Joe FudaThis week’s eye has a feature piece on local label Out Of This Spark, whose second anniversary is the impetus for your best entertainment option this Saturday night as the label’s entire roster will take the stage at the Tranzac. That’s the lineup that includes a couple of personal faves and a couple others I’m just starting to make the acquaintance of.

In the former camp are post-punkers The D’Urbervilles, whose rather excellent full-length debut from last year, We Are The Hunters, is going to be getting a much-deserved US release, and Forest City Lovers (pictured), whose beautifully understated album Haunting Moon Sinking was one of the overlooked gems of 2008. It’s been a while – too long – since I’ve seen either act live, and I’m looking forward to rectifying that. In the “less known to me” department are Jenny Omnichord, whose special guest-laden Charlotte or Otis : Duets for Children, Their Parents and Other People Too is a sweetly odd and charming little childrens’ album and Timber Timbre, who are releasing their new self-titled album next week and whose amalgam of folk and blues is a bit unsettling, but also compelling. They’re also playing an in-store at Soundscapes next Thursday at 7PM.

Admission to the to-do is $10, $8 with a donation of canned food.

MP3: The D’Urbervilles – “Hot Tips”
Videos: Forest City Lovers – “Pirates”
Videos: Forest City Lovers – “Please, Don’t Go”

Pitchfork has more tour dates for Human Highway, including a date and venue for their previously announced appearance at Canadian Musicfest – look for them March 13 at the Horseshoe.

MP3: Human Highway – “The Sound”

And speaking of Canadian Musicfest, the lineup has fleshed out a little more with some of the bigger-name additions including The Ting Tings and… well, that’s all I noticed that was new since last time. Precise date and venue for that one still forthcoming.

Rollo & Grady interview Mark Hamilton of Woodpigeon and filch one of my photos in the process. This is me shaking my fist. Treasury Library Canada is out Februrary 3.

To the surprise of no one, a second date for the Constantines/Weakerthans “Rolling Tundra Revue” tour has been added – there’s now an April 1 date to go along with the previously-announced March 31 one at the Phoenix. No foolin’.

The Henry Clay People, whose For Cheap Or For Free was endorsed in November, will be joining The Airborne Toxic Event on their Spring tour which passes through the El Mocambo on March 4.

MP3: The Henry Clay People – “Something In The Water”
MP3: The Henry Clay People – “Working Part Time”

The Sydney Morning Herald gets an update on Nick Cave’s literary aspirations.

XLR8R talks to Ben Curtis of School Of Seven Bells.

Okkervil River were on Letterman last night. It looked (and sounded) a little like this:

Video: Okkervil River – “Pop Lie” (live on the Late Show with David Letterman)

The Georgia Straight interviews Glasvegas, in town at the Mod Club April 3.

Anathallo have a date at the El Mocambo on February 3, tickets $12. Their new album is Canopy Glow.

The New Year, who must feel tremendous pressure to be topical and interesting every January, oblige with a new video, a brief interview and free download at Stereogum and an interview at the Dallas Observer.

Video: The New Year – “Seven Days And Seven Nights”

Is this Frightened Rabbit video an official one? Not sure, but it is cool. And that’s good enough.

Video: Frightened Rabbit – “I Feel Better”

The Daily Yomiuri amuse Stuart Braithwaite and Barry Burns of Mogwai by calling them a “shoegaze” band.

Wireless Bollinger talks to Andrew Bird, who is releasing Noble Beast on January 20 and playing the Queen Elizabeth Theater on April 3.

MySpaceWhilst perusing the current issue of eye, I noticed something on the full-page announcement of the Bloc Party show at the Kool Haus on March 14 – an image and url for something called Canadian Music Fest. As it turns out, it wasn’t nearly as interesting as I’d initially hoped – just a rebrand of the venerable Canadian Music Week festivities, but with the live showcases now being presented under a slightly different banner than the conference/business-y side of things.

But what was more interesting was the fairly extensive list of artists already confirmed to play CMF/CMW/whatever the weekend of March 12 to 14, and I’m especially pleased to see that London’s 6 Day Riot are coming back to town. They beguiled this past June at NxNE and should do much the same on the return engagement, though I hope they’re prepared for a decidedly different climatological experience this time around. They’ll be spending the first bit of the new year in the studio recording album number two, so I look forward to hearing some new material.

And on the domestic side – it is a Canadian music fest, after all – expect appearances from Basia Bulat, Chad Van Gaalen, Angela Desveaux, Gentleman Reg, Human Highway, Malajube, The Acorn and The Rural Alberta Advantage, amongst many others.

Not playing this fest but hopefully coming to town sooner rather than later regardless are Woodpigeon – they’ll be releasing Treasury Library Canada on February 3 and have made available an MP3 both from it and the companion/bonus album Houndstooth Europa. They’ve also made a new video.

MP3: Woodpigeon – “Love In The Time Of Hopscotch”
MP3: Woodpigeon – “Oberkampf”
Video: Woodpigeon – “A Moment’s Peace for Mary Christa O’Keefe”

Toronto-based label Out Of This Spark will celebrate its second anniversary with a show at the Tranzac on January 10 featuring their entire lineup, which is to say The D’Urbervilles, Forest City Lovers, Timber Timbre and Jenny Omnichord. Admission is $8 with a canned food item, $10 without. And the same bill will be at the Albion Hotel in Guelph on January 16.

NME, Paste and Pitchfork talk to Win Butler about the new Arcade Fire film Miroir Noir, available now digitally and by the end of March as a DVD.

To mark the peculiar happening of “Halleleujah” placing both #1 and #2 on the UK singles charts this week (the former a cover of Jeff Buckley’s version of the song by some pop poppet, the latter Jeff Buckley’s version of the song), The Scotsman has a feature on Leonard Cohen and The Telegraph a list of the 20 most interesting things about the song that will pretty much ensure that Lenny’s financial troubles are a thing of the past.

Austin’s …And You Will Know Us By The Trail Of Dead will release The Century Of Self on February 17 and roll into Lee’s Palace on March 4, tickets $18.50.

That same day, February 17, Ben Folds is at the Kool Haus, $30.50 in advance.

Witch, who are notable largely for the fact that their drummer is one J Mascis, have a date at the Horseshoe on February 20. Tickets $10.50.

So Much Silence has graciously ripped an acoustic Hold Steady session at KEXP for your listening pleasure.

John Darnielle is offering up a handful of unreleased and really old Mountain Goats tracks for download in the spirit of the season in hopes you’ll “pay it forward”, as they say. If looking for a cause, may I suggest a donation to the Humane Society of Durham, which tragically burned down last week. Goodness knows they need the help right now.

BlurSo it seems the holidays are officially upon us. I know this because I skipped out of work early yesterday, and the streetcar was packed with people doing exactly the same thing. And as things everywhere wind down, so too will things around here. I’ll still post as long as there’s stuff to post about, but I intend to utilize the downtime to catch up on some reading, movie watching, shopping… real world stuff.

But I’ll wind out the week with this really interesting piece from The Guardian, wherein they talk to the people who served as inspiration for famous songs throughout the years. Like the guy who owned Blur’s “Country House”, the girl whom The Beatles said was “Leaving Home”, she whose name is “Geraldine” and is Glasvegas’ social worker and Patti Boyd, who both had something in the way she moved and also went by “Layla”. Worth a read, perhaps this afternoon between glances at the clock every few minutes, waiting for 5:00.

And if that’s not enough, there’s a variety of sessions that’ve gone online in the last couple days that are worth your while.

NPR gets Mercury Rev to record a session with legendary producer Steve Lillywhite. The Montreal Mirror and Chicago Reader have interviews.

Daytrotter has a Crooked Fingers set available to download.

Bandstand Busking gets Asobi Seksu to play a few songs, busker-style. Their new album Hush is out February 17. And digging through the archives also reveals similar sessions with The Acorn (session) and Frightened Rabbit (session). Nice.

MPR has Longwave over to play a few. They’ve got a new vid from new album Secrets Are Sinister and The Columbian has an interview with frontman Steve Schlitz.

Video: Longwave – “Shining Hours”

Stereogum’s Decomposed puts on The Uglysuit.

NPR talks to School Of Seven Bells.

The Age profiles Fleet Foxes.

I’d mentioned in my favourites of 2008 post that the Woodpigeon record which made the list was a limited release and currently unavailable, but that it’d re-released soon – as Exclaim reports, “soon” means February 3. On that day, Treasury Library Canada will be available again in regular retail outlets and come with a ten-track bonus disc entitled Houndstooth Europa. And if that’s not enough Woodpigeon for you, their next album Die Stadt Muzikanten will be released in the Fall.

Von Bondies have a date at the Horseshoe on February 13, full tour dates at Plug In Music. Their new album Love, Hate And Then There’s You is out February 3.

Part of Drowned In Sound’s year-end coverage has involved soliciting “best of year” picks from various artists including Sky Larkin, Shearwater, Frightened Rabbit and School Of Seven Bells, the results of which are available in three parts. Filter has also been collecting Top 10 lists from a slew of acts and compiling them at eRockstar.

Erin Nicholson

2008 has been a curious year. In assembling this obligatory list of my favourite records of the year, I found it a much more difficult task than past years. This was partly because the list of “no-brainer” records that were gimmes for year-end accolades seemed much slimmer than usual, and as such I had to do a lot more thinking about what would make the cut. Not to take anything away from those records who are listed below – all are excellent records that have soundtracked the past twelve months quite nicely – I just usually don’t have to think about things this much.

The other interesting thing is how the records that seem to be topping most everyone else’s lists are conspicuously absent from mine. Your Fleet Foxes, your Bon Ivers, your Vampire Weekends. I spent a goodly amount of time with most of these albums and mostly agree they’re fine albums (Vampire Weekend excepted, that one just bugs me), but they just didn’t move me the way they obviously have others. Curious.

Instead, what I find is a heavy representation from the UK, which doesn’t really surprise me considering this was the year I fully indulged my innate Anglophilia and actually visited London for the first time. I’m surprised there’s only three artists represented that I’d have called myself a fan of prior to this year – hell, six of them I’d never even heard of when 2008 began. The Canadian content is made up of records that were released wholly independently. There’s also a strong folk/roots representation which I should be used to by now, seeing as how it crops up most every year. Maybe my musical tastes aren’t quite as broad as I’d like to think. It really is a bit of a strange list, all things considered, but even though it was assembled a bit hesitantly, I’m very comfortable with how the chips have fallen. So let’s have a look.

And great thanks to Vancouver-based artist and web designer Erin Nicholson, who took my half-assed idea for an artwork meme and turned it into something completely awesome – please do click on all the images to see larger versions. Though I really have no idea how I’m going to top this next year.

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Bill CarterI had any number of reasons to be feeling good after seeing Calexico on their last visit through town in July. There was the fact that I’d just seen a terrific live band in a venue half the size from what they normally play, or also the fact that without a particular album to promote they’d opted for a set list that ranged all across their career. But what was most exciting was the fact that the new material that got showcased sounded terrific, and proved that the band had gotten the ill-suited songwriter-pop out of their system and had returned to the sun-bleached Tejano-rock that they do so well. Their next album would be cause for anticipation, not trepidation.

And that album, Carried To Dust, doesn’t disappoint. From the opening notes of “Victor Jara’s Hands”, there’s an unmistakable atmosphere and earthiness that was absent from Ruin and is a fundamental part of Calexico’s sound – the titular Dust, perhaps. Similarities can be drawn to their previous highwater mark, Feast Of Wire, but even in recalling their past Calexico still plough forward. They capture the musical ranginess and restlessness of that record but cast it in a ghostlier, more slow-motion context. They also maintain the focus on song structure and vocals that came out of Garden Ruin, in fact Dust features a wide range of guest vocalists to compliment Joey Burns and all of whom manage to enhance the proceedings, never detract. Once again making the sort of music that only Calexico can make, they may have rebounded from the worst record of their career with what could well be their best.

Calexico are returning to Toronto on November 18 for a show at the Phoenix, and courtesy of Against The Grain, I’ve got two pairs of passes to give away for the show. If you want them, email me at contests AT chromewaves.net with “I want to be carried to dust” in the subject line and your full name in the body and get that in to me by midnight, November 13.

Blurt and The Dallas Observer have feature pieces on Calexico and FabChannel is streaming a gorgeous video of a recent show in Amsterdam.

MP3: Calexico – “Two Silver Trees”
Video: Calexico – “Two Silver Trees”
MySpace: Calexico

Mojo features the band that opened up for Calexico that night at the Mod Club, Calgary’s Woodpigeon, and also offers a track from their Songbook album which was just-released in the UK but isn’t available at all in Canada. Go figure.

MP3: Woodpigeon – “Home As A Romanticized Concept Where Everyone Loves You Always And Forever”

Another Canadian band that’s been opening some US dates for Calexico is The Acorn. Their November 27 show at Lee’s Palace with Ohbijou – already guaranteed to be a fantastic evening – just got that much more fantastic with the addition of The Rural Alberta Advantage to the bill. Best lineup ever? Quite possibly.

Sam Roberts will be playing an in-store at Sonic Boom on November 15 at 3PM in advance of his show at the Music Hall, the last of a four-night stand.

This Is Fake DIY has a video interview with Ra Ra Riot.

Pitchfork reports that Okkervil River frontman Will Sheff and one-time Okkervil River guitarist and full-time Wren Charles Bissell will cover each other on a long-awaited, oft-delayed 7″ release with Sheff doing the Wrens’ “Ex-Girl Collection” and Bissell doing Okkervil’s “It Ends With A Fall”. It’ll be in limited release (shows, mail order, etc) on December 9 and in wide release sometime in January.

Nicole Atkins discusses her recent covers EP with The Washington Times.

Filter has posted online their recent cover feature on Conor Oberst.

Gotham Acme talks politics and music with Patterson Hood of Drive-By Truckers. The New York Daily News sticks to the music. The Truckers are at the Phoenix on Tuesday night with The Hold Steady – congrats to Kim and Luke who won the passes to the show.

Wayne Coyne of The Flaming Lips discusses Christmas On Mars with The Times. The DVD and soundtrack are out on Tuesday.

The Indianapolis Star profiles Blitzen Trapper, who’re at the Phoenix opening up for Iron & Wine next Thursday.