Frank YangAny sort of preamble for Saturday night’s Out Of This Spark second anniversary party at the Tranzac was covered in Friday’s post, so let’s just dive right into the post-mortem.

Leading off was Jenny Omnichord (neé Mitchell), accurately named for her weapon of choice. And while it may seem a bit novelty at first, the Omnichord is actually a very versatile instrument, ably providing accompaniment for Mitchell’s quirky songs. It’s no stretch that her latest album Charlotte or Otis : Duets for Children, Their Parents and Other People Too is a children’s record – the aesthetic isn’t too different from her work for grown-ups. A cute and compact set highlighted by entertaining road stories and a duet with her dad.

I’d expected The D’Urbervilles to be closing things out, both because of their profile relative to their labelmates, and their general rock action-ness, but they were instead on second. Every time I see them perform I’m reminded of how potent a live act they can be, all danceable, tightly-wound new wave/anthem-rock energy, but I also find my initial opinion of their full-length debut We Are The Hunters reinforced. They’re one thing, one intangible thing, away from being amazing. One song – hell, one moment in a song – that makes everything fall into place, and considering their excellent closing cover of Edwyn Collins’ “A Girl Like You”, maybe what they need is the right British producer. But whatever it is, I hope they find it soon. Because when they do, it will be epic.

I had to double-check to verify that the last time I’d seen Forest City Lovers live was fully a year and a half ago at Hillside – it certainly hadn’t seemed that long! But it was, and that meant that I’d not seen them since the release of their lovely album Haunting Moon Sinking last year, and that’s just not right. But it is, sadly, kind of appropriate for as much as they’re one of the finer bands Toronto has to offer, they’re also probably one of the most overlooked. A consequence, perhaps, of the characteristics that are also their greatest strengths – their subtlety and understatedness. Their folk-pop sound is definitely spare, almost skeletal at times, but every part that is there implies a richness that probably wouldn’t sound quite as wonderful if it were actually fleshed out – their sketches say more than some peoples’ oil paintings.

This show, however, sadly wasn’t a masterpiece. Now no one’s ever going to mistake The Tranzac’s acoustics for those of Massey Hall, but the sound for the Forest City Lovers’ set was exceptionally poor, with vocals being buried and the guitar and violin far too loud. While I realize that standing right up front isn’t exactly standing in the sonic sweet spot, I’ve done it enough to know how things can and should sound from that vantage point, and this wasn’t it. And it seemed it wasn’t just the house sound that was amiss – it was evident the band was having trouble hearing themselves on stage as at points tempos drifted, glances were exchanged and things simply didn’t sound as tight as they should have. It’s really to the band’s credit that they were able to mitigate these problems and still deliver an enjoyable show, even if I couldn’t really hear the words to “Orphans” (though that’s okay because I know them anyways). Perhaps things will be better when they again play the Tranzac on February 6 opening for Geoff Berner. Perhaps.

I did not stick around for final act Timber Timbre. You’d have thought that an act with a brand new album would feel like playing something – anything- from it, but instead Timber Timbre chose to play with old hi-fit equipment and guitar pedals in conducting a sonic experiment in white noise in pitch blackness. Maybe the whole thing busted out in a technicolour rock opera the minute I left, but I suspect not. I would hope they don’t pull the same thing at their Soundscapes in-store tomorrow evening Thursday. It’s not going to sell many records.

Photos: Forest City Lovers, The D’Urbervilles, Jenny Omnichord @ The Tranzac – January 10, 2009
MP3: The D’Urbervilles – “Hot Tips”
Videos: Forest City Lovers – “Pirates”
Videos: Forest City Lovers – “Please, Don’t Go”
MySpace: Forest City Lovers

Speaking of Soundscapes in-stores, Bruce Peninsula will be following up the February 3 release of A Mountain Is A Mouth with just one of those on February 4 at 6PM. So add that to their January 31 at the Horseshoe and February 22 album release party at the Polish Combatants Hall. And if you don’t want to take my word that this outfit is worthy of your attention, how about the BBC? Yeah, people will listen to anything delivered in a posh English accent.

Bell Orchestre will release their second album As Seen Through Windows on March 10 via Arts & Crafts.

PitchforkTV has a session with AC Newman, whose Get Guilty is out next week and who plays Lee’s Palace on March 11.

Pitchfork is offering a download of the title track from Bon Iver’s new EP Blood Bank, out next Tuesday. And you can stream the whole thing at their MySpace.

MP3: Bon Iver – “Blood Bank”

Mates Of State and Black Kids. What are two of the most unlikely bands to hit the road together, and yet are? The indie-pop veterans with kids and the indie-pop upstarts who are kids will hit the road together this April and stop in at the Phoenix – a decidedly bigger room than either would play on their own – on April 10. The Mates are still promoting last year’s Re-Arrange Us and Black Kids are continuing to try and prove their debut Partie Traumatic is worth more than a pug.

MP3: Mates Of State – “My Only Offer”
Video: Mates Of State – “Get Better”
Video: Mates Of State – “My Only Offer”
Video: Black Kids – “Hurricane Jane”
Video: Black Kids – “I’m Not Gonna Teach Your Boyfriend How To Dance With You”
Video: Black Kids – “Look At Me (When I Rock Wichoo)”

Those looking forward to standing in crossed-arm, stony-faced judgment of “2009 next big thing” candidates Passion Pit will have to wait just a little bit longer. For reasons unknown, their January 24 show at the Horseshoe has been postponed until April 3. Refunds available at point of purchase or if the new date works for you, just hang onto your ticket. And work on your scowl. They’re currently band of the week over at Paste. Update: Gig is now at Lee’s Palace.

Joe FudaThis week’s eye has a feature piece on local label Out Of This Spark, whose second anniversary is the impetus for your best entertainment option this Saturday night as the label’s entire roster will take the stage at the Tranzac. That’s the lineup that includes a couple of personal faves and a couple others I’m just starting to make the acquaintance of.

In the former camp are post-punkers The D’Urbervilles, whose rather excellent full-length debut from last year, We Are The Hunters, is going to be getting a much-deserved US release, and Forest City Lovers (pictured), whose beautifully understated album Haunting Moon Sinking was one of the overlooked gems of 2008. It’s been a while – too long – since I’ve seen either act live, and I’m looking forward to rectifying that. In the “less known to me” department are Jenny Omnichord, whose special guest-laden Charlotte or Otis : Duets for Children, Their Parents and Other People Too is a sweetly odd and charming little childrens’ album and Timber Timbre, who are releasing their new self-titled album next week and whose amalgam of folk and blues is a bit unsettling, but also compelling. They’re also playing an in-store at Soundscapes next Thursday at 7PM.

Admission to the to-do is $10, $8 with a donation of canned food.

MP3: The D’Urbervilles – “Hot Tips”
Videos: Forest City Lovers – “Pirates”
Videos: Forest City Lovers – “Please, Don’t Go”

Pitchfork has more tour dates for Human Highway, including a date and venue for their previously announced appearance at Canadian Musicfest – look for them March 13 at the Horseshoe.

MP3: Human Highway – “The Sound”

And speaking of Canadian Musicfest, the lineup has fleshed out a little more with some of the bigger-name additions including The Ting Tings and… well, that’s all I noticed that was new since last time. Precise date and venue for that one still forthcoming.

Rollo & Grady interview Mark Hamilton of Woodpigeon and filch one of my photos in the process. This is me shaking my fist. Treasury Library Canada is out Februrary 3.

To the surprise of no one, a second date for the Constantines/Weakerthans “Rolling Tundra Revue” tour has been added – there’s now an April 1 date to go along with the previously-announced March 31 one at the Phoenix. No foolin’.

The Henry Clay People, whose For Cheap Or For Free was endorsed in November, will be joining The Airborne Toxic Event on their Spring tour which passes through the El Mocambo on March 4.

MP3: The Henry Clay People – “Something In The Water”
MP3: The Henry Clay People – “Working Part Time”

The Sydney Morning Herald gets an update on Nick Cave’s literary aspirations.

XLR8R talks to Ben Curtis of School Of Seven Bells.

Okkervil River were on Letterman last night. It looked (and sounded) a little like this:

Video: Okkervil River – “Pop Lie” (live on the Late Show with David Letterman)

The Georgia Straight interviews Glasvegas, in town at the Mod Club April 3.

Anathallo have a date at the El Mocambo on February 3, tickets $12. Their new album is Canopy Glow.

The New Year, who must feel tremendous pressure to be topical and interesting every January, oblige with a new video, a brief interview and free download at Stereogum and an interview at the Dallas Observer.

Video: The New Year – “Seven Days And Seven Nights”

Is this Frightened Rabbit video an official one? Not sure, but it is cool. And that’s good enough.

Video: Frightened Rabbit – “I Feel Better”

The Daily Yomiuri amuse Stuart Braithwaite and Barry Burns of Mogwai by calling them a “shoegaze” band.

Wireless Bollinger talks to Andrew Bird, who is releasing Noble Beast on January 20 and playing the Queen Elizabeth Theater on April 3.

Davida Nemeroff Seminal new music showcase Wavelength – across whose stage pretty much every Toronto indie band of note from the last decade or so has passed – celebrates its ninth anniversary next month and as they’ve done pretty much every year that I can remember, they’re marking the occasion with a full weekend of shows at venues all across the city.

The full lineup was announced over the holidays, and the evenings of February 12 through the 15th will look something like this: On the 12th it’s spooky folk at the Music Gallery with Timber Timbre (also playing this Saturday night at the Tranzac and doing an in-store at Soundscapes on January 15 at 7 to mark the release of their self-titled debut on Tuesday), Ghost Bees and Dorit Chrysler followed by an after-party/nightcap at the Cameron House with The Diableros and Loitering Heroes.

Friday’s venue is Wrongbar, and the bill is headlined by the much-acclaimed Slim Twig and also features Bonjay, Child Bite and The Magic. That’s not a lineup that’ll get me out to Parkdale but Saturday night’s soiree is definitely circled on the calendar, and not just because the Polish Combatants Hall is but a short walk from home. No, it’s because the lineup for that night features a number of acts that I’ve heard good things about and am looking forward to checking out. In particular I’m interested in $100, pictured here and recently featured both The Toronto Star and BlogTO – their debut full-length Forest Of Tears reveals a raw and unvarnished country band stuck in the city who do things slow and know a thing or ten about pain. Also playing that evening are Brides, Hooded Fang, The Luyas and The Element Choir.

And finally, things close out at Wavelength’s usual time and channel – Sunday night at Sneaky Dee’s. Theatrical party-pack Foxfire Forest have the honour of closing things out, accompanied by I Am Robot And Proud and a couple of out-of-town guests – Baltimore’s Thank You and San Franciscans Mi Ami.

As with all Wavelength shows, these are pay what you can events though a cover of $10 for these shows is suggested.

MP3: $100 – “No Great Leap”
MP3: $100 – “Forest Of Tears”
MP3: $100 – “Nothing’s Alright”
MP3: The Luyas – “Cats In A Bag”
MP3: The Luyas – “Tantamount”
MP3: The Diableros – “Heavy Hands” (demo)

Liz Powell tells Chart that she’s now officially a member of Broken Social Scene, meaning she now gets the decoder ring and newsletter subscription. Her other gig – Land Of Talk – will be at the Horseshoe on January 15.

NPR profiles Bon Iver, whose Blood Bank EP is out January 20.

Clash profiles Andrew Bird, releasing Noble Beast on January 20 and playing the Queen Elizabeth Theater on April 3.

There’s a video for the title track from M Ward’s forthcoming Hold Time, out February 17.

Video: M Ward – “Hold Time”

Calexico are giving away a free MP3 over at Threadless.

PitchforkTV has a two-part video interview with Okkervil River.

Elvis Perkins In Dearland will release their second album – a self-titled affair – March 10. A handful of new songs are streaming at their website.