Frank YangIt might seem like an act of massive hubris for a brand-new band from abroad to book a North American tour with no official release, not even a handful of released songs, and barely a month’s worth of experience performing live, but Sweden’s Kate Boy did just that in rolling into Wrongbar on Sunday night for the third of six dates on this continent. But when each of those three singles and videos have been met with immensely positive response and the right outlets are paying attention, maybe it’s less an act of starry-eyed optimism than a canny first move in a well-orchestrated, long-term marketing strategy.

Though I was intrigued by the aforementioned singles – particular with them on repeat whilst writing this – it took the announcement of Vancouver’s Gold & Youth as support to cement my attendance. Though they were hardly going to be strangers to Toronto stages over this week, opening up the Arts & Crafts Field Trip fest on Saturday and also playing NXNE, the odds of my catching any of those shows was going to slim. And I wanted to see them – their just-released debut Beyond Wilderness being a solid if not life-altering document of ’80s-ish synth-pop that I suspected would come across stronger live than on record. And indeed, it did. Utilizing a conventional band lineup augmented by synths and samples, rather than the other way around, their live show was more energetic and brought their musicianship to the fore, if also laying bare their Cure, New Order, and Depeche Mode influences. Danceable without being dance music, the affirmed themselves as a band with a great if familiar sound, and good to very good songs that should just get better.

Just as it wouldn’t have surprised me if Wrongbar had been empty for Kate Boy’s Canadian debut, it also didn’t surprise me that there was a very respectable-sized crowd by the time the foursome took the stage, uniform of black t-shirts and baseball caps intact. I was surprised, though, that much of the audience seemed not to be the curious out to be convinced, but genuine fans wanting to have their belief confirmed – looks like three songs can really go a long way. Thankfully, the band had more than that in their repertoire, and their 40-minute set was tightly choreographed and impressively crafted – what was that about having only played their first-ever gig in May? The three singles were spaced out so as to be able to keep the momentum up, and basically performed live as extended remixes to effectively balance familiarity and freshness. The rest of the material adhered to the same formula of big heavy beats and even bigger choruses, so if you liked one you were pretty much going to like them all.

While her bandmates kept their Scandinavian cool whilst manning their synths, drums, and bass with laser focus, frontwoman Kate Akhurst was all smiles and arm-waving dance moves, clearly less concerned with maintaining their icy aesthetic than having and giving a good time. And it’s a pretty safe bet that for everyone in attendance, a good time was had. There’s probably not ever going to be a narrative around Kate Boy that casts them as the scrappy, DIY upstarts. There’s something very calculated about their career trajectory so far, and even though they’re currently signed to Los Angeles indie IAMSOUND for their singles, five will get you six that like label alumnus Florence & The Machine, Charli XCX, and Little Boots, their debut will be on a major. Not that that matters, really – all that does is they’ve got the look, they’ve got the sound, and they’ve got the show. Everything is going according to plan.

Exclaim also has a review of the show while Idolator and Chicago Now have posted interviews with the band. MSN gets to know Louise Burns as both a member of Gold & Youth and solo artist, whose second album The Midnight Mass comes out July 9.

Photos: Kate Boy, Gold & Youth @ Wrongbar – June 9, 2013
MP3: Kate Boy – “Northern Lights”
Video: Kate Boy – “The Way We Are”
Video: Kate Boy – “In Your Eyes”
Video: Kate Boy – “Northern Lights”
Video: Gold & Youth – “Jewel”
Video: Gold & Youth – “Time To Kill”

Exclaim has an advance stream of Beady Eye album BE, though since the album is now out as of this week – in the UK, at least – it’s not so advance. The Independent has an interview with Liam Gallagher where he sounds off on this and that.

Stream: Beady Eye / BE

Drowned In Sound talks to CHVRCHES, in town tomorrow night – June 12 – for a show at The Hoxton.

Sigur Rós have turned to their live show projections for the video to the title track and to CBC Music to host an advance stream of their new album Kveikur, coming June 18. The stream is probably geoblocked to Canada, but rest of the world can be sure that their territories will be attended to shortly. Update: Try Amazon.

Video: Sigur Rós – “Kveikur”
Stream: Sigur Rós / Kveikur

Rolling Stone and Refinery 29 have feature pieces on Empire Of The Sun and their new album Ice On The Dune, out June 18 and available to stream now at Rolling Stone. Yahoo, meanwhile, gets a look behind the scenes at the band’s visual presentation.

Stream: Empire Of The Sun / Ice On The Dune

Also out next week – at least domestically in North America – and doing the advance stream thing now is More Light, the new record from Primal Scream. That’s up at NPR.

Stream: Primal Scream / More Light

Editors are streaming a new b-side from the first single for their forthcoming The Weight Of Your Love. The new album is out July 1.

Stream: Editors – “The Sting”

TOY and Bat For Lashes’ Natasha Khan have teamed up for a cover of Iranian artist Amir Rassaei. It’s out on July 1 as a 7″ single. More details at Pitchfork.

Stream: TOY with Natasha Khan – “The Bride”

The Line Of Best Fit gets to know Camera Obscura. They play the Toronto Urban Roots Fest at Garrison Common on July 4.

Icona Pop discuss the inspiration behind their hit, “I Don’t Care”, with MTV. They play Garrison Common on August 3 as part of The Grove Fest.

Beatroute, Scout Magazine, and Vita.mn have interviews with José González of Junip.

The National Post and Canada.com have interviews with The xx, who premiered a new video from Coexist last week via Noisey.

Video: The xx – “Fiction”

Metro interviews Bloc Party, who tell Canada.com that following this Summer’s touring commitments, they’re going back on indefinite hiatus.

NME talks to the director of the new video from Billy Bragg’s Tooth & Nail; NPR also has a Mountain Stage video session with the singer-songwriter.

Video: Billy Bragg – “Handyman’s Blues”

DIY has a feature interview with Laura Marling.

The Guardian welcomes Suede to their studios for a video session.

The Joy Formidable have released a live video of them performing an acoustic cover of Echo & The Bunnymen’s “The Killing Moon”.

Video: The Joy Formidable – “The Killing Moon” (live)

Clash invites Frightened Rabbit frontman Scott Hutchison to take a swing at some of the songs currently on the UK charts.

Lisa DevineAll’s been quiet from camp Ladytron since they finished up touring in support of 2011’s Gravity The Seducer, but frontwoman Helen Marnie hasn’t been idle. Working under her surname, Marnie took to crowdfunding site Pledgemusic last Fall to finance a solo record. Unsurprisingly, it was fully funded within days – even without anyone taking the top reward of one Marnie’s own car, a 1998 Mini Cooper, at five thousand quid – and since then, fans have waited patiently while she decamped to Reykjavik to record the album.

While the record, entitled Crystal World, just missed its release date of this past weekend – mastering of the album pushed things back slightly – it should be out very shortly and the window to pledge and get a copy is closing soon. Last week, Under The Radar premiered the first song and video from it; it and another sample of a new song confirms that whatever name she operates under or whomever she plays with, Marnie make sleek, seductive electro-pop.

Stream: Marnie – “Hearts On Fire” (excerpt)
Video: Marnie – “The Hunter”

Keyboardist Carey Lander discusses Camera Obscura’s new album Desire Lines with The Skinny. It’s out as of tomorrow and they play the first night of the Toronto Urban Roots Fest at Garrison Common on July 4.

Swedish up-and-comer Elliphant, who opens up for Twin Shadow at The Phoenix on June 7, has made another new song available to stream.

Stream: Elliphant – “Music Is Life”

The Quietus talks to Beady Eye about their new record BE, out in the UK on June 10.

Gold Panda is streaming his new album Half Of Where You Live in full at NPR ahead of its June 11 release, and has also put out a new video from it via Nowness. He plays Lee’s Palace on October 8.

Video: Gold Panda – “My Father In Hong Kong, 1961”
Stream: Gold Panda / Half Of Where You Live

The Line Of Best Fit has an interview with Still Corners, who open up for CHVRCHES at The Hoxton on June 12, and should have a NXNE date to announce shortly thereafter.

Icona Pop are streaming their newest single. They’re here playing the Grove Fest at Garrison Commons on August 3.

Stream: Icona Pop – “Girlfriend”

Spin takes the news that Elvis Costello and The Roots have given their collaborative album a title – Wise Up Ghost – and a release date – September 17 – and wonders if copies haven’t already been circulating since April. Though probably not.

The Horrors tell NME that they’re just about done recording the follow-up to 2011’s Skying. Nothing is on the schedule but a late 2013 release seems reasonable.

James Dean Bradfield of Manic Street Preachers confirms to NME that the band have two new records in the can, one primarily acoustic and another that sounds “European”.

Suede have released a vandalism-infused video for the new single from Bloodsports, which is also leading a new EP that comes with two new proper b-sides.

Video: Suede – “Hit Me”

MTV Iggy has an interview with Icelandic composer Ólafur Arnalds.

Thom Yorke and Flea discuss their preparations for the upcoming Atoms For Peace tour with Billboard, rehearsals for which have produced an in-studio video of Thom going through some deep cuts that aren’t even his own.

Video: Atoms For Peace – “Rabbit In Your Headlights”

Kjell B PerssonKnow what the worst thing about not going to SXSW this Spring was? Not missing SXSW, but not having my previously annual late-Winter vacation. In fact, save for a weekend jaunt to New York last November, the last time I got out of the 416 was Labour Day – that’s well over eight months ago, and right mental. And while I’d like to say that the European theme of this post is a hint as to where I’m getting away to, it unfortunately is not. I still hope to make it across the Atlantic later this Summer – who wants to go to Stockholm? – but for now, an extra-long weekend getaway to Chicago is going to have to scratch my “get out of EDT” itch. I’ll check back in before next week’s end, but we be going dark for a bit after this. Or after tomorrow, because I have a quick contest to put up. Anyways.

To keep you company – and to build up the Swedish travel karma – you can now stream in whole Above The City, the new near-perfect blend of dancefloor beats and indie-pop moping from Swede-pop veterans Club 8, which is officially out on May 21. And to go along with the stream, the Johan Angergård half of the band talks to Billboard about his and Karolina Komstedt’s first record in three years, the status of his other project The Legends, and what’s coming next from his label Labrador, and over at DIY he offers a track-by-track walkthrough of the record.

Stream: Club 8 / Above The City

With their debut album No One Dances Quite Like My Brothers out now, Copenhagen’s Vår have posted the thing up at Pitchfork for your streaming pleasure.

Stream: Vår / No One Dances Quite Like My Brothers

The Vancouver Sun and The Province interview Icelandic ambassadors Of Monsters & Men, in town at Echo Beach for CBCMusic.ca Fest at Echo Beach on May 25.

Camera Obscura have made another new track from their forthcoming Desire Lines available to stream. The record is out June 4 and they play Garrison Commons for TURF on July 4.

Stream: Camera Obscura – “Fifth In Line To The Throne”

Russell Lissack talks to The Miami New times about new music that Bloc Party might be releasing later this Summer. They play the Arts & Crafts Field Trip fest at Garrison Commons on June 8.

Though of small comfort to those of us who missed out on seeing it in person thanks to the illness that tanked their show during CMF, 4AD has announced they will release a live Efterklang album recorded in Fall 2012 with the Copenhagen Philharmonic. The Piramida Concert will be available as a digital download and vinyl package and be out June 10.

Stream: Efterklang – “The Living Layer + Vælv” (live)

Jónsi þór Birgisson gives Premier Guitar a guided tour of his live guitar rig with Sigur Rós. Their new record Kveikur is out June 18, and they’re on The Simpsons this Sunday night.

Stereogum talks to Bobby Gillespie of Primal Scream, whose new album More Light is out in North America on June 18.

The Los Angeles Times reports that former Belle & Sebastian bassist Stuart David will be writing his memoirs about his time in the band, which started from its very inception – he founded it with Stuart Murdoch in 1996 – through his departure following Fold Your Hands Child, You Walk Like A Peasant in 2000.

aux.tv has a feature-length interview and NPR a video session with Savages, coming to town for a show at The Mod Club on July 16.

Billboard and USA Today check in with the ladies of Icona Pop, coming to town as part of the Grove Fest lineup at Garrison Common on August 3.

Franz Ferdinand have announced the August 27 release of their fourth record, Right Thoughts, Right Words, Right Action; The Line Of Best Fit has details and Domino has an album trailer, but the important thing is it’s only three more months until people can complain that the new record isn’t as good as their first.

Trailer: Franz Ferdinand / Right Thoughts, Right Words Right Action

Dreamy English folk-pop purveyors Lanterns On The Lake aren’t offering any specifics on their second album besides that it’ll be out later this year, but they have released a first video from it.

Video: Lanterns On The Lake – “Another Tale From Another English Town”

Melody’s Echo Chamber have a new video from last year’s self-titled debut.

Video: Melody’s Echo Chamber – “Some Time Alone, Alone”

The Quietus gets an interview with The Knife.

The Independent profiles Nick Cave & The Bad Seeds.

The Line Of Best Fit grabs Neil Halstead for a video session.

The Line Of Best Fit interviews British Sea Power.

The Province, Seattle Weekly, and The San Francisco Examiner interview Kate Nash.

Frode & MarcusI get why people have such affection for Shout Out Louds’ 2005 debut Howl Howl Gaff Gaff; the way it tapped into the scrappy, garage-rock sound in vogue at the time but rather than the insouciant attitude that typically came with the aesthetic, it offered a wide-eyed and sincere charm and stood apart from the pack for it. That said, it was only with 2007’s Our Ill Wills, which polished up their pop and expanded it to widescreen dimensions, that I was personally won over by the band. Happily for me and less so for those on Team Howl, it’s been this template that has informed each Shout Out Louds record ever since, this year’s Optica being no exception.

They did tweak their approach a bit with 2010’s Work tweaked the formula by going for a more organic, live-off-the-floor sound, but while Optica lets things drift back to the more produced side of things a bit, those holding out hope that the band might let things get raucous again should probably just go and find themselves a new, charmingly rough Scandi-pop band to patronize. Shout Out Louds have got this elegant pop thing down pat – “Blue Ice” is tastefully orchestrated and “Walking In Your Footsteps” may offer the best flute hook of the year – and even when they get relatively dark or heavy, they do it more through tone and atmosphere than volume; “14th Of July” is the riffingest number on the record and it really just jangles. Mostly, though, Optica adopts a pleasant midtempo pace and relies on its immaculate popcraft and melodicism to win the listener over.

Shout Out Louds’ North American tour kicks off in early May and will stop in at The Opera House in Toronto on May 14. Tickets for the show are $18.50 in advance, but courtesy of LiveNation, I’ve got three pairs of passes to give away to their show and as a bonus, courtesy of Big Hassle and Merge, a copy of the band’s “Blue Ice” 7″ – no, not the actual ice one, don’t be ridiculous. To enter, email me at contests@chromewaves.net with “I want to Shout Out Loud” in the subject line and your full name in the body, and if you would also like the 7″, say so and include your mailing address. Have all that to me by midnight, May 6.

Rolling Stone just premiered the newest video from Optica.

MP3: Shout Out Louds – “Blue Ice”
Video: Shout Out Louds – “Illusions”
Video: Shout Out Louds – “Walking In Your Footsteps”
Video: Shout Out Louds – “Blue Ice”

Spin and The San Francisco Examiner check in with Palma Violets, coming to town on May 3 for a show at Lee’s Palace and again on August 3 as part of The Grove Fest at Garrison Commons.

Los Campesinos! have announced details of and a track from their first-ever live album, entitled A Good Night For A Fistfight, recorded last December and to be released digitally May 5. DIY has specifics and some words from Gareth Campesinos! about the recording.

MP3: Los Campesinos! – “We Are Beautiful, We Are Doomed” (live at Islington Assembly Hall)

Noah & The Whale are streaming the title track from their forthcoming album Heart Of Nowhere, due out May 6, and it guest stars the wonderful Anna Calvi. The Yorkshire Evening Post and Gigwise have interviews with frontman Charlie Fink.

Stream: Noah & The Whale – “Heart Of Nowhere”

7 Digital interviews Victoria Hesketh of Little Boots about her second album Nocturnes, slated for a May 7 release.

MTV Hive gets to know Charli XCX; she opens for Marina & The Diamonds at Echo Beach on May 23.

The 405 interviews Elliphant, who is streaming a new song and making her local debut on June 7 supporting Twin Shadow at The Phoenix.

Stream: Elliphant – “Make A New Breed”

Interview chats with Jose Gonzalez of Junip, whose new self-titled album came out this week. They play The Great Hall on June 10.

While the May 13 UK release of Primal Scream’s new long-player More Light was long-confirmed, there’s only just come word that there’ll be a domestic release in North America, coming June 18. Details on that at Spin.

Under The Radar has an interview with Pet Shop Boys, whose new album Electric comes out in June.

Spin, eMusic, The 405, The Guardian, MTV, The Daily Beast, NPR, and Exclaim all have feature interviews with Phoenix with Exclaim offering a sidebar piece on the band, Spin the fruits of their photo shoot, and NPR a KCRW video session. Phoenix headline The Grove Fest at Garrison Commons on August 3.

Filter hangs out with the girls of Icona Pop. You can do the same at The Grove Fest at Garrison Commons on August 3.

MTV Hive takes fashion tips from Hot Chip, also playing The Grove Fest on August 3.

Nick Cave & The Bad Seeds are streaming one of the tracks that appeared on their Record Store Day 7″ release.

Stream: Nick Cave & The Bad Seeds – “Animal X”

Mystery Jets have made their Record Store Day release, the self-explanatory Live At The Royal Festival Hall, available to stream for those who missed out on getting a copy on Saturday or who never even had the opportunity what with it only being available in the UK and all.

Stream: Mystery Jets / Live At The Royal Festival Hall

Kate Nash has released a new video for the a-side from her Record Store Day 7″, and later this week she’ll roll out the next clip from Girl Talk. But not yet.

Video: Kate Nash – “Free My Pussy”

Clash gets into the heads of British Sea Power.

The Big Takeover has an interview with Veronica Falls.

PopMatters and Black Book interview Ólafur Arnalds.

Stereogum points out a stream of a new Jens Lekman song, written for an Esopus magazine compilation and about a fan who mailed him a dead bird.

Stream: Jens Lekman – “Regarding A Package”

Rolling Stone sits down with Thom Yorke and Nigel Godrich to talk about Atoms For Peace and the state of dance music, and somehow the conversation drifts to the topic of Radiohead.

Rolling Stone got a moment of Jason Pierce’s time at Coachella to talk about things of a Spiritualized nature.

Dan CurwinAs much as I’d like to be able to claim to have seen Charli XCX’s latent stardom from the get-go, a quick look back at my writeup from SXSW 2012 confirms that I was not, in fact, overly impressed with the set I caught, but this also acknowledges that performing in a stripped-down setting accompanied only by a keyboardist isn’t really putting an electro-pop artist’s best foot forward. She came across much better five months later at Osheaga, kicking off the festival with a good balance of energy, songs, and showmanship – plus a solid cover of “The Killing Moon”.

The young Englishwoman’s star has steadily continued to rise since then, and the buzz will come to a head – for now, at least – with the release next week of her debut album True Romance, a convincing collection of party-friendly, synth-built anthems with plenty of confidence and personality. As is the custom, the record is getting an advance stream before its release, this time courtesy of Pitchfork. There’s also feature interviews with the Charlotte Aitchison at MXDWN and Idolator. She is in town at Echo Beach on May 23 opening up for Marina & The Diamonds.

MP3: Charli XCX – “Nuclear Seasons”
Stream: Charli XCX / True Romance

NOW and A Music Blog, Yea? talk to The Joy Formidable ahead of their show at The Phoenix tonight, April 12.

Mashable is streaming the M83-powered soundtrack to the new Tom Cruise flick Oblivion. The soundtrack came out this week but the film doesn’t open until the 19th of this month.

Stream: M83 / Oblivion soundtrack

Spin and KQED talk to Jessie Ware, who finally gets a North American release for her debut Devotion next week, on April 16.

The Line Of Best Fit has premiered the new video from the Junip self-title, coming out April 23. They play The Great Hall on June 10.

Video: Junip – “Your Life Your Call”

Filter and Billboard have feature pieces on Phoenix, whose new album Bankrupt! comes out April 23. They’ve just released an acoustic performance video from it and will headline The Grove Fest at Garrison Common on August 3.

Video: Phoenix – “Entertainment!” (acoustic)

Palma Violets have released a new video from their debut 180. They’re also interviewed by WhatCulture and have a headlining show at Lee’s Palace on May 3 as well as being part of The Grove Fest lineup.

Video: Palma Violets – “We Found Love”

James Blake has released a video for the title track of his just-released new album Overgrown. He plays The Danforth Music Hall on May 4.

Video: James Blake – “Overgrown”

Topman Magazine talks to Primal Scream’s Bobby Gillespie about their forthcoming album More Light, out May 13.

Pigeons & Planes have premiered the new video from Elliphant, making her local debut on June 7 supporting Twin Shadow at The Phoenix.

Video: Elliphant – “Make It Juicy”

NME confirms details of the new Beady Eye album, which will be called BE – acronym or shouting, take your pick – and be out June 10.

CHVRCHES have released a new live video. They play The Hoxton on June 12 and their debut is out in September.

Video: CHVRCHES – “Lies” (live)

The Line Of Best Fit has an interview with Iceage and Matablog has got a new studio performance video and download from their latest, You’re Noting. They’ll be in Toronto for NXNE on June 15, and Iceage spin-off Vår is streaming a new track from their debut No One Dances Quite Like My Brothers, coming out May 14.

MP3: Iceage – “Morals”
Video: Iceage – “Morals” (live)
Stream: Vår – “The World Fell”

DIY and Glamour get to know Icona Pop, who will be playing the aforementioned Grove Festival at Garrison Common on August 3.

Swedish punks Holograms are streaming the first track from their second album Forever, now confirmed for a September 3 release.

Stream: Holograms – “Flesh And Bone”

Loud & Quiet, Dazed, and MTV Hive all have feature pieces on The Knife.

Daytrotter has posted a session and A Heart Is A Spade, Fractured Air, and Buzzine interviews with Ólafur Arnalds.

Efterklang performs a Tiny Desk Concert for NPR.

The AV Club talks to Nick Cave.

And thanks to PopMatters for unearthing an excellent quality video of an almost-complete concert from the very end days of Catherine Wheel. Never forget.