Zuzana HudackovaIt’s shaping up to be an Autumn of Can-rock double bills high on value. Folks thought that it was a pretty impressive pairing of talent when it was announced last month that Dan Mangan and The Rural Alberta Advantage were teaming up to cross the country in October, or the June announcement that Metric and Stars were hitting the country’s arenas together, but that were just the first of a number of impressive double-bills looking to share driving duties across Canada this Fall.

First, you’ve got Toronto’s Cuff The Duke teaming up with Halifax’s Jenn Grant teaming up for a tour that stretches from BC out to Montreal, and while the Toronto venue isn’t officially announced, the date is confirmed as November 24 and the rumoured venue is the fancy-pants Winter Garden Theatre. Both artists have new records coming out, hence the road trip. Cuff The Duke will release Union October 2 and from the first taste of the new material via a live Paper Bag Session, it sounds like it’ll be more tuneful country-rock of the sort that they’ve built their following on. Grant, on the other hand, looks to be shifting gears again with The Beautiful Wild, out September 25. Following the effervescent pop of Honeymoon Punch, Exclaim reports that Wild will pursue a more mature and musically adventurous direction. The first single from said record is streamable below. Update: Winter Garden Theatre is confirmed, tickets on sale August 20.

Cuff The Duke have a couple of local shows before the Grant tour – there’s a free show at Yonge-Dundas Square the evening of August 31 and they’re part of the Paper Bag Records 10th anniversary show at The Great Hall on September 27.

Stream: Jenn Grant – “In The Belly Of A Dragon”
Video: Cuff The Duke – “Side By Side” (Paper Bag Sessions)

Elliott Brood are also playing that PBR10 show on September 27, but will be back on a Toronto stage on October 21 at The Danforth Music Hall as part of their Marvel Team-Up almost cross-Canada tour – no BC dates at the moment – with Halifax’s Wintersleep; tickets for that one are $25.50. Both released new records earlier this year – Days Into Years for the Brood, Hello Hum for the ‘Sleep. Chronicle Herald and The Montreal Gazette have Wintersleep features.

MP3: Elliott Brood – “Norther Air”
MP3: Wintersleep – “Resuscitate”

METZ will celebrate the release of the debut self-titled album with a hometown show at The Horseshoe on October 12, ticket $12 in advance.

MP3: METZ – “Headache”

After a couple visits in a supporting role, Cadence Weapon has scheduled a headlining gig of his own in support of the Polaris shortlisted Hope In Dirt City at Wrongbar for October 12, tickets $12.

MP3: Cadence Weapon – “Conditioning”

CBC Music talked to The Magic ahead of their Summerworks record release show for Ragged Gold this past weekend. Counteract also has a short feature piece.

Evening Hymns have released the first official video from Spectral Dusk, which is out next Tuesday but gets its live public unveiling this Friday night at Summerworks. The album, however, is unveiled as of right now courtesy of the stream at The Line Of Best Fit, which also comes with song-by-song annotations from Jonas Bonnetta.

Video: Evening Hymns – “Family Tree”
Stream: Evening Hymns / Spectral Dusk

Bry Webb talks to NOW about his plans for his own Summerworks show on August 18.

Exclaim and Stereogum talk to Dan Boeckner about his new outfit Divine Fits, while Britt Daniel does the same for Mountain X-Press. A Thing Called Divine Fits is out August 28 – though it’s available to stream now – and they play Lee’s Palace on September 5.

Stream: Divine Fits / A Thing Called Divine Fits

And Boeckner’s former bandmate Spencer Krug talks to The Quietus about his current project, Moonface.

Two Hours Traffic have announced a new EP Siren Spell, due out September 11, which not only offers a sneak preview of what their new lineup sounds like, but also gives the band a chance to indulge in their favourite pastime – touring across the country. Dates are coming this week but in the meantime, check out a track from the new EP.

MP3: Two Hours Traffic – “Amour Than Amis”

After a couple of non-album teases, The Wilderness Of Manitoba have finally offered an official first taste of their second album Island Of Echoes. It’s out September 18.

MP3: The Wilderness Of Manitoba – “Morning Sun”

NPR is streaming a new song from the forthcoming Stars album The North. It’s out September 4 and they support Metric at The Air Canada Centre on November 24. But I think I already said that.

Stream: Stars – “Backlines”

Hot on the heels of her Feistodon interactive clip, Feist has released a more conventional, less metal video from Metals.

Video: Feist – “Anti-Pioneer”

The Luyas have released a preview track from their new record Animator, out October 18. They’re at The Great Hall on September 29 for the PBR10 show.

MP3: The Luyas – “Fifty Fifty”

The AV Club welcomes Destroyer to AV Undercover and they choose to cover Gorky’s Zygotic Mynci. Of course.

DIY interviews Purity Ring.

NOW and The Montreal Gazette talk to Al Spx of Cold Specks.

John O’Regan talks to Spin about the new Diamond Rings record Free Dimensional, due out October 23.

Sloan have announced their super-fancy Twice Removed 20th anniversary package will be out on September 4; Exclaim has rounded up exactly what your $90 plus shipping gets you besides a public declaration that you really like “Pen Pals”.

Yamantaka // Sonic Titan drummer Alaska B lists her favourite albums of the last 20 years for CBC Music.

Beatroute checks in with Black Mountain.

Ben and Jonah of Fucked Up give Exclaim a progress report on their next album. They play Fort York on September 9 as part of Riot Fest.

Ryan Walter WagnerI had the opportunity/duty of thinking very hard about Black Mountain’s last album, 2008’s In The Future, when it was put on the Polaris Music Prize short list for that year and I was put on the grand jury. And while I respected the craftsmanship and scope of the record, I couldn’t quite take it and its big, vintage stoner-rock moves seriously enough to champion it and couldn’t get past the impression that it was a nudge-nudge kind of joke to the band as well. True or not, it’s what I felt in my gut and that was ultimately what I had to go with (and if you look at my notes from the jury process, you’ll see that my thoughts on Plants & Animals amounted to, “I want a cheeseburger”).

The just-released follow-up Wilderness Heart, however, doesn’t raise any such flags. It keeps most of the requisite ’70s touchstones that define Black Mountain – the chugging guitar riffs, sweeping organs and prevailing mood of dystopic science fiction ominousness – but if feels as though the sludgy, slow-motion haze that permeated Future has been lifted somewhat, and Heart finds the Vancouverites operating with eyes clearer and less dilated.

Added to their repertoire of reference points are some country stylings in the form of some more acoustic textures and more prominent interplay between Stephen McBean’s drawl and Amber Webber’s twang. Putting their voices on a more equal footing establishes them as the band’s greatest strength and gives those who glazed over during their more proggish excursions something to sink their ears into. And for those who liked Black Mountain exactly the way they were, there’s still a goodly amount of rock action, it’s just delivered in more concise packages. There’s almost a temptation to call Wilderness Heart a pop record, but that’s going a bit too far – it’s still a rock record through and through with plenty of opportunities for headbanging – just be prepared to sway for extended periods of time as well.

Spinner, The Quietus, Dose and The Vancouver Sun have feature pieces on the band. They’ll be at the Phoenix on October 31.

MP3: Black Mountain – “The Hair Song”
MP3: Black Mountain – “Old Fangs”
Video: Black Mountain – “The Hair Song”
Video: Black Mountain – “Old Fangs”
MySpace: Black Mountain

Spin has put online a great excerpt from their forthcoming cover story on Arcade Fire and also posted some behind-the-scenes shots from the corresponding photo shoot.

The Toronto Sun asks Shad if he thinks he’s going to win the Polaris Prize. Modesty ensues.

Caribou rates the cover of this week’s NOW, leading up to tomorrow night’s show at the Phoenix and their opportunity to repeat as Polaris winner on Monday. Daytrotter also has a session.

eye talks to Liz Powell of Land Of Talk, who will be lighting up Lee’s Palace tonight.

Billboard talks to Neil Young and Daniel Lanois about Young’s new record Le Noise, out September 28. The first sample of the record is available via a new video and… it’s not what you might expect. Unless you expected something really weird and looped, in which case it’s pretty much exactly what you expected.

Video: Neil Young – “Angry World”

PopMatters interviews Emily Haines in tracking Metric’s journey from the world of indie into the mainstream.

Tokyo Police Club keyboardist Graham Wright tells Chart that he washes his hands of the band’s videos. They play the Ricoh Coliseum on October 22 opening up for Phoenix.

Two Hours Traffic are crossing the country yet again and will wrap up their Fall tour on November 13 at The Horseshoe.

MP3: Two Hours Traffic – “Territory”

The Walrus ties a bit of a sensationalistic title to an otherwise decent article some of the background, ideals and realities of the Polaris Music Prize, the fifth of which is being awarded next Monday night. eye also ponders the credibility and the debates about the credibility of the award. Chart, meanwhile, handicaps this year’s nominees.

JJ LevineRae Spoon’s last album, 2008’s Superioryouareinferior, may have served as the point of entry for me into the Calgary native’s works, but his fifth album was more of an exit for him in that it represented a push out of the country-folk scene with which he’d been associated and into the (relatively) broader realm of Canadian indie-pop. Maybe not the promised land, but without that bit of crossover, the record probably wouldn’t have otherwise caught my ear certainly wouldn’t have last year’s Polaris ballot.

For the follow-up record Love Is A Hunter, Spoon’s muse took him a little farther afield – Berlin, to be precise. The influence of the time spent abroad was more overt on last year’s free-to-download Alexandre Decoupigny collaboration What Are You Waiting For? (Worauf Wartest Du?), but the time spent in and around the European dance scene is still echoes quite clearly on Hunter.

But rather than try to craft a record of club bangers or electro-clash anthems, Spoon makes those influences lyrical concerns than sonic ones, opting to contemplate the experiences and interactions, diary-style, and thus sticks to his strengths. This isn’t to say that it’s all more of the same, though. Spoon’s sound is still more folk than anything else – you can take the boy out of the country and all that – but Hunter comes fairly suffused with electronic beats and textures that dance in and around the compositions, offering an interesting counterpoint to Spoon’s crystalline voice and otherwise spare arrangements. They don’t necessarily elevate them, but they do add some extra aural interest. And while the meeting of influences on Hunter doesn’t create the same stop-in-your tracks, emotional impact of Superioryouareinferior, it does further the case as Rae Spoon as one of the country’s up-and-coming songsmiths and certainly a talent to continue watching.

Exclaim has a short piece on Spoon, who kicks off a cross-Canada tour next week and plays the Gladstone in Toronto on October 22.

MP3: Rae Spoon – “Death By Elektro”
MP3: Rae Spoon – “You Can Dance”
Video: Rae Spoon – “Love Is A Hunter”

Details have emerged about the forthcoming Neil Young album produced by Daniel Lanois. It will be entitled Le Noise and be available on September 28 in pretty much every format imaginable (LP, CD, MP3, Blu-Ray, iPhone…). I’m not the biggest fan of Lanois’ own work, but as a producer he’s helmed some amazing records and triggered creative renaissances from some legendary artists. Really anxious to hear what he’s done with Neil.

Exclaim has put Land Of Talk’s Liz Powell on the cover of their September issue with accompanying feature piece. They’re at Lee’s Palace on September 16.

MP3: Land Of Talk – “Quarry Hymns”

MOG talks to Matt Camirand of Black Mountain. Their new record Wilderness Heart is out September 14 and they play the Phoenix on October 31.

Arcade Fire’s first video from The Suburbs is a live clip of “Ready To Start” recorded in July in London.

Video: Arcade Fire – “Ready To Start”

Two Hours Traffic have a new clip from this year’s Territory.

Video: Two Hours Traffic – “Happiness Burns”

There’s also a new video from Tokyo Police Club’s new record Champ. They’ll be showcasing it when they open up for Phoenix at the Ricoh Coliseum on October 22. Still find it weird that they haven’t done or scheduled a headlining hometown show for the new record yet.

Video: Tokyo Police Club – “Bambi”

Hot Hot Heat and Hey Rosetta will pair up for a show at the Mod Club on October 8, tickets $29.25.

MP3: Hot Hot Heat – “21 @ 12” (alternate version)
Video: Hey Rosetta – “Yes! Yes! Yes!”

The lineup for this year’s Supercrawl, the annual arts and music free street thing in Hamilton, has been announced and offers a compelling argument for making the trek to Steeltown – on September 25, they’ll be presenting performances from Elliott Brood, Cadence Weapon and Bruce Peninsula, amongst many others. And did I mention it’s free?

And finally, if you’re all nostalgic for this past June when NXNE descended on the city like so much a plague of locusts, then check out this feature at Le Blogotheque where the duly commissioned Take-Away Show videographers captured performances from a number of artists in the streets of Toronto. Part one features The Soft Pack, Avi Buffalo, Library Voices and DM Stith and there’s more to come.

Yannick GrandmontIt’s a bit eerie, but with the exception of an in-store in a couple weeks, details noted further down, I’ve got nothing going on in the way of live music for more two weeks until Canadian Musicfest starts on March 11. And that’s really just fine with me, because the double-shot of CMW/CMF and SxSW was exhausting when I was a younger man – these days, I am going to need the downtime to rest up in order to survive that gauntlet of concert-going, airport-hopping and breakfast taco-eating.

And to help minimize the impact of club-hopping during CMF, I’m pleased to announce that I’ll be co-presenting the Billions showcase at Canadian Musicfest, taking place March 12 at Lee’s Palace, meaning that not only will I be able to associate myself with a super-solid lineup of Canadian acts (and one foreign one), I’ll be able to plant my ass in one place all night. Made of win.

The decidedly Montreal/synthpop-heavy lineup kicks off at 9PM with electro-poppers Winter Gloves, still riding the wave of their 2009 debut About A Girl, then Toronto’s Russian Futurists will preview their new album The Weight’s On The Wheels, out this Summer, at 10PM. At 11PM, The Acorn, having been squirreled away for the last while working on their new record No Ghost, will come of hiding to show off what to expect when the album arrives in or around May. Plants and Animals, whose new record La La Land arrives April 20, will take the stage at the stroke of midnight and then come 1AM, Think About Life will have you thinking about both having a disco-punk dance party and how not to get killed by getting caught in the middle of a disco-punk dance party soundtracked by last year’s Family. And, if you’re still standing after all that, Oklahoma ‘s The Uglysuit will usher in last call with the beautiful orch-pop of their 2008 self-titled debut. That is, unless Lee’s has also got 4AM extended drinking hours during Canadian Music Week. You’d think I’d know this but odds are I’ll have dragged myself home well before whether or not the taps are still flowing are an issue.

So while there’s options a-plenty for CMW/CMF – the schedule has really filled out the last few days and I’ll be doing a further preview closer to the festival’s start – I humbly submit that if you’re looking for a one-stop smorgasbord of tunes for Friday night, that Lee’s will be the place to be. And to help make up your mind, I’ve got a pair of passes to give away for the show – to enter, email me at contests AT chromewaves.net with “I want to Think About Canadian Music Week” in the subject line and your full name in the body. Contest closes midnight, March 5.

MP3: Winter Gloves – “Let Me Drive”
MP3: Russian Futurists – “Paul Simon”
MP3: The Acorn – “The Flood, Pt 1”
MP3: Plants & Animals – “Tom Cruz”
MP3: Think About Life – “Nueva Nueva”
MP3: The Uglysuit – “Chicago”

Ca Va Cool and Chart talk to Jace Lasek of The Besnard Lakes about their new album The Besnard Lakes Are The Roaring Night, out March 9. They headline the Thursday night of the Chart showcases at the Horseshoe for Canadian Musicfest on March 11, taking the stage at 12:10AM. As is always the case with the ‘Shoe during CMW/CMF/whatever, early arrival is recommended/mandatory.

Same goes for Two Hours Traffic, who are on at the same time on the Saturday night, March 13. But if you don’t get in and need a dose of maritime power-pop, note that they’ll be back on April 3 for a show at Lee’s Palace, tickets $13.50. They’ve also released a new video from their Territory record.

Video: Two Hours Traffic – “Noisemaker”

Chart talks to Paul Banwatt of The Rural Alberta Advantage and Woodhands about how he manages to balance drum duties in two bands, simultaneously blowing up right now. Woodhands are playing the Opera House on March 11 and the RAA at the Indie Awards at the Royal York on March 13. Vue has a feature piece on Woodhands and The RAA have been keeping a tour blog of their journey out west for the Olympics at Exclaim.

The Indie Awards will also feature a performance from Constantines, whose Daytrotter session went up for grabs last week and taught QTV how to play “Young Lions” on guitar.

Also offering a QTV a guitar lesson is Woodpigeon’s Mark Hamilton, who teaches them – and the whole internet – to play “Knock Knock”. The Concordian and Ottawa Citizen also have interviews with Hamilton.

The Montreal Gazette talks to Stars, whose presently untitled new album is apparently set for release in the first half of 2010.

Broken Social Scene have revealed the final details about their forthcoming album – Forgiveness Rock Record, their first proper album in almost half a decade, will be out on May 4 and you can get the first MP3 from the album, a 7-minute sprawler called “World Sick”, in exchange for your email at their website. Broken Social Scene plays the Toronto Islands on June 19.

The other big May 4 release from a Canadian supergroup is, of course, Together from The New Pornographers. The first MP3 from the album has been made available and is the almost-title track from the album.

MP3: The New Pornographers – “Your Hands (Together)”

Chart talks to Zeus, whose Say Us gets a release this week and is streaming until March 1 over at Exclaim. They’ve also scheduled an in-store at Soundscapes for 6PM on March 6 and will play Lee’s Palace on March 10.

MP3: Zeus – “Marching Through Your Head”
Stream: Zeus / Say Us

Canadian Interviews talk to Basia Bulat.

Thick Specs interviews Julie Doiron. Her current project Daniel, Fred & Julie, featuring Doiron, Attack In Black’s Daniel Romano and former Shotgun & Jaybird-er Fred Squire will bring their self-titled debut to the Horseshoe on April 15.

MP3: Daniel, Fred & Julie – “The Gambler And His Bride”

Anyone wondering about the set list for Fucked Up’s show at the Opera House this Friday need look no further than the back cover of The Chemistry Of Common Life – the band will be playing their breakout record in its entirety. And probably some more stuff on top of that.

Frank YangIf I’d managed to get to the El Mocambo on Sunday night in time to catch first act David Schultz & The Skyline, I think I could legitimately lay claim to have seen the longest bill – in character count, at least – of all time. But it didn’t happen so I had to settle for just one of the longest in recent memory, thanks to Thao with The Get Down Stay Down and The Portland Cello Project.

As the more insightful might have discerned, The Portland Cello Project is indeed a cello-based musical project hailing from Rose City. Though infinitely scalable when at home, the touring edition of the PCP numbered four cellists who entertained a reasonably healthy-sized Sunday evening crowd with some great banter and mostly-instrumental covers of songs familiar and unfamiliar, including ones by Pantera and Elliott Smith. For one song they were joined by Justin Power for an original number taken from their latest record The Thao & Justin Power Sessions and closed with an audience participatory “Hey Ya!”, assisted by the Get Down Stay Down.

If nothing else, Thao and the Get Down Stay Down are taking home some great road stories from this tour. Both the Portland Cello Project and Thao seemed to be in a state of disbelief of the previous night’s Hallowe’en show in Detroit where they played next door to an Insane Clown Posse party and its attendant hordes of Juggalos, and while Toronto couldn’t compare with that degree of absurdity, the band – and particularly deathly allergic bassist Adam Thompson – was haunted by a phantom cat, who could be heard meowing throughout the between-song lulls, but was never found.

None of the above had anything to do with the show itself, but were still key facets of a terrific evening because Thao with The Get Down Stay Down were all about having and providing a good time through jokes, stories, banter, beatboxing and oh yeah, the music. Until this night, I’d missed Thao every time they’d come through town as well as a myriad of opportunities at the last two SxSW’s but now, finally, I can add my voice to the chorus of those who extol their live show – in short, it’s fantastic. Though both of their records, 2008’s We Brave Bee Stings And All and this year’s terrific Know Better Learn Faster, crackle with a giddy energy, seeing Thao Nguyen utterly dominate the fretboard of her giant hollowbody guitar while lurching around stage and hollering into the mic is something to behold. Similarly, the intense rhythmic aspect of the band doesn’t seem to be done justice by the albums because live, everything felt like a dance song or at least one that you wanted to dance to whether you had any moves or not. They put on an unrestrained, joyous show that was made me simultaneously glad I finally made it out to see them, angry that I had waited so long and determined that I wouldn’t miss them again. And also grateful that at no point did Adam Thompson go into anaphylactic shock. A night of win.

Blurt has a large feature and Metro a super-short one on Thao. And grab an MP3 of “When We Swam” at RCRDLBL.

Photos: Thao With The Get Down Stay Down, The Portland Cello Project @ The El Mocambo – November 1, 2009
MP3: Thao with The Get Down Stay Down – “Know Better Learn Faster”
MP3: Thao with The Get Down Stay Down – “Beat (Health, Life and Fire)”
MP3: Thao with The Get Down Stay Down – “Swimming Pools”
MP3: Thao with The Get Down Stay Down – “Bag Of Hammers”
MP3: The Portland Cello Project – “Travel”
MP3: The Portland Cello Project – “Tallymarks”
Video: Thao with The Get Down Stay Down – “When We Swam”
Video: Thao with The Get Down Stay Down – “Cool Yourself”
Video: Thao with The Get Down Stay Down – “Swimming Pools”
Video: Thao with The Get Down Stay Down – “Bag Of Hammers”
Video: The Portland Cello Project – “Tallymarks”
MySpace: Thao with The Get Down Stay Down
MySpace: The Portland Cello Project

The AV Club gets the whys behind recent changes with Nicole Atkins and her band.

Spinner talks to J Tillman, who brings his new album Year In The Kingdom to the Horseshoe on November 11.

Bishop Allen have premiered a new video from Grr… over at Stereogum. The Omaha World-Herald has a short interview with Justin Rice.

Video: Bishop Allen – “True Or False”

Antlers’ Peter Silbeman talks to The San Antonio Current and Orange County Weekly.

PopMatters has an interview with John Darnielle of The Mountain Goats.

John Vanderslice talks to State.

Daytrotter have got a session with White Rabbits available to download while LAist talks to frontman Stephen Patterson.

Paste reports that the release of Neil Young’s Harvest Moon-era live record Dreamin’ Man has been pushed back until December 8.

You Ain’t No Picasso has an interview with Joel Gibb of The Hidden Cameras. They play the Opera House on December 5.

Two Hours Traffic – who were just here last month, yes – have made another Toronto date for November 21 at The Garrison, but the difference is this one is an all-ages gig. Tickets are $10 in advance.

MP3: Two Hours Traffic – “Territory”

Final Fantasy will mark the January 12 release of Heartland with a hometown show that evening at the Mod Club.

Seattle duo The Dutchess & The Duke have a new album out in Sunset/Sunrise and are touring it through the Winter including a just-announced date at Sneaky Dee’s on January 12.

MP3: The Dutchess & The Duke – “Living This Life”
MP3: The Dutchess & The Duke – “Hands”

It’s a double-shot of Dave Lowery when Cracker and Camper Van Beethoven hit the road together this Winter and stop in at Lee’s Palace on January 16. Cracker also have a new video out featuring one Patterson Hood.

Video: Cracker – “Friends”