viinyl.comAnd there it is, the first new Suede song in a decade – since “Attitude”, from their 2003 Singles compilation – and being a bit nervous about hitting “play” is reasonable. Accepting that it won’t be on par with anything from Suede or Dog Man Star – Bernard Butler isn’t back in the fold, and even when he and Brett Anderson do get back together, they can’t recreate that same magic – there’s still the question of if it’ll be more “Trash” or even “Electricity” than “Positivity” (which is to say, great, alright, or terrible).

And I will rank “Barriers” somewhere in-between those first two. Not as immediately exhilarating as “Trash”, but certainly worth a sigh of relief that – if it’s representative of the band’s new material – that Brett Anderson was good as his word that if their recent recording sessions weren’t up to snuff, they wouldn’t be released. Anderson’s lyrics have those old-school decadent Suede allusions, even if they do sound a bit forced, and Fat Richard – whom I promise I will eventually stop calling Fat Richard but not quite yet – offers some solidly Butler-esque whammied guitar-work, but most importantly it’s got some real energy and dramatic sweep to it, to say nothing of a properly big chorus. I think I’ve listened to it more already this morning than I did to “Positivity” ever. Thank you, Suede, for not going ballad-y for your return.

The album – their first in over a decade since 2002’s forgettable A New Morning – will be called Bloodsports and is due out in March. The first official single – which this taste is not – will be called “It Starts And Ends With You” and released next month. I dunno guys, sounds kind of ballad-y.

Brett Anderson talks to NME about the new single and the band’s recorded return.

And while I’m on the topic, could someone please reissue the Suede catalog on vinyl? I was looking at $125 copies of Dog Man Star on eBay yesterday and thinking, “hey that’s not bad”. And then I slapped myself.

MP3: Suede – “Barriers”

Django Django have unchained released a new video from last year’s self-titled debut. They’re at the Opera House on March 12.

Video: Django Django – “Hand Of Man”

Stornoway are streaming the first taste of their second album Tales From Terra Firma, due out March 11.

Stream: Stornoway – “Knock Me On The Head”

The Line Of Best Fit has a video session with Echo Lake.

The xx talk to Rolling Stone about what they’ve got planned for their upcoming North American tour.

In conversation with The Gold Coast Bulletin, M.I.A. reveals her next album Matangi will be out on April 15.

Frank YangIt’s really a travesty that Neil Halstead’s isn’t venerated as a musical trailblazer. This is, after all, a man whose work in Slowdive was groundbreaking for both the shoegazing and ambient electronic genres and who created some of the finest alt.country moments from the UK via Mojave 3, the say nothing of the increasingly deep catalog of works under his own name, most recently with Palindrome Hunches. And yet for the recognition that he should but mostly does not get, he seemed perfectly content to just roll into the Dakota Tavern on Monday evening, guitar in hand, to play some songs and just play some songs. Must be that surfer lifestyle.

Supporting Halstead on these dates was Californian Jim Hanft, who in turn brought with him collaborator Samantha Yonack. Hanft offered up some decent singer-songwriter fare, and any points deducted for having an overly affected rasp and twang in his delivery was made up for by his genial demeanour and willingness to move around and make use of the stage. For her part, Yonack earned her almost-equal billing both with her harmonies and impromptu roadie skills, on display when Hanft accidentally unplugged his guitar during one of the aforementioned wanders. Not the most memorable stuff, but pleasant enough.

Halstead was last here in November 2008 for Oh! Mighty Engine, and just like his solo record have gotten progressively more stripped-down, so to has his live show become simpler in execution. Whereas that show featured a couple backing players, this time Halstead was joined by an accompanist on only a handful of songs – crucially so, with the simple bass, guitar, and piano embellishments adding a lot – but mostly just himself. And as always, that’s all he really needed.

As is typical with his solo shows, the set was divided up fairly evenly between solo and Mojave 3 material, though I think that the balance this time out leaned more to the band material. Playing without a written-out set list, Halstead was agreeable to shouted requests and surprisingly to me, whose fandom stretches back to the Slowdive days, a lot of the requests were for his solo material (and one request for “Souvlaki Space Stating” was indulged to the point of playing the opening chords and demonstrating that he had a delay pedal handy). I suppose that made sense with the crowd being younger than I would have expected – these people weren’t Slowdive or Mojave 3 fans first, but Neil Halstead fans. What a thing it must be to have three distinct and beloved catalogs to work from. The audience also gave Halstead a song back, singing him, “Happy Birthday” in honour of his turning 42 the day before.

Though Mojave 3 had technically been in action this year – some lineup had played a few gigs in China, of all places, this Summer – it had been a good six years since they last toured through and it was so great to hear those songs again: “Prayer For The Paranoid”, “Who Do You Love”, “In Love With A View”, “Some Kinda Angel”, “Life In Art”… all moments of gorgeousness that I’d somehow let slip from my memory. In addition to refreshing my Mojave affections, my appreciation for Halstead’s solo works also increased as the performance went on – it’s easy to begrudge those solo records for not being Mojave 3 or Slowdive records, for not showcasing Halstead’s talents at crafting widescreen sonic landscapes, but that would ignore just how good a pure songwriter Halstead now is, and how he doesn’t necessarily need all that presentation to make beautiful and affecting music.

After closing the main set with a gorgeous, “Full Moon Rising” off of Palindrome Hunches, Halstead returned and soliciting more requests, addressed the Slowdive reunion question which he himself set up in August – fitting, since this was the city that hosted the final two Slowdive shows in 1994. And while I’d like to think that it was all part of a carefully planned campaign to lead up to an official return in the near future, his explanation that he was being interviewed at 7AM in China and that a Slowdive return had never officially been off the table but wasn’t necessarily any closer to a reality than it ever was seemed more likely; he closed the discussion by suggesting those really keen on it happening should petition Rachel Goswell for it to happen, and then for the first time since I’ve been seeing either him or Mojave 3 live – some 13 years – he played a Slowdive song. And then another. His solo acoustic arrangement of “Alison” had already surfaced thanks to the free tour EP at Noisetrade, but the rendition of “40 Days” was new to my ears and beautiful. The magic the man can work with just the addition of a delay pedal is remarkable; someone needs to hand him a Telecaster, stat. “Hi-Lo and In Between” from Sleeping On Roads closed the show after a good hour forty-five and Halstead bid farewell, at least until the next time.

The Singing Lamb also has a review of the show. Metro and The Philadelphia Inquirer have interviews with Halstead.

Photos: Neil Halstead, Jim Hanft with Samantha Yonack @ The Dakota Tavern – October 8, 2012
MP3: Neil Halstead – “Tied To You”
MP3: Neil Halstead – “Digging Shelters”
MP3: Neil Halstead – “Full Moon Rising”
MP3: Neil Halstead – “Paint A Face”
MP3: Neil Halstead – “Two Stones In My Pocket”
MP3: Mojave 3 – “In Love With A View”
MP3: Mojave 3 – “Return To Sender”
Video: Neil Halstead – “Hey Daydreamer”
Video: Neil Halstead – “Digging Shelters”
Video: Neil Halstead – “Elevenses”
Video: Neil Halstead – “Witless Or Wise”
Video: Neil Halstead – “Paint A Face”
Video: Neil Halstead – “Queen Bee”
Video: Mojave 3 – “Breaking The Ice”
Video: Mojave 3 – “Some Kinda Angel”
Video: Mojave 3 – “Love Songs On The Radio”
Video: Jim Hanft – “Television”
Video: Jim Hanft – “Superhero”

Gold Flake Paint and DIY have interviews with Frightened Rabbit, in town for a sold-out Mod Club show tonight.

Ellie Goulding goes over her new album Halcyon for Billboard. She brings it to the Sound Academy on October 14.

CBC Music talks to The xx, coming to Massey Hall on October 23.

Spinner interviews Natasha Khan of Bat For Lashes. Her new album The Haunted Man comes out October 23 and a six-song preview is now streaming at The Guardian.

Stream: Bat For Lashes / The Haunted Man sampler

Ritzy Bryan of The Joy Formidable talks to DIY about their new album Wolf’s Law, out January 23 of next year. They’re at The Sound Academy on November 25 supporting The Gaslight Anthem.

The Vaccines have a new vid from Come Of Age. They’re at The Phoenix on February 4.

Video: The Vaccines – “I Always Knew”

Muse will bring whatever ridiculous over-the-top live spectacle they dream up – think “The Wall” – for their new album The 2nd Law to the Air Canada Centre on April 9. NPR has a brief interview with the band.

Video: Muse – “Survival”

The National Post and Under The Radar have features on Two Door Cinema Club.

NPR has a World Cafe session and JAM and State interviews with Beth Orton.

Bloc Party have released a new video from Four.

Video: Bloc Party – “Kettling”

Echo Lake have put out another video from their debut Echo Lake.

Video: Echo Lake – “Another Day”

Billboard and BBC have features on Mumford & Sons.

Adele’s theme song for the new James Bond film Skyfall is now available to “watch” via lyric video. Which is kind of like the movie’s opening credits but with lyrics instead of credits and no silhouettes of femme fatales. It opens in North American on November 9.

Lyric Video: Adele – “Skyfall”

Austin City Limits is streaming their season premiere episode, featuring a little band called Radiohead.

FacebookThe twelve album shortlist for the 2012 Mercury Prize, awarded to the best – by whatever standard the judges choose to use – British or Irish album of the past twelve months was announced yesterday, and I was pleased to see that Richard Hawley made the cut because I get to use the clever (by my standards, at least) post title above and use this sharp photo of Mr. Hawley adjusting his specs.

Truth be told, I’m a bit surprised that Standing at the Sky’s Edge made the cut. Hawley shortlisted before with 2006’s Cole’s Corner, which is as perfect example of what he’s come to be known for in his solo career – classically-styled and richly-adorned romantic pop showcasing his deep baritone and twanging guitarwork – so to recognize him again for a record that seeks to distance itself from that stereotype by way of psychedelic rock jams is a touch unexpected. I personally like the record as it really lets Hawley rip on guitar in a way that he doesn’t typically – it’s louder and rawer but still unimpeachably tasteful – but I do hope it’s more a stylistic sidebar rather than new direction because, well, everyone likes the croony Rich.

To hear both sides impeccably presented, I highly recommend cueing up this live performance at the BBC last weekend where Hawley, in his hometown of Sheffield, is accompanied for two career-spanning sets by the BBC Philharmonic. It’s as gorgeous sounding as it would appear on paper, and as BBC doesn’t like to archive their stuff indefinitely, it’s only available to stream for a couple more days. Hopefully eventually it’ll be given a live release because, well, it should. Hop to the 32 minute mark to hear Jarvis Cocker’s introduction – Jarvis should always be heard – or to the 35th minute for the start of the show. And while you’re at it, read these features interviews at Toast, The Sheffield Telegraph, and The Belfast Telegraph. Also, watch this studio session video for his new single.

Video: Richard Hawley – “Seek It” (live at Yellow Arch Studios)

As for the rest of the Mercury nominees, they line up as follows. And as has become a habit, more than a few of them are coming through town in the next few weeks – Alt-J at Wrongbar on September 19, Ben Howard at Sound Academy on September 24, and Django Django at Wrongbar on September 25. Not Hawley though – he hasn’t been back since December 2007, but hey – we can hope.

Billboard and The Quietus collect some nominee reactions. The winner of the 2012 Mercury Prize will be announced on November 1.

Alt-J / An Awesome Wave / MP3: “Tessalate”
Django Django / Django Django / MP3: “Default”
Field Music / Plumb / MP3: “A New Town”
Ben Howard / Every Kingdom / Video: “Keep Your Head Up”
Richard Hawley / Standing at the Sky’s Edge / MP3: “Down In The Woods”
Michael Kiwanuka / Home Again / MP3: “Tell Me A Tale”
Lianne La Havas / Is Your Love Big Enough? / Video: “Lost & Found”
Sam Lee / Ground of its Own / Stream: “George Collins”
The Maccabees / Given To The Wild / MP3: “Go”
Plan B / Ill Manors / Video: “Ill Manors”
Roller Trio / Roller Trio / Video: “R-O-R'”
Jessie Ware / Devotion / Video: “Wildest Moments”

The Guardian has an interview, MTV a bluffer’s guide, and Baeble Music a video session with Alt-J, who’ve just debuted a new video and are presently favoured to win the big prize.

Video: Alt-J – “Fitzpleasure”

Pitchfork has details on Field Music’s forthcoming covers mini-album Playm, due out later this Fall.

Mumford & Sons have released a video from their new album Babel, due out September 25.

Video: Mumford & Sons – “I Will Wait”

Rolling Stone has premiered a track from Tim Burgess of The Charlatans’ new solo record Oh No I Love You, out October 1 in the UK. The Independent also has an interview with Burgess, who reveals that a new Charlatans album will be on the way sometime next year.

MP3: Tim Burgess – “A Case For Vinyl”
Video: Tim Burgess – “White”

Neil Halstead has released a video from his new album Palindrome Hunches, and it gives you a pretty good idea of what his show at The Dakota on October 8 will look like.

Video: Neil Halstead – “Digging Shelters”

Frightened Rabbit are previewing their new State Hospital EP every which way ahead of its release on September 25. The video for the title track was revealed a couple weeks back and now Drowned In Sound has an acoustic video performance of that same tune and DIY has an acoustic demo video of the song, “Boxing Night”. The band are at The Mod Club on October 10 and Mark Grainger writes and Clash have interviews with Scott Hutchison.

Billboard and State talk to Two Door Cinema Club, in town at the Sound Academy on October 11.

The Guardian talks to Natasha Khan of Bat For Lashes. Her new album The Haunted Man is out October 23.

Consequence Of Sound has the full routing of the Saint Etienne Fall North American tour, which kicks off October 24 in Toronto at the Opera House, and adds an interview with singer Sarah Cracknell for good measure.

The Joy Formidable have offered the first video from their new album Wolf’s Law, due out in January. That’s right – the song of the same name for which they released a video last month won’t actually appear on the album.

Video: The Joy Formidable – “Cholla”

Clash meets Hot Chip. Pretty sure they’ve met before, but whatever. Exclaim and The Georgia Straight also have chats.

DIY and Uncut celebrate the 20th anniversary of Ride’s seminal Going Blank Again by talk to Mark Gardener and Andy Bell, respectively.

The Quietus gets an update from Brett Anderson about how recording sessions for that new Suede album are going. How well? Well enough that Brett Anderson is willing to talk about it.

Noel Gallagher gives NME some odds for an Oasis reunion – not good.

Spinner talks to Stevie Jackson about going it solo for a bit.

Wild Peace, the dreampoppy debut from London’s Echo Lake has been out for a while but due to tragic circumstances – drummer Pete Hayes passed away days before it was released in June – so they’re just getting back to doing press for it now. Drowned In Sound has a complete stream of the album along with song-by-song annotations by the band.

Video: Echo Lake – “Wild Peace”
Video: Echo Lake – “In Dreams”
Stream: Echo Lake / Wild Peace

Spinner chats with Florence Welch of Florence & The Machine.

NPR welcomes Bloc Party for a KCRW session.

Elbow bassist Pete Turner talks to NME about their just-released Dead In The Boot b-sides comp, as well as their plans for their next proper studio album.

Under The Radar presents a video session with Anna Calvi comprised of original instrumentals recorded at and inspired by works in the Tate Modern in London.

NPR, The Los Angeles Times, Digital Spy, and PopMatters interview Pet Shop Boys about their new album Elysium.

There’s a video for the first new Dubstar song in forever – it was originally released in time for Record Store Day in the Spring. A new album is allegedly in the works.

Video: Dubstar – “Circle Turns”

State chats with The Futureheads.

The Grid and The National Post talk to The xx.

DIY and Spinner have features on The Vaccines.

Spinner has an interview and The Line Of Best Fit a video session with Charli XCX.

Clash and The Quietus have features on TOY, but don’t use the all-caps presentation so since I presume they’d know better than I, henceforth neither shall I. Toy. There you still. Still a rubbish name.