Mark SeligerApologies for going for the low-hanging fruit with this one, but I don’t have the time or energy to squeeze out something more interesting. So you get this. And pro tip: providing a current photo with credit really goes a long way towards leading off a post.

Anyways, The Rolling Stones – perhaps you’ve heard of them – finally announced their long-rumoured, basically inevitable 50th anniversary North American tour yesterday, and while it’s only nine dates long, at least for now, Toronto makes the cut – the Stones will be at the Air Canada Centre on May 25, with tickets running a not surprising but still eye-popping $147.25 to $597.25, on sale April 8 at 10AM. Update: And a second show has been added for June 6. No, it’s not any cheaper.

The Chicago Tribune has a well-timed interview with Mick Jagger where such topics as, “why arenas and not stadiums?”, “why so expensive?”, and “what special guests might we expect?” are covered – the last of which was already covered earlier in the day when it was confirmed that former Stones guitarist Mick Taylor would be making appearances with the band on all of the North American dates – good news for those for whom the early ’70s is their favourite Stones era. And who have lots and lots of money to spend on a single concert.

Video: The Rolling Stones – “Brown Sugar” (live)

To celebrate the North American release of For Now I Am Winter this week, Ólafur Arnalds submitted to an “Ask Me Anything” at Reddit, is the subject of features at Interview and Live High Five, and has a video session up at Yahoo!.

The Quietus, The Guardian, and Digital Spy talk to Guy Chadwick of The House Of Love, whose new album She Paints Words In Red was finally released this week.

Exclaim and BBC America talk to Jessie Ware, who has also compiled and annotated a mixtape for The AV Club. The makes her Toronto debut at The Opera House on April 6 and releases Devotion in North America on April 16.

James Blake has released a new video from Overgrown, out next week on April 9. He plays The Danforth Music Hall on May 4.

Video: James Blake – “Voyeur”

Pitchfork have the advance stream of Shaking The Habitual, the new opus from The Knife, while Filter has an interview. The album is due out next week on April 9.

Stream: The Knife / Shaking The Habitual

The Joy Formidable talks Record Store Day – for which they’re releasing a cover of Springsteen’s “Badlands” as a b-side on a 7″ – with Rolling Stone and answers other questions for Columbus Live, The Chicago Sun-Times, and London On The Inside. They play The Phoenix on April 12.

Charli XCX has rolled out a new video from her debut True Romance, due out April 16. She opens up for Marina & The Diamonds at Echo Beach on May 23.

Video: Charli XCX – “What I Like”

Spin, MTV, Rolling Stone, WNYC, and Stereogum talk to Phoenix about their new album Bankrupt!, which is out April 23.

And that provides a good segue into some developments with The Grove Fest that Phoenix were supposed to headline in Niagara-On-The-Lake on August 3. You’ll note the use of the past tense there, and that’s because it’s no longer happening in Niagara-On-The-Lake, but as of yesterday was moved to Garrison Commons at Fort York in Toronto, with the lineup being trimmed of Macklemore, Pretty Lights, and Bob Mould and ticket prices being dropped to $59.50. And before you chalk it up to a dearth of Phoenix and Hot Chip fans in western New York, this Hamilton Spectator piece hints that it may have been as much NIMBY-ism as soft sales responsible for the relocation and doubling-down on the GTA market. In any case, it’s a bit of 416 festival nostalgia as the lineup that felt mostly like a Rogers Picnic is now enjoying some V Fest-esque drama.

Consequence Of Sound interviews Palma Violets, who are in town at Lee’s Palace on May 3 and again on August 3 at Garrison Common as part of the relocated Grove Fest.

Clash, The Province, Vancouver Sun, The Guardian, and Beatroute have interviews with Billy Bragg, in town at The Danforth Music Hall on May 3.

Cosmopolitan and The Line Of Best Fit talk to Victoria Hesketh of Little Boots about her new album Nocturnes, out May 6.

Primal Scream have released a new video from the forthcoming More Light, out May 13.

Video: Primal Scream – “It’s Alright, It’s OK”

Still Corners have released a new video from their forthcoming Strange Pleasures, out May 7. And their previously-announced June 14 NXNE date is now the endpoint of a full North American tour – dates at Spin.

Video: Still Corners – “Berlin Lovers”

Exclaim talks to Savages ahead of the May 7 release of their debut Silence Yourself.

A Music Blog, Yea chats with Stornoway, in town at The Horseshoe on May 9.

Le Blogotheque has an Empty Space video session with Foals. They play The Kool Haus on May 11.

DIY gets a look at the making of Desire Lines from Camera Obscura’s Tracyanne Campbell. The album is out June 4 and they play Garrison Common for the Toronto Urban Roots Fest on July 4.

The xx stop in at NPR for a World Cafe session. They stop in for a big-ass show at Downsview Park on June 6.

Daytrotter have posted a session with Bloc Party, in town at Garrison Common as part of the Field Trip fest on June 8.

Spinner, Spin, and Consequence Of Sound chat with CHVRCHES, who’ve just premeired a new video from their debut full-length, due in September. They’re at The Hoxton on June 12.

Video: CHVRCHES – “Now Is Not The Time”

DIY, Clash, and Artrocker profile Peace, coming to town as part of NXNE on June 15.

At this point, I suspect only Chris Olley knows on any given day if Nottingham’s Six By Seven are a going concern or not, but for the moment it appears they once again are with a new album in Peace And Love And Sympathy slated for a June 10 release. And while it’s been a while since they’ve done anything really memorable since 2004’s :04, the two sample tracks they’ve got available to stream sound way more intense and focused on either Artists Cannibals Poets Thieves or If Symptoms Persist, Kill Your Doctor – “Truce” is all kinds of angry, and an angry Six By Seven is a potent Six By Seven. And if you’re not familiar with this criminally underappreciated band, treat yourself to a free compilation of what band principal Olley has been up to over the past decade. Or just listen to “Bochum” on repeat all day.

Stream: Six By Seven – “Sympathy”
Stream: Six By Seven – “Truce”

Polly Scattergood has a video for the first single from her forthcoming album Arrows, slated for June 14 release.

Video: Polly Scattergood – “Wanderlust”

For those waiting for some east coast Bat For Lashes dates in support of The Haunted Man, good news and bad news. The good news is word has it she’s here on September 2. Bad news is it’s at the Molson Amphitheatre opening for Depeche Mode. Now if you’re a Depeche Mode fan as well, great. If not, then… oh well.

MP3: Bat For Lashes – “Oh Yeah”

NPR welcomes Richard Thompson for a World Cafe session.

PopMatters has excerpted some of The Stone Roses: War And Peace, the new book about – wait for it – The Stone Roses.

NPR serves up a video session with Frightened Rabbit.

Spinner talks riot grrl with Kate Nash.

The Line Of Best Fit has a video session with Melody’s Echo Chamber.

A Heart Is A Spade interviews The Deer Tracks.

The GuardianSo yes, been away a little while – San Francisco was lovely, thanks for asking, I’ve just started putting up photos on Flickr – and yes, there’s a bit of a backlog of stuff to get through. But there’s also a dollop of jet lag to get over, so I’ll just ease back into this if it’s all the same to you.

We may as well start with the only thing that I actually listened to from all the RSS/Twitter/email items immediately: yesterday’s livestreamed Blur mini-concert from atop a London rooftop – the exact location of which was not revealed – wherein they debuted both sides of a new single to coincide with its digital release with the physical release by way of limited edition 7″ on August 6. That date, of course, coincides with their August 12 gig at Hyde Park which is meant to close out the Olympic Games but which many are speculating will also close out their career.

The band have been vague about their plans for the future beyond this single, the Blur 21 box set due out July 31, and the brace of small warm-up and big festival gigs that will lead up to the Hyde Park show; some quotes seem to unequivocally point to the band’s end, other explicitly contradict that finality (not that there’s any sort of symbolism in playing a London rooftop concert, no not at all). It leads one to think that they’re not so much being cagey about it as they genuinely have no idea what’s next, if anything.

And I actually kind of like that. The new tunes are solid, so there’s clearly some gas left in the tank, and if they choose to roll out a new single every now and again without all the weight of expectation, then it’s like a gift. And if that turns into an album and/or North American tour, well that’s cool as well.

The webcast of yesterday’s concert can be seen at The Guardian and rather nifty takes on the usually blah lyric video concept for each of the songs allow some decent streaming of the studio versions of the songs.

Lyric Video: Blur – “Under The Westway”
Lyric Video: Blur – “The Puritan”

Spiritualized have released a second video from Sweet Heart Sweet Light, and Blurt gets some insight on the clip from director Vincent Haycock.

Video: Spiritualized – “Little Girl”

Over at Gigwise, Nicky Wire of MSP expounds on why the Stone Roses is the greatest thing ever.

Pet Shop Boys are streaming a new song from their forthcoming album Elysium, coming September 17.

Lyric Video: Pet Shop Boys – “Winner”

Consequence Of Sound tracks down Emma Anderson of Lush to talk about their final album Lovelife and the nuts and bolts of why there hasn’t been a Lush reunion, though it’s interesting to learn how far along one has gotten.

Florence & The Machine have released another video from Ceremonials; pretty much every album should have been put out as a single by the time they play The Molson Amphitheatre on August 2.

Video: Florence & The Machine – “Breaking Down”

Summer Camp are streaming another track from their Always EP over at The Guardian, and don’t worry about what you might have heard about them going hip-hop on it – neither Jeremy nor Elizabeth tries to bust a verse, they’ve enlisted Odd Future associate Pyramid Vritra to do it for them. The EP is out next week, and apropos of nothing, Jeremy Warmsley lists off his fantasy band lineup for The Independent.

Stream: Summer Camp – “City”

Spin documents Charli XCX’s first foray to America, back in the Spring during SXSW. She’s back this Summer as part of the HARD festival at Fort York on August 4, and also talks to MTV Hive about her in-progress debut album, due out later this year. And oh, new vid.

Video: Charli XCX – “You’re The One”

The Line Of Best Fit welcomes Dry The River for a video session.

Los Campesinos! frontman Gareth Paisey follows up his musical salute to Housemartins/Beautiful South frontman Paul Heaton with an interview at Drowned In Sound about his new opera Presents The 8th, in which Paisey has a part.

Sigur Rós have released another video from Valtari, though this one contains 100% less celebrity penis than the last one.

Video: Sigur Rós – “Rembihnútur”

Filter and Relix get to know Of Monsters & Men.

Southern Souls shares a session recorded with Revolver, recorded when they were in town for NXNE last month.

Frank YangFor the first part of Thursday night, I was – as recounted yesterday – happily seeing my favourite band deliver the best performance of theirs I’d ever seen. So why, in the name of all that’s holy, did I leave early? Because of Anna Calvi. The British-Italian artist released one of my favourite records of 2011 (ooh, year-end list spoiler!) in her self-titled debut, but fate seemed determined to keep me from seeing her perform it live.

First, her CMW and SXSW showcases – which were legion – were cancelled due to an arm injury, then the make-up date in May came on the exact same night I was in Barcelona seeing Pulp (yes, no sympathies, I understand) and then, even though I know there technically wasn’t a local date, her being on the bill at Osheaga in Montreal in August felt like missing her again. So nothing – not even the aforementioned conflicting show – was going to keep me from catching this latest date. Though the cabbie that took me from the Air Canada Centre to Lee’s Palace certainly gave it a shot, managing to catch every red light between one venue to the next and not seeming to get a read on my urgency in the back seat. Maybe I wasn’t swearing loud enough.

In any case, I made it and only missed the first 10 minutes or so of her set. Unfortunately, her set was only about 45 minutes in total so it felt awfully brief, but what I did see made the anxiety of the cross-city club-hopping worthwhile. Backed by a drummer and percussionist/harmoniumist (?) and without the aid of any kind of set dressing, Calvi nonetheless managed to transform Lee’s Palace from a rock club into a cabaret, an opera house, a smoky jazz lounge, all by virtue of her music. Okay, suggesting there was no visuals at play is just wrong; done up in her stage uniform of blood-red blouse and lipstick with jet-black pants and stilettos, she was quite the striking figure. But her appearance wasn’t why it was impossible to take your eyes off of her. No sir.

It’s a toss-up which is more astonishing, Calvi’s vocals or her guitar skills, and in a live setting she doesn’t make it any easier to choose. To the former, she was more breathy than belty, slowing songs like “Suzanne & I” down for a more sensual and seductive delivery – if that’s even possible – and also to make the moments where she unleashed the full strength of her voice that much more powerful. And as for her instrumental abilities, well let’s just say that Telecasters have long been my favourite guitar but I’ve never wanted to BE one so much before. Any time she stepped away from the mic to take a solo, it was eye-opening and jaw-dropping the sounds she was able to coax out of the most basic of electric guitars; the soaring and guttural instrumental break in set-closer “Love Won’t Be Leaving” was particularly unexpected and devastating.

The set seemed to comprise the whole of her album (this was confirmed by folks who’d seen the whole show) and a couple of covers, the recently-released reinvention of TV On The Radio’s “Wolf Like Me” and Frankie Laine/Edith Piaf standard “Jezebel” for the encore, so that it still seemed short was no one’s fault but the cabbie. But I suspect that even if the show had run two hours, I’d still be wanting more. Next time.

NOW also has a review of the show while JAM, The Montreal Mirror, Winnipeg Free Press, Under The Radar, and The Vine all have interviews with Calvi.

Photos: Anna Calvi @ Lee’s Palace – December 8, 2011
MP3: Anna Calvi – “Blackout”
MP3: Anna Calvi – “Jezebel”
Video: Anna Calvi – “Suzanne & I”
Video: Anna Calvi – “Blackout”
Video: Anna Calvi – “Desire”

So very pleased to see that Slow Club will be touring their second album Paradise to North America – they’ve just announced a February 19 date at The Rivoli, tickets $12 in advance and worth every penny. For a preview, check out this video session just posted at They Shoot Music and also this interview at DIY.

Video: Slow Club – “Where I’m Waking”
Video: Slow Club – “Two Cousins”

Billboard has posted excerpts from year-end cover story on their artist of the year, Adele, in which she says to not expect a third album anytime soon.

Spinner and The Toronto Star have interviews with Laura Marling, whose recent concert for Philadephia’s WXPN is available to stream at NPR.

Spinner has a video session and interview with Florence & The Machine and Florence Welch talks to Rolling Stone about how well things are going with her in the wake of Ceremonials‘ release.

Over at The New Yorker, Sasha Frere-Jones articulates why Emmy The Great’s Virtue was one of the best records of the year. I concur!

The Twilight Sad will treat the February 21 release date of their third record No One Can Ever Know like a starter’s pistol for a North American tour which will bring them through Lee’s Palace on February 29 en route to SXSW.

MP3: The Twilight Sad – “Kill It In The Morning”

The Guardian is streaming a video of Richard Hawley covering The Velvet Underground’s “Waiting For My Man” at last week’s Other Voices festival. This reminds us of two things: first, Richard Hawley is awesome and second, Richard Hawley is due a new album. Let’s have it, then.

Fire Records has posted details of the three Pulp reissues they’ll be putting out in the new year – each of Freaks, Separations and It will be remastered, appended with bonus tracks and set free into the world on February 13.

Under The Radar reports that two Radiohead will release a new single of King Of Limbs-session tracks debuted as part of their From The Basement broadcast will be released as a digital single on December 19. If this interests you, then you’ve already heard the songs.

Video: Radiohead – “The Daily Mail” (live on From The Basement)
Video: Radiohead – “Staircase” (live on From The Basement)

Spinner reports that The Stone Roses have signed major label record deals for a third album to go along with their reunion. Gotta give them credit – if they’re going to make this a fiasco, they’re going all in.

The Guardian reports that Nick Cave called time on Grinderman on stage in Australia this past weekend. I can only assume this was a planned break to work on the new Bad Seeds record that had originally been targeted for release as early as this year, though clearly that’s been pushed until 2012. If it’s actually internal band friction, that’ll make that first Bad Seeds rehearsal awkward as it’s basically the same band.

Niki & The Dove have released a new video from their The Drummer EP. Update: Make that two videos?

Video: Niki & The Dove – “DJ Ease My Mind”
Video: Niki & The Dove – “Mother Protect”

The Stool Pigeon talks to the Söderberg of First Aid Kit about their new record The Lion’s Roar, out January 24. They’re at The Great Hall on April 4.

FacebookAlmost four years on from their last dispatch, Spiritualized has announced that their seventh studio album Sweet Heart Sweet Light will be released on March 19, 2012. It’s about the same gap that separated 2008’s Songs In A&E and 2003’s Amazing Grace, but that delay was compounded by Jason Pierce’s near-death experience. This time any extenuating factors in the delay fell into the more decidedly benign category; new labels in both Europe and America, recitals and reissues to mark the 10th anniversary of their landmark Ladies & Gentlemen We Are Floating In Space, etc.

But the record is finally done and according to the press release from Domino (their new European home to go with Fat Possum Stateside), it’s Pierce’s tribute to old school rock’n’roll in the spirit of The Beach Boys and Chuck Berry. I can only hope it turned out better than their last stab at raw rock as Amazing Grace is the go-to Spiritualized album for precisely no one.

The Guardian has an audio interview with Jason Pierce about the making of the new record and also a live video of the album’s leadoff track, recorded last weekend at the Other Voices festival.

Video: Spiritualized – “Hey Jane” (live at Other Voices)

Also at Other Voices and recorded by The Guardian were Wild Beasts, whose entire set is available to watch.

Exclaim reports that Tindersticks have confirmed details of their new record: The Something Rain will be out on February 21 and a stream and video for the first single from the album are available now.

Stream: Tindersticks – “Medicine”
Video: Tindersticks – “Medicine”

DIY talks to Veronica Falls frontwoman Roxanne Clifford about their plans for following up a pretty swell 2011; plans which include a February 14 date at The Garrison in Toronto.

SYFFAL – yes, it’s an acronym – has words with Charles and Rebecca of Slow Club.

In conversation with The Creator’s Project, Jamie xx says that the new xx album should be done and out in time for the Summer festival season, which is to say the front half of 2012.

The Leeds Guide speaks briefly with David Gedge of The Wedding Present, in town at The Horseshoe on March 25.

Alex James tells NME that Blur are planning a holiday get-together and in addition to exchanging gifts and drinking egg nog, they may well do some recording.

Emmy The Great ponders to The Daily Star why there are so many indie Christmas albums being released this year, including her own.

Kaiser Chiefs are still around and Under The Radar reports they’re following this Summer’s The Future Is Medieval with a new album less than a year later in Start the Revolution Without Me, out March 6. The first MP3 is available to download at RCRDLBL – also still around – and they’ll be at The Phoenix on April 17.

Video: Kaiser Chiefs – “Little Shocks”

Coldplay are at the Air Canada Centre on July 23. Last time they were here in 2009 it was the Rogers Centre; stadium band to arena band, oh the indignity.

Video: Coldplay – “Paradise”

The Line Of Best Fit and The Edinburgh Journal talk to James Graham of The Twilight Sad, whose new record No One Can Ever Know is out on February 7.

Exclaim gathers five bits of Stone Roses trivia for your enjoyment.

Cat’s Eyes, the debut album from Cat’s Eyes, continues to yield new videos. Like this one.

Video: Cat’s Eyes – “The Best Person I Know”

As is usually the case when a band with a breakout album does a tour of woefully undersized venues that are sold the hell out, M83 has announced a Spring tour that brings the French electro-gaze act back to town for a show at the Sound Academy on May 6, tickets $25 in advance. And while normally I wouldn’t bother hitting a second show for the same album having just seen them last month, I’ll definitely be there. Why? I Break Horses are opening the whole tour. I love I Break Horses, and their debut Hearts. How much? I’ll tell you next week.

MP3: I Break Horses – “Winter Beats”
Video: M83 – “Midnight City”

Cheers to Ja Ja Ja for finding and posting this live Loney Dear studio performance of “D Major”.

The Raveonettes are marking the holidays with a new video for the cryptically-titled “Christmas Song”.

Video: The Raveonettes – “The Christmas Song”

The Jonsi-scored soundtrack to Cameron Crowe’s latest film We Bought A Zoo is now up to stream at Rolling Stone.

Stream: We Bought A Zoo original soundtrack

NPR has posted a KEXP session from Icelandic merrymakers Of Monsters & Men. Their first North American release will be the digital Into The Woods EP on December 20, followed by a domestic issue of My Head Is An Animal in the Spring.

Australia’s Gotye has a date at The Phoenix on March 31.

Video: Gotye – “Bronte”

Interview talks to Hayley Mary, lead singer of The Jezabels.

NME reports that the long-awaited (by me, anyways) second Ladyhawke album will have a title of Anxiety and release date of March 19. And they’ve got some video of Pip Brown at work on said record.

Kyle Dean ReinfordIf you listen to Hospitality, the debut album from the band also called Hospitality, you may quickly find yourself in a game of “where are they from?” based on singer Amber Papini’s accent and entries of any and all of the UK, Scandinavia or Australia/New Zealand would be perfectly reasonable. After all, the outfit’s idiosyncratic yet hooky pop style would fit quite easily in the musical traditions of any of the above.

The truth of it, however, is far less foreign; they’re from Brooklyn, though if you want/need more exoticness than that, Papini originally hails from Kansas City. And the accent? Just affectation. That doesn’t make their tunes any less enjoyable, though, and it makes the odds that they’ll be able to tour North America that much greater – one in one, as a matter of fact. In support of the January 31 release of their debut on Merge, they’ve got a short tour of the northeast planned and it includes a January 11 date at The Horseshoe – while it doesn’t show up on the above itinerary, it is happening, tickets $10. And apparently they’re supporting some outfit called Caveman? Come for the Hospitality, stay for the Caveman or vice-versa? The important thing is that you go.

MP3: Hospitality – “Betty Wang”
MP3: Hospitality – “Friends Of Friends”

Also in the just-announced column – UK electro outfit Fujiya & Miyagi will be at Wrongbar on January 24 in support of this year’s Ventriloquizzing.

MP3: Fujiya & Miyagi – “YoYo”
MP3: Fujiya & Miyagi – “Sixteen Shades Of Black & Blue”

Danish disco-funk collective The Asteroids Galaxy Tour – yes that’s a real thing – will release their new record Out Of Frequency on January 31 and follow it up with a show at The Hoxton on February 6, tickets $16.50 in advance. I saw them back at SXSW 2009; they’re entertaining.

MP3: The Asteroids Galaxy Tour – “Major”
MP3: The Asteroids Galaxy Tour – “Around The Bend”

South Africa’s Die Antwoord haven’t announced a release date for their second album Ten$ion yet – their ditching their label probably has something to do with that – but having just announced a February 14 date at The Phoenix, one presumes that they believe it will be out sooner rather than later. Tickets for the show are $29 in advance.

Video: Die Antwoord – “Fok Julle Naaiers”

North Carolina’s Bowerbirds have announced a March 6 release date for their new record The Clearing, and they’ll bring it to The Garrison on March 27 as part of a full tour. You can hear the first MP3 from the record below.

MP3: Bowerbirds – “Tuck The Darkness In”

It’s interesting that the Nordic Music Prize – awarded to the best Scandinavian record – only has a lag time of a few days between announcing the long list, with a dozen records from each of Sweden, Denmark, Norway, Finland and Iceland, and the short list of a final twelve from all countries. And surprising to me, at least, that I Break Horses’ gorgeous debut Hearts wasn’t at least on the former. But then I have no idea what’s actually big in Sweden. I do know, however, that The Quietus and Loud & Quiet have features on the duo and that Maria Lindén has become my number one indie rock crush. Le sigh.

Lykke Li – who is on the Nordic long list for Wounded Rhymes – has released another of the random live session videos that she seems to have so many of.

Video: Lykke Li – “Youth Knows No Pain” (acoustic)

Patrick Wolf has a new video that appears both on this year’s Lupercalia and the Brumalia companion EP which is due out December 4. Still waiting on a North American release for either/both of these, Patrick. Stereoboard and The Oxford Student have interviews.

Video: Patrick Wolf – “Together”

The Guardian talks to Laura Marling, who has two sold-out shows at Camera Bar on December 7.

Anna Calvi covers TV On The Radio’s “Wolf Like Me” in session for The Guardian in what’s basically a proper video. Maybe she’ll bust that one out when she plays Lee’s Palace on December 8. The Vine also has an interview with Calvi. Update: Stereogum’s got an MP3 of the cover to download if you like.

Video: Anna Calvi – “Wolf Like Me”

Still Corners have released a new video from Creatures Of An Hour; they’re at The Horseshoe on December 9, opening up for The War On Drugs.

Video: Still Corners – “Into The Trees”

Clash talks artistic evolution with Horrors bassist Rhys Webb.

Londonist chats with Little Boots about her new single “Shake”, which presumably augurs a second album in the new year.

Exclaim documents the history of the now-resurrected Stone Roses.

Spin chats with Nick Lowe.