kiss Land

Southern Souls has a video session with Austra. They play The Phoenix on September 26.

Flare gets fashion spread-y with Carmen Elle of Diana and Basia Bulat, amongst other Toronto musicians. The former plays The Great Hall on September 26, the latter releases Tall Tall Shadow on October 1 and plays The Polish Combatants Hall on October 10 and 11.

Dears frontman Murray Lightburn will bring his just-released solo record Mass:Light to the stage at Adelaide Hall on October 12, tickets $15 in advance with a number of 2-for-1 packages improving the value proposition. The Take has an interview with Lightburn about the new record.

MP3: Murray Lightburn – “Motherfuckers”

Shad has released a new video from his forthcoming Flying Colours, which you can watch below and read (the lyrics) over at Rap Genius. The album is out October 15 and he plays The Opera House on October 19.

Video: Shad – “Fam Jam (Fe Sum Immigrins)”

Maritime singer-songwriter Rose Cousins has announced a North American tour behind last year’s still-wonderful We Have Made A Spark; she’s at The Dakota Tavern on October 17.

MP3: Rose Cousins – “The Darkness”

Exclaim reports that The Elwins are aiming to have their second album out by the middle of next year, but in the meantime are doing what they do second-best – the best being writing super-poppy tunes – and that’s touring their butts off. Amidst dates in Europe, the US, and the rest of Canada, they’ll play a hometown show at The Horseshoe on October 19.

Video: The Elwins – “Helpful Assistance”

Pitchfork talks to Yamantaka//Sonic Titan about their new album Uzu, coming out October 29.

Spencer Krug will release a new album as Moonface on October 29; the first song from Julia with Blue Jeans On is now available to stream.

Stream: Moonface – “Everyone Is Noah, Everyone Is The Ark”

Arcade Fire has posted a trailer for their next album Reflektor, which people are assuming they’ll hear a first and proper sample from on September 9 at 9PM, as per their marketing campaign. Pitchfork has specifics on what is known thus far. The album is out proper on October 29. Update: Consequence Of Sound has the dirt – “Reflektor” is the first single, the video is directed by Anton Corbijn, and the 12″ single of it will go on sale on September 9 at 9PM if you can find a record store that is open then.

Trailer: Arcade Fire / Reflektor

Having had to cancel his June 30 show at The Hoxton, Mac DeMarco has announced the make-up date for that show at the same venue on November 24. The Music has an interview with DeMarco.

MP3: Mac DeMarco – “Freaking Out The Neighbourhood”

After way too long, The Balconies have gotten their second album Fast Motions together and will have it out later this Fall; Ion Magazine has premiered the first video from it.

Video: The Balconies – “The Slo”

Evening Hymns have premiered a new video from last year’s Spectral Dusk at Clash.

Video: Evening Hymns – “Arrows”

Baeble Music has a videos session with Stars.

Noisey talks to Valleys.

Frank YangI don’t spend nearly as much time in the clubs scouting out new local acts as I used to – and relative to some who do this, I never spent that much time on that beat anyways – but last Thursday night at The Boat, I was reminded of what I liked and disliked about it. The “dislike” basically comes down to set times that always run at least a half hour and more likely an hour behind and thus being out far later than I’d like, the generally terrible venue lighting, and the greater than usual odds of seeing music that just doesn’t do anything for you. And under “like”, you’ve really only got one point – the prospect of seeing something great emerge before your eyes and ears.

That wasn’t really the case with Mimico, whom I arrived in time to see but would have missed had things been running on time. The stuff I’d listened to from their self-titled EP wasn’t bad in a rough, Kraftwerk-y post-punk sort of way but they couldn’t translate it live. Perhaps if they’d had their MIA drummer, it’d have been more engaging but as a two-piece synth-guitar duo playing over tinny drum machine patterns, it was far more meandering and failed to come together. But the recordings are pretty good for what they are, so I’ll not write them off yet.

I actually shouldn’t pretend that I was simply out scouting for new blood on this night; I’d covered Fresh Snow in this year’s NXNE coverage and had seen them play a couple times in Spring 2012, when they were a much greener act – so decidedly known quantities. But the occasion of the release of their debut album I merited another writeup because a) the album is really quite good, and b) I needed something to blog about.

To the former point, the shorthand on Fresh Snow is that they’re an instrumental, kinda post-Krautrock band – and it’s true that they like the drone and the noise in equal measure. But sandwiched between I‘s bookends of “French Horse Hall Of Fame” and “Saturation Complete” – which amount to almost 30 minutes of the a glorious combination thereof – they also get positively pop (“Helix Pass”) and show off a deft touch for dreamy ambience (“Los Vientos Del Tempo”) en route to a solid initial statement. It’s made up of a lot of things you’ve heard before, but taken as the big picture, there’s enough dynamics and ideas that the Fresh Snow ethos feels remarkably original.

As for the show, it wasn’t far removed from the NXNE performance. Their instrumental intro took too long to coalesce into something coherent, but once they got their feet under them it was full steam ahead. For the numbers of synths they had on stage, they spent much of the show in a decidedly conventional guitar-bass-drums (plus violin) configuration that offered all the loud and driving rockists could want and made for a solid wrestling match of control and chaos. A few interruptions in the flow of the show – though nothing like the power outages in June – kept it from becoming the fully hypnotic experience it could have and should been, but as a record release and coming out party, it was an impressive one.

Photos: Fresh Snow, Mimico @ The Boat – August 8, 2013
MP3: Fresh Snow – “Saturation Complete”
MP3: Fresh Snow – “BMX Based Tactics”
Video: Fresh Snow – “Saturation Complete”
Stream: Mimico / Mimico

Snowblink reveals to NOW that their next release will be a death-themed covers EP called I Am a Hall Of Fame; Post City also has an interview. They play BLK BOX as part of the Summerworks music series on August 14.

MTV is streaming four tracks from Mass:Light, the new solo record from Murray Lightburn; it’ll be out August 20. EastScene also has an interview with the Dears frontman.

Braids are streaming another track from Flourish//Perish, though with its August 20 release date just around the corner, expect the whole thing to start streaming any moment now. They play BLK BOX on November 10.

Stream: Braids – “Freund”

NME introduces their readers to Diana, just in time for the August 20 release of Perpetual Surrender. They play The Great Hall on September 26.

Fucked Up have been announced as the musical guests for the September 5 edition of First Thursdays at the Art Gallery Of Ontario, an event which will also feature a live video chat with artist Ai Wei Wei.

MP3: Fucked Up – “A Little Death”

NPR is streaming one of two new Stars songs which will be released as a 7″ single on September 10.

Stream: Stars – “Wishful”

aux.tv and Beatroute have interviews with Louise Burns, who supports Lightning Dust at The Drake Underground on September 10.

The Chicago Tribune and Metro get to know Devon Welsh of Majical Cloudz. They play Wrongbar on September 17.

Islands have premiered a second taste of their new album Ski Mask via Spin ahead of its September 17 release, while Chart also has a video session. They play The Garrison on October 10.

Stream: Islands – “Becoming The Gunship”

Folks looking for an excuse to hang out in the park before Autumn well and truly rolls around should know about the Bloor Ossington Folk Festival, happening on September 21 and 22 at Christie Pits and featuring live music from the likes of The Golden Dogs, Memoryhouse, and Beams and two special secret headliners who – let’s face it – are almost sure to be Arcade Fire and Broken Social Scene. Unless they’re not.

MP3: The Golden Dogs – “Travel Time”
MP3: Memoryhouse – “Quiet America”

Stereogum has an interview with Katie Stelmanis of Austra. They play The Phoenix on September 27.

Run Riot talks to Basia Bulat about her new record Tall Tall Shadow; it’s out October 1 and she plays The Polish Combatants Hall on October 10.

Yamantaka//Sonic Titan has announced details of their second album as well as sharing the first track, and Pitchfork is on it. Uzu will be out on October 29.

Stream: Yamantaka//Sonic Titan – “One”

Arcade Fire haven’t announced the title of their new album, out October 29, but the internet rumour mill is saying Reflektor and this website is certainly Arcade Fire-y in its crypticness. They’re less coy about the fact that they’re also scoring the new Spike Jonze film Her, because Pitchfork said so.

Dan Bejar is taking Destroyer back on the road this Fall with Pink Mountaintops as support but without a band. He’ll be exploring his songbook in solo style and also promises some new songs in the mix. Exclaim has full dates and details, including a November 9 date at The Great Hall.

MP3: Destroyer – “Chinatown”
MP3: Pink Mountaintops – “Vampire”

Spin has premiered the new (and first?) video from Born Ruffians’ latest album Birthmarks. They play The Danforth Music Hall on November 22.

Video: Born Ruffians – “Needle”

Rose Cousins has released a new video from last year’s wonderful We Have Made A Spark.

Video: Rose Cousins – “For The Best”

Evening Hymns have posted a complete livestream of a show in Kelowna, British Columbia last week. There’s also interviews with Jonas Bonetta at The Gate and The Edmonton Journal.

Chad VanGaalen fills in Exclaim on what he’s been up to.

Jim Guthrie road trips down to NPR to play a Tiny Desk Concert.

Earshot interviews Gold & Youth.

Dan Boeckner talks to Exclaim about his new project Operators, which he’ll presumably be more focused on once Britt Daniel puts Divine Fits on the back burner to concentrate on the next Spoon record.

Frank YangI’m sure some would look at the last full day/night of a music festival as an opportunity to go hard or go home, I took NXNE’s Saturday schedule as an opportunity to go small and go (relatively) local. I’d kept a pretty conservative schedule through the festival this far, after all, why stop now?

I started out at Supermarket in Kensington to see Vancouver’s Data Romance. I wasn’t really familiar with them before stumbling across their stuff in the NXNE listings, and liking what I heard, gave them a shot. And indeed, armed with a healthy array of drum pads, synths, and laptops, duo Ajay Bhattacharyya and Amy Kirkpatrick, put on a very likeable set of electro-pop drawn from their debut album Other, the former playing electronic drums live to keep things organic and the latter adorably charismatic, her voice expressive without being excessively showy. They specialized in soulful, synthy ballads that would feel like part of the zeitgeist had it come out of the UK right now, but coming from western Canada, sounds rather unique. Accessible, interesting, and well-crafted, Data Romance could and should find a broad audience.

Photos: Data Romance @ Supermarket – June 15, 2013
MP3: Data Romance – “Spark”
Video: Data Romance – “Can’t Keep Your Mind Off”
Video: Data Romance – “The Deep”
Video: Data Romance – “She’s Been High”

Next it was to the Creatures Creating studio space – or more accurately, the tinfoil and lightshow-adorned basement of the studio space – where Toronto music and arts institution Wavelength was holding the final night of their NXNE showcases and previewing their upcoming Roadshow tour which would send three Toronto bands on the road to do their thing across Ontario and Quebec over the next couple weekends. The first of these, Most People, comprised just two people and a whole lot of musical gear of the guitar, bass, percussion, and electronic persuasion which they alternated between tag team-style while building sound-on-sound pop songs that seemed to fold in on themselves but straightened themselves out when needed, being sure to leave the hooks exposed. While their yelpy vocal stylings weren’t to my taste and the songs could stand to be more concise, there’s no denying they were fun to watch. And I’m not just saying that because they’re the only band I’ve ever seen with the same guitar amp as I have. Solidarity!

Photos: Most People @ Creatures Creating – June 15, 2013
Stream: Most People / Most People

I’d seen local jazz-noir collective Del Bel a couple times last year, but never with as lean a lineup as they had on this night – just five pieces, though I would imagine the logistics of getting any larger a group than that together and able to tour would be nigh on impossible. Even stripped down, though, they were able to both do the dark, evocative sounds of their debut Oneiric justice and give them a fresh angle that suited the boozecan feel of the room. Some new material from their forthcoming second album was also showcased, and affirmed that they’re still one of the most interesting and promising new acts bubbling under in Toronto.

Photos: Del Bel @ Creatures Creating – June 15, 2013
MP3: Del Bel with Bry Webb – “No Cure For Loneliness”

I feel as though I should offer a disclaimer about Fresh Snow – I used to be in a band with guitarist Brad Davis and have been friends for many years – but even without the personal angle, I would be excited to be writing about the band. What started as an interesting Krautrock-jam project has become a genuinely exciting psych-rock experience that exists at intersection of calculated and cacophonous. They can shift from Godspeed to Kraftwerk to Mogwai within the same song, and then segue to eminently danceable synth-led disco a few minutes later with some pleasantly woozy violin lines offering a decidedly human counterpoint to the mechanical rhythms driving things. And they might also blow the power in the venue a couple times, but nothing worthwhile comes without some cost. Their debut album i is due out in late July.

Photos: Fresh Snow @ Creatures Creating – June 15, 2013
Video: Fresh Snow – “Saturation Complete”

And that was my NXNE for 2013. Not nearly as intense as past years, but just about the right pace to keep me interested and alive. Trust me on that last point.

Unsurprisingly, with this year’s festival in the books, some of the buzzier bands who had undersized showcases have already announced bigger/proper shows for the not-too-distant future. Braids spin-off Blue Hawaii will be at Wrongbar on July 28 in support of their debut Untogether, released earlier this year and from which they’ve just released a new video.

MP3: Blue Hawaii – “In Two II”
Video: Blue Hawaii – “Reaction II”

And Majical Cloudz, who by all accounts was pretty intense in their showcases, continue to promote their debut Impersonator with a show at Wrongbar on September 17, tickets $12. The Toronto Star has an interview with frontman Devon Welsh.

MP3: Majical Cloudz – “Bugs Don’t Buzz”

The ALL CAPS! music festival has decided that five is enough and that this year’s edition, taking place at Gibraltar Point on the Toronto Islands across August 10 and 11, will be the final one. And who better to send it off with a fitting party than Rich Aucoin, who will headline the Sunday night alongside Brooklyn’s The Blow – closing out Saturday – and a lineup that also includes catl, Shotgun Jimmie, Elfin Saddle, and more, not to mention a whole lot of other arty stuff. A very limited number of camping passes go on sale June 25 for $52 early bird and $69 lollygagger, and festival passes where you have to go home for $24 going up to $30. Single-day tickets are $17 in advance.

MP3: Rich Aucoin – “It”
MP3: The Blow – “Hock It”

With a new double-album in Drifters/Love Is The Devil just out, Taiwan-born Montreal-based no-fi rockabilly act Dirty Beaches has announced Fall tour that hits The Garrison on September 11, tickets $13 in advance. Exclaim and Stereogum talk to Alex Zhang-Hungtai – he who is Dirty Beaches – about his latest opus.

Video: Dirty Beaches – “Casino Lisboa”

Interview, DIY, and Noisey talk to Katie Stelmanis of Austra, whose new record Olympia came out this week. They play The Phoenix on September 27.

Dears frontman Murray Lightburn has release the first MP3 and video from his forthcoming solo album Mass:Light; contrary to what I reported last month, the album itself has no announced release date yet.

MP3: Murray A. Lightburn – “Motherfuckers”
Video: Murray A. Lightburn – “Motherfuckers”

Beatroute has an interview with Toronto’s July Talk.

The Besnard Lakes talk to Beatroute.

The Georgia Straight and Beatroute check in with Yamantaka//Sonic Titan.