Steve GullickThe last time Oxford’s Foals were in town back in September, guitarist Jimmy Smith’s constantly malfunctioning amp and pedals provided frontman Yann Philippakis with enough rage-fuel to transform a technical disaster into a seething, edge-of-violent triumph, much to the delight of the completely jam-packed Lee’s Palace.

One expects they’ll have the state of their gear checked and double-checked before their return engagement on April 30 at the Phoenix (tickets $16.50), though. And that’s fine because as memorable as that last show was, it’ll be nice to hear them showcase their Mercury Prize-shortlisted record Total Life Forever with two fully functioning guitars.

The date is part of a Spring tour that is presumably built around a Coachella appearance and will feature a rather odd bill of Foals, Brooklyn twee-poppers Freelance Whales, still touring last year’s Weathervanes, and hotly-tipped New Zealanders The Naked & Famous, whose debut Passive Me, Aggressive You will be out on March 15.

MP3: Foals – “Spanish Sahara”
MP3: Freelance Whales – “Generator Second Floor”
Video: The Naked & Famous – “Young Blood”

Other Mercury Prize alumni coming back to town are Friendly Fires, who’ve made a May 30 date at The Phoenix, tickets $20. There’s been no official announcement about the release of their second album but one assumes that it will be out before they head over here. Update: Full North American dates are up, album has working title of Pala.

MP3: Friendly Fires – “Jump In The Pool”

Australia’s Cut Copy have slated a North American tour in support of their new record Zonoscope, due out February 8. Look for them at The Sound Academy on April 7 and download a track from the new record over here.

MP3: Cut Copy – “Lights & Music”

Last week they announced the April 4 release of their new record Blood Pressures and now, via NME are this Spring’s world tour dates for The Kills; Toronto gets them May 1 at the Sound Academy. That’s right, groan away. I’ll wait.

MP3: The Kills – “URA Fever”

Milo Cordell of The Big Pink tells NME they’re considering a hip-hop direction for their second album.

The Scotland Herald talks to Stuart Braithwaite ofMogwai in Japan. Their new record Hardcore Will Never Die, But You Will arrives February 15 and there’s a new MP3 and video from said record available to download. Mogwai play The Phoenix on April 26.

MP3: Mogwai – “San Pedro”
Video: Mogwai – “Pano Rano”

The Guardian has a feature piece on British Sea Power. They play Lee’s Palace on March 30.

“The World Is Yours”, the lead track from Glasvegas’ Euphoric Heartbreak, is currently available to stream – the record is out April 4.

Music For Kids Who Can’t Read Good wins today’s Patrick Wolf news prize – they’ve got the name of Wolf’s new record – Lupercalia – and a download of the first single from the record, “Time Of My Life”. A quick look on the Twitter indicates that said album has been given a May 23 release date in the UK and a stream of the second single, “The City”, is available on Soundcloud. I daresay that if these songs are indicative of what the album will be like, Mr. Wolf has managed to outdo himself yet again.

Baeble Music has a Guest Apartment session and The Herald-Sun an interview with Kate Nash.

The Fly has an acoustic video session with The Joy Formidable, whose debut The Big Roar is out in the UK next week and in North America March 15.

Elly Jackson of La Roux discusses collaboration plans for album number two with NME.

Clash interviews Adele, whose second record 21 arrives February 22.

MusicOMH talks to Anna Calvi, whose self-titled debut arrives March 1 and who plays Wrongbar on March 11.

NPR has a second video from PJ Harvey’s forthcoming Let England Shake, due out February 15.

Video: PJ Harvey – “The Words That Maketh Murder”

In talking to Gigwise, Blur’s Dave Rowntree confirms the band will do “something” this year, but offers no more information than that. And yes, as I was typing that out I realized how pointless a news item this was but whatever.

MusicOmh has words with Richard Thompson.

And do swing by the recently-launched Aggregation Magazine, whose mandate is simple but too long for me to recap here but whose latest issue includes contributions from yours truly on topics that have nothing to do with music. And the latest issue of Under The Radar – the Sufjan cover – has an interview with myself and other music bloggers on the topic of blog hype; the issue has been out since December but I only just got a copy so I made sure I didn’t sound like a total ass before mentioning it. Only a partial ass, as per usual. End self-promo/flagellation.

Malin Bernalt>Swedish outfit jj had an interesting 2010. At year’s start, the mysterious duo was one of the more hotly tipped acts around, their mysterious, r&b-inflected/narcotic-influenced dream-pop scoring them a support slot for The xx’s first headlining North American tour and a Stateside release for their debut album No. 2 as well as its imminent follow-up, No. 3.

It all started to go wrong when they rolled into SxSW, though, when it was discovered that their live shows were perplexing, awkward affairs with Elin Kastlander singing overtop pre-recorded backing tracks while co-conspirator Joakim Benon just stood there. Not exactly the sort of impression that bands usually want to make in Austin in March, but jj seemed to come into things with an approach that was either performance art, contempt or both. The subsequent shows with The xx proved their indifferent approach to live performance wasn’t a fluke and after No. 3 failed to garner the sort of rave reviews its predecessor did – though to my ears it sounded similar enough that the backlash was puzzling – the buzz surrounding them seemed to dissipate significantly.

After being left along through much of the Fall, jj returned in the tail end of the year and they came bearing gifts. First in November, a free two-track digital single entitled Let Them and then on Christmas eve, a full-length mixtape entitled Kills, also available gratis. This wasn’t a TDK SA90 of their favourite tracks for your stocking – the kind of mix tape I’m familiar with – but one of the hip-hop variety wherein the band sample, remixe and otherwise jam out overtop a variety of other peoples’ tunes. If I were better versed with contemporary hip-hop I might better appreciate whatever alchemy they work on Kills but even without knowing my Kanye from my Jay-Z, it’s an entertaining listen thanks to Kastlander’s beguiling vocals.

Some acts just aren’t meant for the stage – as long as they keep making interesting music and giving it away, I think we can forgive them that.

MP3: jj – “Let Them”
MP3: jj – “I’m The One/Money On My Mind”
MP3: jj – “New Work”
Video: jj – “Kill Them”

Under The Radar reports that next Tuesday, Danish art-rockers Mew will give their career-spanning compilation Eggs Are Funny a North American release. In addition to their greatest hits, there’s one new track which you can hear over at Soundcloud.

The Line Of Best fit has a studio performance from and Under The Radar an interview with The Concretes. They’re at the Horseshoe on January 17.

Fanfarlo’s contribution to the latest Twilight soundtrack has yielded a video. They’re currently writing album number two. Patience.

Video: Fanfarlo – “Atlas”

MusicOmh, The Irish Independent and The Guardian have features on British Sea Power, whose Valhalla Dancehall comes out on Tuesday. A new MP3 from the record has just been made available.

MP3: British Sea Power – “Who’s In Control”

The first MP3 from Mogwai’s forthcoming Hardcore Will Never Die, But You Will was made available via email widget back in November, but now it’s up for grabs for even the email-submitting-averse. Their new album is out February 15 and is better than you think it will be, no matter how good you think it will be. They’re at the Phoenix on April 26.

MP3: Mogwai – “Pano Rano”

Stereogum solicits a status report on PJ Harvey’s next record Let England Shake, though considering the first single “The Words That Maketh The Murder” will be out on January 17 and the album is due in a little over a month on February 15, the only status that should be getting reports is, “It’s done. Leave me alone”.

Pitchfork introduces you to Jonny, made up of Teenage Fanclub’s Norman Blake and Euros Childs, formerly of Gorky’s Zygotic Mynci. Their debut self-titled album will be out April 12 but in the meantime, there’s a video and a free EP of non-album tracks to get you acclimated.

Video: Jonny – “Candyfloss”
ZIP: Jonny / Free EP

The Quietus recounts Geoff Barrow’s Twitter-disseminated list of what NOT to expect of the new Portishead record, whenever it comes out this year.

The terrible interface of the Folio magazine online edition is worth enduring to read the interview about the Britpop era with former Sleeper frontwoman and eternal crush object Louise Wener by Summer Camp chanteuse Elizabeth Sankey. Picking up a copy of Wener’s autobiography Different For Girls when I’m in the UK this Summer is on my to-do list.

Norman WongAs of right now, I’m perfectly happy to see the 2010 concert season – as wonderful as it’s been – winding down, but talk to me in a few weeks when resting up begins to turn into getting bored, and I may be getting itchy for something to do or see. Which is where The Drake Hotel has come in handy since 2006, running a week of (mostly) live music programming in The Underground for the next-to-nothing cover charge of $5.

This year’s lineup was just unveiled and as always, there’s some choice stuff on the schedule. The evening of Tuesday December 28 should be particularly tasty, being headlined as it is by local instrumental monsters Do Make Say Think, who usually play much larger rooms and cost much more than a fiver. Also appearing throughout the week will be Kingston’s buzz/fuzz merchants PS I Love You, up-and-comers Ruby Coast, veterans By Divine Right and many more. And again: $5. Beat that with a stick, I dare you.

MP3: PS I Love You – “Facelove”
Video: Do Make Say Think – “In Mind”
Video: Ruby Coast – “Whatever This Is”

aux.tv has posted up a 3-song Camera Music session with Diamond Rings, Oregon Music News an interview.

NPR talks to Born Ruffians.

Emo-rock forebears The Get-Up Kids have set a date at The Phoenix for March 8 of next year in support of their new record There Are Rules, out January 25. Tickets $24.50 in advance.

John Darnielle has revealed details of The Mountain Goats’ next record – All Eternals Deck is coming on March 29 and may or may not have a little death metal seasoning in the brew.

Spinner talks to Editors frontman Tom Smith.

This excerpt from a documentary about a man who bicycled around the world is being used as the first official Mogwai video from Hardcore Will Never Die, But You Will, out February 15. They’re at the Phoenix on April 26.

Video: Mogwai – “How To Be A Werewolf”

Adele has rolled out the first video from her new record 21, due out February 22. She talks to Spinner about making the clip.

Video: Adele – “Rolling In The Deep”

The Radio Dept have made the whole of their acoustic radio session at KEXP available to download. Their Passive Aggressive compilation comes out January 25 and they play Lee’s Palace on February 7.

John Eriksson gives Spin a status update on the new Peter Bjorn & John record, due out in the early part of 2011.

New York Magazine talks to Nick Cave about Grinderman while The Los Angeles Times looks at how a Bad Seeds song made it onto the latest Harry Potter soundtrack. BBC reports that Cave crashed his car this week, but is alright.

Dean ChalkeyMost bands with longevity – if they’re lucky – have a career arc that starts with a good to great debut and trends upwards towards a critical and hopefully commercial peak – simultaneously, if fortune wills it – before entering a decline that’s hopefully gradual enough so as to not really be noticed at the time. Cap it off with a late-career bounce and/or best-of comp and maybe quit while you’re still ahead, overall. Until the reunion, anyways.

Manic Street Preachers threw that out the window before even their first album, declaring their intention to sell 20 million copies of their debut and then break up at the height of their powers. And while this didn’t happen, their narrative did end up considerably twistier than most – release successful debut, endure mandatory difficult second record, rebound with critically acclaimed effort, lose chief songwriter to mysterious circumstances, regroup for their biggest commercial and critical success, release follow-ups of diminishing quality before respectively levelling out and then surprise everyone by deliberately trying to recreate the spirit of album three using lyrics left behind by the departed songwriter and have the results, rather than exploitative, be phenomenal.

This is where the Manics found themselves with last year’s Journal For Plague Lovers, a deliberate revisit to The Holy Bible built around the words of their lost member Richey Edwards. And just as that record deliberately paralleled their third record, its follow-up Postcards From A Young Man looks to album four, the massive in every sense Everything Must Go as a reference. The dry, Albini production values of Journal are traded in for grandiose anthems laden with strings and choirs that offer no apologies for reaching for the stars. It’s a reminder that as good as the Manics were at being emphatically, viciously angry, they were arguably better at being starry-eyed romantics, and it’s that side of them that is on display with this effort. But unlike Everything, which for its widescreen staging was still downcast in tone, what with dealing with Edwards’ disappearance, Postcards casts far fewer shadows. Granted, this also gives it less emotional heft, but it’s far from empty calories. There’s still plenty of dense lyricism, huge choruses, fiery guitar solos, a guest spot/croak from Ian McCulloch and an affirmation that while the Manics took a mid-career breather, they’re once again at the top of their game.

Even though the release of Journal and accompanying tour were supposed to mark the Manics’ return to the North American marketplace, Postcards has yet to receive a domestic release. Until that happens, any hope that the further Stateside shows the band promised last year will materialize remain just wishful thinking. Or maybe they’ll wait for the next record – for all the hubbub surrounding the “last attempt at mass communication” rhetoric that accompanied Postcards and whether it meant it would be the Manics’ final record, according to this interview with Nicky Wire at NME, the band are already writing their next record, have given it a working title of 70 Songs Of Hatred And Failure and are calling it an exercise in “pure indulgence”. So it’s a revisit to Know Your Enemy, then? Bring it on.

Note that the below MP3 does not appear on Postcards, but is a period-correct and was given away in conjunction with the promotion of Postcards.

MP3: Manic Street Preachers – “I’m Leaving You For Solitude”
Video: Manic Street Preachers – “Some Kind Of Nothingness”
Video: Manic Street Preachers – “(It’s Not War) It’s Just The End Of Love”

Digging A Hole, The Bangkok Post and CNNgo check in with Tim Burgess of The Charlatans.

The long wait for a new record from PJ Harvey is almost over – NME reports that Polly Jean’s next record Let England Shake will be out on February 14.

Trip-hop survivors Morcheeba, with original vocalist Sky Edwards back in the fold, will be touring North America next year in support of their latest Blood Like Lemonade and will be at The Phoenix on February 20. Tickets $32.50 in advance.

Video: Morcheeba – “Blood Like Lemonade”

VBS has a video interview with Emmy The Great and producer Gareth Jones, who is working with her on album number two. It’s targeted for a February 2011 release.

Laura Marling has released a video for her Neil Young cover, taken from her recent 7″ release.

Video: Laura Marling – “The Needle & The Damage Done”

NME reports that Noah & The Whale have given their third album a name – Last Night On Earth – and that it’ll be out in March of next year. Presumably before they roll into town for a show at the Mod Club on March 24, tickets $17.50 in advance.

Richard Thompson lists off his favourite covers of his own songs for Spinner and otherwise chats with The Los Angeles Times and The Kansas City Star

Mogwai are offering a free download of “Pano Rano”, the first single from their forthcoming Hardcore Will Never Die, But You Will. The album is out February 15 and they play The Phoenix on April 26.

Exclaim reports on the super-fancy and then some 20th anniversary edition of Primal Scream’s Screamadelica, due out on March 7 of next year. For those who want to be free to do what they want to do, who want to be free to ride, and want to be free to ride their machines without being hassled by The Man, and who want to get loaded, and who want to have a good time. And that’s what they’re gonna do. They’re gonna have a good time. They’re gonna have a party!

The Arts Desk and The Quietus converse with Jim Reid of The Jesus And Mary Chain.

State welcomes ex-pat Gemma Hayes back to Ireland; she’s due for a new album sometime in 2011.

Gary Isaacs2010 has been kind of a watershed year for great records. I did some math back in April about how many acts who’ve appeared on past year-end lists were in contention for this coming one, and the result was pretty impressive, and that doesn’t account for new discoveries in the past 10 months. To wit, 2011 will have a hell of an act to follow. But, as a flurry of announcements and press releases yesterday will testify, it’s not without a few releases worth getting excited about.

Starting with Portland folk-rock faves The Decemberists, who invite no shortage of “January-ist” jokes by slating the release of their follow-up to 2009’s rock opera The Hazards Of Love for January 11 18. Presumably less conceptual than its predecessor (it couldn’t possibly get more), it will wear Colin Meloy’s Morrissey adoration on its sleeve/spine, being entitled The King Is Dead. Direct Currents has details and the track listing. Update: The first MP3 is available to download, via email widget, on their website now. Update 2: Release date confirmed as January 18 by Pitchfork.

Ritual, the second album from UK’s White Lies has gotten a confirmed North American release date of January 18.

MP3: White Lies – “Death” (Crystal Castles remix)

Denver’s DeVotchKa have announced details of their first album since 2008’s A Mad & Faithful Telling. The record will be entitled 100 Lovers and be out February 15. Telling didn’t elicit as much swooning as its 2004 predecessor How It Ends, but when no one else out there operates in the same terrain where gypsy, mariachi, folk and rock stylings overlap, any new release is cause to celebrate. Hopefully they’ll include Toronto in any tour routing, as they haven’t played a headlining show here since June 2006 – they were here this past Spring, but only as support for the more popular but less interesting Gogol Bordello.

MP3: DeVotchKa – “Along The Way”

Adele has revealed her second album will be entitled 21, ensuring that it’s at least two better than her debut 19, and be released on February 22 of next year. She talks to Spin about the new record.

Drive-By Truckers had originally intended to release two albums this year – the first being The Big To-Do back in March – but sanity has prevailed and they’ll settle for releasing two albums in the span of less than a year. Go Go Boots will come out on February 15 and, leading up to its release, the band will be previewing the new songs via live performance video clips.

Video: Drive-By Truckers – “Used To Be A Cop”

Death Cab For Cutie haven’t gotten so far along with album number seven to be able to give it a title or release date, but as Ben Gibbard tells Spin that it’ll be out in the Spring and that he really likes it.

Fact reports that Patrick Wolf will be giving vinyl-philes an early taste of his next record, making the 7″ of his new single available on December 6 but hanging onto the CD and download editions until March, a much more sensible timeframe considering the album is out in May. Personally, I’m more interested in hearing the b-side to that 7″ – a cover of Leonard Cohen’s “Anthem”. I have no idea what that might sound like but I really want to find out.

The Toronto date of the just-announced Winter tour teaming up Tokyo Police Club with Two Door Cinema Club clearly should have been booked into the Mod Club, but instead it will be happening on January 15 at the Kool Haus, tickets $20. They should at least borrow/duplicate Guided By Voices’ “The Club Is Open” sign.

MP3: Two Door Cinema Club – “Something Good Can Work”
Video: Tokyo Police Club – “Bambi”

If you’ve no interest in catching them open up for U2 at the ACC next Summer (July 12) and either missed or didn’t get enough at their Kool Haus show in August, Interpol are going to be at the Sound Academy on February 15, tickets $30 in advance. Creative Loafing interviews drummer Sam Fogarino.

MP3: Interpol – “Lights”

The Los Angeles Times talks to Kevin Barnes of Of Montreal.

Local Natives have put out another video from Gorilla Manor.

Video: Local Natives – “Who Knows Who Cares”

The Vine talks to Laura Ballance of Superchunk, who celebrated Hallowe’en this weekend by giving away a Misfits cover. They play the Sound Academy on December 9 opening up for Broken Social Scene.

MP3: Superchunk – “Horror Business”

Pitchfork gets all POV in session with Titus Andronicus.

JAM talks to Elvis Costello, whose new record National Ransom is out today.

Stuart Braithwaite of Mogwai tells NME where they came up with the title of their new record. Hardcore Will Never Die, But You Will is out on February 15 of next year.

Mother Jones chats with Basia Bulat.

Spinner talks to Daniel Lanois about he and Neil Young’s pet names for one another whilst making Le Noise, and I’m embarrassed to say I did not make the connection between the album title and Lanois’ surname until, well, right now.