Frank YangIn leading up to Friday night’s show at Lee’s Palace, I’d wondered aloud as to why it had taken The Wooden Sky so long to play a proper hometown show, what with their latest record, the ex If I Don’t Come Home You’ll Know I’m Gone having come out all the way back in August. Walking into Lee’s, I got my answer – they were building their sets. The stage was breathtakingly decorated with all manner of props and sculptures built of paperback books and pages, which my iPhone photo does not do justice (yes I had my regular gear with me and no, I didn’t take a proper picture – shut up). In both concept and execution, it was one of the coolest things I’d seen as far as art installations go, certainly better than stuff I’d seen at Nuit Blanche – big salute to artists Chris Mills and Tim Oakley for their work. So yeah, I was wholly impressed before a single act had taken the stage. A good sign.

Brian Borcherdt is certainly best known as co-leader of Holy Fuck, but before achieving instrumental electronica fame he plied his trade in a range of rock bands and as a solo artist, and it was the latter that kicked things off Friday. Armed with just a Jazzmaster and material from last year’s Coyotes, he showed off his more atmospheric if not quieter side, songwriting chops and an impressive voice that obviously doesn’t get called on much in Holy Fuck. He was joined by Julie Fader, with whom he’s setting out on tour, and then invited his drummer/collaborator on brand-new project Fields Of Fur and turned the rest of the set into a rehearsal of sorts, showing off his more rock-worthy side.

I had caught Hooded Fang a few times at the start of the year. Even then, over the span of just a month, they became a much more improved outfit, trading some amateurishness for assuredness without giving up the sense of fun and whimsy that gives them much of their charm. They still sound like Los Campesinos! crossed with Saturday Looks Good To Me, trading some of the former’s frantic tendancies and the latter’s Motown debt for an extra dose of tweeness and some of the distinctively Toronto big-band chaos (Hooded Fang numbered seven members). They still add a little more saccharine than I like in my musical diet, but there’s no arguing their upwards trajectory – look for their debut album early in the new year.

Not to suggest in any way, shape or form that they don’t deserve it, but when did The Wooden Sky get so many fans? The last few times I saw them were in basements or as openers and while they’ve certainly been around long enough to have amassed an audience, the size and enthusiasm of the crowd on this night was a surprise. Mind you, the fact that much of the audience seemed to be dewy-eyed girls implies the band has an appeal beyond their songcraft that I hadn’t picked up on before… Regardless, Lee’s was damn near full and dressed to the nines and The Wooden Sky took full advantage of the opportunity.

Their last Toronto performance, an intimate in-store at Sonic Boom in August, showcased the band’s intimate side just as Gone largely does – plumbing the still, deep reservoir of wistfulness and melancholy to impressive effect – and while they didn’t give that facet of their music short shrift, it was good – no, great – to see them get loud and raucous again. Featuring guest appearances from members of The Magic, Forest City Lovers and Evening Hymns, the set drew from both Gone and their first record under the Wooden Sky mantle, When Lost At Sea and presented a portrait of a band whom you could still accurately call roots-rock, but who were clearly using roots as precisely that. A foundation on which to draw on and grow something new from, and with Gone as a watershed record for the band and one I have no shame in saying I didn’t realize they had in them, I can’t wait to see where they go from here. The (wooden) sky is the limit.

BlogTO also has a review of the show. The Wooden Sky continue touring through Ontario and Quebec the rest of the month and there’s interviews with frontman Gavin Gardiner at Pulse Niagara and Brock Press. The Yarmouth County Vanguard talks to Brian Borcherdt.

Photos: The Wooden Sky, Hooded Fang, Brian Borcherdt @ Lee’s Palace – November 13, 2009
MP3: The Wooden Sky – “Bit Part”
MP3: The Wooden Sky – “Something Hiding For Us In The Night”
MP3: The Wooden Sky – “North Dakota”
MP3: The Wooden Sky – “The Wooden Sky”
MP3: Hooded Fang – “Land Of Giants”
MP3: Hooded Fang – “The Pageant”
MP3: Hooded Fang – “Circles And Blocks”
Video: The Wooden Sky – “Oh My God (It Still Means A Lot To Me)”
Video: The Wooden Sky – “When Lost At Sea”
Video: Brian Borcherdt – “Scout Leader”
MySpace: Hooded Fang
MySpace: Brian Borcherdt

The two sides of Forest City Lovers’ imminent “Phodilus and Tyto” 7″ single are currently available to stream on the band’s MySpace. The 7″ should be available for purchase on November 20, the tracks will also be available to purchase digitally and a video for the b-side of “If I Were A Tree” is also imminent – all of which does a good job of building excitement for the band’s third album, currently targeted for a late Spring/early Summer 2010 release.

Most of the live music-oriented New Year’s Eve events around town tend towards the country-rock vein – which is fine – but for those who prefer a little less twang in their “auld lang syne” – also fine – there’s an impressive to-do at the Tranzac that evening featuring performances from Gentleman Reg, The Magic, Jim Guthrie, Diamond Rings and Laura Barrett, amongst others. Tickets are $12 in advance and do not include cold buffet or little plastic cups of flat champagne.

There’s a video session with The Wilderness Of Manitoba up at Southern Souls and another MP3 from Hymns Of Love And Spirits available to beguile. They play The Holy Oak (Bloor and Landsdowne) on November 21.

MP3: The Wilderness Of Manitoba – “Bluebirds”

Another Monsters Of Folk video.

Video: Monsters Of Folk – “Say Please”

Chart talks to Alela Diane, who plays the Horseshoe tonight.

Spinner gets a new album status update from Alison Mosshart of The Kills, who denies that Kate Moss ever threw a laptop containing all their demos into a swimming pool.

Black Cab Sessions drives School Of Seven Bells around Austin in exchange for a song. Alejandra Dehaza talks to NME about preparing to record album number two, entitled Disconnect From Desire and due out sometime in the middle of next year.

The nebulously-maned Music Reviews blog interviews Dean Wareham. The third Dean & Britta album appears targeted for a mid-2010 release.

The Line Of Best Fit and Epigram interview Christian Mazzalai of Phoenix. They’re at the Sound Academy on December 5.

MySpaceIf it were possible to monetize pure musical oddity, then not only would Iceland’s economic problems be a thing of the past, they might well be the world’s top fiscal superpower. Yes, the likes of Bjork and Sigur Ros would guarantee a GDP many times greater than the rest of the planet, but the tiny country’s smaller exports would also help push things forward – case in point, Sprengjuhollin (it’s pronounced the way it’s spelled. Go on, try).

The Reykjavík quintet don’t wave their freak flag nearly as high as their more famous countrymen, preferring to draw inspiration from their no-doubt substantial collection of Mod-era LPs rather than by communing with snow fairies out on the fjords, but assuming them to be straight pop purveyors, as their English-language singles might imply, would be unwise. Because while tracks like the orchestral folk-pop of “Worry Till Spring” might act as an easily accessible point of entry for their second self-titled album, once inside it’s a much stranger place. The majority of songs are in Icelandic and are given to more warped trajectories, at times recalling Dungen in their psychedelic inclinations, but always remaining concise and more importantly, hooky. You don’t need to speak the language to hum along.

Sprengjuhollin were around back in the Winter for Canadian Musicfest and both won folks over and were won over themselves – they’re returning for an eastern Canadian tour that will start and end in the Maritimes but swing through Ontario next week for a couple of Toronto dates – one on October 24 at the Rivoli and another on October 25 at Rancho Relaxo. The band were also an eMusic Selects pick last Summer – check out the feature piece for an interview with the band and a guided tour of the last record.

MP3: Sprengjuhollin – “Worry ‘Til Spring”
MP3: Sprengjuhollin – “Tonight”

Peter Bjorn & John have released a video for the title track of their latest Living Thing, which they’ll (again) bring to the Phoenix on November 11.

Video: Peter Bjorn & John – “Living Thing”

The National Post has an interview with Sune Rose Wagner of The Raveonettes, whose new album In And Out Of Control is shockingly good. By shockingly, I mean they no longer sound like a band that I always feel like I should like more than I do, and like a band that I could actually really like. They’re at the Phoenix on October 22.

MP3: The Raveonettes – “Last Dance”
Video: The Raveonettes – “Last Dance”

Spinner is featuring an Interface session with Mew. Babelgum is also presenting a 30-minute feature on the band recorded at a special gig at London’s Institute of Contemporary Arts.

Donewaiting has an interview with Wye Oak.

The deluxe edition of School Of Seven Bells’ 2008 debut Alpinisms is out today and available to stream – second disc of remixes and bonus tracks included – at Spinner. They also recently announced they’ve given their second album, due out next year, a title – Disconnect From Desire – expect to hear some of those new songs on Thursday night when they play Lee’s Palace.

Stream: School Of Seven Bells / Alpinisms

Anika In London discusses matters of cosmic import, such as take-out food, with The Antlers.

Clash talks to Wayne Coyne of The Flaming Lips. Embryonic is out today

The Decemberists have released a first video from this year’s The Hazards Of Love.

Video: The Decemberists – “The Rake’s Song”

John Darnielle of The Mountain Goats gives eMusic a list of his favourite religiously-themed records and offers a more conventional interview to Tiny Mix Tapes.

Over at Asthmatic Kitty, Sufjan Stevens interviews current tourmate and bandmate Nedelle Torisi of Cryptacize. They’re at the El Mocambo on November 7.

Ume – the toast of both SxSW and NXNE if I’m to be believed – are embarking on another northeast/Canadian tour and will be at the Horseshoe on November 3 for a free show. The occasion is the Canadian release of their Sunshower EP on October 27.

MP3: Ume – “Pendulum”
MP3: Ume – “The Conductor”

The Dodos talk to Spinner, Chartattack, New York Press, The Brooklyn Paper, The AV Club and The Diamondback. They’re at Lee’s Palace on Friday Saturday night.

I Heart Music has ripped a CBC session from Woodpigeon for you to keep for your very own. Their new album Die Stadt Muzikanten is out January 12.

The first part of the Wooden Sky tour documentary A Documentary In Pieces is now online for your viewing pleasure. They have a date at Lee’s Palace on November 13

In addition to their November 7 show at the North York Central Library, Bruce Peninsula have set two dates at the Music Gallery for November 27 and 28.

Frank YangEverything I have to say about The Antlers’ record Hospice has already been said, so I’ll focus squarely on their live performance which I was able to witness yesterday evening despite opting to see Joe Pernice at the Dakota rather than their show at the Horseshoe, thanks to their booking an in-store at Criminal Records before either got underway.

While they could easily have gotten away with doing something simple, short and stripped-down, the fairly packed store was instead treated to something akin to a full and proper set, fully plugged-in and running 40 minutes plus. And it’s just as well, because that extra volume and amplification was crucial to the impact of the set (not to mention allowing keyboardist Darby Cicci to be heard at all). Where the recorded versions of the songs were built on foundation of tension and delicacy, the live renderings were much grandiose in scale – bigger and bolder without compromising the fragile atmospherics so integral to the songs. Rather than evoking images of hospitals, they felt like cathedrals, and perhaps most importantly, felt more uplifting than despairing. The lyrical content of the songs didn’t come across so pointedly, instead taking a back seat to the rawer, more visceral impact of the sound.

So while sorry to have missed their show proper, I’m thankful to have caught close to a proper show and still got to see Joe Pernice, all before the cold which has been stalking me the last couple weeks finally took me victim. Achoo.

Photos: The Antlers @ Criminal Records – September 24, 2009
MP3: The Antlers – “Two”
MP3: The Antlers – “Two” (remastered)
MP3: The Antlers – “Bear”
MP3: The Antlers – “The Universe Is Going To Catch You”
MP3: The Antlers – “On the Roof”
MP3: The Antlers – “Stairs To The Attic”
MP3: The Antlers – “Cold War”
MP3: The Antlers – “Keys”
Video: The Antlers – “Two”
MySpace: The Antlers

And if you opted to see The Antlers last night rather than Pernice, know that Joe will be making an appearance at Word On The Street this Sunday at Queen’s Park. Not performing, but being interviewed at 4PM – though there’s nothing to say he won’t spontaneously break out into song. Details in his cover feature from this week’s eye.

SFAppeal, The Dallas Observer and The Arizona Daily Star talk to The Pains Of Being Pure At Heart.

School Of Seven Bells’ Alpinisms, a highlight of 2008, will be getting a re-release with a second disc of remixes and alternate takes on October 13 – almost just in time for their Fall tour which brings them to Lee’s Palace in Toronto on October 15. Pitchfork has one of the tracks from the bonus disc available to download. The Diamondback and Austinist have interviews with the band.

MP3: School Of Seven Bells – “Iamundernodisguise” (alternate version)

The Hook questions Decemberist Chris Funk.

Spin questions. Monsters Of Folk answer. On November 2, they perform at Massey Hall.

Austinst talks to John Vanderslice, who’s made a demo MP3 from Romanian Names available to download in support of an upcoming 7″ single for “Too Much Time” due out October 6.

MP3: John Vanderslice – “Too Much Time” (demo)

Good news – Ted Leo & The Pharmacists will have a new record out in the early part of next year. Better news – it’s coming out on Matador.

To anyone thinking about attending the October 24 White Rabbits show – note that it has been moved from the Drake to the Horseshoe, and rather than an early show it’s now a regular/late show. Adjust your plans accordingly. You have a month to do so.

Soundproof talks to Reverie Sound Revue.

There’s a new MP3 available from The Wooden Sky’s new album If I Don’t Come Home You’ll Know I’m Gone – they’re at Lee’s Palace on November 13. The Sudbury Star talks to frontman Gavin Gardiner.

MP3: The Wooden Sky – “Bit Part”

Spinner gets to know Dog Day and suggests you do the same. They’re at the Horseshoe on November 5.

Young Galaxy have set a date at the Horseshoe for November 13, tickets $10.

MP3: Young Galaxy – “Long Live The Fallen World”

Mew have released a new video from No More Stories.

Video: Mew – “Repeaterbeater”

Filter chats in two parts with Mum, who’ve also made Magnet a mix tape. They’re at the Phoenix on October 27.

MP3: Mum – “Illuminated”

LastFMYou must understand how it pains me to say this, but at long last two of the artists whom I’ve been waiting to come to Toronto for most of this year – Norwegian firebrand Ida Maria and New Zealand ’80s acolyte Ladyhawke – have finally set a date… and I have Perez Hilton to thank. The two are the marquee acts of the first Perez Hilton Presents tour and as much as I hate to think he and I have anything in common besides rudimentary MS Paint skills, in this case, we’ve got some of the same taste in music.

Both Maria’s Fortress ‘Round My Heart and Ladyhawke’s self-titled debut are irresistibly catchy, the former by means of giddy, boozy energy and the latter with big, retro synth-pop hooks. I should have seen both at SxSW back in March but visa issues kept Ida Maria from making any of her scheduled appearances (save Hilton’s party) and while Ladyhawke’s set wasn’t the most dynamic show, just hearing those songs live was plenty to get excited about.

So despite the name that will surely be posted in big, neon letters above the marquee (figuratively speaking), I will trek out to the Opera House on September 17 to see Ida Maria and Ladyhawke along with Frankmusik, another act apparently with the PH seal of approval, and hope that wonderfully sugary pop wipes out the bad taste of the tour sponsor. Whether you’re able to do the same is between you and your conscience. Full dates at The Music Slut.

MP3: Ladyhawke – “My Delirium”
Video: Ida Maria – “I Like You So Much Better When You’re Naked”
Video: Ida Maria – “Oh My God”
Video: Ida Maria – “Stella”
Video: Ladyhawke – “Paris Is Burning”
Video: Ladyhawke – “My Delirium”
Video: Ladyhawke – “Dusk Till Dawn”
Video: Ladyhawke – “Back Of The Van”

The Verve reunion that went so triumphantly last year? Exclaim and The Guardian report that it’s – wait for it – history.

BBC talks to Mani Mounfield of The Stone Roses on the occasion of the band’s 20th anniversary, which will include a multitude of reissues of their debut album at all price points as of today. The Guardian, meanwhile, has gotten some video footage of the band in the studio recording “Fool’s Gold”.

QRO talks to Aleks Campesinos! of Los Campesinos! about her impending departure from the band and subsequent reclamation of her surname.

NME has some info on Sigh No More, the debut album from Mumford & Sons, finally ready for an October 5 release in the UK.

The Boston Globe talks to Bat For Lashes’ Natasha Khan.

The Telegraph is the latest media outlet to catch onto the ’80s revival trend in pop music, talking to La Roux’s Elly Jackson about the movement.

Also mentioned in that piece is Little Boots, with whom The Telegraph has a separate feature interview. She’s at Wrongbar on September 14.

The Quietus talks to The Big Pink. There’s a new video from A Brief History Of Love, out September 22, and they’ll be at Lee’s Palace on November 29.

Video: The Big Pink – “Dominos”

Ambient/post-rock outfit Sian Alice Group have a date at the Drake Underground on October 16 as part of a massive Fall tour in support of their new album Troubled, Shaken, Etc..

Video: Sian Alice Group – “Close To The Ground”

Shonen Knife will be at the Horseshoe on October 18, tickets $15.50. Their new album Super Group is out August 25.

MP3: Shonen Knife – “Super Group”
Video: Shonen Knife – “Super Group”

Stereogum has premiered the next video from Yo La Tengo’s Popular Songs, out September 8. They’re at the Opera House on October 3.

Video: Yo La Tengo – “Avalon Or Someone Very Similar”

Sweet Oblivion has an interview with School Of Seven Bells, who have a date at Lee’s Palace on October 15.

Paste gets to know Chairlift.

Bradley’s Almanac is sharing MP3s of a Telekinesis show in Cambridge, MA from earlier this year.

Decider talks to Kim Deal of The Breeders and Pixies, the former of whom are at Lee’s Palace this Saturday and the latter at V Fest on August 29.

I didn’t realize that Magnet was slowly putting their back issue feature content online. This is fantastic news, as they’ve had some terrific stories over the years including this one about the Minneapolis scene of the ’80s, focusing on The Replacements and Husker Du. As I recall, the interviews with the three members of Husker Du were particularly fascinating reading. I’ll be looking through my back issues of Magnet to see what other goodies might have found their way online.

And while looking back to the past, a request from a friend – back on November 20, 1999, Joe Strummer & The Mescaleros played a ridiculously good show at the Warehouse in Toronto at which he and I were in attendance. Apparently this show was webcast with state-of-the-art 1999 webcasting technology, possibly also broadcast via radio, and apparently bootlegs exist. My question to any and all out there reading – do you have a copy of this, and if so, can you share? Please and thank you? Thanks.

Frank YangThere were plenty of evening entertainment options in Toronto this past Saturday night, including but not limited to free shows as part of Pride over in the Village and the Zunior Fifth Anniversary festivities at the Tranzac, but I opted to head over to Lee’s Palace to see Camera Obscura – a band I’d already seen live some half-dozen times. Considering that even the most generous fan would be hard-pressed to call them an especially dynamic live act, you might rightly question why I keep going back rather than try something new. To that, all I can say is “I don’t know” and “I like them”.

It also helped that this was their first time back in town since August 2007, their final show in support of Let’s Get Out Of This Country, and they were playing a room half the size of that show despite having released maybe their best album yet in My Maudlin Career. Country had been a definite breakthrough record for the Scottish outfit, shedding once and for all the Belle & Sebastian comparisons by adopting a more Motown-influenced attitude, but while it had a brace of killer singles, across the whole record it sometimes lagged or drifted back into more familiar musical postures. Career‘s highlights don’t quite hit the same heights as its predecessor, but it’s a much more consistent record top to bottom. The band sounds much more comfortable in the richness of their sonic trappings but most importantly, Traceyanne Campbell is doing something different with her voice. It’s still wearied and lovely as ever, but there’s something in her inflection and phrasing on this record that ratchets up the emotional quotient significantly. It’s a little thing, but it means a lot.

And so this is why I was standing at Lee’s Palace on Saturday night, waiting for the show to begin. And waiting. And waiting. Being completely sold out, arriving early was necessary to get a decent vantage point but the set times seemed unnecessarily late. Normally the opening act would serve to pass the time, but Chicago-based Anni Rossi seems to be a firm believer in the adages of “less is more” as well as “leave them wanting more”. Her warm-up set ran just 20 minutes, but she certainly made an impression in that time with her idiosyncratic, sorta-folkish sorta-not songs, distinctive acrobatic vocals and musical accompaniment consisting of violin viola and percussion generated by her stomping on the suitcase on which she stood. With a recipe like that you’d think she’d be a bit difficult for the casual listener but she was actually quite immediately engaging and surely could have played longer without anyone complaining – after her set, I saw a few people scurry back to the merch table to pick up copies of her debut Rockwell. She’ll be back in town on July 14 opening for Micachu at the El Mocambo – fingers crossed she plays a longer set.

The brevity of her performance meant it was another lengthy wait for the main attraction and grumbling could be overheard from all directions, but when the sextet finally strode onstage, the ladies decked out in vintage dresses, all was forgiven. Somewhat surprisingly, it was a different lineup than I’d seen play SxSW just three months prior – trumpeter Nigel Baillie had since gone to part-time status to tend to his new role as a father and bassist Gavin Dunbar had left the tour early due to a death in the family. The stand-ins were more than up to the task, however, and even added a bit of extra energy that might not have been there otherwise.

For as already stated, Camera Obscura will never be mistaken for Gogol Bordello in a live setting. They’re quite content to play their songs well and let their craftsmanship speak for them, so it’s a good thing their songs do that so well. Tracyanne Campbell has become a much better frontperson over the years, though that’s relative to the early days where the odds of her so much as cracking a smile were pretty low and if she did, it’d be at show’s end. On this night, she flashed a smile or two early on – basically guaranteeing a good night – and even cracked a few jokes. Their set covered almost all of My Maudlin Career – the arrangements were somewhat leaner than on record but never sounded lacking – and a lot of Country material also made appearances, particularly later in the set. Big cheers went out for the staples from the first two records, but for my money the new material is just so far superior that it deserves the spotlight. And I was particularly proud of the Hogtown punters for cheering when Toronto got namechecked in “Forests & Sands”, but only the first time – for subsequent choruses we stayed polite and let them do their thing. That’s the way to do it. And that’s how Camera Obscura did it – politely, but excellently. I like them.

There’s interviews with band members at The Georgia Straight and Portland Mercury and Panic Manual also has a review of the show.

Photos: Camera Obscura, Anni Rossi @ Lee’s Palace – June 27, 2009
MP3: Camera Obscura – “My Maudlin Career”
MP3: Camera Obscura – “Let’s Get Out Of This Country”
MP3: Camera Obscura – “If Looks Could Kill”
MP3: Anni Rossi – “Ecology”
MP3: Anni Rossi – “Wheelpusher”
Video: Camera Obscura – “French Navy”
Video: Camera Obscura – “Lloyd, I’m Ready To Be Heartbroken”
Video: Camera Obscura – “If Looks Could Kill”
Video: Camera Obscura – “Let’s Get Out Of This Country”
Video: Camera Obscura – “Tears For Affairs”
Video: Camera Obscura – “Teenager”
Video: Camera Obscura – “Keep It Clean”
Video: Camera Obscura – “Eighties Fan”
Video: Anni Rossi – “The West Coast”
MySpace: Camera Obscura
MySpace: Anni Rossi

Clash has an advance sneak peak/listen to Forget The Night Ahead, the new album from The Twilight Sad, due out September 22. The new single “I Became A Prostitute” is streaming over at their MySpace.

NME has a Glastonbury-themed interview with Franz Ferdinand’s Alex Kapranos.

They’d already played a number of warm-up gigs, but Glastobury was really the first big Blur reunion show, and by all accounts they utterly killed it. A good portion of the set was broadcast on the BBC and Deaf Indie Elephants has pointers to where you might be able to hear it. And if that doesn’t work or just isn’t enough, Pitchfork reports that the band’s shows in Hyde Park this week will be recorded and released as a live record about a week after the shows are performed.

Under The Radar gets a status update on album number two from Lucky Soul’s Andrew Laidlaw. Still being recorded, it’s targeted for October release and is going to be titled Whoa, Billy! – making this the title track. You can also follow the band on Twitter. Update: Band tweet denies that the album is going to be called Whoa Billy – thank goodness.

MP3: Lucky Soul – “Whoa, Billy!”

As part of their “alt.country” week, Drowned In Sound contemplates London’s alt.country scene, which with players such as Lightspeed Champion, Emmy The Great and Laura Marling, looks (and sounds) an awful lot like what they were calling “anti-folk” last year.

A couple of show announcements to wrap – Butthole Surfers are apparently still around and will be at The Phoenix on October 2, tickets $25. But much more exciting is the news that School Of Seven Bells are finally playing a headlining date in Toronto. They’re at Lee’s Palace on October 15 in support of Alpinisms, one of my favourite albums of 2008.

MP3: School Of Seven Bells – “Connjur”
MP3: School Of Seven Bells – “Half Asleep”
MP3: School Of Seven Bells – “Chain”
MP3: School Of Seven Bells – “My Cabal” (Robin Guthrie mix)
Video: School Of Seven Bells – “My Cabal”
Video: School Of Seven Bells – “Half Asleep”