Malin Bernalt>Swedish outfit jj had an interesting 2010. At year’s start, the mysterious duo was one of the more hotly tipped acts around, their mysterious, r&b-inflected/narcotic-influenced dream-pop scoring them a support slot for The xx’s first headlining North American tour and a Stateside release for their debut album No. 2 as well as its imminent follow-up, No. 3.

It all started to go wrong when they rolled into SxSW, though, when it was discovered that their live shows were perplexing, awkward affairs with Elin Kastlander singing overtop pre-recorded backing tracks while co-conspirator Joakim Benon just stood there. Not exactly the sort of impression that bands usually want to make in Austin in March, but jj seemed to come into things with an approach that was either performance art, contempt or both. The subsequent shows with The xx proved their indifferent approach to live performance wasn’t a fluke and after No. 3 failed to garner the sort of rave reviews its predecessor did – though to my ears it sounded similar enough that the backlash was puzzling – the buzz surrounding them seemed to dissipate significantly.

After being left along through much of the Fall, jj returned in the tail end of the year and they came bearing gifts. First in November, a free two-track digital single entitled Let Them and then on Christmas eve, a full-length mixtape entitled Kills, also available gratis. This wasn’t a TDK SA90 of their favourite tracks for your stocking – the kind of mix tape I’m familiar with – but one of the hip-hop variety wherein the band sample, remixe and otherwise jam out overtop a variety of other peoples’ tunes. If I were better versed with contemporary hip-hop I might better appreciate whatever alchemy they work on Kills but even without knowing my Kanye from my Jay-Z, it’s an entertaining listen thanks to Kastlander’s beguiling vocals.

Some acts just aren’t meant for the stage – as long as they keep making interesting music and giving it away, I think we can forgive them that.

MP3: jj – “Let Them”
MP3: jj – “I’m The One/Money On My Mind”
MP3: jj – “New Work”
Video: jj – “Kill Them”

Under The Radar reports that next Tuesday, Danish art-rockers Mew will give their career-spanning compilation Eggs Are Funny a North American release. In addition to their greatest hits, there’s one new track which you can hear over at Soundcloud.

The Line Of Best fit has a studio performance from and Under The Radar an interview with The Concretes. They’re at the Horseshoe on January 17.

Fanfarlo’s contribution to the latest Twilight soundtrack has yielded a video. They’re currently writing album number two. Patience.

Video: Fanfarlo – “Atlas”

MusicOmh, The Irish Independent and The Guardian have features on British Sea Power, whose Valhalla Dancehall comes out on Tuesday. A new MP3 from the record has just been made available.

MP3: British Sea Power – “Who’s In Control”

The first MP3 from Mogwai’s forthcoming Hardcore Will Never Die, But You Will was made available via email widget back in November, but now it’s up for grabs for even the email-submitting-averse. Their new album is out February 15 and is better than you think it will be, no matter how good you think it will be. They’re at the Phoenix on April 26.

MP3: Mogwai – “Pano Rano”

Stereogum solicits a status report on PJ Harvey’s next record Let England Shake, though considering the first single “The Words That Maketh The Murder” will be out on January 17 and the album is due in a little over a month on February 15, the only status that should be getting reports is, “It’s done. Leave me alone”.

Pitchfork introduces you to Jonny, made up of Teenage Fanclub’s Norman Blake and Euros Childs, formerly of Gorky’s Zygotic Mynci. Their debut self-titled album will be out April 12 but in the meantime, there’s a video and a free EP of non-album tracks to get you acclimated.

Video: Jonny – “Candyfloss”
ZIP: Jonny / Free EP

The Quietus recounts Geoff Barrow’s Twitter-disseminated list of what NOT to expect of the new Portishead record, whenever it comes out this year.

The terrible interface of the Folio magazine online edition is worth enduring to read the interview about the Britpop era with former Sleeper frontwoman and eternal crush object Louise Wener by Summer Camp chanteuse Elizabeth Sankey. Picking up a copy of Wener’s autobiography Different For Girls when I’m in the UK this Summer is on my to-do list.

Devonté HynesWhen it comes to his art, Dev Hynes is no stranger to abruptly shifting gears. His first band, the sophomoric dance-punk band Test Icicles called it quits in early 2006 just when they were starting to achieve some success, and Hynes would resurface a year later as a solo act operating as Lightspeed Champion. It’s that project that brought Hynes to the attention of most, thanks to the wonderful country-tinged debut, Falling Off The Lavender Bridge. This year’s follow-up Life Is Sweet! Nice To Meet You didn’t quite measure up, feeling overburdened by its more orchestral aspirations, but was hardly a failure. And surely album number three would be better?

Except there apparently won’t be an album three. Even before Life Is Sweet came out, Hynes began writing, recording and gigging under the guise of Blood Orange – it didn’t sound worlds removed from Lightspeed, but the one-man home recordings certainly pointed at it being an outlet for his funkier, more groove-oriented side. And according to this new interview at Interview, Hynes is putting Lightspeed Champion out to pasture and making Blood Orange his main creative outlet – a debut single will be out in January and a full-length will follow in the early part of next year, and that means the Van Dyke Parks-enhanced Bye Bye EP coming out on December 13 will be prophetically-titled.

I will miss Lightspeed – Lavender Bridge remains a favourite from the past few years – and am especially sorry I wasn’t able to see him at the Horseshoe this past Summer, but if Blood Orange is what it – and he – is going to be, then I’ll be there.

MP3: Blood Orange – “S’Cooled” (demo)
Video: Blood Orange – “S’Cooled”
Video: Blood Orange – “I’m Sorry We Lied”
Myspace: Blood Orange

Oxford Student talk to Stornoway, who will be a the El Mocambo tonight and have just released another MP3 from their lovely Beachcomber’s Windowsill by way of enticement.

MP3: Stornoway – “Fuel Up”

BBC reports that Portishead are making plans for album number four and there are also rumours swirling that they’re intending to stage their first North American tour in forever next Fall. Fingers crossed.

The Yorkshire Post talks to David Gedge of The Wedding Present, who apparently lost bassist Terry de Castro as a member sometime in the Summer.

British Sea Power have released the first video from their forthcoming Valhalla Dancehall – out January 11 – and I can’t figure out if it’s playful, creepy, romantic or just plain weird. I am going to go with weird.

Video: British Sea Power – “Living Is So Easy”

NME reports that Editors think three studio albums are enough to justify releasing a box set, and will do just that in February of next year – Editors: The Complete Collection will consist of seven 12″ records (album-length or single is unclear) and seven CDs of b-sides, rarities and other Editors ephemera.

Belle & Sebastian frontman Stuart Murdoch’s diaries circa The Life Pursuit and Dear Catastrophe Waitress have been collected in book form – The Celestial Cafe will be released in early 2011.

MusicOmh talks to Duffy. Her new record Endlessly arrives December 7.

The Vaccines, who are apparently set to be the next big thing out of the UK, will be riding the buzz through a free show at the Horseshoe on January 18. The Guardian and Von Pip Musical Express have profiles of the band, which should give you all the background you need to make like you’ve been a fan, like, forever when you’re jammed into the ‘Shoe with all the other Anglophiles in the city.

MP3: The Vaccines – “Wreckin’ Bar (Ra Ra Ra)”

Spinner chats with Kate Nash.

Anorak LondonLondon trio The High Wire first got onto my radar over a year ago, as we were both headed to New York City for CMJ and while our paths would not cross – I believe their showcases were done before I even arrived – the samples I heard made a truly indelible impression. More than anything, they reminded me of my beloved Mojave 3 in the way they stitched together rootsy song structures with a threads of shimmering dream-pop, and also in the way that Tim Crompton and Canadian ex-pat Alexia Hagen’s voices intertwined overtop – the interplay was Halstead-Goswell-like, and you should know that’s not a compliment I hand out lightly. Add in touchstones like Mercury Rev and Spiritualized and there was really no way I wasn’t going to be entranced by this band.

Since my tastes always reflect the zeitgeist as a whole, I fully expected them to be one of the more talked-about bands of 2009. CMJ reports were positive and they were then tapped to open up in London for Coldplay at the end of 2008 so it certainly seemed that their ducks were getting in a row. In anticipation, I ordered up a copy of their debut album Ahead Of The Rain, released independently early this year, and waited for the buzz to build. And waited. Long story short (I could have added in a few dozen more “and waited”s), it seemed like the record and the band just disappeared. It certainly wasn’t for lack of quality, as Ahead Of The Rain delivered on much of the promise I had initially heard last year, rich in sun-kissed melodies and hazy yet substantial atmosphere. But with an online presence that was vague at best – I was a bit amazed I had managed to order a copy of the CD – I feared that they had simply gone away as nascent bands are wont to do. I revisited the album periodically throughout the year but The High Wire largely became out of sight, out of mind.

And then, around mid-November, I started to hear it. A faint, but definite buzz. An MP3 from a new album – Ahead Of The Rain‘s time had passed, apparently – followed by glowing profiles in The Guardian and Spinner… it seems like The High Wire’s time has come, if a year or so later than I’d expected. Their new record The Sleep Tape is set for a March 2010 release and based on the lead single “Odds And Evens” and other samples off their MySpace, they’ve fattened up their sound some but lost none of the sweetness that initially beguiled. Am I excited about this record? Yes, I would say that I am.

There’s recent interviews with the band at Subba-Cultcha and Amelia’s Magazine, wherein they reveal to be far less mysterious than I’d originally thought but just as lovely.

MP3: The High Wire – “Leave Me In Love”
MySpace: The High Wire

The Line Of Best Fit reports that UK folk trio Peggy Sue have signed to Wichita Recordings and will release their debut album Fossils And Other Phantoms in April 2010. A new song is available to anyone who signs up to their mailing list. An old song is available to anyone who clicks the link below.

MP3: Peggy Sue – “Lover Gone”

NPR is streaming a World Cafe session with Fanfarlo. So you know how I’d said that the only silver lining to Fanfarlo cancelling their show at the El Mocambo last night on account of a stolen passport was that I’d get to go see Blue Roses at the Drake instead? Well guess who canceled on account of a “massive passport problem”? Yeaaaaah. Maybe they can make up their dates together.

The Daily Growl is streaming “Goodbye England”, the new single from Laura Marling and offering downloads of live versions it and another new song from her next album. She’s at the Drake Underground on February 9.

The Times profiles Mumford & Sons, who will release Sigh No More on March 15 and play the El Mocambo a month earlier on February 15.

Se7en Magazine has an interview with Scott Hutchison of Frightened Rabbit, whose The Winter Of Mixed Drinks will be out on March 16. Only five days before the start of the Spring of Jell-O shooters.

This Is London talks to Lily Allen.

Hot Chip’s Al Doyle talks to Spinner about the making of their next album One Life Stand, out February 9. They’re at the Kool Haus on April 20 with The xx, whose recent instore in Boston was recorded by Bradley’s Almanac and is now available to download.

Rolling Stone gets to know The Big Pink, who will be at the Mod Club on March 24.

Editors-in-chief Tom Smith brags to Spinner about being big in Belgium.

Portishead have released a new single is “Chase The Tear”, all proceeds from which will go to support Amnesty International.

Video: Portishead – “Chase The Tear”

The AV Club interviews Bernard Sumner of Bad Lieutenant.

Billboard reports that Elvis Costello will release another vintage live record to follow up this year’s Live At The El Mocambo. Live at Hollywood High, a recording from Los Angeles circa June 1978, will be out January 12.

Spinner has an Interface session and Filter a feature on The Swell Season.

I’m going to close out 2008’s Sunday Cleaning series with quick reviews of three albums that have already received dollops of ink pretty much everywhere else. But I feel like writing about them, just a bit.

Portishead / Third (Island) I believe that there is a crucial decibel level at which the first Portishead record in eleven years moves from subtle, inscrutable and sinister to all-out terrifying. For most of this year, whenever I put Third on, I apparently kept the volume knob in the former range and as such, didn’t get much out of it rather than a general sense of unease and the impression that they’d managed somehow to become even more downcast and averse to music conventions in their decade away. But after putting it on loud, as I did for the first time a couple weeks ago, “subtle” is pretty much the last word I would ever use to describe it. It’s like an aural death grip, skeletal, insistent and unrelenting, Beth Gibbons whispering seductive nightmares in your ears – terrible but still beautiful. It took me a while, but I get it now. Video: Portishead – “The Rip” Video: Portishead – “Machine Gun” Video: Portishead – “Magic Doors” MySpace: Portishead

The Last Shadow Puppets / The Age Of The Understatement (Domino) Being no particular fan of the Arctic Monkeys and not knowing who The Rascals are, the default sales pitch for The Last Shadow Puppets wouldn’t have worked too well on me. But even without the backstory, the absurdly lush retrorchestral (my word!) pop they delivered would have gotten my attention. At first, I was a bit suspicious that the opulence of the dressings were meant to distract from the lightweightness of the songwriting – it sounded great but perhaps there wasn’t any substance there. But with time and repeated listens – it kept drawing me back – I found that that was either simply not the case, or I just didn’t care anymore. Video: The Last Shadow Puppets – “The Age Of The Understatement” Video: The Last Shadow Puppets – “My Mistakes Were Made For You” Video: The Last Shadow Puppets – “Standing Next To Me” MySpace: The Last Shadow Puppets

Chairlift / Does You Inspire You (Kanine) The debut album from the latest iPod commercial lottery winner is sleek and slinky, though probably too playful and innocent to qualify as seductive. Built mainly on a blueprint of hazy, ’80s-drenched synth-pop, it occasionally forays into country or soul terrain but is kept centered by the remarkable vocals of Caroline Polachek, which are never sound out of place no matter what musical accouterments surround them. Inspire is consistently listenable throughout, but the high points – the Nano-shilling “Bruises” and the additively nonsensical “Evident Utensil” – do stand considerably above the rest. Clash has a feature on Chairlift. MP3: Chairlift – “Evident Utensil” Video: Chairlift – “Planet Health” MySpace: Chairlift

Tom BeardThe first time I heard of London’s Florence & The Machine was this past March at SxSW, when Rob from Donewaiting.com wandered over just before Emmy the Great’s showcase and said something to the effect of, “I just saw the greatest show ever. Florence & The Machine jumped into a fountain in the middle of her set, pulled someone in after her, climbed back out, got back onstage and kept playing”. I’m paraphrasing and thought he was exaggerating, but after seeing the video footage, I saw not.

And it’s fitting that I first heard of Florence (surname Welch) while seeing Emmy, because both are artists who’ve made an impression this year without benefit of a proper album. But while Emmy recordings, live and studio, have been relatively plentiful, the Florence & The Hype Machine pickings have been slimmer – basically just a handful of live tracks and covers to go along with her two officially-released singles thus far, “Kiss With A Fist” back in June and “Dog Days Are Over”, out next Tuesday.

But even based on just that limited sample, a couple things are obvious – one, she’s got some serious talent and two, she’s seriously batshit crazy. To the former point, her voice has both weight and power, equal parts aggressive and plaintive and capable of handling styles ranging from folk to theatre, blues to rock, whatever. To the latter point, most everything about her comes across as eccentric at least, and not just for her spontaneous fountain-jumping ways. Her songwriting showcases a girl who could generously (but affectionately) be described as “loopy”, a trait backed up by her videos. “Kiss” is a raw kitchen-sink stomp with gleefully violent lyrics that sound like they’ve come from the diary of a girl you should be afraid to meet (and yet still do) while “Dog Days” is a strummy, Summer-y bit of folk that builds into a technicolour soul-pop explosion. With those as reference points, there’s really no way to judge what her debut album will bring when its released in May 2009 of next year, but you can be damn sure it’ll be interesting.

The Guardian has an extensive profile on Florence.

MP3: Florence & The Machine – “Kiss With A Fist”
MP3: Florence & The Machine – “Postcards From Italy” (Beirut cover)
MP3: Florence & The Machine – “Girl With 1 Eye” (Live at London Calling)
MP3: Florence & The Machine – “Hospital Beds” (Cold War Kids Cover, live)
Video: Florence & The Machine – “Kiss With A Fist”
Video: Florence & The Machine – “Dog Days Are Over”

NME reports that Blur – including Graham – will be getting together in the new year to rehearse and, as Damon Albarn puts it, “see if we’re into it”. Can you say “Coachella”? No? How about, “bagloads of money”? I knew you could.

The Quietus talks to Bloc Party’s Gordon Moakes about the joys of new fatherhood.

Frightened Rabbit are keeping a tour diary for Drowned In Sound. They’ve also gone to the trouble of making a video for their contribution to the second Guilt By Association covers compilation due out on February 17, a cover of ’90s UK dance outfit N-Trance.

Video: Frightened Rabbit – “Set You Free”

Spin has posted a portion of their interview with Elvis Costello from this month’s issue. His new talk show Spectacle begins airing on December 3.

Chart interviews Nick Cave.

Yeah they were just here, and they were just here before that, but M83 are coming back again – this time on January 23 at the Air Canada Centre, opening for The Killers. Yeah. The sound you hear are hordes of M83 fans not rushing to get tickets. There’s also a new remix of M83’s “We Own The Sky” by Maps available to download.

MP3: M83 – “We Own The Sky” (Maps mix)

Portishead have made a new video from Third.

Video: Portishead – “Magic Doors”

The Scotsman salutes Rough Trade Records on the occasion of their 30th anniversary.