Frank YangSomeday, possibly not too far in the future, I will have to either admit that Canadian Musicfest begins in earnest on Wednesday nights now, and not Thursdays as it has in the past, or begin ignoring it completely. It’s currently even odds as to which it’ll be. But either way, the 2011 edition started for me on Thursday evening at Lee’s Palace, which would be my only stop for the evening. Hey, it’s not my fault that the programmers put together a bill worth staying put for. Though it is my fault that I’m lazy. Anyways.

I’ve seen The Wilderness Of Manitoba a number of times, most recently last November. And while the intervening months have been eventful for the band, most particularly in the form of a US release for their debut When You Left The Fire come May – their live show continues to be refinements of that with which they’ve been building their audience for the last while. Which is to say, pretty harmony-laden folk-pop that served as a welcome acoustical blanket on a damp, cold night as this one. It was good to see that when obliged to fill the largest room I’ve seen them in, at least, there were not only able to embiggen their sound to fill it out, but they did so by adding some instrumental breaks that introduced a welcome little bit of darkness and/or even chaos to the edges of their sound. Given how good and versatile players they all are, it’d be nice to see the musicianship of the band be given as much weight as their vocals. Or they should go completely post-rock their next time out.

Torontoist and Toro have interviews with the band and a new video has premiered over at Paste.

Photos: The Wilderness Of Manitoba @ Lee’s Palace – March 10, 2011
MP3: The Wilderness Of Manitoba – “Hermit”
MP3: The Wilderness Of Manitoba – “Mother Song”
Video: The Wilderness Of Manitoba – “Orono Park”
Video: The Wilderness Of Manitoba – “November”

At first I thought it was odd that I hadn’t seen Miracle Fortress since Summer 2008, but while Graham Van Pelt hasn’t been completely in hiding since then, he hasn’t provided a lot of opportunities to see his solo project live. Partly because he was concentrating on his disco-rock outfit Think About Life and partly because, apparently, it takes a while to completely deconstruct and reconstruct yourself creatively. This, at least, was what could be inferred from his set, which completely eschewed his 2007 debut Five Roses in favour of new material from his second album which is being teased with the acronym WITW? and is due out in April. The My Bloody Beach Boys ’60s/’90s dreampop of the debut has largely been checked in favour of a sleeker, more synthetic ’80s-ish Depeche Shop Boys sound – albeit more guitar-heavy – and while the aesthetic shift take a moment to adjust to, what matters is that Van Pelt’s impeccable songcraft still underpins it all and it sounds fantastic. In addition to the stylistic shifts, Miracle Fortress has also shed the conventional band configuration that it grew into circa Five Roses and this time out, was just Van Pelt on guitar and synths, a drummer basically doubling the pre-recorded rhythm tracks and a laser-light show which probably could have used some smoke machine support for full effect. Still, for such a limited setup, the show had a lot of physicality and energy and affirmed that if you’d forgotten about Miracle Fortress and their greatness over the past few years, prepare to be reminded.

Spinner and eye also have reviews of the performance.

Photos: Young Galaxy @ Lee’s Palace – March 10, 2011
MP3: Miracle Fortress – “Have You Seen In Your Dreams”
Video: Miracle Fortress – “Maybe Lately”
Video: Miracle Fortress – “Have You Seen In Your Dreams”

Winnipeg’s Imaginary Cities must have felt like they won the lottery when tapped to open up for Pixies on their upcoming North American tour, but judging on their Canadian Musicfest set if they’re going to make the most of the opportunity, they’ve got a little more work to do on their live performance. What they can’t do much about, and probably shouldn’t, is their material, which is solid if not overly remarkable pop-rock – it’s not their fault that it’s rather conventional-sounding next to the Pixies’ genre-bending/defining body of work. But the delivery of said material could be improved; while it certainly looked like they were having a good time, with bandleaders Rusty Matyas and Marti Sarbit looking all smiles on stage, they moved and performed with a decided stiffness and self-consciousness, like when Matyas went for the foot-on-the-monitor move at a moment when not only was he not taking a solo, but his guitar wasn’t even audible in the mix. But to their credit, the show and the material both improved as their set progressed and it became clear that they excelled at the mid-tempo pop numbers rather than when trying to rock out.

Spinner and The Montreal Gazette have interviews with the band.

Photos: Imaginary Cities @ Lee’s Palace – March 10, 2011
MP3: Imaginary Cities – “Hummingbird”

The rehabilitation of Young Galaxy around these parts has come a long way thanks to their latest album Shapeshifting, but that re-appraisal hadn’t yet extended to their live show. A poor first impression in early 2007, wherein they seemed to be some combination of bored and stoned, was mitigated somewhat in Summer 2008 opening up for Death Cab on the Islands and I was hoping that this outing, bolstered by the best material they’ve had to work with, would move them firmly into the plus column.

About midway through their set, Stephen Ramsay apologized to the audience for not being “slick” yet with regards to their show, and it wasn’t unjustified – there were some sound issues, the four-piece band had a lot of gear to wrangle and they weren’t going to be mistaken for a well-oiled machine. But despite the hiccups, it was impressive how well they were able to find the right balance of organicness and synthesis, maintaining the studio-ness of the recordings’ while giving them the humanity necessary to make them come along on stage. And it had the desired effect on the audience, as the well-filled room was dancing – or at least swaying – with the pulse of the music and it didn’t go unnoticed on the band. Ramsay and the decidedly pregnant Catherine McCandless were clearly pleased with the turnout and the response, appearing more engaged and probably feeling pretty validated in the risks taken to get to this point – clearly the critical rebirth of Young Galaxy extended to themselves.

NOW has a feature interview on Young Galaxy while Panic Manual and Spinner were also in attendance.

Photos: Young Galaxy @ Lee’s Palace – March 10, 2011
MP3: Young Galaxy – “Peripheral Visionaries”
MP3: Young Galaxy – “We Have Everything”
MP3: Young Galaxy – “Cover Your Tracks”
MP3: Young Galaxy – “Long Live The Fallen World”
MP3: Young Galaxy – “Outside The City”
MP3: Young Galaxy – “Come And See”
MP3: Young Galaxy – “Swing Your Heartache”
Video: Young Galaxy – “We Have Everything”
Video: Young Galaxy – “The Alchemy Between Us”
Video: Young Galaxy – “Outside The City”
Video: Young Galaxy – “Come And See”

A little bit of sleuthing my Exclaim has revealed a June 7 release date for Fucked Up’s new record David Comes To Life. They also reported last week that the band would be performing a live soundtrack to the 1928 silent film West Of Zanzibar as part of the Images Festival. It’ll happen on the closing night of the festival, April 9, at the Toronto Underground Cinema and cost $12 in advance.

Diamond Rings has released another video from Special Affections.

Video: Diamond Rings – “It’s Not My Party”

Southern Souls has a video session with Land Of Talk, filmed in Toronto’s Kensington Market.

TV On The Radio have made a track from their forthcoming Nine Types Of Light available to download. The album is out April 12 and they play The Sound Academy on April 18.

MP3: TV On The Radio – “Caffeinated Consciousness”

For Folk’s Sake and The New Current interview Nicole Atkins. NPR is streaming her recent WXPN session while NYC Taper is sharing a recording of the homecoming finale of her recent tour.

J Mascis lists his favourite guitarists for The Guardian. His solo record Several Shades Of Why is out on Tuesday.

The Chicago Tribune profiles Warpaint, in town at Wrongbar on March 26.

Samantha CardowWith festivals come hard choices, and for this year’s edition of Canadian Musicfest, getting underway with a handful of events tonight and in earnest as of tomorrow, I am choosing to eschew the club-hopping-ness that typically comes with these sorts of fest and largely plant myself in one place for each evening. Hard choice or lazy choice? A little of both.

But just because I am staying put doesn’t mean that I recommend others do the same. So by way of festival preview, here’s a list of stuff that I almost certainly won’t be going to but that you should, or at least should investigate. As for what I am going to be seeing over the next few nights, well you can wait for the post-mortem for that.

Wednesday, March 9
Snowblink @ The Painted Lady, 10PM – their release party for the beauteous album Long Live this past weekend apparently a carnivalesque success, the Toronto duo have announced their festival showcase. If you missed the Music Gallery show, as I did, you should make this one, as I will not.
MP3: Snowblink – “The Tired Bees”

Alcoholic Faith Mission @ Rancho Relaxo, 12AM – acoustically-inclined pop-rock comprised of Danes who met in Brooklyn will be all over Toronto this week, following this show with a midnight engagement at The Dakota Tavern on Friday night and an 8PM opening slot at The El Mocambo on Saturday night.
MP3: Alcoholic Faith Mission – “Running With Insanity”

Thursday, March 10
Modern Superstitions @ The Horseshoe, 8:30PM – this local quartet delivers scrappy garage rock with a healthy dose of hooks, attitude and not a little sex appeal. Only an EP to their name right now but more and better will come.
MP3: Modern Superstitions – “Visions Of You”

Molly Rankin @ The Horseshoe, 9:20PM – caught a bit of this Nova Scotia native – yes, of those Rankins – during a BBQ at NXNE last year, and her rootsy power-pop made an impression, even over the sound of me eating a tasty burger. She has members of Two Hours Traffic in her band, presumably voluntarily.
MP3: Molly Rankin – “Bombshell”

Heartbeat Hotel @ The Silver Dollar, 10PM – rising locals continue to refine their heady brew of psychedelic pop, and hopefully their live show will be as good as their recorded works – maybe it’ll happen this evening!
MP3: Heartbeat Hotel – “Fins Of A Shark”

Memoryhouse @ The Great Hall, 10:45PM – hey, didja hear? The local dreampop duo has signed to Sub Pop. Not that you need the validation of some big American indie label to know that these guys are great and worth seeing. No, you’re smarter than that.
MP3: Memoryhouse – “Lately (Deuxieme)”

The High Dials @ Hard Luck, 11PM – this venue is pretty new but I’m reasonably certain it’s not a drug front for the mob. The High Dials, on the other hand, have been around for ages and I am certain they’re still putting out some of the sharpest power-pop around.
MP3: The High Dials – “Chinese Boxes”

The Darcys @ The Silver Dollar, 11PM – long one of the city’s most bursting-with-potential as well as sort-of snakebit bands, their new – and first? – second album is done and should finally deliver on their immense promise. Appreciate their ubiquitousness on local stages while you can.
MP3: The Darcys – “The House Built Around Your Voice”

Halves @ The Hideout, 12AM – these Dublliners were playing at Whelan’s Pub in Dublin the very same night I was there in 2008. I didn’t go upstairs to see them, drank a Guinness instead. TRUE STORY. They cultivate a gorgeous, post-rock with vocals vibe reminiscent of Early Day Miners and are also playing Friday at The Comfort Zone at 8PM.
Video: Halves – “Medals”

Austra @ Wrongbar, 1AM – the artist formerly known as Private Life formerly known as Stelmanis formerly known as Katie Stelmanis has finally settled on an identity and a sound – dark electro-pop – and is reaping the benefits and buzz from it. Her debut Feel It Break is out in May.
MP3: Austra – “The Beat & The Pulse”

The Butterfly Explosion @ The Hideout, 2AM – the Irish shoegazers have visited before and broken up and reformed in the interim, and have now drawn an unenviable insomniac/unemployed time slot. If you’re still out and about at that hour and looking for something to see, they won’t disappoint.
MP3: The Butterfly Explosion – “Sophia”

Friday, March 11
Rebekah Higgs @ Supermarket, 9PM – Haligonian songwriter constantly trying to reconcile her folkish roots and electronic inclinations with tuneful results. Her Little Voice EP offers a taste of the new full-length coming soon.
MP3: Rebekah Higgs – “Asleep All Winter”

Aidan Knight @ The Rivoli, 10PM – BC singer-songwriter whose debut album Versicolour is an understated gem, and whose live show is charmingly goofy. Also playing a day show out Trinity-Bellwoods way at 4:40PM on Saturday.
MP3: Aidan Knight – “Friendly Fires”

The Jezabels @ Lee’s Palace, 10PM – Australian rock act here all the way from Australia. Dark, dramatic, crunchy and Australian. Did I mention they’re Australian?
MP3: The Jezabels – “Mace Spray”

Monogrenade @ The El Mocambo, 10:30PM – we all took French in grade school and high school, so language shouldn’t be a barrier to appreciating these rangy Montrealers, who’ve got the acoustic/orchestral smoulder thing down pat. Yeah, that’s a thing.
Video: Monogrenade – “Ce Soir”

Imaginary Cities @ The Garrison, 11:30PM – if an act as legendary as Pixies saw fit to invite these Winnapeggers along for their North American tour and see/hear them every night, then surely they’re worth an hour of your time? They’re also playing on Thursday night at Lee’s Palace at 10:30PM.
MP3: Imaginary Cities – “Hummingbird”

Bombay Bicycle Club @ Lee’s Palace, 12AM – every year it seems there’s a token buzzy Brit band who makes a festival appearance – this year it’s Bombay Bicycle Club. But if you’re of the Anglophile persuasion, you’ve probably already decided to be at this show.
Video: Bombay Bicycle Club – “Evening/Morning”

The Meligrove Band @ Sneaky Dee’s 1AM – local power-pop veterans will be showcasing songs from their latest album Shimmering Lights; always a spirited and rollicking good time.
MP3: The Meligrove Band – “Halflight”

Saturday, March 12
The Balconies @ Lee’s Palace, 10PM – local faves have been holed away writing album number two all Winter – surely there’ll be some new songs in the set? And no you don’t have to stay for Electric Six.
MP3: The Balconies – “300 Pages”

Neon Windbreaker @ The Silver Dollar, 11PM – at first they weren’t a real band, then not a serious band, and now they’re a band with a work ethic that shames career bands that’s playing all over the place both here and at SxSW with a penchant for covering ’90s Canadian alt-rock standards. So you may as well.
MP3: Neon Windbreaker – “Furniture”

Nadia von Hahn @ The Library Bar 11:30PM – smooth and sassy retro-pop from the west coast with loungey and doo-wop accents. Also doing a Daytime Living Room session for The Toronto Institute For The Enjoyment Of Music out Trinity-Bellwoods way at 2PM that afternoon.
Video: Nadia von Hahn – “This Holy Night”

Writers’ Strike @ Rancho Relaxo, 12AM – scrappy and kinda snotty pop-punk from Halifax, not really offering anything new but doing what they do well and with vigor.
MP3: Writers’ Strike – “Bad Time”

The White Wires @ Wrongbar, 2AM – highly regarded new purveyors of old-school garage rock from Ottawa, they may well be worth dealing with Parkdale at 2AM on a Saturday night to see. Seriously.
MP3: White Wires – “Be True To Your School (Until You Get Kicked Out)”

Did you notice the fest is really front-loaded this year? Yeah, me too.

Of course, besides the showcases there’s plenty else going on that doesn’t necessarily require a badge or wristband or even a cover charge – Dorkshelf has rounded some of them up. There’s the three-day in-store mini-fest happening at Sonic Boom, which will feature sets from the likes of The Balconies, The Most Serene Republic, Bombay Bicycle Club, J Mascis, James Vincent McMorrow and Karkwa, among many many others – the full list and schedule is up at the Sonic Boom website.

Criminal Records will also be hosting an in-store with a west coast flavour on Friday night at 7PM, featuring Aidan Knight – complimented above – and We Are The City.

MP3: We Are The City – “Happy New Year”

There’s also a full list of performers and times for the Living Room Sessions noted a couple times above – all performances are free and all-ages.

Memoryhouse discusses their background and aesthetics with Spinner.

The Toronto Star talks to The Darcys about their near-death and rebirth.

Spinner talks to The Wilderness Of Manitoba, who are opening up Thursday night’s bill at Lee’s Palace as well as playing a Living Room Session at 5:20 on Saturday.

She Does The City asks random questions of Young Galaxy’s Stephen Ramsay. They’re the headliner on the Thursday night Lee’s Palace bill, going on at 11:30PM.

Citeeze talks to Laurel Sprengelmeyer, aka Little Scream, whose debut album The Golden Record has been released on iTunes as of this week, well ahead of the physical edition’s April 12 street date. A new MP3 from said record is also available to download. She is opening things up at The Opera House on Thursday night at 8:30, and note that she will no longer be supporting Sharon Van Etten at The Drake on April 12.

MP3: Little Scream – “Cannons”

The National Post chats with Karkwa, who are at Wrongbar on Friday night with a set time of 10PM.

J Mascis’ new solo record Several Shades Of Why, which you can expect to hear when he headlines The Great Hall on Friday night, is streaming over at Spin ahead of its March 15 release.

Stream: J Mascis / Several Shades Of Why

The Globe & Mail previews Canadian Music Week by chatting with Jenn Grant, Imaginary Cities and Hollerado.

Chad VanGaalen’s next record Diaper Island will be out May 17; details at Chart.

Mumford & Sons might be getting the headlines for their railroad tour through the southwest this Spring, but a similar excursion – though presumably by good old Via Rail rather than some retro-fied locomotive – is happening across Canada and is bringing Mark Hamilton of Woodpigeon, Magali Meagher of The Phonemes and Jon Janes of The Mountains & The Trees to 16 station stops from coast to coast. The Toronto date is April 21 at The Tranzac.

MP3: Woodpigeon – “Empty-Hall Sing-Along”
MP3: The Mountains & The Trees – “More & More & More”

And if this hasn’t been quite enough Canadian music to get you through the day/week/month, head over to The Line Of Best Fit for another Oh! Canada mix to download.

Whew. Effin’ festivals.

Frank YangThursday night’s bill at The Horseshoe was both a repeat and an inversion of a show at The Garrison last October – that show was an introduction of sorts for the newly-buzzy Toronto folk outfit The Wilderness Of Manitoba and a final show for a while from London, Ontario’s Olenka & The Autumn Lovers, who were coming off an extended tour and were turning their attention towards a new album. Thirteen months later, The Wilderness had converted their buzz into some genuine success on the back of their debut album When You Left The Fire while Olenka and company just released their new record And Now We Sing, which I was most eager to get my hands on.

And all I’ll say about the record for the moment is that it’s really good, and that I will hopefully offer more thoughts on it in the future. It melds folk, country and pop with a touch of rock while sounding equally old world and new; not a description that necessarily makes it sound particularly unique, but Olenka Krakus’ distinctive, dusky voice goes a long way in establishing their personality. It was that voice that would carry her opening set this evening as she was playing without the Autumn Lovers and while members of The Wilderness sat in for a few numbers adding harmonies and atmosphere, I missed their string, horn and percussion contributions. That said, there was no denying that the solo configuration allowed the plaintiveness of her songs to come across even stronger and made for an affecting set of material new and old and including a cover of Big Star’s “Thirteen”.

Montreal’s Leif Vollebekk drew the middle spot on the evening’s dance card and in contrast to Olenka, the usually-solo performer opted to bring a rhythm section along for this performance. Stylistically, he owes more than a little to mid-’70s Dylan – a fact he acknowledged with a cover from Blood On The Tracks – what with his penchant for conversational melodies that seem almost ad-libbed. This fit well with his rather random on-stage persona, and so while what he did wasn’t especially original – the one left turn was a looped and layered version of Neil Young’s “Barstool Blues” that ended up sounding like Vollebekk’s own stuff – it was delivered with enough style to be entertaining.

If I have a complaint with Wilderness’ When You Left The Fire, it’s that it’s too successful at creating an immersive, consistent mood. If you’re are craving what they do, then their gentle, prettily drifting, harmony-laden folk can be like manna, but if you’re not in the mood then it doesn’t have quite enough to keep one’s interest. Happily, in a live setting they don’t try to recreate the campfire ambiance of the record, balancing out the ethereal with earthiness and offering enough added energy and dynamics to make the performance engaging, no matter what your mood. With most every member rotating through a selection of instruments throughout the show, they ran through an hour-long set of material from Fire and their debut EP/mini-album Hymns Of Love And Spirits that managed to rouse and sooth, though seemingly more the former for some of the more excitable of the couple hundred people in attendance. I didn’t get the same jolt out of the show as they did, but still appreciated seeing one of the city’s up and coming acts continuing to take considerable strides forward.

NOW has an interview with The Wilderness Of Manitoba, Ottawa XPress talks to Leif Vollebekk while CJLO has audio and video from a radio session featuring he and Mark Hamilton of Woodpigeon and Southern Souls has posted a video session with Olenka recorded across the street from the ‘Shoe the night of the show.

Photos: The Wilderness Of Manitoba, Leif Vollebekk, Olenka & The Autumn Lovers @ The Horseshoe – November 25, 2010
MP3: The Wilderness Of Manitoba – “Hermit”
MP3: Leif Vollebekk – “Northernmost Eva Maria”
MP3: Olenka & The Autumn Lovers – “Odessa”
Video: The Wilderness Of Manitoba – “November”
MySpace: Olenka & The Autumn Lovers

In advance of their two sold-out shows at Lee’s Palace in support of the re-release of Shakespeare My Butt… on December 3 and 4, The Lowest Of The Low will be playing an in-store across the street at Sonic Boom on December 4 at 3PM. CTV has an interview with frontmen Ron Hawkins and Steve Stanley while Chart recounts the band’s history and importance.

MP3: The Lowest Of The Low – “Bleed A Little While Tonight”
MP3: The Lowest Of The Low – “Subversives”
Video: The Lowest Of The Low – “Eternal Fatalist”

More details on that upcoming December 16 Memoryhouse show at the Twist Gallery, reported on a little while ago, have come out – they’ll be headlining an evening called “Wintergaze” which will feature a lineup of the city’s finest dream-pop purveyors. In addition to the Guelph duo, there will be sets from Foxes In Fiction, Volcano Playground, Ostrich Tuning and Heartbeat Hotel (introduced back in July). Tickets are $10 in advance. And incidentally, Memoryhouse just released a new video.

MP3: Heartbeat Hotel – “Fins Of A Shark”
Video: Memoryhouse – “Heirloom”

Southern Souls has posted a video session with Rebekah Higgs, who has been added as support for The Rural Alberta Advantage’s sold-out show at Lee’s Palace on December 16.

The Wild Honey Pie recorded a video session with Forest City Lovers on their recent visit to New York City.

NOW profiles Suuns.

CBC Radio 2’s Concerts On Demand is streaming in its entirety Stars’ show in Calgary at the start of the month.

Metro, The Guardian and The Independent talk to Arcade Fire’s Win Butler.

The Wolf Parade fansite has confirmed, via Dan Boeckner, that the rumours of Wolf Parade’s impending indefinite hiatus are true. Aside from a few live commitments next year, the band have no plans to reconvene or record a fourth album anytime soon. Fans will have to make do with one of their 4000 side projects, some of which they detail to Spinner.

The Toronto Star talks to Peter Moore about recording the Neil Young and Sadies cover of “This Wheel’s On Fire”, from the just-released Garth Hudson Presents A Canadian Celebration Of The Band.

Mia KirbyI somehow managed to see Los Angeles’ Warpaint no less than four times this year before hearing their debut album The Fool, so you could say that their live shows have coloured my impressions of their music just a touch. And that’s a good thing because as a cursory scan of past write-ups will attest, I find their performances to be swirling, mesmerising affairs anchored by the pulsing, organic rhythm section and lifted by the airy vocals and shimmering guitar lines. More often than not, it seems that the band is willing to simply surrender themselves to the musical chemistry that occurs between the four of them and let it take them where it may.

That sense of spontaneity is successfully captured on The Fool, wherein Warpaint allow the nine songs here to grow into themselves in real time. Sometimes it sounds like they’re jamming them out, other times that they’re following a meticulous blueprint, but they always come across as though they’re following their collective muse like it was magnetic north. Songs often start from a single musical element and bloom and/or sprawl through time signature shifts and clouds of reverb and delay into their sometimes amorphous but always fascinating and emotive final forms. They clearly bear the influence of ’80s 4AD dream-pop and that era’s post-punk/goth forebears, but those are evident as reflections, echoes and shadows of Warpaint’s own, distinctive creations.

The Fool is more opaque and requires more work to absorb than I’d have expected, and the relative pop conciseness of their debut EP Exquisite Corpse is missed a little. One suspects that every outtake ended up in a significantly different place than the version of the song that was selected for the album, and while it’s hard to not want to hear some of those to compare and contrast, that way lies madness. What matters is that The Fool succeeds as more than just a solid album; it also confirms Warpaint as a unique and exciting new act with an immensely deep well of ideas to draw on, hopefully for many albums to come. Maybe the debut of the year not for what it is, but what it augurs.

Check out a behind-the scenes video of their cover shoot for NME, this video interview at Dirty Laundry and a video session at Yours Truly.

MP3: Warpaint – “Undertow”
Video: Warpaint – “Undertow”
MySpace: Warpaint

The Chicago Tribune talks to Sharon Van Etten about her transition from solo artist to bandleader. See her as the latter on Friday night at Lee’s Palace opening up for Junip. hour.ca also has a short chat.

eye talks to Morning Bender Chris Chu in advance of their show at the Mod Club on November 5.

Stereogum checks in with The Pains Of Being Pure At Heart on the status of their second album Belong, currently being recorded and due for a March 2011 release.

The Line Of Best Fit interviews The Thermals.

Beatroute talks to Dean Wareham about his decision to revisit Galaxie 500 on his current tour.

Dan Snaith of Caribou talks with Soundproof.

Kathryn Calder has released a second video from her solo debut Are You My Mother?.

Video: Kathryn Calder – “Arrow”

Dan Mangan chats with Beatroute.

Also with a new video are The Wilderness Of Manitoba, taken from their debut When You Left The Fire. They’re at the Horseshoe on November 25.

Video: The Wilderness Of Manitoba – “November”

Murray Lightburn of The Dears talks to aux.tv about their new record Degeneration Street, out on February 15.

Beatroute’s latest issue has a feature piece on Diamond Rings.

Frank YangI guess the final day of coverage is as good a time as any to talk about some of the non-Pop Explosion aspects of my visit to Halifax, which was my first-ever visit to the east coast and first trip within Canada in over three years. Though to be honest, I didn’t do a whole lot that wasn’t HPX-related – some wandering around downtown Halifax, which seemed to be in a particularly epic state of construction and/or renovation, the previously mentioned fast/walkabout to Point Pleasant, and most enjoyably a visit to the exceedingly photogenic but also incredibly cold and windy Peggys Cove, which had the added bonus of some picturesque Autumn foliage on the drive out.

Still, the best parts of the trip were thanks to the festival and conference, where I got to participate in a panel on blogging (natch) with You Ain’t No Picasso, Hero Hill and The Line Of Best Fit (and apologies to anyone who misinterpreted when I said, “the first songs you write will be terrible, and the next ones will also be terrible but less so” – I was trying to be encouraging! They’ll get better!) and just generally got to hang out with peeps old and new; Halifax offers many great places for lounging about, waiting for the… leisurely wait staff.

And of course there was the music. I’d gone relatively light on shows through the first few days so Saturday was the day to make it up some – and a good start was a matinee performance by Great Lake Swimmers. I hadn’t seen the band play since Spring 2007, by which point they’d already graduated to playing churches and halls that complimented their gorgeous, ghostly folk – pretty much the polar opposite from the dark and (pleasantly) grubby Seahorse Tavern. And as lovely as the performances in those more stately venues are, there was something really exciting about seeing them in relatively rougher and tumbler (?) environs – they ran through their set with more jump and flourish than I think I’ve ever seen them with and having a great time of it. Seeing as how a tour of churches and the like would be a special outing for most bands, I propose that the Great Lake Swimmers cross Canada while playing the seediest clubs possible. By the time they hit the coast, they’ll be downright metal.

Photos: Great Lake Swimmers @ The Seahorse Tavern – October 23, 2010
MP3: Great Lake Swimmers – “Pulling On A Line”
MP3: Great Lake Swimmers – “Your Rocky Spine”
MP3: Great Lake Swimmers – “I Am A Part Of A Large Family”
Video: Great Lake Swimmers – “River’s Edge”
Video: Great Lake Swimmers – “Stealing Tomorrow”
Video: Great Lake Swimmers – “Palmistry”
Video: Great Lake Swimmers – “Pulling On A Line”
Video: Great Lake Swimmers – “Still”
Video: Great Lake Swimmers – “Back Stage With The Modern Dancers”
Video: Great Lake Swimmers – “Your Rocky Spine”
Video: Great Lake Swimmers – “To Leave It All Behind”
Video: Great Lake Swimmers – “Bodies & Minds”
MySpace: Great Lake Swimmers

The evening programme kicked off at Hero Hill’s showcase at the cozy Company House and locals It Kills. Of all the bands’ MySpaces I cruised in advance of the festival, theirs caught my attention the most and buoyed by Radio Free Canuckistan’s glowing review of their self-titled debut, it was one of the few immovable shows on my schedule. Describing them is no easy task; the four-piece of guitar, cello, drums and piano certainly incorporated elements of Godspeed, Kronos and Explosions into their baroque take on orchestral post-rock, but rather than the build-and-release typical of the style, they instead meditate on the moment like a suspended breath. Add on top of that choral harmonies that may or may not be wordless – it could be hard to tell in the mix – and you had something that had familiar touchstones but still sounded unlike anything I’d heard before. Recommended? Yeah.

Photos: It Kills @ The Company House – October 23, 2010
MP3: It Kills – “Jump Kid”

It was then down the street to the Paragon Theatre for Toronto’s Dilly Dally. I hadn’t heard of them before but they were pretty appealing in their punky (though not especially punk) rock, which came liberally drenched in grease and snot, but also with a dollop of melody and attitude. About midway through their set frontwoman Katie Monks mentioned her brother’s band would be playing later that night, and something snapped into place – you could hear some of the same record collection DNA that informs Tokyo Police Club’s sound in Dilly Dally’s, but while rougher, the latter is potentially more interesting. Their set lasted barely 30 minutes and exhausted their entire repertoire, but it was more than enough to impress. They have a couple of Toronto shows coming up – The Tranzac tomorrow night, October 27, and The Garage on November 5.

Photos: Dilly Dally @ The Paragon Theatre – October 23, 2010
MP3: Dilly Dally – “Helen Hunt”
MP3: Dilly Dally – “Pretty Pretty Pictures”

The lack of anywhere else to be at 10PM kept me at the Paragon for Calgary’s Ghostkeeper, even though their self-titled debut had failed to impress me the way it had those who got it onto this year’s Polaris long list. Happily, I found them more enjoyable live as their brand of abrupt, deconstructed blues and pop was prone to outbursts of rocking out and was softened up by some nice boy-girl vocals. Even so, about midway through their set I noticed on Twitter that someone said the venue was at capacity and, being the generous soul I am, I decided to let someone else have my spot.

Photos: Ghostkeeper @ The Paragon Theatre – October 23, 2010
MP3: Ghostkeeper – “Like Moose Do”
MP3: Ghostkeeper – “By Morning”
Video: Ghostkeeper – “Haunted”

After a visit to Pizza Corner for my first donair and one of the messiest dining experiences of my life, it was to the Foggy Goggle for the last stop of the night and the festival. Prince Edward Island’s Milks & Rectangles wasn’t the reason I went there, initially, but quickly into their set they became just about the highlight of the night. I would be surprised if any reviews of the band failed to mention Franz Ferdinand, and the comparison is an apt one – though they may not cut as dapper a figure as the Scots, they do mine much of the same New Wave/post-punk dance rock landscape and do it really well. That’s not all they’ve got in their arsenal, though – they also had a knack for half-anthemic (no fist pumping) singalongs and quirky art-rock, but most importantly, they knew that if you got the girls in the audience dancing, you’d already won. And having apparently brought an entire party with them from PEI, the girls were definitely dancing. It was a loud, sweaty and irresistible set that deserved – and got – an encore. Their last two EPs – Dirty Gold and Troubleshooters – are available to download for free and while neither quite captures the tightness and excellence of the live show, they do affirm that this is a band that could do great things.

Photos: Milks & Rectangles @ The Foggy Goggle – October 23, 2010
MP3: Milks & Rectangles – “Gold Teeth / Diamond Ring”
MP3: Milks & Rectangles – “Wink And A Gun (The Jury’s Hung)”
MySpace: Milks & Rectangles

And to wrap it all up, Gramercy Riffs. Now I had thought that, hailing from St. John’s, Newfoundland, that they’d have a flotilla of fans out to support them but as it turns out, they now call Toronto and Montreal home and this was, apparently, their first time playing Halifax. Needless to say, the big, rowdy throw-down I expected didn’t quite happen but considering how… boisterous their appearance at NXNE got and how it didn’t quite feature the band at their best, maybe that was a good thing. Because though this performance was a few degrees more subdued than that one, it was also less ramshackle and put the focus on the band’s proper strengths – namely their two excellent frontpersons in Mara Pellerin and Lee Hanlon (even though Pellerin’s vocals were poorly mixed for much of the show). Their different yet complimentary deliveries elevate Gramercy Riffs and their debut It’s Heartbreak above many others who’d seek to make adjectiveless pop-rock. A performance level somewhere between this one and the NXNE one would have been ideal, but still a good time and a good wrap to the fest.

Photos: Gramercy Riffs @ The Foggy Goggle – October 23, 2010
MP3: Gramercy Riffs – “Call Me”
MySpace: Gramercy Riffs

Many thanks to the folks at HPX and in Halifax in general for a great trip. Less thanks to the security staff at Stanfield International airport, who take whole Maritime friendliness a touch too far in stopping to chat with everyone who passes through their metal detector. I barely made it onto my flight and that included a 10-minute boarding delay. But anyways.

Under The Radar has details on the new album from The Dears – Degeneration Street will be out February 15 of next year and the first single, “Omega Dog”, is available now for $0.99.

I don’t know if all the names will fit on the sandwich board outside, but a worthy bill hits the Horseshoe on November 25 with The Wilderness Of Manitoba, Leif Vollebekk and Olenka & The Autumn Lovers.

MP3: The Wilderness Of Manitoba – “Hermit”
MP3: Leif Vollebekk – “Northernmost Eva Maria”
MP3: Olenka & The Autumn Lovers – “Eggshells”

There’s interviews with Diamond Rings over at aux.tv, Macleans, Spinner, Exclaim and Interview. Special Affections is out now and the record release show goes tonight at the Garrison.