Frank YangSo, yeah, a few people have asked if I really drove all the way up to Casino Rama (a 90-minute drive north of Toronto that never takes less than two-plus hours, for those not local) to see Hall & Oates on Wednesday night. To which I answer, “you’re damn right I did”. Not that it requires any justification, but having grown up in the ’80s and spent most of that decade glued to MuchMusic/MTV, I have a massive soft spot for the pop music of the era, and while a lot of it has not aged well, to say the least, the works of Darryl Hall and John Oates remains pretty effin’ great; had they ever toured any closer to Toronto I’d have surely seen them by now but since they basically stick to the lucrative casino circuit, it would take a perfect convergence of opportunity and company to make it happen. Which it did.

And if you equated working the casino circuit with phoning it in – which to be honest I sort of did – I’m happy to say that it was not the case. With an enthusiastic audience of around 5000 filling the theatre, Hall & Oates and their six-piece backing band opened up with “Maneater”; give the people what they want, right? But within a few songs were busting out the deep cuts, including their first-ever live performance, if they were to be believed, of “Alone Too Long” from their eponymous 1975 record. It was interesting that they’d include so many deep cuts, but perhaps that was the best way to remind folks of their old-school Philly soul credentials in addition to being pop stars.

But let’s be honest, we were there to hear the hits and they weren’t not going to play them. They emerged from the depths of their set book with the slow jams – “She’s Gone”, “One On One”, and “Sara Smile” thank you very much – before closing things out with the big guns; a jazzy “I Can’t Go For That (No Can Do)” with extended sax solo and two chart-topping encores comprised of “Rich Girl”, “You Make My Dreams Come True”, “Kiss On My List”, and “Private Eyes” as the finale. Yeah of course that was how it was going to go, but that didn’t make it any less enjoyable.

Performance-wise, both Hall and Oates sounded great, particularly when backed by the multi-part harmonies of their band, and were still looking pretty trim for their years and with Oates wisely sporting facial hair again. The band was loud and tight and although I’d have traded some of the extended jamming for, oh, “Method Of Modern Love”, they did a good job of playing according to score while Hall went off on vocal and keyboard ad libs – too bad they couldn’t cover up Hall’s Live From Daryl’s House-advertising guitar strap and t-shirt. Ah well. A fun show despite the amount of travel time – next time I’ll take one of those Chinatown buses – but not one I’m likely to make a habit of. Unless that Huey Lewis & The News Sports 30th anniversary tour makes a date…

Photos: Hall & Oates @ Casino Rama – September 18, 2013
Video: Hall & Oates – “Promise Ain’t Enough”
Video: Hall & Oates – “Don’t Hold Back Your Love”
Video: Hall & Oates – “So Close”
Video: Hall & Oates – “Love Train”
Video: Hall & Oates – “Downtown Life”
Video: Hall & Oates – “Missed Opportunity”
Video: Hall & Oates – “Everything Your Heart Desires”
Video: Hall & Oates – “Possession Obsession”
Video: Hall & Oates – “Some Things Are Better Left Unsaid”
Video: Hall & Oates – “Method Of Modern Love”
Video: Hall & Oates – “Out Of Touch”
Video: Hall & Oates – “Adult Education”
Video: Hall & Oates – “Say It Isn’t So”
Video: Hall & Oates – “Family Man”
Video: Hall & Oates – “One On One”
Video: Hall & Oates – “Maneater”
Video: Hall & Oates – “Your Imagination”
Video: Hall & Oates – “Did It In A Minute”
Video: Hall & Oates – “I Can’t Go For That (No Can Do)”
Video: Hall & Oates – “Private Eyes”
Video: Hall & Oates – “You Make My Dreams Come True”
Video: Hall & Oates – “Kiss Is On My List”
Video: Hall & Oates – “You’ve Lost That Lovin’ Feelin'”
Video: Hall & Oates – “How Does It Feel To Be Back?”
Video: Hall & Oates – “Portable Radio”
Video: Hall & Oates – “Wait For Me”
Video: Hall & Oates – “Intravino”
Video: Hall & Oates – “She’s Gone”

Spin, The Daily Beast, and The Guardian talk to Mazzy Star about their new album Seasons Of Your Day, out on Tuesday. They play The Danforth Music Hall on November 16.

Exclaim have posted this month’s cover story on the one, the only, Janelle Monáe. She does her thing at The Kool Haus on October 19.

Pitchfork talks to Explosions In The Sky and director David Gordon Green about working on the soundtrack to Prince Avalanche. They play The Air Canada Centre on October 4 in support of Nine Inch Nails.

Drowned In Sound chats with Midlake v2.0 about their forthcoming album Antiphon, which is out November 5 and from which they’ve just premiered a new song at NPR.

Stream: Midlake – “Provider”

Sebadoh talks about their new album Defend Yourself to DIY, LA Magazine, and Drowned In Sound. They’re at The Horseshoe on November 8.

Matador has details on the forthcoming deluxe edition of Yo La Tengo’s latest album Fade, which will be coming out November 18 and contain a second disc of b-sides and rarities and the like. PandoDaily has a chat with Ira Kaplan about integrity and whatnot.

Having released their first new album in many years with last year’s The Tarnished Gold, Californian psych-country-pop mavens Beachwood Sparks are getting in the wayback machine to give their recorded-in-1996-but-never-released first album Desert Skies on November 20; you can download the first time capsule of a song below.

MP3: Beachwood Sparks – “Make It Together”

Jim James gives Billboard an update on the in-progress new record from My Morning Jacket.

Pitchfork celebrates the longevity – if not prolificness – of The Wrens.

Though she should probably be concentrating on her new album, Solange has gone ahead and released a new video from her True EP; that’s the sound of no one really complaining.

Video: Solange – “Lovers In The Parking Lot”

Esquire has premiered the latest video from Ra Ra Riot’s Beta Love.

Video: Ra Ra Riot – “I Shut Off”

NPR has posted up a World Cafe session with She & Him.

The Georgia Straight profiles The National.

NPR welcomes Neko Case for a World Cafe session.

Shervin LainezIf it were as recently as last year, I would be spending this post – hell, yesterday’s post – talking about how after arriving in Chicago last Saturday, I went almost straight to Beat Kitchen to see Laura Stevenson and Field Mouse play, on account of missing the Toronto show of their tour this past Tuesday because of this little vacation. But because I’ve grown as a person and am no longer spending all my time and energy trying to make it to shows and write about them, I have nothing to say about that show because I didn’t make it anywhere near the club, though I can’t say that I didn’t look up where it was and write it in my calendar. Just in case.

But that doesn’t mean you shouldn’t make the acquaintance of either of the acts. Stevenson I wrote about way in August 2010 – her new album Wheel is plenty solid, by the way, fans of country-pop would do well to check it out – but Brooklyn duo Field Mouse have had but a passing mention here, and I’d like to give them a little bit more because if your musical tastes align with mine – and why would you be here otherwise – they’re worth a listen.

Their name brings to mind – or is maybe confused for – English twee-pop forebears Field Mice, but while there are some points of intersection, particularly in their facility with melody and dreamy texture, the singular edition of Rachel Browne (vocals, guitar) and Andrew Futral (guitars) is much less navel-gazing and their shoegazey roots give their sound some wonderfully shimmering bite without overwhelming their tunefulness. It’s a formula that’s all about balance, and Field Mouse get it right. With a discography limited to just a few singles right now, they’re prepping their full-length debut for release later this year and have released a new video – presumably from said full-length – via Spin and recorded a video session for BrooklynVegan; as always, don’t read the comments. But do, however, hope they keep touring and make their way back to town soon, ideally when I’m also in town.

MP3: Field Mouse – “Tomorrow Is Yesterday”
MP3: Field Mouse – “Glass”
Stream: Field Mouse – “You Guys Are Gonna Wake Up My Mom”
Stream: Field Mouse – “Happy”
Video: Field Mouse – “Revenge Is Yesterday”

WNYC has a stream of one of the new Savoir Adore songs that will appear on the wide-release edition of their latest Our Nature when it comes out on June 4.

Stream: Savoir Adore – “Beating Hearts

Pitchfork has rightly devoted one of their fancily-presented cover story in-depth features to The National, and The Irish Times, The Hollywood Reporter, and 680 News also have features. They play Yonge-Dundas Square for NXNE on June 14.

Spin has premiered a new song from Florida’s Beach Day, whose debut Trip Trap Attack is out June 18 and who are here for NXNE on June 15 with a show at Handlebar in Kensington Market. DIY has a feature.

Stream: Beach Day – “Stay”

Exclaim has details on the new full-length from Crocodiles; Crimes of Passion is out August 20 and there’s a first track to hear courtesy of Stereogum. They’ll preview the album at the Adelaide Music Hall on June 17 when they support Japandroids.

MP3: Crocodiles – “Cockroach”

Chicago talks to Smith Westerns, who are streaming another new song from their forthcoming Soft Will. It’s out June 25 and they play Lee’s Palace on July 29.

Stream: Smith Westerns – “3AM Spiritual”

She & Him keep up the cutesy on the new video from Volume 3. They headline the first night of the Toronto Urban Roots Fest at Garrison Commons on July 4.

Video: She & Him – “I Could’ve Been Your Girl”

Beatroute and The Georgia Straight have interviews and NPR a session with Yo La Tengo, playing the final day of TURF at Garrison Commons on July 7. DIY also has an interview with bassist James McNew about the reissue series for his Dump side-project.

Loud & Quiet and The Fly have features on Kurt Vile, also here for TURF day four at Garrison Common on July 7.

Merge has announced a deluxe reissue of the last, great lo-fi Mountain Goats album All Hail West Texas on July 23, which is great new if for no other reason as it gives these imaginary liner notes by comics scribe a reason to exist, if only online.

Because he never needs to rest, Ty Segall has announced an August 20 release of his next album, entitled Sleeper. Details on the release at Consequence Of Sound, trailer below.

Trailer: Ty Segall / Sleeper

Pitchfork has details on the new record from The Dodos, entitled Carrier and out August 27.

Stream: The Dodos – “Confidence”

Noisey talks to Jack Tatum of Wild Nothing, who have a date at The Kool Haus on September 21 supporting Local Natives.

The Journal News chats with Sam Beam of Iron & Wine, in town at The Sound Academy on September 28.

Kevin Barnes talks to Rolling Stone about the next of Montreal record Lousy with Sylvianbriar, due out sometime this Fall.

Jim James tells Rolling Stone that My Morning Jacket plan to return to the studio to record their next record in October.

Rolling Stone Q&As Thurston Moore of Chelsea Light Moving, who’ve released a new video from their self-titled debut.

Video: Chelsea Light Moving – “Lip”

The 405 talks to Jon Ehrens and eMusic and City Paper to Jenn Wasner, who together are Dungeonesse.

The Cleveland Plain Dealer has an interview and Rolling Stone an acoustic video session with The Thermals, who’ve just released a video for the decidedly non-acoustic new single from their latest, Desperate Ground.

Video: The Thermals – “The Sunset”

Spin has an oral history of The Breeders’ Last Splash on the occasion of the record’s 20th anniversary.

And Mike Mills uses the occasion of the Green quarter-century reissue to tell Rolling Stone that when R.E.M. said no reunion, they meant no reunion. So no reunion.

John ShearerThe era of the touring festival has by and large given way to massive destination and regional festivals – it seemingly being easier to bring a bunch of bands and tens of thousands of fans to one place than it is to bring a bunch of bands to hundreds of thousands of fans in a bunch of places – but sometimes a touring bill is so impressive that it warrants a fancy name of its own. And the bill of Bob Dylan, Wilco, My Morning Jacket, and Richard Thompson which will be hitting amphitheatres across North America this Summer is one of those bills; ergo “AmericanaramA”.

Even though he’s the headliner and by far the biggest act – though if there was justice in the world, Thompson wouldn’t be far behind – Dylan is also the biggest question mark on the lineup. As I mentioned last Summer when the Fall tour in support of his latest album Tempest, Dylan is not someone who suffers nostalgiasts lightly and based on the tweets I saw the night of that Air Canada Show about people walking out after just a few songs, his penchant for rendering his songs nigh unrecognizable live remains undiminished. So caveat emptor, but also know that each of Wilco, My Morning Jacket, and Richard Thompson are also absolute known quantities at the other end of the spectrum – they’re incapable of putting on a bad show, even if they’ll most likely be allotted much less than their usual marathon set times.

So whether that math is persuasive enough to convince you to shell out the $49.50, $69.50, or $89.50 for reserved seats or $35.50 for lawns to see them at The Molson Amphitheatre on July 15 is between you and your accountant. But don’t forget to factor in the cost of an “AmericanaramA” t-shirt. The presale goes Saturday, April 27 Tuesday, April 30, at 10AM, with the regular onsale following on Friday, May 3, at 10AM.

MP3: Bob Dylan – “The Times They Are A-Changin'”
MP3: Wilco – “Whole Love”
MP3: My Morning Jacket – “Heartbreakin’ Man”
MP3: Richard Thompson – “The Sights & Sounds Of London Town”

Austin shoegaze aficionados Ringo Deathstarr have made a date at The Shop Under Parts & Labour for June 3 in support of their second album, last year’s Mauve. Tickets for the show are $7 in advance.

MP3: Ringo Deathstarr – “Imagine Hearts”

Aussie-fronted Swedish electro-pop up-and-comers Kate Boy have slated a short North American tour that includes a Toronto stop at Wrongbar on June 9. Tickets are $12.50 and if you need to catch up on some of the buzz behind them, there are these features at Pitchfork and Billboard.

MP3: Kate Boy – “Northern Lights”
Video: Kate Boy – “In Your Eyes”
Video: Kate Boy – “Northern Lights”

There was both curiosity and concern when London’s Still Corners canceled their North American tour in support of the forthcoming Strange Pleasures, out May 7, and the reasons for the itinerary change was made clear yesterday – instead of headlining their own Summer tour, they will supporting CHVRCHES on theirs. Exclaim has the new dates, which still include a Toronto date – June 12 at The Hoxton – but raises questions about their participation in NXNE. On one hand, even though that CHVRCHES date falls on the first night of the festival, there’s no sign that it will be associated with it at all – get your $16 ticket while you can – but on the other hand, they’ve got two off days before they need to be in Montreal so there’s technically no reason that their previously-announced June 14 NXNE showcase can’t still happen. Anyways.

MP3: Still Corners – “Berlin Lovers”

With a new album out in Change Becomes Us, British post-punk legends Wire will be at Lee’s Palace on July 10, tickets $25. There’s interviews with the band at Rolling Stone, PopMatters, and Rock Cellar.

MP3: Wire – “Dot Dash” (live)

Born Ruffians will be playing a presumably free show at Harbourfront Centre on July 13 as part of their Sound Clash festival thing.

MP3: Born Ruffians – “Sole Brother”

Guelph’s Hillside Festival announced their 2013 lineup this year, and if you were interested in seeing the likes of Fucked Up, Colin Stetson, Diamond Rings, Hayden, Jim Guthrie, Lee Ranaldo, METZ, The Sadies, Yamantaka//Sonic Titan, or World Party (!) with easy access to swimming, camping, and drum circles, then Guelph Lake the weekend of July 26 to 28 is probably where you want to be. If you hate hippies, you may want to reconsider.

Further cementing the possibility that he might just be homeless, Josh Tillman will bring Father John Misty back to town for his fifth show in 15 months, this time headlining the Danforth Music Hall on August 3 with Minneapolis’ Night Moves as support. Tickets will run from $15.50 to $19.50, depending on floors or balcony.

MP3: Father John Misty – “Nancy From Now On”
MP3: Night Moves – “Headlights”

With the new Guided By Voices album English Little League out next week, April 30, the five lead-up 7″ singles have been conveniently collected into a single Soundcloud playlist, and while The Quietus has collected all of the b-sides, as well.

Stream: Guided By Voices / English Little League sampler
Stream: Guided By Voices / English Little League b-sides

Deerhunter have put their new album Monomania up on NPR to stream before it comes out May 7.

Stream: Deerhunter / Monomania

MTV Hive talks to Robert Levon Been of Black Rebel Motorcycle Club about his relationship with his late father. BRMC are at The Kool Haus on May 9.

Exclaim, Creative Loafing, The Island Packet, and Charleston City Paper interview Charles Bradley, in town at The Phoenix on May 11.

Mudkiss checks in with Nicole Atkins, who continues work on her third album Slow Phaser, due out later this year.

Janelle Monáe has made the first track from her new album The Electric Lady available to stream, and Erykah Badu has helped her do it. The record is due out later this year.

Stream: Janelle Monáe (featuring Erykah Badu) – “Q.U.E.E.N.”

CBC Music and Exclaim have interviews with Steve Earle about his new album, The Low Highway.

Sam Beam of Iron & Wine discusses his new album Ghost On Ghost with Clash.

Elle profiles Kim Gordon of Sonic Youth, covering topics including her brush with breast cancer, the end of her marriage to Thurston Moore, and what’s next.

Chan Marshall of Cat Power discusses her personal style with MTV Style.

As much as I love Galaxie 500, they’ve never struck me as a band that required multiple books to be written about them. Of course, Dean Wareham’s Black Postcards obviously had its bias, so maybe Temperature’s Rising – Galaxie 500: an oral and visual history – released last week and featuring input from all three members – will be more balanced and accurate. And if not, it will at least be larger and offer more pictures.

Shawn BrackbillWhen I first started playing guitar in high school, I spent an inordinate amount of time in music and pawn shops looking for pedals – they were (relatively) cheap, fun, and would obviously make me a far better player than, oh, practice. And one thing that these shops’ stock had in common were chorus pedals. So many chorus pedals. Some shops were like a veritably baby blue sea of Boss chorus pedals. Because this was the early ’90s, when grunge was king and everyone wanted distortions and no one wanted to sound like Andy Summers.

If I’d only known that in about 20 years, that shiny, shimmery guitar tone would be back in style courtesy of bands like Real Estate and DIIV, I’d have grabbed a few. Jack Tatum certainly did, and you can hear it all over his recordings as Wild Nothing, the second album of which – Nocturne – comes out next Tuesday. I actually rate Wild Nothing ahead of most of his stylistic peers as in addition to having great melodic chops, Tatum is able to give his songs some tension to go with the pretty.

If you don’t want to take my word for it, the album is available to stream in whole right now at Death & Taxes; take it for a spin. They’ve also got a stream at Dazed but their interface is kind of terrible so maybe just go there for their interview with Tatum, and if you want more there’s also features at Under The Radar and Stereogum. And if you agree and want to see them live, be reminded that Wild Nothing is on tour with the aforementioned DIIV this Fall, stopping in at The Great Hall in Toronto on September 18.

MP3: Wild Nothing – “Shadow”
MP3: Wild Nothing – “Paradise”
Stream: Wild Nothing / Nocturne

A whole brace of concert announcements to get through… Former emo kids – though I guess they’d be emo adults, now – rejoice. Movement forebears Mike Kinsella and Bob Nanna will be in town as Owen and Braid respectively for an acoustic evening at Wrongbar on September 20. Tickets $18.50 in advance, details at Facebook.

MP3: Owen – “Places To Go”
MP3: Owen – “Abandoned Bridges”
MP3: Braid – “Consolation Prizefighter”
MP3: Braid – “Eeyore And Easel”

Austin’s Ringo Deathstarr will release their second proper album Mauve on September 24 and follow it up with a world tour that brings them to The Garrison on October 13 with Halifax’s previously endorsed Kestrels. Fuzz pedals will be stomped, shoes will be gazed upon. Vice has an interview with Ringo Deathstarr.

MP3: Ringo Deathstarr – “Imagine Hearts”
Video: Kestrels – “The Past Rests”

If you remember Laura Burhenn from her tenure as half of Georgie James or have heard some of the praise for Generals, her new album under the name The Mynabirds, you may be interested to know she’ll be supporting AC Newman on most of his Fall tour dates including the kickoff at Lee’s Palace on October 21. Colorado Daily, The San Francisco Examiner, and College Times all have interviews with Burhenn.

MP3: The Mynabirds – “Generals”
MP3: The Mynabirds – “Body Of Work”
MP3: The Mynabirds – “Radiator Sister”

Because I’ve learned it’s not worth it to aggravate the still-legions of Corgan apologists, I offer this without comment. Smashing Pumpkins will be at the Air Canada Centre on October 25 as part of a cross-Canada tour, tickets available in $39.50, $49.50, and $79.50 brackets. They will perform their new album Oceania in its entirety and then delve into their back catalog for selections both obvious and not. It will be a half-arena configuration, not full, because not even Billy is that deluded. Oh damn, almost made it.

Video: Smashing Pumpkins – “Cherub Rock”

If that Ringo Deathstarr/Kestrels bill is the sort of thing that gets your juices flowing, take note of the bill hitting The Garrison on November 3, as a double-bill of Bay Area dreampop in the form of Tamaryn and Young Prisms will be taking the stage. The former release their new album Tender New Signs on October 16 and the latter are still riding their sophomore effort In Between, released back in March. Tickets for that show are $10.

MP3: Tamaryn – “Sandstone”
MP3: Young Prisms – “Floating In Blue”

Brookyln’s The Men, who tore the shit out of the Garrison during NXNE, return to do the same thing to The Hoxton on November 9, tickets $16.50 in advance.

MP3: The Men – “Ex-Dreams”
MP3: The Men – “Open Your Heart”
MP3: The Men – “A Minor”

Though he put the Pedro The Lion name to bed back in 2006, David Bazan will be revisiting their beloved 2002 album Control in its entirety on a Fall tour that hits The Horseshoe on November 11, tickets $14.50 in advance.

MP3: Pedro The Lion – “Rapture”
MP3: Pedro The Lion – “Penetration”

Austin’s …And You Will Know Us By The Trail Of Dead will be in town in support of last year’s Tao Of The Dead with a show at Lee’s Palace on November 20, tickets $18.50 in advance.

MP3: …And You Will Know Us By The Trail Of Dead – “Mistakes And Regrets”
MP3: …And You Will Know Us By The Trail Of Dead – “Crowning Of A Heart”

Rolling Stone, The Guardian, and Pitchfork both have feature interviews with Chan Marshall of Cat Power, while Exclaim offers a bullet point chaser to their cover piece. Cat Power’s excellent new record Sun arrives September 4 and the second sample from it is now available to download. She plays The Kool Haus on October 20.

MP3: Cat Power – “Cherokee”

Daytrotter has a session with Wye Oak, stopping in at the Horseshoe on September 17.

Dinosaur Jr has released the first video from I Bet On Sky, out September 18. They play three nights at Lee’s Palace from September 24 to 26.

Video: Dinosaur Jr – “Watch The Corners”

The first sample of Mark Eitzel’s new solo record Don’t Be A Stranger is now available to stream. It’s out October 2.

Stream: Mark Eitzel – “I Love You But You’re Dead”

Richard Avery talks to Greg Dulli of The Afghan Whigs. Their reunion tour hits The Phoenix on October 3.

The Skinny has an interview with Mike Hadreas of Perfume Genius. He plays 918 Bathurst on October 5.

Wayne Coyne gives Rolling Stone a preview of the next Flaming Lips record, which might be called The Terror and might also be out as early as this Fall.

Interview talks to Jim James of My Morning Jacket.

The Hook interviews Will Sheff of Okkervil River.

Tom Tom hosts a drummer summit between Georgia Hubley of Yo La Tengo and Rachel Blumberg, formerly of The Decemberists and now of Norfolk & Western.

Magnet has an interview with Steve McDonald of Redd Kross ahead of giving he and his bandmates control of their website for the week.

Norman Wong/Jules SchillIt’s a real puzzle to me why Toronto’s Snowblink aren’t huge, and I mean huge in relative Canadian indie terms, not absolute household name terms, I’m not delusional. Their 2011 debut Long Live was an unqualified art-folk jewel, as simple and homespun as it was rich and complex, and not content to simply let the record speak for itself, they also toured it across North America and Europe, supporting not only some A-list Canadian talent but Wilco’s Jeff Tweedy on his Spring 2011 solo tour. All of which is to say that people saw them, and they’re not difficult to fall for, so why aren’t the duo of Daniela Gesundheit and Dan Goldman discussed with the same breathless enthusiasm as some of their peers?

Perhaps all that effort should be considered set up, and their forthcoming sophomore effort Inner Classics will be the record that knocks everyone down. I’ve not yet heard the record but based on the two tracks from the album already offered as a preview – “Black & White Mountain” was teased back in June and “Unsurfed Waves” was made available yesterday – it’s reasonable to say that this record will take everything that was great about Long Live and make it even better. Gesundheit’s voice is as delicate and crystalline as ever, but sounds more musically forceful and demanding of your attention without losing the laid-back vibe that come with Gesundheit’s Californian roots.

Inner Classics is out September 11, and while Snowblink have already offered a hometown preview of the new album in opening up for Cold Specks last week and will do so again as part of the Bicycle Music Festival at Trinity-Bellwoods on September 15 at 6PM, the proper release show for the new album will come on September 27 at the perfectly suited Music Gallery. It’s part of a series of shows that covers various points around the continent – full dates are available at Filter. Post City has an interview with Gesundheit about the new record.

MP3: Snowblink – “Unsurfed Waves”
MP3: Snowblink – “Black & White Mountains”

Canadian indie rock icon Ian Blurton has reformed his first and most famous band – Change Of Heart – for a handful of live dates in support of their long-overdue compilation album There You Go ’82-’97. It’s out September 18 and they play The Horseshoe on October 5, tickets a far too reasonable $12.

Stream: Change Of Heart – “There You Go”

If you were ever wondering what garage-pop from Vermont sounded like, King Tuff and their self-titled debut debut is the answer, and if you wanted to know what they looked like in person, then The Garrison on October 12 is the place to be. Tickets for that are $13.50 in advance. The San Francisco Examiner, Weekly Alibi, and LA Weekly talk to frontman Kyle Thomas.

MP3: King Tuff – “Keep On Movin'”
MP3: King Tuff – “Bad Thing”

Paste has the full tour itinerary for Death Cab frontman gone solo Benjamin Gibbard – not Ben, notice – and it curiously contains an isolated October 14 date at the Danforth Music Hall in Toronto, just a couple days before Former Lives is released on October 16. Tickets for that range from $25.50 to $35 in advance.

MP3: Death Cab For Cutie – “The Employment Pages”

The Flying Lotus show originally scheduled for October 13 at the Hoxton has moved through both space and time and will now take place on October 15 at the Danforth Music Hall. Complex and Spin have interviews with the producer.

MP3: Flying Lotus – “Between Friends”

The Heartless Bastards are back in town at Lee’s Palace on October 24 in support of their latest effort Arrow. Tickets for that are $18 in advance. News OK, News Journal, and Spokesman Review have features on the band.

MP3: Heartless Bastards – “Parted Ways”

Rose Cousins, last seen in these parts in May celebrating her third album We Have Made A Spark, will be back on November 3 for a performance at the Glenn Gould Theatre, tickets $29.50. The Boston Globe has an interview with Cousins.

MP3: Rose Cousins – “The Darkness”

In further proof that The Weeknd has gotten over his crippling shyness – he seemed mighty comfortable onstage at Osheaga – he’s scheduled not one but two dates at the Sound Academy for November 2 and 3, tickets $34.50 for general admission and $75 for VIP.

MP3: The Weeknd – “Wicked Games”

Though the biggest room they’d played in Toronto to date, Japandroids proved in June that they were already too big for Lee’s Palace so for their return engagement, they’ll be at the much bigger Phoenix on December 12, tickets $18.50 in advance. Pitchfork has the rest of their end-of-year tour dates and also have premiered the new video from Celebration Rock.

MP3: Japandroids – “The House That Heaven Built”
Video: Japandroids – “The House That Heaven Built”

Spinner and Exclaim talk to Britt Daniel and Dan Boeckner of Divine Fits about their debut album A Thing Called Divine Fits, out August 28. They’re at Lee’s Palace on September 5.

Exclaim examines the career of Cat Power, whose new record Sun is out September 4. She is at The Kool Haus on October 20.

Hitfix talks to Bob Mould about his new album The Silver Age, out September 4.

Aimee Mann has released a video for the title track of her new album Charmer, which is out September 18 and behind which she’ll be at the Danforth Music Hall on November 6. Rolling Stone talks to her about the new record.

Video: Aimee Mann – “Charmer”

MTV gets to know The Rural Alberta Advantage just a little bit; they’re at the Great Hall on September 28 and The Danforth Music Hall on October 25.

CBC Music has some video clips of a session Diamond Rings – now a band and not just a man – performed for KCRW, previewing material from Free Dimensional well ahead of its October 23 release date.

Under The Radar, Tone Deaf, and The Age interview Josh Tillman of Father John Misty, in town at Lee’s Palace on October 27.

A release date has been given to the third part of the Guided By Voices 2012 reunion trilogy; The Bears For Lunch will be out on November 12.

Rolling Stone talks to Frank “Poncho” Sampedro of Neil Young & Crazy Horse, who as it turns out didn’t spend all their recent time in the studio jamming out the standards that would become Americana – an album of original material built on the trademark Crazy Horse sprawl should be out in October under the title of Psychedelic Pill, meaning that they’ll be able to draw on both when they play the Air Canada Centre on November 24.

Exclaim talks to Purity Ring.

Malajube have released a video for the title track of last year’s La Caverne.

Video: Malajube – “La Caverne”

Blurt talks to Steven MacDonald of Redd Kross.

Billboard checks in with My Morning Jacket to see how crowdsourcing the set lists on their current tour is working out.