Cat StevensLots of interesting news came down the pipe from all around the world yesterday, but tops was this from down under – the new Nick Cave & The Bad Seeds record is coming. It’s called Push The Sky Away and will be out on February 19 in North America, though interestingly I can’t confirm the label. The last few Bad Seeds releases as well as the two Grinderman records were out here on Anti, but their web presence has been conspicuously silent with regards to this release.

In any case, expectations are high for this one – their last effort Dig!!! Lazarus Dig!!! was one of my favourite releases of 2008 and as much as Grinderman is a funhouse mirror version of the Bad Seeds, they weren’t the Bad Seeds. Pitchfork has details and the nine-song track listing, and while we won’t get to hear the first single till next week, they’ve offered a trailer comprised of studio footage of the band at work.

Trailer: Nick Cave & The Bad Seeds / Push The Sky Away

Also coming from Australia: Tame Impala make a return engagement on the back of Lonerism – NME‘s album of the year – for a date at the Kool Haus on March 9, tickets $25 in advance.

Video: Tame Impala – “Feels Like We Only Go Backwards”

A ways north in the Pacific, Japan’s Mono have made another track from their latest album For My Parents available to download via The Quietus.

MP3: Mono – “Dream Odyssey”

Exclaim reports that pop savant Shugo Tokamaru will get a North American release for his latest album In Focus? on January 22. You may recall I quite liked his last effort Port Entropy… but probably not. Anyways, there’s a video from the new one to enjoy.

Video: Shugo Tokamaru – “Decorate”

And now to Scandinavia! Nothing But Hope And Passion has specifics on Icelandic composer Ólafur Arnalds’ new record For Now I Am Winter, due out in February. Arnalds recently took to Facebook to explain to his fans why the record would be coming out on a major label – Mercury – rather than indie Erased Tapes, which had released all his records to this point. Iceland Review has an interview with Arnalds.

Shout Out Louds are garnering a fair bit of attention for the first single from their forthcoming new record – as Pitchfork reports, it’s coming out on a 7″ single made of ice. Yeah. For those who don’t have a turntable they’re willing to allow to become waterlogged, you can also just stream the song below. The album should be out in February or so.

Stream: Shout Out Louds – “Blue Ice”

Wears The Trousers has an interview with Sarah Assbring of El Perro Del Mar.

The Mary Onettes have release a video for the first single from Hit The Waves, out on March 12. You may recall I talked about it last week. But probably not.

Video: The Mary Onettes – “Evil Coast”

The Telegraph and BBC talk to the Soderberg sisters of First Aid Kit.

Denmark’s Efterklang are a pretty good first act to be announced for Canadian Musicfest next year; they’ll be at The Mod Club on March 21 as part of the festival and in support of this year’s Piramida. Exclaim has full North American dates and video of a radio session wherein they play a number of the new songs is available to watch.

MP3: Efterklang – “Apples”
Video: Efterklang – “FM4 Radio Session” (live)

Interview has an interview and Wild Honey Pie a video session with Indians, whose debut album Somewhere Else is out January 29.

Memphis IndustriesIt’s been interesting tracking the musical evolution of El Perro Del Mar, the musical project of Sweden’s Sarah Assbring. Her 2006 self-titled debut cast her as the mournful ghost of a ’50s doo-wop girl while the 2008 follow-up From The Valley To The Stars invited fuller arrangements into the mix – even getting jaunty at points – while keeping the sentiments beautifully downcast. 2009’s Love Is Not Pop was took great strides towards feeling more modern, mostly via studio-slick musical arrangements, and while surprisingly short compared to Valley – seven tracks versus its predecessor’s 16 – assuming that that the three dancey remixes appended as bonus tracks to the US edition were just filler would have been a mistake; they were more of a signpost.

In the three years between that release and her fourth album Pale Fire, Assbring seems to have completed the transition from old-school chanteuse to dance diva and also invested in a lot of keyboards in the process. Pale Fire is an unabashedly synthetic record, built on beats and loops and existing in a haze, sounding largely like a remix album of a more conventional work. Assbring’s retro stylings have been wholly subsumed by the dedication to the groove, but her signature sadness is still detectable – it seems the dancefloor isn’t necessarily any less lonely a place than one’s bedroom.

Assbring doesn’t have the sort of voice one would typically associate with dance music – it’s not an especially powerful or sensual instrument – but it’s that dissonance that helps Pale Fire stand out from the current crop of electro-pop, and when when Pale Fire reverts to a more traditional sonic form, as on “I Was A Boy”, the other would-be peers just fall away. Given the number of guises that Assbring has donned over the course of her career, it’d be presumptuous to think that Assbring will dwell in Pale Fire‘s aesthetic for too long, but it does feel like the end of the transformation that she’s been undertaking since Valley; maybe she’ll keep it on for a little while.

Pale Fire is out next week but now streaming in whole over at Hype Machine. A Heart Is A Spade has an interview with Assbring.

MP3: El Perro Del Mar – “Hold Off The Dawn”
Video: El Perro Del Mar – “Walk On By”
Video: El Perro Del Mar – “Innocence Is Sense”
Stream: El Perro Del Mar / Pale Fire

Interview talks to Joachim Läckberg of Sambassadeur, who may be releasing a new single in “Memories” in a few weeks but aren’t looking to put out their next album until late next year. Teases.

The Line Of Best Fit note that Icona Pop’s self-titled debut will be released in their native Sweden as soon as next week, November 14. A worldwide release will follow next year. They open up for Marina & The Diamonds at The Kool Haus on December 1.

Those who’ve been following along with Sigur Rós’ Valtari Mystery Film Experient and wish they could see the works on a bigger screen may be interested to know that a goodly number of the films – at least 17 – are being compiled and taken on the road for some worldwide screenings over the course of a weekend in December. Toronto gets ours on December 8 at The Bloor.

And if that’s not enough Scandi-music film action for you, 4AD has released some details on The Ghost Of Piramida, a film that documents Efterklang’s visit to the abandoned Russian town of Piramida, from which their latest album drew inspiration and its name.

Foals have confirmed the February 12 release of their next record Holy Fire with the release of the first video from the record.

Video: Foals – “Inhaler”

Pitchfork has more specifics on the solo debut from Johnny Marr; The Messenger will be out on February 26 of next year.

Justin Young of The Vaccines offers an interview to Drowned In Sound. They play The Phoenix on February 4.

The 405 meets Field Music.

NPR has a World Cafe session with Beth Orton.

Mumford & Sons enlisted Stringer Bell – that’s actor Idris Elba, for non-Wire watchers – to star in the new video from Babel.

Video: Mumford & Sons – “Lover Of The Night”

The Quietus talks to Neil Halstead about all things Slowdive, Mojave 3, and Neil Halstead. Denver Westword also has an interview.

Drowned In Sound makes a case for the importance of Manic Street Preachers’ debut Generation Terrorists, turning 20 and out in deluxe reissue form now.

The National Post and eMusic talk to Bernard Sumner and Gillian Gilbert of New Order, respectively.

The Irish Times, Burton Mail, Gigwise, and The Edinburgh Evening News talk to David Gedge of The Wedding Present.

Clash and Exclaim have features on Tame Impala, in town at The Phoenix on November 12.

Frank YangTechnically, the Swedish consulate in Toronto is in the office tower on the northeast corner of Yonge and Bloor, but on Thursday night it was unofficially relocated to the Phoenix Concert Theatre, and their ambassadors for the evening were Jens Lekman and Victoria Bergsman of Taken By Trees, both with acclaimed new records just out – Lekman with I Know What Love Isn’t and Bergsman with Other Worlds.

As mentioned when this show was originally announced, it was exciting on a number of levels beyond Lekman’s first return to Toronto since April 2008; it would also be the first time he’d be performing with his own band rather than a collection of local players assembled for the occasion. Make no mistake, it’s fun and unique to see him playing with, say, The Hidden Cameras in a little room, but you’re not going to get a better actual performance than with the band with whom he’s been rehearsing and touring.

Taken By Trees were already a four-piece when they last visited in 2010 (supporting another Swede in El Perro Del Mar), and whereas for that show the band succeeded in giving the East Of Eden material some extra kick, this time they took the marginally more energetic Other Worlds and toned it down for a more languid and low key presentation. The arrangements felt more stripped down, the world music flavours still detectable but not as strong. Perhaps aware that her charms weren’t the same as charisma, Bergsman had the 1970 film A Swedish Love Story projected onto a side screen while they played, perhaps to offer something more visual to pay attention to while they played. Their set closer of “Dreams”, off the new record, was the most energized of the set and offered a taste of what they were capable of but for the most part, they were just kind of inertly pretty.

Stage presence would never be a problem for Jens Lekman, a real-life personality as charming and endearing as the characters in his songs. A late soundcheck meant the band was still scurrying around on stage come set time, but they still made a proper entrance of it with the keyboardist playing the instrumental “Every Little Hair Knows Your Name” as the all took the stage – Lekman last, of course – and started into “Become Someone Else’s”. The front third of the show was dedicated to the bigger numbers of I Know What Love Isn’t – totally fine with me as I love the record – and reinforced how great it was that it was a full-band Lekman here to play these songs; it’s hard to imagine hearing them without all the little touches that the piano, violin, bass, and drums added to Lekman’s supple voice and guitar.

Unreleased but Isn’t-era selection “Golden Key” marked the set’s pivot point, the sequenced backing track transmorgifying itself to lead into “The Opposite Of Hallelujah” and raising the enthusiasm of the crowd several more notches, particularly when Lekman finished the song at the edge of the stake playing some air glockenspiel. From there it was a string of highlights including the backstory of “Waiting For Kirsten” (about stalking Kirsten Dunst in Gothenburg), a big singalong “Black Cab”, and a “Maple Leaves” dance party – it’s funny that for all the sonic richness that playing as a five-piece band offered, the tone of the show would still be set by the sampler perched at Lekman’s right, cueing up one joyous pop song after another.

The encore gave us the title track of last year’s An Argument With Myself EP and Lekman song/story fixture “A Postcard To Nina” which somehow came with an almost entirely different story from when he was touring Night Falls Over Kortedala, though the plot itself remained the same. An unexpected twist came, however, when Lekman’s mic stand collapsed mid-song and he had to continue playing from his knees. I don’t think even he saw that one coming. A second encore brought Lekman out one more time to play “Every Little Hair Knows Your Name” solo, bringing the show full circle and to a close. The only way it could have been better is if the Swedish consulate had put out immigration forms by the door; I’m pretty sure everyone there would have taken one.

Panic Manual, Exclaim, and The National Post also have reviews of the show while Mechanical Forest Sound has some recordings. The Village Voice and The Philadelphia Inquirer have interviews with Lekman.

Photos: Jens Lekman, Taken By Trees @ The Phoenix – October 4, 2012
MP3: Jens Lekman – “Erica America”
MP3: Jens Lekman – “An Argument With Myself”
MP3: Jens Lekman – “A Higher Power”
MP3: Jens Lekman – “The Opposite Of Hallelujah”
MP3: Jens Lekman – “Friday Night At The Drive-In Bingo”
MP3: Jens Lekman – “Black Cab”
MP3: Jens Lekman – “You Are The Light”
MP3: Jens Lekman – “A Sweet Summer’s Night On Hammer Hill”
MP3: Taken By Trees – “Dreams”
MP3: Taken By Trees – “Anna”
MP3: Taken By Trees – “My Boys”
MP3: Taken By Trees – “Watch The Waves”
MP3: Taken By Trees – “Lost & Found”
Video: Jens Lekman – “Become Someone Else’s”
Video: Jens Lekman – “I Know What Love Isn’t”
Video: Jens Lekman – “Erica America”
Video: Jens Lekman – “Sipping On The Sweet Nectar”
Video: Jens Lekman – “You Are The Light”
Video: Taken By Trees – “Large”
Video: Taken By Trees – “Dreams”
Video: Taken By Trees – “My Boys”
Video: Taken By Trees – “Lost And Found”

El Perro Del Mar has rolled out a new video from her forthcoming album Pale Fire, out November 13.

Video: El Perro Del Mar – “Walk On By”

The Skinny has an interview with Efterklang, who’ve released a new video from Piramada.

Video: Efterklang – “Apples”

Interview and The Boston Globe talk to The Raveonettes.

The Sigur Rós “Mystery Film Experiment” for Valtari has gotten another installment bigger.

Video: Sigur Rós – “Dauðalogn”

Daytrotter has a session with Ladyhawke, The San Francisco Examiner an interview.

Frank YangMaybe it’s because I tend to exist in a very Brit/Scandi/indie-centric music bubble that I figured by the time Niki & The Dove’s first proper North American tour rolled into Toronto, they’d have already been the buzziest thing going; this based on both the power of their performances at Iceland Airwaves last year and at SXSW this Spring, the overall impressiveness of their debut Instinct. So while they did indeed sell out the Drake on Tuesday night, I had expected demand would have moved it to a bigger room, that there’d be people offering to trade their kidneys for ducats on Craigslist, et cetera. Not so. But that’s okay.

I didn’t especially rate them while they were active, but if there comes a day in the not-too-distant future when Spiral Beach are held up as one of those important Toronto bands whose DNA can be found in countless others, I don’t think I’d be surprised. Already the band’s descendants includes Austra and Doldrums, and the for those wondering what former frontwoman Maddy Wilde and drummer Daniel Woodhead have been up to, the evening’s openers Moon King were the answer. But using Spiral Beach as a reference point wouldn’t get you very far, as Wilde has shifted to guitarist and backing vocal duties while Woodhead has stepped out in front of the kit and is now the frontman. Performing as a four-piece with drummer and keyboardist, they put on an impressive set that thanks to Woodhead’s affected feyness and Wilde’s aggressively chorused guitar work, you could reasonably describe as Kevin Barnes fronting a punk rock Cocteau Twins. It’s understandable if you’re unsure that that’s something you’d want to hear, but to my ears it worked quite well. And unlike Spiral Beach, whom I found overly precocious at times, Moon King are happy to indulge their pop instincts and let their talent and inherent eccentricities keep it from getting too obvious. There’s getting to be plenty of “Moon” bands out there, but this one is worth distinguishing and remembering.

You would think that having seen Niki & The Dove twice in the past year would give me a pretty good sense of what to expect from their show, but that was far from the case. This was one of a handful of headlining dates between high-profile support slots for Twin Shadow and Miike Snow, and so they were travelling on the cheap – it was just Malin Dahlström and Gustaf Karlöf, no dancers as in Iceland and not even drummer Magnus Böqvist, who accompanied them in Austin. And also, apparently, no lights. Perplexingly, they took the stage in total darkness and remained so for the first two songs – a curious choice for such a visual band, not that the lack of illumination kept Dahlström from dancing while performing – you could see her vague outline doing so. Eventually a single dim spot was raised and the house could get a reasonable look at the Swedish duo, who certainly didn’t look like they had any reason to be hiding, what with Dahlström donning a fancy headdress and some illuminated LED rings for the occasion.

Speaking of visuals, if someone were to look at their stage setup – a haphazard array of keyboards, sequencers, samplers, and guitar pedals but no acoustic instruments besides a single floor tom and snare drum – they might assume that this was a band that would have to adhere to a rigid show structure; after all, laptops aren’t necessarily the best instruments for live improvisation. They would, however, be wrong. Their set was surprisingly jammy with Karlöf taking his time to build and manipulate layers of synthetic sounds before Dahlström would begin singing, and she herself was more than equipped to at her own electronic workstation to add to the sonic melee. Most songs were extended from their album versions to some degree of live remix, often to the benefit of those in the audience who wanted to groove or dance. “Tomorrow” didn’t fare as well as the most anthemic number in their repertoire should have, sounding all out of time with itself, but I wouldn’t assume that it wasn’t deliberate.

Though they expressed some shyness about their English – which was fine, by the way – the duo were genuinely enthused about being in Toronto and the response they go, not least of all because it allowed them to break out a cover that they said they’d been preparing especially for the occasion – a sweet, low-key reading of Joni Mitchell’s, “A Case Of You”. It was a highlight of the hour-long set which closed with a particularly free-form “Drummer”, and for an encore which I’m not entirely sure they were prepared for but that was demanded, an extended “Gentle Roar”. An auspicious debut and even in the dark, they shone.

The Stool Pigeon also had a foreign correspondent on hand. Houston Press and The Phoenix have interviews with Niki & The Dove.

Photos: Niki & The Dove, Moon King @ The Drake Underground – October 2, 2012
MP3: Niki & The Dove – “Tomorrow”
MP3: Niki & The Dove – “Mother Protect”
MP3: Niki & The Dove – “DJ, Ease My Mind”
MP3: Niki & The Dove – “The Drummer”
MP3: Moon King – “Only Child”
Video: Niki & The Dove – “Dance Floor”
Video: Niki & The Dove – “Tomorrow”
Video: Niki & The Dove – “The Fox”
Video: Niki & The Dove – “DJ Ease My Mind”
Video: Niki & The Dove – “Mother Protect”
Video: Niki & The Dove – “The Drummer”
Video: Moon King – “Only Child”

In preview of tonight’s show at The Phoenix, NOW has an interview with Jens Lekman, who has released a new video from I Know What Love Isn’t.

Video: Jens Lekman – “Become Someone Else’s”

DIY has an interview with Victoria Bergsman of Taken By Trees, who opens up for Lekman tonight.

Norway’s Team Me have released a new video from To The Treetops.

Video: Team Me – “With My Hands Covering Both Of My Eyes I Am Too Scared To Have A Look At You Now”

NPR is streaming Efterklang’s recent New York concert with the Wordless Music Orchestra and The Epoch Times has an interview.

Irish power-pop vets Ash are finally coming back to town as part of a North American tour to mark their twentieth anniversary as a band. They’ll be at Lee’s Palace on November 17.

MP3: Ash – “Burn Baby Burn”

The Skinny, The Quietus, and Spin talk to Natasha Khan of Bat For Lashes about her new record The Haunted Man, due out October 22.

The New Yorker and The Chicago Sun-Times interview Beth Orton.

The Fly has a sit-down with The Vaccines.

The Stool Pigeon and FasterLouder interview Tame Impala about their new album Lonerism, out next Tuesday. They play The Phoenix November 12.

Amanda MarsalisCognizant, perhaps, of the fact that Other Worlds, her third album as Taken By Trees, comes out the exact same day that her North American tour supporting both it and Jens Lekman begins – that’d be next Tuesday, October 2 – Victoria Bergsman has thoughtfully made the album available to stream in its entirety; you can hear it over at Prefix.

It’s a record that keeps the wanderlust feel of its predecessor, East Of Eden, as filtered through Bergsman’s signature shy, sleepy vocals. But where that album immersed itself in the sounds and spirit of Pakistan, Worlds draws influences from a variety of places, from the Mediterranean to Caribbean to South Pacific, to create a gentle, yet danceable aural vacation.

Taken By Trees are at The Phoenix on October 4. Work has a brief Q&A with Bergsman.

Stream: Taken By Trees / Other Worlds

Room 205 has poste the third and final video from their session with I Break Horses. You can also just stream the audio of the session via Soundcloud if you don’t want to deal with the… interesting camera work.

Video: I Break Horses – “Load Your Eyes”
Stream: I Break Horses @ Room 205

Stereogum and The Toronto Star have interviews with First Aid Kit.

DIY gets to know Icona Pop.

Sigur Rós have released another instalment from their Valtari “Mystery Film Experiment” series.

Video: Sigur Rós – “Ekki múkk”

In conversation with Drowned In Sound, Andy Bell discusses what’s next for Beady Eye, what was for Ride and Oasis, and what probably should never have been with Hurricane #1.

DIY, Cool Hunting, and Drowned In Sound talk to Efterklang.

Still Corners have released a new single to precede a Fall European tour. It’s pretty.

MP3: Still Corners – “Fireflies”

CBC Music talks to Beth Orton, in town at the Mod Club on Sunday night in support of Sugaring Season, out Tuesday.

Paste is streaming Don’t Be A Stranger, the new album from Mark Eitzel, ahead of its official release date next Tuesday. He’s at The Rivoli on November 28 and another career advice video is up at SF Weekly.

MP3: Mark Eitzel – “I Love You But You’re Dead”
Stream: Mark Eitzel / Don’t Be A Stranger

Exclaim and The National Post have features on Grizzly Bear, who’ve released a new video and download from Shields.

MP3: Grizzly Bear – “Speak In Rounds”
Video: Grizzly Bear – “Yet Again”

Annie Clark of St. Vincent submits to an Exclaim questionnaire.

CBC Music and SF Weekly talk to Victoria Legrand and The Georgia Straight to Alex Scally of Beach House; they’re at The Kool Haus on October 13.

A couple of noteworthy support acts announced this week – Jason Lytle will be peddling his new solo record Dept. Of Disappearance at Massey Hall on December 5 before Band Of Horses take the stage. The album is out October 16, and a new song is available to stream.

Stream: Jason Lytle – “Get Up And Go”

And DIIV are back again, warming up for Japandroids at The Phoenix on December 11.

MP3: DIIV – “Sometime”