Aubrey EdwardsI believe it’s traditional that on one’s birthday, one should be fed and watered profusely on someone else’s dime. So that’s exactly what I did last night, for my 34th, and it was all courtesy of NxNE. It wasn’t a party just for me, of course. The festival was having their kick-off press conference wherein they promised to announce “all” the bands playing this year’s to-do, taking place June 17 to 21 around Toronto, a feat which would have been impressive to see since the reading off of hundreds of band names could have been one of the more stultifyingly dull things I’d ever be able to witness.

But as it happens that wasn’t the game plan. Instead, they announced the bigger names who’d be performing the festival, which would have been great… if they weren’t the same names they’d already announced on the website last month. Don’t get me wrong, having the likes of Black Lips, Matt & Kim and No Age and Woodpigeon playing is nothing to shake a stick at, and one name that hadn’t been previously announced and raised an eyebrow was Seattle garage rock legends The Sonics, who will close out the outdoor stage at Yonge-Dundas Square on the Saturday night, June 20. But it’s just that I thought with a big media event they’d have held onto a few surprises to get people excited.

And while it was a bit of an anticlimax in that regard, it doesn’t change the fact that there’s a pretty solid lineup descending on the city come mid-June including a lot of great domestic acts – many of them the usual suspects, sure, but that doesn’t make them less great. And I suppose I got my big pleasant surprise of the festival a couple days ago when I got an email from Austin trio Ume informing me they’d be coming to town for NxNE. Ume, you may or may not recall, were one of the best things I saw at SxSW back in March – a trio led by the guitar heroics of Lauren Larson who balanced pop hooks and sweet female vocals with crazy heavy riffing. I had thought I was going to have to wait until next Spring to see them again, the odds of them touring all the way up here seemed beyond remote but hey, here they come. They’ll be playing Neutral on Thursday the 18th at 10PM – not sure what else is going on that night at that time, the festival schedule is still forthcoming, but I can tell you right now that this will be one of the best bets for that night, if not the whole weekend. They’ve got a couple releases – a 2005 album in Urgent Sea which is decidedly rougher and heavier than their new most excellent Sunshower EP – also check out their SxSW WOXY session. And it’s pronounced “ooo-may”, which you’ll need to know for when people ask you what was the best new thing you saw at NxNE was.

MP3: Ume – “The Conductor”
MP3: Ume – “Wake”
Video: Ume – “The Conductor”
MySpace: Ume

Harbourfront Centre has also released their World Routes 2009 schedule, and the highlights (some previously announced) would appear to be the Constantines show on Canada Day (though Chad Vangaalen isn’t listed, all indications are he’s still playing as well), Holy Fuck with Winter Gloves for Beats, Breaks & Culture on July 10, and Jenn Grant, Gentleman Reg and Amy Millan as part of Canadian Voices the weekend of July 24 and 25. And as always, these shows are free free free.

Amos The Transparent will be at the Horseshoe on May 22 in addition to their June 18 NxNE show at the Drake Underground. They have a new EP out called My, What Big Teeth You Have… and are encouraging the existence of Amos The Transparent cover bands by putting lyrics and chord sheets for their songs on their website.

And if NxNE proper wasn’t going to keep me busy enough that week, there’s also the big-deal shows on the preceding days. Music Snobbery has an interview with Phoenix, whose Wolfgang Amadeus Phoenix is out May 29 and who play the Phoenix on the Monday, June 15.

And then you’ve got Patrick Wolf at the Mod Club a couple days later on Wednesday, June 17. The Sunday Mail talks to Wolf, whose The Bachelor is out June 1 in the UK and August 11 over here. I do believe I’ll be taking some time off from work that week. Yes I do.

As mentioned in last month’s writeup of Neko Case’s sublime Trinity-St Paul’s show, she’s coming back this Summer and details of said performance have been announced. Case will play Massey Hall on July 14 with tickets going for $29.50, $35.50 and $40.50. Presale goes tomorrow morning at 10AM with the password available at www.atgconcerts.com while the public on-sale begins May 15 at noon.

MP3: Neko Case – “Middle Cyclone”
MP3: Neko Case – “People Got A Lotta Nerve”

And if you’re looking for something damn near the opposite of Neko Case that night, you may want to consider seeing Micachu & The Shapes at the El Mocambo the eve of July 14. I (and the MBV posse) reviewed their debut album Jewellery back in March and as confounding as I found it, I can’t say that I won’t be at this show rather than see Case again. Can’t say that I will, but it’s not a no-brainer. Tickets $12.

MP3: Micachu & The Shapes – “Lips”

At long last, Frightened Rabbit are no longer frightened of Toronto and will play their own headlining show on July 22 at the Horseshoe, tickets $13.50 – book it.

MP3: Frightened Rabbit – “The Modern Leper”
MP3: Frightened Rabbit – “Head Rolls Off”
MP3: Frightened Rabbit – “Old Old Fashioned” (live)

Jack White’s new band – the Alison Mosshart-fronted Dead Weather – will be taking their debut album Horehound, out June 16, on the road and stop in at the Kool Haus on July 22.

Video: The Dead Weather – “Hang You From The Heavens”

The Walkmen have a date at Lee’s Palace on July 24, Cass McCombs supports.

Video: The Walkmen – “In The New Year”

NPR is streaming the whole of John Vanderslice’s new record Romanian Names, which is due out next week. He plays the Horseshoe on July 10.

Stream: John Vanderslice / Romanian Names

Good Radio Dept news for me – they’re playing a second show, albeit a short one, this weekend at NYC Popfest on Friday night at Don Hill’s in Greenwich to go along with their main gig on Saturday night at Bell House. Double the Radio Dept! Good Radio Dept news for everyone – they’re releasing a new EP on June 23 entitled David, hopefully a sign that Clinging To A Scheme will be out soon thereafter. Of course, I thought the same thing for last year’s Freddie & The Trojan Horse EP… but think positive!

Stuart Murdoch talks to Pitchfork about his God Help The Girl project, the album for which will be released on June 23. They are also soliciting subscriptions to the project, which will get you a steady stream of physical and digital goodies sent to your mailbox and inbox over the next few months.

Hooves On Turf recorded a video session with Fanfarlo back during SxSW, which is now online. The band are going to be giving their brilliant Reservoir album a more-proper retail release in the UK soon, but for everyone else, ordering it direct from the band is still the best way to get it, which you really really should.

MP3: Fanfarlo – “Pilot”

Avenue 61 interviews 6 Day Riot, last year’s top find of NxNE. Their new album 6 Day Riot Have A Plan will be out on July 6 in the UK.

The Los Angeles Times and Reuters talk to James Mercer of The Shins.

thekills.tvWhile I’m very much on record as believing The Kills’ 2008 release Midnight Boom to be a superb album, I’m sure part of that was due to the fact that it was the first Kills record I’d heard. Their reputation to that point was as a garage-blues-scuzz-punk rock duo and that’s not generally my thing, so discovering them to be – at least on that record – all those things but also exceedingly pop was a most pleasant surprise. But this shift in direction, while garnering new fans like myself, probably cost them some as well. Such is the karmic balance of the universe. And with the reissue tomorrow of their debut album Keep On Your Mean Side, The Kills that those long-time fans fell in sleazy lust with is fully on display.

Whereas Boom had me wondering how the duo would recreate all the sounds and textures in a live setting (answer: quite well), there’d have been almost no such question circa Mean Side. Besides some basic drums, Mean Side is all about VV, Hotel, two guitars and a healthy dose of sneering attitude. The prevailing aesthetic is loose and raw, like delta blues by way of The Velvet Underground, and made noteworthy by Jamie Hince and Alison Mosshart’s remarkable presence. The songs aren’t all that memorable individually, but collectively they create a definite atmosphere – gritty, grimy and driving – and while what they’re doing isn’t exactly fresh, their execution and charisma commands attention.

Or it did, circa 2003. Since then, The Kills have taken their sound and gone downtown, less juke joint and more nightclub but most importantly, still seedy. I’m not sure what the impetus for this reissue is, and according to this interview with hour.ca neither does Hince, but the most obvious answer is to capitalize on the success of Boom and perhaps get new fans to pick up the old stuff and use the five bonus tracks to reel in some of the older ones. To the former, it’s far enough removed from where they are now to offer another fix while waiting for album four and to the latter, five extra tracks – one new song, one dictaphone piece and three covers – probably isn’t enough to justify the expenditure but either way, there it is.

The Kills are at The Phoenix on Thursday night, May 7, and courtesy of Against The Grain and Outside Music, I’ve got one prize pack to give away consisting of a pair of passes to the show and copies of both Midnight Boom and the Keep On Your Mean Side reissue on CD to give away. To enter, email me at contests AT chromewaves.net with “I want The Kills” in the subject line and your full name and mailing address in the body. Contest closes at midnight tomorrow night, May 5.

And for this week only, PitchforkTV is streaming the 2005 Kills tour documentary I Hate The Way You Love.

MP3: The Kills – “Black Rooster”
MP3: The Kills – “Cat Claw”
Video: The Kills – “Fried My Little Brains”
Video: The Kills: I Hate The Way You Love
MySpace: The Kills

Ear Farm and Billboard interview Thomas Mars of Phoenix, who will release Wolfgang Amadeus Phoenix on May 29 and follow that up with a show at The Phoenix on June 15.

Each Note Secure talks to Aaron Pfenning of Chairlift.

Blurt, Rolling Stone and Entertainment Weekly talk to Flaming Lip Wayne Coyne about the absurd controversy over their “Do You Realize?” being named the Oklahoma state song.

Beirut’s Zach Condon gives Filter a guide of Santa Fe, New Mexico. They have a date at the Phoenix on July 9.

If you didn’t know, the June 12 Malajube show at Lee’s Palace is free, tickets at Rotate This and Soundscapes and also at the door. Don’t ask why, just go.

The Brother Kite continue to work on the much-anticipated follow-up to Waiting For The Time To Be Right, and a sneak preview of some of the new material in progress can be heard at Bandcamp. And unsurprisingly, it sounds marvelous.

New York Magazine and Decider interview Natasha Khan of Bat For Lashes.

Deer Tick have a date at the Horseshoe for July 17. Their new album Born On Flag Day is due out June 23.

MP3: Deer Tick – “Easy”

This tweet from Labrador certainly seems to imply that we’ll see a new EP from The Radio Dept this Summer in advance of the release (fingers crossed) of Clinging To A Scheme this Fall. Alls I know is that in less than two weeks, I’m going to be in New York City to see the reclusive Swedes live for the first time and I am stoked. And also for Shake Shack. Stoked for Radio Dept and Shake Shack. And Coney Island. I think I’m going to go to Coney Island.

Still not sure if I’m going to make it out to see Thao With The Get Down Stay Down at the Bowery Ballroom the night I get in, though. Will play that one by ear. There’s an interview with her at the Idaho Statesman.

The National Post has an extensive feature piece on Scott Pilgrim, both the comic and the film, and gets creator Bryan Lee-O’Malley to identify and annotate various locales around Toronto that play roles in the comic and will, presumably, make appearances in the film. Filming is ongoing around the city right now and video blog entries on the film’s website now number four.

And a reminder that the Toronto Comic Arts Festival will take place this coming weekend at the Toronto Reference Library at Yonge and Bloor (another Pilgrim location!) and feature appearances from both Lee-O’Malley and Phonogram artist Jamie McKelvie. Issue two of The Singles Club finally came out last week, by the way, and was worth the wait though that shouldn’t be taken as permission for issue three to take another five months to put together, no sir.

The IndependentThough not a performer, Neil Young’s presence was keenly felt down at SxSW last week. The man himself was in town showing off his LincVolt electric car which is serving as inspiration for his forthcoming album Fork In The Road, due April 7, and for which he continues to crank out many high-quality promo videos. I’m a little bit concerned that the songs are starting to grow on me just a bit.

Director Jonathan Demme was also on hand to talk about Neil Young Truck Show, his forthcoming Neil documentary and second following 2006’s Heart Of Gold. Rolling Stone has details on the deliberately rough and DIY-aesthetic film, which should be finished post-production for a 2009 unveiling.

But the most exciting piece of news revealed last week was the announcement by Neil’s manager Elliott Roberts of an official release date for Archives Volume 1 – June 2. I know many release dates have come and gone over the years but this seems for real. The massive collection will be available as an 8-CD set for $99, a 10-DVD set for $199 and a 10-BluRay set for $299 (suggested prices in US dollars). Needless to say, the more you spend, the more you get. Billboard has details.

Video: Neil Young – “Cough Up The Bucks”
Video: Neil Young – “Light A Candle”
Video: Neil Young – “Johnny Magic” (Magic Sun)
Video: Neil Young – “Johnny Magic” (LincVolt)
Video: Neil Young – “Fork In The Road”
Trailer: Neil Young / Archives Volume 1

Wilco’s Jeff Tweedy talks to GQ about their new album, due out in June, and the Ashes Of American Flags DVD being released April 18. Creative Loafing has an interview with the director of the doc, Brendan Canty.

Spinner has an MP3 from Bob Mould’s new record Life And Times, out April 17.

MP3: Bob Mould – “City Lights (Days Go By)”

Dinosaur Jr have completed work on their new album Farm and will release it on June 23. Pitchfork has more on that.

Ira Kaplan comes clean to The Hartford Advocate about the mysterious relationship between Condo Fucks and Yo La Tengo. Fuckbook is out now and streamable in its entirety.

Stream: Condo Fucks / Fuckbook

Also out now and doing the stream thing is The Decemberists’ latest The Hazards Of Love. Magnet Q&As Colin Meloy about the new record.

Stream: The Decemberists / The Hazards of Love

Pitchfork has an interview with Neko Case, who herself has a new video. She’s at Trinity-St Paul’s on April 17 and 18.

Video: Neko Case – “People Got A Lotta Nerve”

The National Post has an interview with Leonard Cohen, whose Live In London double-album is out next week but which you can stream right now at NPR. He plays Copps Coliseum in Hamilton on May 19.

Stream: Leonard Cohen / Live In London

Magnet plays over-under with R.E.M., selecting their five most over- and underrated songs.

Great Lake Swimmers have released a new video from their forthcoming album Lost Channels, out next Tuesday. They play the Queen Elizabeth Theatre on April 25. Vue has an interview with Tony Dekker.

Video: Great Lake Swimmers – “Pulling On A Line”

Chart and NOW have features on Julie Doiron, who’s playing the Horseshoe tonight in support of her new album I Can Wonder What You Did With Your Day.

And to follow up yesterday’s post, tickets for the first NYC Radio Dept show are on sale and I have one. Travel that weekend has been made easier by the fact that I won’t be attending Primavera Sound the following week – got offered media but NOT a photo pass and I don’t think I could go all that way (and pay all that money) and not be able to shoot. My head would quite literally explode. But hey, word is Jarv will be coming to North America to promote the new record so, worst case, I fly somewhere closer (and less exotic, yes) to see him assuming he doesn’t shaft T.O. again. That’s Toronto. Not Terrell Owens. Though he’s in Buffalo now, so at least that’d be more geographically convenient.

Okay I’m going to shut up now.

MySpaceSo, yes – my head is a wee bit fried right now from endless photo processing. And on top of that, I actually had no planned posts, per se, for after SxSW – just a mess of links that have accumulated over the past week. So I’ll just vomit some of those out for you to get through the day. ‘Kay?

To begin – this post at BrooklynVegan made me first do a double-take, and then fire up Expedia to check prices for flights to New York City over the May long weekend. Why? The Radio Dept are coming to North America. It’s just a single show so far on May 16 at the Bell House in Brooklyn as part of NYC Popfest, but this interview with the band at Ca Va Cool reveals there’s one more NYC date to come and maybe – maybe – some more North American touring come Fall. But I will say this – if I’m not Barcelona-bound at the end of May, I could very well be en route to Brooklyn for the May 2-4. Hell, maybe even either way. Who wants to come?

To say that the ways of the Radio Dept are mysterious doesn’t even begin to cover it, as there’s been no word in many months as to the status of their third album Clinging To A Scheme, originally scheduled for a September 2008 release and then pulled. And so we wait. And we wait. The aforementioned bit about Autumn touring implies that it should be finished and out by then, but who knows. It’s not all bleakness for fans of their gorgeous Scandanavian synth-pop, though – they’ve made a complete live recording from last May available to download on their site. It’s not the finest audio quality – it sounds like a fan recording rather than soundboard – but it’s mostly listenable and the set contains a few new songs. There’s also a variety of live material available for download on their website but for whatever reason, some of the best stuff is inaccessible. How Radio Dept typical.

MP3: The Radio Dept – “Freddie and the Trojan Horse”
MP3: The Radio Dept – “The Worst Taste in Music”
MP3: The Radio Dept – “A Window”
MP3: The Radio Dept – “Pulling Our Weight”
MP3: The Radio Dept – “Why Won’t You Talk About It?”
ZIP: The Radio Dept / Live In Lund – May 18, 2008

Clash, Irish Times and Black Book talk to Nina Persson of A Camp. Colonia is out domestically on April 28 and they play the Mod Club on June 1.

Clash and New York Magazine talk to Peter Bjorn & John, whose Living Thing is out next week but streaming at their MySpace. They’re at the Phoenix on April 25.

Stream: Peter Bjorn & John / Living Thing

Pitchfork reports that Norway’s Ida Maria will give her 2008 debut Fortress Around My Heart a North America release on April 14. She was originally supposed to play two SxSW showcases last week but missed them both due to visa issues. She was also supposed to open up the whole of Glasvegas’ North American tour, including the April 3 date at the Mod Club in Toronto. Now she’s only with them as far as the March 31 show in Boston. If I didn’t know better, I’d say she was doing her best to avoid me.

Video: Ida Maria – “Oh My God”
Video: Ida Maria – “I Like You So Much Better When You’re Naked”
Video: Ida Maria – “Stella”

Le Blogotheque features a Take-Away Show with Sigur Ros in a French cafe. Loverly.

Patrick Wolf has released the first video from The Bachelor, out June 1, and if it were a film it’d have a big ‘ol NC-17 rating attached to it. Oh my. Stereogum gets an update from Wolf on how the album is coming along.

Video: Patrick Wolf – “Vulture”

Drowned In Sound meets Doves, whose Kingdom Of Rust is out April 7 and who are at the Kool Haus on June 1.

Filter and The Times have features on White Lies, in town next Tuesday at Lee’s Palace.

CMJ reports that Elvis Costello is suddenly prolific again, with a new country-Americana album in Secret, Profane And Sugarcane set for release on June 2. The last time he walked this stylistic path, we go the sublime King Of America. Can he do it again? If he even comes close, it’ll be a worthy record.

Manic Street Preachers will release the Albini-produced, Edwards-penned Journal For Plague Lovers on May 18. Details at The Quietus.

The new album from The Rumble Strips has a name and release date. Look for Welcome To The Walk Alone on June 8. Details at NME.

The rumour mill has a Metric show at the Mod Club on April 14 with Holy Fuck as support. They said they had something special planned for the April 7 release of Fantasies – I think a little club show would qualify. Will confirm that when I can but in the meantime, watch their new video. And read this interview at Clash.

Video: Metric – “Gimme Sympathy”

French Kicks are at the Horseshoe on April 27, tickets $10.50.

MP3: French Kicks – “Also Ran”

New York state folk duo Gregory & The Hawk have a date at the El Mocambo on May 2. They were recently featured on Bandstand Busking.

BrooklynVegan reports that Jonathan Richman and Vic Chesnutt are hitting the road together this Summer, and that tour includes a June 25 date at The Great Hall in Toronto.

Camera Obscura have announced a North American tour in support of My Maudlin Career, out April 21. The Toronto date finds them at Lee’s Palace on June 27, a considerably smaller venue than their last couple visits, which were to the Opera House and Phoenix. Expect this to sell out super-quick.

Jay Reatard will be at the Mod Club on June 29.

Crystal Castles have a July 25 date at the Sound Academy as part of the TIME Festival.

Due to “personal medical issues”, Passion Pit have cancelled their April 3 date at Lee’s Palace, which in turn was a make-up date for their January 24 date at the Horseshoe, which was cancelled due to visa issues. Their debut Manners is out May 26.

Ian WhentCruising back over some of my past late-December posts, I found this one from 2006 wherein I made an appendix to the year-end list and enumerated some of the records that I thought had been unjustly ignored. And interesting, three of the four are getting ready to take another shot at getting some attention in 2009.

First, we’ve got the release of Radio Wars, the long-awaited (by me, anyways) second album from Aussies now based in the UK, Howling Bells. Their 2006 self-titled debut wrapped radio-ready rock in a widescreen dream-pop sweater, topped it off with some judicious twang and delivered it in Juanita Stein’s gorgeous croon. This is a woman who could sing the ingredients off a cereal box and make it sound sexy.

Needless to say, I have high expectations for record number two, the first taste of which the band are offering in the form of lead single “Into The Chaos”. It’s a bit too compact to be the grandiose return statement that I’d have liked, but the the way the punchy verses set up the swoony and woozy chorus is delicious. It’s being released as a 7″ and also as a free MP3 which you can get by signing up to their mailing list. Which you obviously should do.

The album was initially set for a February 9 release but that appears to have been pushed back to March 3, and even though they’re on a new label in Europe (Independiente versus Bell Union), there again appear to be no plans for a domestic North America release. Repeat talked to Juanita Stein back in September about a range of topics including their plans for album number two. And looking back at album number one for a moment, I had no idea they’d made so many videos from it.

Video: Howling Bells – “Low Happening”
Video: Howling Bells – “Setting Sun”
Video: Howling Bells – “Broken Bones”
Video: Howling Bells – “Blessed Night”
Video: Howling Bells – “Wishing Stone”
MySpace: Howling Bells

After a year marked mainly by solo projects, Trespassers William have regrouped and are planning to release album number four sometime in 2009. Details on the full-length are yet to emerge, but an EP entitled The Natural Order Of Things is due out in “late Winter”. They’re currently streaming a track off of it, “Sparrow”, on their MySpace and it manages to sound exactly like and unlike Trespassers William at the same time, which is really just what you want.

Far less promising in terms of concrete release details are The Radio Dept, who went from a hard release date of September 10 for album number three, Clinging To A Scheme, to a broad and vague target of sometime in 2009. Though I suppose I should be thankful we were at least able to get a single out of them this year.

MP3: The Radio Dept – “Freddie & The Trojan Horse”

There’s also a firm-ish release date for The Golden Spike, the debut from Leeds’ Sky Larkin – February 2. They’ve got a video full of shopping cart hijinks for their latest single, which Q made their track of the day and was released in the form of a wristwatch. Sort of. Not really.

Video: Sky Larkin – “Beeline”

I knew her as frontperson for Australian electronic-pop outfit Decoder Ring, but Lenka Kripac has since been putting together a surname-less solo career as Lenka. It’s pleasant and peppy pop stuff, and her voice still sounds sublime, but it doesn’t make me tingly the way that the title track off the last Decoder Ring album did… and still does. Lenka is hitting the road this Winter and will be at the Drake Underground on February 2, tickets $10.50. Decoder Ring are planning a new album for 2009.

MP3: Decoder Ring – “Fractions”
Video: Decoder Ring – “Fractions”
Video: Lenka – “The Show”
Video: Lenka – “Trouble Is A Friend”

Daytrotter has a session and Clash an interview with Noah & The Whale. I find it interesting in all the recent sessions with the band I’ve heard, they seem to be recasting all their songs in a decidedly different sonic space than the recorded versions on Peaceful, The World Lays Me Down – less shiny, more hazy. Either they’re moving in a different direction or they were completely stoned on their last North American tour.

They Shoot Music sessions up with The Futureheads.

Frightened Rabbit visit NPR’s World Cafe.

Spinner’s Interface has a session with Neil Halstead.

You can understand why I’ve been expecting Magnet, long one of my favourite music magazines, to go the way of Harp and No Depression and fold. After all – they used to be a bi-monthly but then went quarterly and have only put out two issues this year. Not really signs of life. But there’ll be at least one more issue – their Nick Cave-adorned 15th anniversary issue is out now, and more excitingly, they’ve updated their website to 21st century standards. Not only is it actually navigable, but they’re finally making content from the magazine available online (including RSS – paying attention, Blurt?). Of course, a cynic might suggest that they’re just preparing the groundwork to abandon the physical media realm, but for now I’m happy to not only have another website to poke around and waste time at, but a nice glossy magazine to accompany me on the subway. Okay Under The Radar, now it’s your turn to get your shit together.